{"id":15421,"date":"2021-07-31T20:59:56","date_gmt":"2021-07-31T17:59:56","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=15421"},"modified":"2021-07-31T21:01:20","modified_gmt":"2021-07-31T18:01:20","slug":"spatii-culturale-nr-53-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=15421","title":{"rendered":"Spa\u021bii culturale nr. 53 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><\/p>\n<p><strong>RAFTUL CU C\u0102R\u021aI<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/14-1-e1627754002501.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15422 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/14-1-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15422\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/14-1-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Calistrat Costin<\/strong>, <em>Fericit cel care\u2026, Editura Ateneul scriitorilor, Bac\u0103u, 2017<\/em>, 97p. \u00cen cronica la acest recent volum, Valeria Manta T\u0103icu\u021bu remarc\u0103:<em> \u2026 Maestru \u00een jocuri de cuvinte bazate pe echivoc, poetul b\u0103c\u0103uan sur\u00e2de cu triste\u021be \u0219i resemnare, \u00eentr-o lume nebun\u0103, \u00een care, de fapt, nu se \u00eent\u00e2mpl\u0103 nimic. (\u2026) El a r\u0103mas, (\u2026) a\u0219a cum \u00eel \u0219tim, blajin \u0219i sarcastic \u00een egal\u0103 m\u0103sur\u0103, scriind versuri ca s\u0103 nu moar\u0103, cuget\u00e2nd la c\u00e2te-n lun\u0103 \u0219i soare nu pentru a afla r\u0103spunsuri, ci pentru a nu l\u0103sa odihn\u0103 spiritului\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/15-2-e1627754044915.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15423 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/15-2-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 204px; --smush-placeholder-aspect-ratio: 204\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15423\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/15-2-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Victor Munteanu<\/strong>, <em>Guardino del mulino a vento\/ Paznic la moara de v\u00e2nt\/ Di Felice, Edizioni, Martinsicuro, Italia, 2017<\/em>, 177 p. Versiunea \u00een limba italian\u0103 apar\u021bine lui Geo Vasile, care semneaz\u0103 \u0219i prefa\u021ba la acest volum. Criticul men\u021bioneaz\u0103:<em> \u2026 Poeziile lui Victor Munteanu atest\u0103 un riguros constructor de improbabilit\u0103\u021bi, ce \u00eencearc\u0103 s\u0103 descifreze tainele fiin\u021bei \u0219i ale lumii prin metafore, oximoroane, compara\u021bii \u0219i analogii. (\u2026) Opera poetic\u0103 a lui Victor Munteanu pare a fi destinat\u0103 purific\u0103rii prin mijlocirea tainelor frumuse\u021bii pure a cuv\u00e2ntului, ale existen\u021bei fiin\u021bei ce se confrunt\u0103 cu paradigma postmodern\u0103 a predestin\u0103rii: sf\u00e2r\u0219itul sau m\u00e2ntuirea.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/16-2-e1627754059231.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15424 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/16-2-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15424\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/16-2-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Gina Zaharia<\/strong>, <em>Nomade, Editura Omega, Buz\u0103u, 2016<\/em>, 87 p. \u00centr-o cronic\u0103 literar\u0103 la acest volum, Cezarina Adamescu spune:<em> Prin poezia ei ultramodern\u0103, Gina Zaharia creeaz\u0103 o lume aparte \u00een care intri u\u0219or derutat, ca-n Labirintul lui Dedal, dar \u00een cele din urm\u0103 g\u0103se\u0219ti c\u0103rarea spre lumini\u0219ul de unde survine fiin\u021ba. Ea este o poet\u0103 format\u0103, \u00een deplin\u0103 maturitate artistic\u0103, av\u00e2nd iscusin\u021ba condeiului, pe care-l st\u0103p\u00e2ne\u0219te perfect, ca \u0219i principalele mijloace de expresie cu care opereaz\u0103 inser\u021bii \u00eentr-un real-imaginar \u0219i benefic.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/17-2-e1627754075100.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15425 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/17-2-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 182px; --smush-placeholder-aspect-ratio: 182\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15425\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/17-2-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Tudor Cicu<\/strong>, <em>Scrisori din prisaca de la Nego\u0219ina (libertatea de a citi) -, Editgraph, Buz\u0103u, 2016<\/em>, 179 p. Pe coperta a patra a c\u0103r\u021bii, Emil Lungeanu afirm\u0103: <em>Experimentul eseistic original la care te invit\u0103 colocvial Tudor Cicu, aproape luxuriant \u00een ramifica\u021bii \u0219i analize dar mereu agreabil, rafinat, doct f\u0103r\u0103 scor\u021bo\u0219enie, documentat beton, reu\u0219e\u0219te s\u0103 duc\u0103 la cap\u0103t cu succes un travaliu de 180 pagini. Eu unul am citit-o ca pe o poveste, \u0219i de\u0219i \u201epove\u0219tile \u00eenving moartea, sau cel pu\u021bin o am\u00e2n\u0103\u201d \u2013 de la D.R. Popescu citire \u2013 totu\u0219i la urm\u0103, nu \u0219tiu de ce, poate tocmai pentru c\u0103 a luat sf\u00e2r\u0219it, m-a \u00eentristat.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/18-2-e1627754092924.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15426 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/18-2-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15426\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/18-2-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Titi Damian<\/strong>, <em>Muscelenii \u2013 vol. IV, Ruina, Editgraph, Buz\u0103u, 2016<\/em>, 427 p. \u00cen <em>Nota autorului<\/em>, scriitorul Titi Damian men\u021bioneaz\u0103: <em>\u2026 Povestea satului \u00een destr\u0103mare \u0219i degradare am imaginat-o \u00een acest roman pe dou\u0103 registre narative. Unul \u2013 la persoana \u00eent\u00e2i \u2013 vizeaz\u0103 rela\u021biile tensionate din interiorul familiei, generate de instinctul de proprietate, c\u0103p\u0103t\u00e2nd forme aberante. Cel\u0103lalt \u2013 realizat la persoana a treia \u2013 adun\u0103 numeroase personaje \u0219i evenimente semnificative din via\u021ba satului, fundal solid pentru cel\u0103lalt plan&#8230;<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/28-2-e1627754235356.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15436 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/28-2-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 216px; --smush-placeholder-aspect-ratio: 216\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15436\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/28-2-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marin Ifrim<\/strong>, <em>Din\/ spre Teatrul \u201eGeorge Ciprian\u201d, Editura Teocora, Buz\u0103u, 2017<\/em>, 120 p. Cartea despre teatrul din Buz\u0103u (dramaturgi, actori, fapte) are \u00een partea final\u0103 c\u00e2teva (p)referin\u021be critice la apari\u021biile editoriale anterioare ale lui Marin Ifrim. Referitor la Cartea Teatrului-evoc\u0103ri din culisele Teatrului \u201eGeorge Ciprian\u201d, Ioan Stoica, printre altele, men\u021bioneaz\u0103: <em>\u2026 Cartea lui Marin Ifrim proiecteaz\u0103 o lume \u00een continu\u0103 mi\u0219care, preocupat\u0103 s\u0103 g\u0103seasc\u0103 formule eficiente de promovare \u0219i valorificare a fenomenului teatral autentic, ferit de rutin\u0103 \u0219i cabotinism\u2026<\/em> La aceea\u0219i carte se refer\u0103 \u0219i Georgic\u0103 Manole, Ion Machidon \u0219i Dumitru D\u0103n\u0103il\u0103, iar Magda Ursache scrie despre Cartea de munc\u0103.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/19-2-e1627754251835.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15427 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/19-2-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15427\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/19-2-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Liviu Chiscop<\/strong>, <em>Prozatorul Bacovia, Editura Babel, Bac\u0103u, 2016<\/em>, 140 p. \u00cen ampla prefa\u021b\u0103 (<em>Proza bacovian\u0103<\/em>), scriitorul Cassian Maria Spiridon precizeaz\u0103: P<em>rozatorul Bacovia, condensata carte a lui Liviu Chiscop, este o prim\u0103 \u00eencercare de cuprindere exhaustiv\u0103 a paginilor de proz\u0103 artistic\u0103 \u0219i nonartistic\u0103 ale b\u0103c\u0103uanului George Bacovia. Inventarul complet al celor c\u00e2teva zeci de pagini sunt, cum subliniaz\u0103 \u0219i autorul, o propunere \u0219i un \u00eendemn \u2013 le consider \u00eentru totul \u00eendrept\u0103\u021bite \u0219i necesare \u2013 spre editarea integral\u0103 a ceea ce se cheam\u0103 \u201eproza bacovian\u0103\u201d.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/20-2-e1627754268485.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15428 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/20-2-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15428\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/20-2-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Cornel Galben<\/strong>,<em> Lecturi aleatorii, vol III, Editura PIM, Ia\u0219i, 2017<\/em>, 148 p. De data aceasta, Cornel Galben adun\u0103 50 de scurte referin\u021be critice referitoare la c\u0103r\u021bile a 50 de scriitori rom\u00e2ni. Numim pe c\u00e2\u021biva: Vasile Bardan, Mirela B\u0103lan, Steliana-Delia Beiu, Leo Butnaru, Calistrat Costin, Loredana D\u0103nil\u0103, Alexandru Dumitru, Ion Fercu, Ion G\u00e2ndu, Tincu\u021ba Horonceanu Bernevic, Eugen Ionescu, Ion Tudor Iovian, Gheorghe Izb\u0103\u0219escu, Nicolae Jinga, Valeria Manta T\u0103icu\u021bu, Octavian Mare\u0219, Valeriu Matei, Mihai Merticaru, S\u00e2nziana Mure\u0219eanu, Cornel Paiu, Mariana P\u00e2ndaru, Marieta R\u0103doi Mih\u0103i\u021b\u0103, Mariana Rogoz Stratulat, Dorina Stoica, Valeriu Valegvi, Octavian Voicu.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/21-2-e1627754282820.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15429 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/21-2-188x300.jpg\" alt=\"\" width=\"188\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 188px; --smush-placeholder-aspect-ratio: 188\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15429\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/21-2-188x300.jpg\" alt=\"\" width=\"188\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Viorica B\u0103lu\u021b\u0103<\/strong>, <em>Dans poetic\/ Danse po\u00e9tique, Rovimed Publishers, Bac\u0103u, 2016<\/em>, 124 p. Transpunerea \u00een limba francez\u0103 apar\u021bine Florentinei Stanciu. Semneaz\u0103 prefa\u021ba Iuliana Clima-Caraghin, iar postfa\u021ba, Mihaela Aionesei, din care red\u0103m c\u00e2teva aprecieri: <em>\u2026 Ani \u00een \u0219ir fr\u0103m\u00e2nt\u0103rile \u0219i cuvintele s-au ciocnit de sine, s-au furi\u0219at spre lumin\u0103 sau au c\u0103utat ad\u0103postul de sub coast\u0103, exers\u00e2nd \u00een tain\u0103 pa\u0219ii \u00eenainte-\u00eenapoi p\u00e2n\u0103 c\u00e2nd au \u00eenv\u0103\u021bat mi\u0219c\u0103rile unui \u201eDans poetic\u201d gra\u021bios care ast\u0103zi vine s\u0103 ne \u00eenc\u00e2nte cu delicate\u021bea unui vals al sinelui cu sine\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/22-2-e1627754295769.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15430 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/22-2-180x300.jpg\" alt=\"\" width=\"180\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 180px; --smush-placeholder-aspect-ratio: 180\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15430\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/22-2-180x300.jpg\" alt=\"\" width=\"180\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Adrian Lungu<\/strong>, <em>Taine, Editura Ateneul scriitorilor, Bac\u0103u, 2015<\/em>, 307 p. Pe coperta a patra a c\u0103r\u021bii, Calistrat Costin men\u021bioneaz\u0103: <em>Adrian Lungu are ne\u00eendoielnic instinct de povestitor, \u0219tie s\u0103 o fac\u0103, s\u0103 extrag\u0103 din banalul cotidian sensuri esen\u021biale, devenind interesant f\u0103r\u0103 efort aparent, istorisind fapte \u0219i \u00eent\u00e2mpl\u0103ri oarecare. Bun psiholog, autorul prozelor Armisti\u021biu cu anii copil\u0103riei (2009), Maria (2010) \u0219i Eroarea (2014) este un veritabil maestru \u00een materie de \u201eflesh-uri\u201d, miniaturi prozastice de tot pitorescul, spre deliciul cititorilor, prin naturale\u021bea analizei (friz\u00e2nd pe alocuri naturalismul), creator de via\u021b\u0103 adev\u0103rat\u0103 \u00een toat\u0103 puterea cuv\u00e2ntului.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/23-2-e1627754313946.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15431 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/23-2-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 219px; --smush-placeholder-aspect-ratio: 219\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15431\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/23-2-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Valeriu Marius Ciungan<\/strong>, <em>Prin lentila umbrei, Editura Arhipelag XXI, T\u00e2rgu Mure\u0219, 2016<\/em>, 110 p. \u00cen <em>Cuv\u00e2nt \u00eenainte<\/em> Iulian Boldea apreciaz\u0103: <em>\u2026 Poetul tr\u0103ie\u0219te acut \u00een spa\u021biul de indeterminare al propriilor viziuni, \u00ee\u0219i transcrie cu ardoare tr\u0103irile, \u00een versuri crispate, tensionate, articulate \u00een registrul unei fervori atent \u0219i corect redate pe p\u00e2nza at\u00e2t de divers\u0103 a poemului. Poeziile mai noi ale lui Valeriu Marius Ciungan dovedesc maturitate stilistic\u0103, o tendin\u021b\u0103 de re\u00eemprosp\u0103tare a imaginarului \u0219i o voin\u021b\u0103 ne\u00eendoielnic\u0103 de structurare atent\u0103 a substan\u021bei lirismului, \u00een direc\u021bia unei lucide percep\u021bii introspective, capabil\u0103 s\u0103 confere poemului o mai limpede expresivitate \u0219i acuitate simbolic\u0103.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/24-2-e1627754330814.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15432 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/24-2-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 216px; --smush-placeholder-aspect-ratio: 216\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15432\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/24-2-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihai Vintil\u0103<\/strong>, <em>Rom\u00e2nia v\u0103zut\u0103 dintr-un col\u021b de B\u0103r\u0103gan, Editura Infoest, Sili\u0219tea, 2016<\/em>, 203 p. Autorul spune \u00eentr-un scurt cuv\u00e2nt \u00eenainte: <em>Avem multe enerv\u0103ri provinciale, multe lu\u0103ri de pozi\u021bie la situa\u021bii care mor a doua zi dar c\u0103rora, de cele mai multe ori, le trebuie un r\u0103spuns. Pentru c\u0103 cineva trebuie s\u0103 le dea un r\u0103spuns. Altfel t\u0103cerea noastr\u0103 nu va face dec\u00e2t s\u0103 aprobe minciuna, m\u00e2rl\u0103nia, ho\u021bia \u0219i prostul gust. E datoria fiec\u0103ruia de cet\u0103\u021bean de a avea o pozi\u021bie. \u00cen fond nu ne r\u0103m\u00e2ne dec\u00e2t optimismul \u0219i ziua de m\u00e2ine. Tabletele din acest volum (\u2026) sunt o radiografie a Br\u0103ilei \u0219i Rom\u00e2niei privite dintr-un col\u021b de B\u0103r\u0103gan numit Sili\u0219tea.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-2-e1627754343426.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15433 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-2-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 216px; --smush-placeholder-aspect-ratio: 216\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15433\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-2-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Vali Boncu Constantin<\/strong>, <em>Cu tine p\u00e2n\u0103 la cap\u0103t, Editura Ateneul scriitorilor, Bac\u0103u, 2016<\/em>, 200 p. Pe coperta a patra a volumului de poezie, Emilian Marcu face c\u00e2teva men\u021biuni: <em>Mai mul\u021bi scriitori, unii foarte importan\u021bi, \u0219i-au exprimat opinia cel mai adesea favorabil\u0103, despre scrisul liric sau epic al lui Vali Boncu Constantin. Este de remarcat \u00een poemele sale modul concis de prezentare a st\u0103rii poetice, f\u0103r\u0103 risip\u0103 de cuvinte, situ\u00e2ndu-l mai aproape de Bacovia dec\u00e2t de Arghezi. (\u2026) Sinceritatea este arma cea mai puternic\u0103, \u00een fond, Vali Boncu Constantin nu scrie poezia, ci el chiar o tr\u0103ie\u0219te.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/26-2-e1627754357941.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15434 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/26-2-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15434\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/26-2-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Toader Titi Roznovanu<\/strong>, <em>Amintiri r\u0103zle\u021be, Editura Ateneul scriitorilor, Bac\u0103u, 2013<\/em>, 159 p. Pe coperta a patra a c\u0103r\u021bii sunt redate c\u00e2teva opinii ale criticului literar Nicolae Sava:<em> \u2026 Prozele lui Toader Titi Roznovanu nu sunt lipsite de reflec\u021bii teoretice, sfaturi, dar \u0219i de stereotipuri existen\u021biale sau parabole cu iriz\u0103ri de basm. Cele mai multe dintre prozele volumului sunt develop\u0103ri ale unor clipe frumoase din copil\u0103ria \u0219i adolescen\u021ba autorului sau din perioada militar\u0103&#8230; Alte referin\u021be critice, consemnate \u00een carte, apar\u021bin lui Calistrat Costin (prefa\u021b\u0103), Emilian Marcu \u0219i Grigore Codrescu.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/27-2-e1627754371834.jpg\" data-rel=\"lightbox-image-14\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15435 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/27-2-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15435\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/27-2-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mircea Constantin Jurebie<\/strong>,<em> O, tempora\u2026, Editura Egal, Bac\u0103u, 2016<\/em>, 120 p. Elisabeta Grasu \u00ee\u0219i \u00eencheie astfel prefa\u021ba (<em>Sub semnul timpului\u2026<\/em>) la acest volum de versuri: <em>\u2026 \u00cen peisajul cultural b\u0103c\u0103uan, Mircea-Constantin Jurebie aduce prin acest volum parfumul vremurilor trecute, c\u00e2nd iubirea era profund\u0103, tandr\u0103, sacr\u0103, c\u00e2nd timpul torcea clipe de fericire \u0219i \u00eembia la visare. O, tempora\u2026 este o carte de suflet. <\/em><\/p>\n<p><strong><br \/>\nValentin TUFAN<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/tufan-e1603106540985.jpg\" data-rel=\"lightbox-image-15\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11457 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/tufan-267x300.jpg\" alt=\"\" width=\"267\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 267px; --smush-placeholder-aspect-ratio: 267\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11457\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/tufan-267x300.jpg\" alt=\"\" width=\"267\" height=\"300\" \/><\/noscript><\/a><\/p>\n<p><strong>Apus electric<\/strong><\/p>\n<p>Se zbate un abur molatic peste soborul de patimi cuib\u0103rite \u00een apus,<br \/>\no searb\u0103d\u0103 re\u00eentoarcere \u00een trecut \u00ee\u021bi las\u0103 gura pung\u0103 \u2013<br \/>\n\u00ee\u021bi activeaz\u0103 sim\u021burile un dor electric pe care \u00eel asimilezi<br \/>\nca pe o doin\u0103 ce-\u021bi r\u0103sun\u0103 din miezul sufletului.<br \/>\nPe l\u00e2ng\u0103 st\u00e2lpii de telegraf<br \/>\nse zbat himerele cuvintelor topite p\u00e2n\u0103 \u00een miezul \u00een\u021belesului,<br \/>\n\u0219oaptele s\u0103rut\u0103 buzele umbrelor<br \/>\nca refractarea dintre dou\u0103 respira\u021bii ce-\u021bi escaladeaz\u0103 sim\u021burile \u2013<br \/>\ne acel moment de climax absolut<br \/>\nc\u00e2nd apusul sur\u00e2de electric prin doi ochi<br \/>\nce pier odat\u0103 cu ultima raz\u0103 de soare,<br \/>\nacel moment c\u00e2nd norii \u00ee\u021bi cad la picioare \u0219i te dezmiard\u0103 seninul soarelui<br \/>\nrezultat din \u00eempreunarea m\u00e2inilor noastre<br \/>\nf\u0103cute pumn.<\/p>\n<p><strong><br \/>\nSuspendat<\/strong><\/p>\n<p>Soarele zace pe cer ca o d\u00e2r\u0103 de os\u00e2nz\u0103 \u00een umbra aluatului de moloz<br \/>\n\u00ee\u015fi plimb\u0103 reflexiile ca o rulet\u0103 ruseasc\u0103 gata s\u0103-\u015fi mu\u015fte declicul \u00een plin colb de catran.<br \/>\n\u00een\u0103untru totul e suspendat<br \/>\nca o revizie tehnic\u0103 c\u0103zut\u0103 peste \u00eemprejurimi.<br \/>\neu \u00eemi adun \u00een perfect\u0103 armonie g\u00e2ndurile \u015fi mi le definesc pe valori \u00eentr-un sistem gradat &#8211; \u00een weekend \u00eemi curg prin vene<br \/>\ntoate zilele schimonosite una-n alta \u0219i-mi \u00eencep jocul de domino al g\u00e2ndurilor c\u0103zute-n sincron.<\/p>\n<p>himerele se zbat printre v\u0103p\u0103ile aruncate de asfalt &#8211; totul e o sculptur\u0103 nefinisat\u0103 din oasele c\u0103inate ale str\u0103mo\u015filor,<br \/>\nf\u0103cute cump\u0103n\u0103 spre-nvolburarea de lacrimi<br \/>\n&#8211; reprezint\u0103 echilibrul &#8211;<br \/>\nc\u0103ci a\u015fa i-a spus c\u00e2ndva acel pygmalion care-a iubit-o p\u00e2n\u0103 a prins via\u0163\u0103<br \/>\ni-a ad\u0103ugat abunden\u021b\u0103, ve\u015fnicie \u0219i dor,<br \/>\ni-au picurat rug\u0103ciunile-n s\u00e2nge p\u00e2n\u0103 s-au ridicat la cer ca o jertf\u0103 dogmei cre\u0219tine,<br \/>\ni-au c\u0103lcat glia popoare \u0219i i-au \u00eengropat \u00een m\u0103duva oaselor scrisul mo\u015ftenit la T\u0103rt\u0103ria<\/p>\n<p>un strat de praf pres\u0103rat peste icoana apusului \u0219i un miros de var\u0103 seac\u0103 -\/ Rom\u00e2nia.<\/p>\n<p><strong><br \/>\nIntervalul dintre dou\u0103 respira\u021bii<\/strong><\/p>\n<p>Distan\u021ba dintre dou\u0103 m\u00e2ng\u00e2ieri<br \/>\n\u0219i un sur\u00e2s z\u0103mislit din ceea ce \u00eenseamn\u0103<br \/>\nrev\u0103rsarea unui nou \u00eenceput<\/p>\n<p>prin dimine\u021bile de Duminic\u0103 unelte\u0219ti<br \/>\n\u0219i mi te-ar\u0103\u021bi \u00een toate existen\u021bele \u0219i efemeridele<br \/>\ndin cursul de zi cu zi,<\/p>\n<p>\u00een toate ploile m\u0103runte \u00een care te \u00eentrupezi<br \/>\n\u0219i-mi atingi cre\u0219tetul ca-ntr-un botez izvor\u00e2t<br \/>\ndin puritatea fiin\u021bei tale candide,<\/p>\n<p>\u00een fiecare scobitur\u0103 \u0219i rost reu\u0219e\u0219ti s\u0103 d\u0103inuie\u0219ti<br \/>\nca o comuniune str\u00e2ns\u0103 \u0219i s\u0103-mi \u00eendoctrinezi fr\u0103m\u00e2nt\u0103rile,<\/p>\n<p>\u00een fiecare adiere de v\u00e2nt \u00ee\u021bi ascult \u0219oaptele<br \/>\nca un preambul al intersect\u0103rii noastre imponderabile din vis,<br \/>\nacolo unde ne-ncruci\u0219\u0103m respira\u021biile<br \/>\n\u0219i ne adulmec\u0103m unul altuia n\u0103zuin\u021bele aprinse &#8211;<br \/>\nlampioane difuze spre t\u0103r\u00e2mul lui Eros.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU RAFTUL CU C\u0102R\u021aI Calistrat Costin, Fericit cel care\u2026, Editura Ateneul scriitorilor, Bac\u0103u, 2017, 97p. \u00cen cronica la acest<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15421"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15421"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15421\/revisions"}],"predecessor-version":[{"id":15439,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15421\/revisions\/15439"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}