{"id":15359,"date":"2021-07-22T22:59:20","date_gmt":"2021-07-22T19:59:20","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=15359"},"modified":"2021-07-22T22:59:20","modified_gmt":"2021-07-22T19:59:20","slug":"spatii-culturale-nr-53-4","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=15359","title":{"rendered":"Spa\u021bii culturale nr. 53 (4)"},"content":{"rendered":"

ISTORIE LITERAR\u0102<\/strong><\/p>\n

Mihai CIMPOI<\/strong><\/p>\n

Radu C\u00e2rneci: Eros, Logos, Ontos<\/strong><\/p>\n

\u00cenceputurile poetice ale lui Radu C\u00e2rneci stau sub semnul unei solarit\u0103\u021bi de tip h\u00f6lderlinian, care, dincolo de faptul c\u0103 este o conven\u021bie a timpului, traduce o ardoare senzual\u0103 care va deveni o dimensiune esen\u021bial\u0103 a crea\u021biei sale. Prin urmare, trebuie s\u0103 vedem \u00een soare un topos circumscris organic unui univers al tr\u0103irilor ardente, existen\u021biale prin \u00eens\u0103\u0219i natura lor.
\nDin polivalen\u021ba simbolic\u0103 tradi\u021bional\u0103 a soarelui poetul alege at\u00e2t semnifica\u021bia de epifanie uranian\u0103, de manifestare general\u0103 a viului, c\u00e2t \u0219i pe aceea de cunoa\u0219tere, de gnosis, el \u00eensemn\u00e2nd ochiul zeului suprem, spiritul universal, parte a Arborelui Lumii.
\nFiind un element unificator, d\u0103t\u0103tor de \u00eentreg bine or\u00e2nduit, revela\u021bia soarelui prilejuie\u0219te revela\u021bia unui univers idilic pus sub domina\u021bia unei sympateia absolute, totul comunic\u00e2nd sub semnul unit\u0103\u021bii.
\n\u00cen mi\u0219c\u0103rile universului este deslu\u0219it\u0103 o \u00abtainic\u0103 oficiere\u00bb: \u201eTrupul meu intr\u0103 \u00een mi\u0219carea Soarelui\/ privirile \u00een mi\u0219carea p\u0103s\u0103rilor\/ zborul mi se vrea de aer lung\/ \u0219i m\u0103-ndrept spre p\u0103durile de piatr\u0103\u201c (Tainice oficieri). A\u0219a se face c\u0103 \u00een t\u0103cerea universal\u0103 se mai aude \u201echemarea tragic\u0103 a Miori\u021bei\u201c, \u00een timp ce, imnicul, elegiacul, litanicul, baladescul, se \u00eent\u00e2lnesc \u00een contrapunct, deslu\u0219indu-se formule de ora\u021bie \u0219i desc\u00e2ntec.
\nCaracterul de ceremonial al discursului mitopo(i)etic se contureaz\u0103 limpede de pe acum. Mirii caut\u0103 un \u201epatr\u0103coros\u201c, orele dragostei sunt ca ploile verii (\u201efrenetice \u0219i istovitoare\u201c), p\u0103durea e o \u201eflac\u0103r\u0103 toat\u0103\u201c, aerul e \u201eo umbr\u0103 ro\u0219ie\u201c, z\u0103pezile se \u00eembr\u0103\u021bi\u0219eaz\u0103 \u00eentr-o \u201ep\u0103dure de sticl\u0103 zeiasc\u0103\u201c. Este o acuitate a sim\u021burilor, un prag paroxistic al ardorii care presupune topirea \u0219i con-topirea: \u201eAud tropotul m\u0103runt al florilor \/ pa\u0219ii ierburilor \/ aripele p\u0103durilor pe z\u0103ri\u201c (Vers de mire). Solaritatea are for\u021b\u0103 orfeic\u0103 prin ea \u00eens\u0103\u0219i, devenind spontan c\u00e2ntec. Poetul \u201ec\u00e2nt\u0103 dintr-un arbore\u201c \u0219i se simte unul dintre cei chema\u021bi \u00een acest univers care pare un arbore de tain\u0103: \u201e\u00cen cele patru v\u00e2nturi \u0219i \u00eentre ele\/ noaptea se leag\u0103 de zi, ziua de noapte\/ rotindu-se planet\u0103 pentru mine\/ \u0219i m\u0103 \u00eendeamn\u0103 s\u0103 trec \u2013 iar el r\u0103m\u00e2ne\/ \u0219i s\u00e2ngele meu se vrea \u00een setea lui neagr\u0103\/ \u0219i m\u0103 simpt dintre cei chema\u021bi…\u201c (Arbore de tain\u0103).
\nO poezie deosebit de sugestiv\u0103 va traduce \u0219i complexitatea dorului, a dorului de dor, recurg\u00e2nd la simbolistica nocturn\u0103 a cucuvelei care vine s\u0103 vorbeasc\u0103 despre o cunoa\u0219tere dureroas\u0103, \u201ede noapte\u201c: \u201eCucuvea cu pene ro\u0219ii\/ cucuvea cu pene verzi\/ cazi din lun\u0103 peste dor\/ adu-i cerul dedesubt\/ pas\u0103re cu ochi abrupt\/ O fereastr\u0103 dreapt\u0103, r\u00e2de\/ str\u00e2mb\u0103, o fereastr\u0103 pl\u00e2nge\/ scade casa c\u0103tre zori\/ moare carnea de-amintire\/ \u0219i fereastra intr\u0103-n mire\/ O s\u0103 c\u00e2nte s\u00e2nge-n v\u00e2rf\/ o s\u0103 pl\u00e2ng\u0103 s\u00e2nge-n vale\/ trupul meu ocol s\u0103 fie \u2013\/ intr\u0103-n ierburi stea \u0219i moare\/ dorul ei de dor.\/ \u0218i doare\u201c (Pas\u0103rea cu ochi abrupt).
\nCu timpul \u2013 \u00een Umbra femeii (1968); Gr\u0103dina \u00een form\u0103 de vis (1970); C\u00e2ntarea C\u00e2nt\u0103rilor (1973); Heraldica iubirii (1975); Dorador (1997) \u2013 dragostea \u00ee\u0219i dezv\u0103luie din ce \u00een ce mai spectaculos \u0219i totodat\u0103 mai dureros, mai dramatic miezul ei de foc existen\u021bial, foc negru care tensioneaz\u0103 fiin\u021ba, arunc\u00e2nd-o \u00een neant: \u201eDe jertf\u0103 pas \u0219i-n templul t\u0103u p\u0103trund \u2013\/ e miez de vreme, \u0219i-i t\u0103cere foarte:\/ s\u0103m\u00e2n\u021b\u0103 e aici, de vis \u0219i moarte\/ iar r\u00e2ul Lethe-al\u0103turi e, pe prund\u201c (Sonet \u00een templul t\u0103u). Conturul expresionist al versului se \u00eengroa\u0219\u0103, \u00eendemnurile blagiene de cufundare extatic\u0103 \u00een substratul p\u0103g\u00e2n al tr\u0103irilor se reitereaz\u0103 cu o putere vulcanic\u0103: \u201eiar s\u00e2ngele s\u0103 c\u00e2nte \u0219i s\u0103 joace\/ dezl\u0103n\u021buit de moartea lui, dincoace.\u201c (Sonet, \u00eenainte de dragoste). Apare un ciudat contrapunct al intensific\u0103rii\/ sl\u0103birii, al amplific\u0103rii sunetelor\/ surdiniz\u0103rii lor, \u00een acela\u0219i registru auzindu-se b\u0103t\u0103i de clopote \u0219i \u0219oapte de tain\u0103, \u201evuietul bl\u00e2nd\u201c, explozia de foc proiectat\u0103 cosmic \u0219i implozia de lumin\u0103 lin\u0103, de \u201eg\u00e2nd de ploi, domol\u201c. Pe de o parte sunt invocate clopotele tun\u0103toare: \u201eC\u00e2nd clopotele-n frunze au s\u0103 tune\u201c (Sonet de priveghi), \u201efl\u0103c\u0103ri \u00eenalte, din aspre z\u0103pezi\u201c (Sonet, iarna), \u201ec\u0103delni\u021barea de sfere\u201c (Sonet pentru mai t\u00e2rziu), hora cerului (V\u00e2rf de dor), zborul, \u201eprelungul \u00eenot\u201c (Noi doi); pe de alt\u0103 parte, g\u00e2ndul pur \u201evibr\u00e2nd ca o vioar\u0103\u201c (\u00cen noaptea mea e\u0219ti pururea fecioar\u0103), \u201eclinchetul azuriu \u00eentre pocale\u201c (Acum \u00ee\u021bi pun od\u0103jdii triumfale), \u201eunda dulce lung leg\u0103n\u0103toare\u201c (Edenul meu de mugure \u0219i soare) \u201elimba-n imn \u0219optit\u201c \u0219i \u201eizvorul sub\u021bire\u201c (Mereu nestins, neprih\u0103nit).
\nTraduc\u0103tor excelent al lui Baudelaire \u0219i al C\u00e2nt\u0103rii C\u00e2nt\u0103rilor, Radu C\u00e2rneci se p\u0103trunde p\u00e2n\u0103 \u00een cele mai ascunse fibre ale sufletului de esen\u021ba demonic\u0103 \u0219i totodat\u0103 de esen\u021ba zeiasc\u0103 a dragostei. Eros, dup\u0103 cum se \u0219tie, \u021bine de o simbolistic\u0103 a unit\u0103\u021bii contrariilor, de coincidentia oppositorum. Pornirea instinctual\u0103 spre Altul, ce trece printr-o complexitate de reac\u021bii senzoriale \u0219i spirituale, prin binomul chinezesc Yang-Yng, prin acea cosmic\u0103 \u00eempr\u0103\u0219tiere de for\u021be ce tind s\u0103 formeze totu\u0219i o ordine unic\u0103, o unitate, iubirea apare ca element antagonist \u0219i totodat\u0103 armonizator. S\u0103ge\u021bile din tolba lui Eros str\u0103pung \u0219i ele opusul sufletelor, unific\u00e2ndu-le.
\nDragostea apare, a\u0219adar, ca o cunoa\u0219tere de sine a Fiin\u021bei prin acel proces de revela\u021bii-\u0219ocuri, de conflicte dintre Eros \u0219i Psyche, adic\u0103 dintre suflet \u0219i sentimentul iubirii ca atare. Pragul demonic \u0219i pragul zeiesc se \u00eent\u00e2lnesc \u00een aceast\u0103 cunoa\u0219tere tulbur\u0103toare, care e marcat\u0103 at\u00e2t der\u0103zvr\u0103tirea p\u0103g\u00e2n\u0103, ancestral\u0103, carnal\u0103, de Centaur (\u201eCentaurii de piatr\u0103-n mine iar\/ Se r\u0103zvr\u0103tesc de sub t\u0103ceri \u0219i juguri\/ \u0219i carnea \u00een aprinse t\u0103v\u0103luguri\/ m\u0103 chinuie cu spaimele-i, barbar\u201c (\u00cen prim\u0103var\u0103 s\u00e2ngele d\u0103 muguri), c\u00e2t \u0219i de actul purific\u0103rii prin invocarea duhului divin al iubirii: \u201eIubito, s\u0103 p\u0103trundem \u00een vasta catedral\u0103\/ ca sub \u00eenaltul toamnei bl\u00e2nd-luminat de zei\/ s\u0103-ngenunchem la tronul iubirii cu sfial\u0103\/ \u0219i s\u0103 uit\u0103m de oameni; de buni \u0219i de mi\u0219ei…\u201c (Iubito, s\u0103 p\u0103trundem \u00een vasta catedral\u0103).
\nExist\u0103, \u00eens\u0103 \u0219i al treilea aspect al iubirii: este suferin\u021ba ca proiec\u021bie a miticei dureri a lui Orfeu desp\u0103r\u021bit de Euridice: \u201e\u00cen limpedele ochi b\u00e2ntuitoare\/ durere-a lui Orfeu neistovit\/ pe fruntea-i m\u00e2ndr\u0103 aur\u0103-sudoare:\/ Euridice, fructul meu oprit…\u201c (Edenul meu de mugure \u0219i soare).
\nRadu C\u00e2rneci se impune ca unul dintre cei mai importan\u021bi poe\u021bi ai iubirii anume prin intui\u021bia conlucr\u0103rii acestor trei aspecte: zeiescul, demonicul \u0219i orficul, cel din urm\u0103 \u00een\u021beles ca suferin\u021b\u0103 produs\u0103 de desmembrarea unit\u0103\u021bii \u00eendr\u0103gosti\u021bilor \u0219i ca \u00eenst\u0103p\u00e2nire, prin c\u00e2ntare, a delicatei zone a tr\u0103irilor erotice. Erosul este arhetip al \u00eentemeierii, al unirii lui animus cu anima, temei al Fiin\u021bei, principiu universal al \u00eenfiin\u021b\u0103rii: \u201e… da, alerg\u0103m uimi\u021bi \u00eenspre idee:\/ b\u0103rbatul \u00eennoindu-se-n femeie\/ c\u00e2nd Ea \u00een El \u00ee\u0219i afl\u0103 n\u0103zuin\u021ba\/ \u2013 ce alchimii le stoarce-atunci fiin\u021ba\/ din care prunc se-arat\u0103: zeu ori zee! \u2013\/ da, alerg\u0103m uimi\u021bi \u00eenspre idee\/\/ … Oh, vine clipa s\u0103 plec\u0103m \u00een fire\/ topindu-ne \u00een cosmic\u0103 topire\/ de elemente iar primordiale\/ rotind \u00een vegeta\u021bii triumfale\/ de libertate-n ve\u0219nic\u0103 rotire:\/ oh, vine clipa s\u0103 plec\u0103m \u00een fire…\u201c (\u00cen cosmic\u0103 topire).
\nCa \u0219i pentru Ovidiu, pentru Radu C\u00e2rneci rostirea iubirii, care \u021bine de divinitate, de ad\u00e2ncurile Fiin\u021bei, este echivalent\u0103 cu rostirea Adev\u0103rului. Ea este realitatea suprem\u0103, ce atinge Absolutul.
\n\u00cen acest fel, Erosul se confund\u0103 cu Logosul, discursul erotic fiind totuna cu discursul poetic. Poezia este Iubire \u0219i Iubirea este Poezie. Din aceast\u0103 credin\u021b\u0103 apare o superb\u0103 defini\u021bie a actului liric: \u201e…esen\u021be sublim\u00e2ndu-se-n esen\u021b\u0103\/ vis colorat \u00een somnul transparen\u021b\u0103\/ t\u00e2njind \u00een miezu-i spiralata form\u0103\/ spre-a-nvrednici materia inform\u0103\/ iris veghind cea tainic\u0103 prezen\u021b\u0103:\/ esen\u021be sublim\u00e2ndu-se-n esen\u021b\u0103\/\/ des\u0103v\u00e2r\u0219ire \u00een des\u0103v\u00e2r\u0219ire\/ fr\u0103m\u00e2nt al meu, iubire de iubire\/ mereu m\u0103 sub\u021biezi p\u00e2n\u2019 la idee\/ precum frumosul intr\u0103-n orhidee\/ pisc iriz\u00e2nd sublim apusul-mire:\/ des\u0103v\u00e2r\u0219ire \u00een des\u0103v\u00e2r\u0219ire\/\/ g\u00e2nd al Naturii ferm n\u0103zuitoare\/ fluid etern dinspre \u0219i c\u0103tre Soare\/ distan\u021b\u0103 m\u0103sur\u00e2nd cu ne-distan\u021be\/ precum speran\u021ba \u00eensum\u00e2nd speran\u021be\/ fiin\u021ba ta m\u0103-nal\u021b\u0103 \u0219i m\u0103 doare\/ g\u00e2nd al Naturii ferm n\u0103zuitoare…\u201c (O definire a Poeziei).
\nPoetul merge deci, pe principiul general al iubirii de iubire, al dorului de dor, imagin\u00e2nd un fastuos epitalam cosmic \u00een genul hemeneus-urilor grece\u0219ti \u0219i fescenimus-urilor romane, utiliz\u00e2nd \u00eentreaga poetic\u0103 nup\u021bial\u0103 a C\u00e2nt\u0103rii C\u00e2nt\u0103rilor, pe care o transpune \u00een cheie modern\u0103, p\u0103str\u00e2ndu-i \u00eens\u0103 mijloacele senzual-spirituale. \u00cen acest scop, naturismul este trecut prin grila estetismului \u0219i galanteriei cavalere\u0219ti, iar extazul sympatetic cosmicizat se contope\u0219te p\u00e2n\u0103 la urm\u0103 cu ideea abstract\u0103 de Iubire, cu un construct idilic \u0219i idealist. Tr\u0103irea ardent\u0103 devine, astfel, nud\u0103 identitate, mit, g\u00e2nd alunec\u0103tor prin regnuri, t\u0103r\u00e2muri, zone, toate acestea intens erogenizate. Elanurile nup\u021biale, odat\u0103 puse \u00een \u201efunc\u021bie\u201c, transform\u0103 ars amandi \u00een ars poetica, \u00een\u021beleas\u0103 ca ars combinatoria ce presupune un continuu contrapunct al varia\u021biilor, al altern\u0103rii variantelor \u0219i invariantelor \u00eentr-o uria\u0219\u0103 construc\u021bie baroc\u0103, manierist\u0103. Manifest\u0103rile sentimentului de iubire \u0219i a tuturor atitudinilor \u0219i reac\u021biilor psihologice fa\u021b\u0103 de el se formalizeaz\u0103, se instrumenteaz\u0103, se ritualizeaz\u0103. F\u0103r\u0103-ndoial\u0103, exist\u0103 o inten\u021bie v\u0103dit\u0103, la Radu C\u00e2rneci, de a ob\u021bine un mare Text, un Metatext al Iubirii. De aceea purcede la cuprinz\u0103toare explor\u0103ri alchimice, magice, la teatralizare, chiar. Lumea e v\u0103zut\u0103 ca teatru al iubirii, ca teatrum amandi mundum. \u00cen mod rilkean, este \u00eenchipuit un imens pat conjugal al universului. Unduirea nup\u021bial\u0103 este surprins\u0103 \u00een construc\u021biile de coroane de sonete, \u00een rondosonete \u0219i glossonete, \u00een oratorii \u0219i ora\u021bii concepute serial \u00een c\u00e2nturi.
\nTotul este cuprins \u00eentr-un v\u00e2rtej cosmic ame\u021bitor, atr\u0103g\u0103tor de plinuri \u0219i goluri, din miresme excitante, de sunete \u0219i vuiete erogenizate, de lumini fragede, de \u201epetale cu cercei\u201c, \u00eentr-o \u00eembr\u0103\u021bi\u0219are demonic\u0103 a cerului cu p\u0103m\u00e2ntul: \u201e… Ce vuiet se de\u0219teapt\u0103 \u00een pustie\/ \u0219i se \u00eenal\u021b\u0103 ca un st\u00e2lp de fum\/ seme\u021b spre cer din smirn\u0103 \u0219i t\u0103m\u00e2ie\/ miresme d\u00e2nd, \u00eenmiresm\u00e2nd un drum?\/\/ C\u0103ci dac-ar arde chiar \u0219i o p\u0103dure\/ de nal\u021bi cypre\u0219i n-ar \u00eendr\u0103zni a\u0219a\/ ame\u021bitor \u0219i cu esen\u021be pure\/ p\u0103m\u00e2nt \u0219i cer deodat\u0103-n mireasma\u201c (corul b\u0103rba\u021bilor din C\u00e2ntul 3: Pe culmi de dor, din C\u00e2ntarea C\u00e2nt\u0103rilor). Toat\u0103 simbolistica arderii, mistuirii, supliciului \u0219i fr\u0103m\u00e2nt\u0103rii carnal-instinctuale \u2013 lumin\u0103 miresme, ploi-alin\u0103toare, v\u00e2nturi, z\u0103ri \u00eencinse, aer sf\u00e2nt incendiat \u0219i sun\u0103tor, ninsori \u2013 sunt prezente \u00eentr-o orchestra\u021bie fin\u0103: \u201eFrumoasa mea, sunt Soarele, m\u0103 iat\u0103!\/ Odorul meu ridic\u0103-te s\u0103 vezi\/ cum iarna s-a topit \u0219i ploaia beat\u0103\/ danseaz\u0103 peste fostele z\u0103pezi.\/\/ Prive\u0219te, fr\u0103gezind, cum r\u00e2d spre tine\/ c\u00e2mpiile \u0219i viile-nflorind\/ \u0219i-n roiuri turturele \u0219i albine\/ se-ntrec iubind\/\/ \u00cen zare, marea cerul \u00ee\u0219i s\u0103rut\u0103\/ albastre p\u0103s\u0103ri se s\u0103rut\u0103-n zbor\/ \u0219i pietrele \u00een bucurie mut\u0103\/ Se auresc \u00een proasp\u0103tul izvor\/ \u00cen cr\u00e2ngul de smochini e mare nunt\u0103\/ \u2013 esen\u021be de iubiri n\u0103sc\u00e2nd iubiri \u2013\/ odorul meu, te scoal\u0103, ziua-i sf\u00e2nt\u0103\/ sosit\u0103-i clipa mare-i \u00eempliniri.\/\/ Din cuibul t\u0103u \u00een st\u00e2nca despicat\u0103\/ o, porumbi\u021ba mea, sose\u0219te-mi dar\/ de muzici \u0219iroind mi te arat\u0103\/ m\u0103rg\u0103ritar\/\/ \u0219i frun\u021bii mele d\u0103ruind cunun\u0103\/ \u00een dreapta mea str\u0103lucitoare st\u00e2nd\/ s\u0103-auzi cum cerul \u0219i p\u0103m\u00e2ntul sun\u0103\/ spre tine bl\u00e2nd…\u201c (C\u00e2ntul 2, al mirelui, \u201eDe muzici \u0219iroind mi te arat\u0103\u201c, din C\u00e2ntarea C\u00e2nt\u0103rilor); \u201e…Vuiau \u00een mine ne\u0219tiute c\u00e2nturi\/ lumini \u00een s\u00e2nge sc\u0103p\u0103rau lumini\/ dar \u00een neprih\u0103nite a\u0219ternuturi\/ nu te aflai la pieptul meu supin\/\/ \u0218i-aproape adormisem de-a\u0219teptare\/ o, Domnul meu, dar inima veghea\/ \u0219i tres\u0103ri, luceaf\u0103rul de zare\/ c\u00e2nd cobor\u00ee la u\u0219a mea.\/\/ Asemeni e\u0219ti c-un chiparos \u00een ploaie\/ \u2013 ah, p\u0103rul t\u0103u de rou\u0103 \u00eenc\u0103rcat! \u2013\/ iar genele-\u021bi de picuri se-nconvoaie! O, preafrumos, at\u00e2t visat\u201c (C\u00e2ntul 4: \u201eT\u00e2nguirea miresei\u201c).
\nCulmea virtuozit\u0103\u021bii instrumentale la Radu C\u00e2rneci sunt sonetele, adev\u0103rate giuvaiere \u00een care apar sub chip \u0219lefuit \u0219i bine potrivit toate marile motive \u0219i simboluri mitopo(i)eticeale iubirii. Cit\u0103m din glossa Triumful iubirii sonetul-matc\u0103 (primul, care deschide aceast\u0103 coroan\u0103 de frumuse\u021bi \u0219i \u00een\u021belepciuni): \u201eIubirea este atotst\u0103p\u00e2nitoare\/ E v\u00e2rf \u00een dor \u0219i vis \u00een r\u0103d\u0103cin\u0103\/ Chip nev\u0103zut \u00een chipul de lumin\u0103\/ Precum t\u0103cerea m\u00e2ng\u00e2ie \u0219i doare\/\/ De vremi \u0219i legi mereu biruitoare\/ Iubirea doar Iubirii se \u00eenchin\u0103\/ \u00cennobil\u00e2nd \u0219i st\u0103p\u00e2nind regin\u0103\/ Ca iarba nesecatele-i izvoare\/\/ A duhului \u0219i-a trupului m\u0103sur\u0103\/ Iubirea se-nve\u0219m\u00e2nt\u0103 \u00een Iubire\/ Petal\u0103 st\u00e2nd \u0219i ve\u0219nic\u0103 armur\u0103\/\/ N\u0103sc\u00e2ndu-se pentru \u00eentreaga fire\/ \u00cen armonii cu leg\u0103nare pur\u0103\/ Iubirea-i via\u021ba f\u0103r\u0103 de pieire\u2026\u201c
\nDantescul adagiu \u201eiubirea na\u0219te sori \u0219i stele\u201c se codific\u0103, iat\u0103, \u00eentr-un principiu axial mitologic modern, \u00een ideea de iubire, derivat\u0103 din romanticul punct genetic prim: \u201e…la \u00eenceput ideea de iubire\/ precum lumina aburea \u00een fire\/ nelini\u0219te vibr\u00e2nd \u00een elemente\/ vis\u00e2nd la bucuriile absente\/ chem\u00e2nd \u00eempreun\u0103ri dorind a fire\/ la \u00eenceput ideea de iubire\/\/ (…) Iubirea-i axul cerurilor toate\/ \u00een mari nuntiri cu muzici peste poate\/ un semn al ei \u0219i lumi cu lumi se-adun\u0103:\/ idei danseaz\u0103 h\u0103urile tun\u0103\/ stele-n ghirlande leag\u0103n\u0103-se roate\/ iubirea-i axul cerurilor toate…\u201c (din Prolog la Heraldica iubirii).
\nAd\u00e2ncimea viziunii poetice se esen\u021bializeaz\u0103 \u00eenc\u0103 \u00een Pas\u0103rea de Cenu\u0219\u0103 (1986) \u0219i \u00een special \u00een amplele poeme Omul cu barca \u0219i Jur\u0103m\u00e2ntul \u00een care Marele Tot, ce contope\u0219te iubirea \u0219i iubirile cap\u0103t\u0103 culoarea existen\u021bial\u0103 a Neantului, desacraliz\u00e2ndu-se. Pe ecranul cosmic al acestuia se proiecteaz\u0103 acum omul-monstru aduc\u0103tor de moarte: \u201eS\u0103 r\u0103m\u00e2nem cu mor\u021bii? Deasupra-i teroare:\/ c\u00e2mpii otr\u0103vite mun\u021bii de bombe\/ \u0219i p\u0103s\u0103ri cu aripi de s\u00e2nge\/ neru\u0219inate imnuri destr\u0103b\u0103l\u0103rii de cuget, acolo deasupra\/ se fierbe sf\u00e2r\u0219itul fiin\u021bei divine!\/ s\u0103 r\u0103m\u00e2nem cu mor\u021bii?…\u201c (Omul cu barca). \u00cen contratimp cu omul-monstru, poetul devine Omul cu barca, omul purt\u0103tor de putere \u0219i destin.
\nMarele Tot are acum \u0219i o fascina\u021bie neagr\u0103, negativ\u0103, ating\u00e2nd demonicul, perechea plutitoare transform\u00e2ndu-se \u00eentr-o unitate de dou\u0103 singur\u0103t\u0103\u021bi ce se \u00eendep\u0103rteaz\u0103 unul de altul: Euridice e pierdut\u0103 de Orfeu \u00een marele noian al Neantului, Cerul se transform\u0103 \u00een \u201eapocalips frumos izb\u00e2nditor\u201c: \u201e…Am semne dinspre moarte:\/ se dezrobesc n\u0103lucile-n v\u0103zduh\/ ca steaguri largi desf\u0103\u0219urate ce\u021buri\/ \u0219i Timpul-g\u00e2de \u00eemi culege clipa\/ \u2013 c\u00e2nd toate-s vii\/ \u0219i s\u00e2ngele-i sonor \u2013\/ ci nefiin\u021ba-\u0219i mugure\u0219te aripa\/ Ah, unde e\u0219ti?\u201c (Jur\u0103m\u00e2ntul).
\nViziunea asupra vie\u021bii \u2013 cu toate ale sale \u2013 se \u00eentrege\u0219te, a\u0219adar, asociind Erosului \u0219i Logosului, Ontosul, adic\u0103 \u00eens\u0103\u0219i fiin\u021barea. Ars amandi se \u00eentre\u021bese nu doar cu ars poetica, ci cu ars ontologica.
\nRadu C\u00e2rneci r\u0103m\u00e2ne, f\u0103r\u0103-ndoial\u0103, unul din cei mai reprezentativi poe\u021bi rom\u00e2ni, impun\u00e2nd o viziune ad\u00e2nc\u0103 asupra existen\u021bei.<\/p>\n


\n Radu C\u00c2RNECI<\/strong>
\n\"\"

CHIP NE\u015eTIUT <\/strong><\/p>\n

Cuprins adeseori de febre
\nm\u0103-mb\u0103t cu vinuri mari, de soi
\n\u0219i-mi stinge setea cel \u0219uvoi
\ntopindu-mi vechile tenebre.<\/p>\n

M-ascund \u00een c\u00e2ntece de voi
\nca scribu-n c\u0103r\u021bile celebre;
\ncuprins adeseori de febre
\nm\u0103-mb\u0103t cu vinuri mari, de soi<\/p>\n

\u0219i r\u00e2d, \u0219i pl\u00e2ng, \u0219i m\u0103 desfoi
\n\u00eemi intr\u0103 timpul \u00een vertebre
\ndanseaz\u0103-n creieru-mi strigoi \u2013
\nm\u0103-mb\u0103t cu vinuri mari, de soi
\ncuprins adeseori de febre… <\/p>\n


\nTraduceri din literatura universal\u0103<\/strong><\/p>\n

Rabindranath TAGORE<\/strong><\/p>\n

Rabindranath Tagore (Calcutta, 1861 – Santiniketan, 1941), autor a peste o mie de poeme, numeroase romane, piese de teatru \u015fi c\u00e2ntece care au avut o mare influen\u0163\u0103 asupra literaturii moderne a Indiei. Inspira\u0163ia sa este mistic\u0103 \u015fi patriotic\u0103. A fost deopotriv\u0103 un muzician \u015fi un pictor de talent. \u00cen 1921 a fondat, la nord de Calcutta, o universitate interna\u021bional\u0103 (Santiniketan) destinat\u0103 promov\u0103rii idealurilor indiene de cultur\u0103 \u015fi de toleran\u0163\u0103. A primit Premiul Nobel pentru literatur\u0103, \u00een 1913. Dintre volumele sale de versuri amintim: Co\u015ful cu fructe, Iasomiile, Gr\u0103dinarul dragostei, Ofranda liric\u0103 etc.<\/p>\n

Traducere \u0219i prezentare : Ion RO\u0218IORU<\/p>\n

*
\n\u00centr-o zi voi \u00eent\u00e2lni \u00een mine Via\u0163a
\nRespectiv bucuria ascuns\u0103 \u00een ea,
\nOric\u00e2t peste zile mi se coboar\u0103 cea\u0163a
\nS\u0103-mi fac\u0103 f\u0103r\u0103 mil\u0103 poteca \u015fi mai grea !<\/p>\n

Prin fulgere-am recunoscut-o \u015fi
\nNesigurul ei suflu ajuns p\u00e2n\u0103 la mine
\nS\u0103 m\u0103 \u00eenv\u0103luiasc\u0103-n miresme reu\u015fi
\n\u015ei-o clip\u0103 m-am sim\u0163it destul de bine!<\/p>\n

O voi re\u00eent\u00e2lni-o \u00een afara mea
\nCa bucurie dup\u0103 ecranul de lumin\u0103
\nIar de voi fi sub solitudine grea
\nDoar Creatorul o s\u0103 m\u0103 sus\u0163in\u0103!<\/p>\n

Printre cei \u00eenvin\u015fi m-ai plasat
\n\u015ei \u015ftiu c\u0103 s\u0103-nving nu mi-i dat niciodat\u0103
\nNici din lupt\u0103 s\u0103 ies nu mi-e dat
\nNu tuturor scris li-i s\u0103 bat\u0103!<\/p>\n

Voi plonja \u00een abisul ce cap\u0103t nu are deloc
\n\u015ei jocul \u00eenfr\u00e2ngerii mele-l voi faee
\n\u015ei toat\u0103 averea o voi pune \u00een joc
\nJuc\u00e2ndu-mi chiar fiin\u0163a s-aduc \u00een suflet pace!<\/p>\n

Numai a\u015fa sunt sigur c-o s\u0103 pot
\n\u00cenvinge renun\u0163\u00e2nd de tot la tot!<\/p>\n

*<\/p>\n

De undele c\u00e2nt\u0103rii mele stai totdeauna deoparte.
\nValurile armoniilor \u00ee\u0163i scald\u0103 picioarele, dar dar nu \u015ftiu s\u0103 le ating.
\nIar ceea ce c\u00e2nt pentru tine e o muzic\u0103 ce vine de departe,
\nEste durerea desp\u0103r\u0163irii pe care cu flautul a\u015f dori s-o \u00eenving.
\nA\u015ftept ora c\u00e2nd la \u0163\u0103rmul meu va sosi barca ta
\n\u015ei c\u00e2nd, lu\u00e2ndu-mi din m\u00e2ini instrumentul, din el vei c\u00e2nta!<\/p>\n

Ascult\u0103, inim\u0103 a mea, \u00een flaut e o muzic\u0103 \u00eenmiresmat\u0103 de flori
\nS\u0103lbatice, de frunze care sc\u00e2nteiaz\u0103, de ap\u0103 care str\u0103luce\u015fte,
\nMuzica unor umbre sonore, a fo\u015fnetului albinelor \u00eenzbor.
\nFlautul a sedus z\u00e2mbetul unui prieten \u015fi acum \u00eel spore\u015fte.<\/p>\n

Aceast\u0103 iubire-ntre noi nu-i deloc vorb\u0103 goal\u0103 sau vorb\u0103 \u00een v\u00e2nt.
\nFurtunile s-au n\u0103pustit peste mine s\u0103-mi sting\u0103 nu o dat\u0103 lumina.<\/p>\n

\u00cendoieli negre-s str\u00e2nse, toate stelele cerului meu s\u0103 le \u015ftearg\u0103 pe r\u00e2nd,
\nBarajele s-au rupt \u015fi holdele mele le-a p\u0103scut nemilos \u015fugubina.<\/p>\n

\u015ei pl\u00e2nsetul \u015fi disperarea mi-au sf\u00e2\u015fiat cerul parte cu parte,
\n\u00cens\u0103 loviturile date iubirii nu duc niciodat\u0103 la moarte!<\/p>\n

*<\/p>\n

Ah! aceste iasomii! aceste albe iasomii!
\nCred c\u0103-mi mai aduc aminte prima zi c\u00e2nd
\nmi-am umplut bra\u0163ele cu aceste iasomii albe!
\nAm iubit lumina soarelui, cerul \u015fi p\u0103m\u00e2ntul verde.
\nAm auzit murmurul argintiu al r\u00e2ului \u00een
\n\u00eentunericul de la miezul nop\u0163ii.
\nToamna \u015fi apusurile de soare m-au \u00eent\u00e2lnit
\nla cotitura unui drum,
\n\u00een singur\u0103tate, ca o logodnic\u0103 ridic\u00e2ndu-\u015fi v\u0103lul
\nspre a-\u015fi \u00eent\u00e2mpina iubitul.
\nTotu\u015fi, memoria mea a r\u0103mas \u00eenmiresmat\u0103
\nde aceste prime iasomii albe pe care
\nle-am \u0163inut \u00een bra\u0163ele mele c\u00e2ndva!<\/p>\n

*<\/p>\n

S\u0103 crezi \u00een dragoste, chiar dac\u0103 aceasta-i surs\u0103 de durere.
\nZ\u0103vorul inimii nu-i bine s\u0103-l tragi \u00een urma ta nicic\u00e2nd.
\nVorbele tale, drag prieten, obscure sunt \u015fi efemere
\n\u015ei ele-mi trec pe la ureche alunec\u00e2nd \u015fi tremol\u00e2nd!<\/p>\n

Iubito, inima-i f\u0103cut\u0103 oric\u00e2nd o lacrim\u0103 s\u0103 nasc\u0103
\n\u015ei respectiv un c\u00e2ntec mai mult sau mai pu\u0163in profund.
\nVorbele tale, drag prieten, fac cea\u0163a-n jurul lor s\u0103 creasc\u0103
\n\u0218i ele-mi trec pe la ureche alunec\u00e2nd \u015fi tremol\u00e2nd!<\/p>\n

Bucuria e \u00eentocmai ca un bob fragil de rou\u0103
\nCare, se cunoa\u015fte bine, moare ve\u015fnic sur\u00e2z\u00e2nd.
\nVorbele tale, drag prieten, ascund orice iubire nou\u0103
\n\u015ei ele-mi trec pe la ureche alunec\u00e2nd \u015fi tremol\u00e2nd!<\/p>\n

Prefer\u0103 lotusul de-a pururi s\u0103 se deschid\u0103 \u00een plin soare
\n\u015ei nu se vede niciodat\u0103 boboc \u00een iarn\u0103 ad\u0103st\u00e2nd.
\nVorbele tale, drag prieten, sunt tulburi \u015fi \u00een\u015fel\u0103toare
\n\u015ei ele-mi trec pe la ureche alunec\u00e2nd \u015fi tremol\u00e2nd!<\/p>\n

*<\/p>\n

Ochii t\u0103i m\u0103-ntreab\u0103 cu triste\u0163e, c\u0103ut\u00e2nd s\u0103-mi p\u0103trund\u0103 \u00een g\u00e2nd,
\nA\u015fa cum luna ar vrea s\u0103 cunoasc\u0103 pe dinl\u0103untru oceanul profund.
\nDespuiat\u0103 complet mi-am pus via\u0163a-ntreag\u0103-n fa\u0163a ta
\nF\u0103r\u0103 s-ascund sau s\u0103 omit ceva.
\nDe aceea \u00ee\u0163i r\u0103m\u00e2n necunoscut, nu-i a\u015fa?
\nDac\u0103 via\u0163a mea ar fi o piatr\u0103 colorat\u0103,
\nAtunci a\u015f sf\u0103r\u00e2ma-o-ntr-o sut\u0103 de buc\u0103\u0163i \u015fi \u0163i-a\u015f face din ele
\nSpre a-l purta la g\u00e2t un \u015firag de m\u0103rgele.
\nDe-ar fi o simpl\u0103 floare, rotund\u0103, mic\u0103, parfumat\u0103,
\nN-a\u015f ezita nicio clipit\u0103 s-o v\u0103d c\u0103-n p\u0103r \u0163i se desfat\u0103
\nCi-i dar o inim\u0103, iubito. De pe ce \u0163\u0103rm, din care lut?
\nTu nu \u015ftii limitele-acestui regat ce dar \u0163i-a fost f\u0103cut.
\nDac\u0103 via\u0163a mea n-ar fi dec\u00e2t o clip\u0103 de pl\u0103cere
\nEa \u0163i-ar sur\u00e2de cu tot calmul \u015fi \u0163i-ar aduce m\u00e2ng\u00e2iere.
\nDac\u0103 n-ar fi dec\u00e2t durere, \u00een lacrimi limpezi s-ar topi
\n\u015ei-ntregul ei secret, iubito, pe loc \u0163i s-ar dezv\u0103lui,
\nDar via\u0163a mea e doar iubire \u015fi-i \u015fi pl\u0103cere \u015fi durere,
\nE acel ceva ce este, nu se na\u015fte \u015fi nu piere.
\nInima-mi \u00ee\u0163i st\u0103 al\u0103turi cum \u00ee\u0163i st\u0103 \u015fi via\u0163a ta
\nF\u0103r\u0103-a o putea vr\u2019odat\u0103 pe de-a-ntregul descifra! <\/p>\n

*<\/p>\n

Las\u0103 s\u0103 subziste acest pu\u0163in din mine prin care
\nS\u0103 pot numi \u00eentregul meu.
\nLas\u0103 s\u0103 subziste acest pu\u0163in al voin\u0163ei mele
\nPrin care s\u0103 te pot sim\u0163i de peste tot
\n\u015ei s\u0103 vin la tine-n orice lucru, s\u0103-\u0163i ofer
\nIubirea mea \u00een orice clip\u0103.
\nLas\u0103 s\u0103 subziste doar picul acesta de mine
\nPrin care pot s\u0103 te ascund mereu.
\nLas\u0103-mi m\u0103car aceast\u0103 leg\u0103tur\u0103 infim\u0103
\nPrin care de voin\u0163a ta m\u0103 simt legat.
\nPe unde inten\u0163ia ta se transmite \u00een mine:
\nE leg\u0103tura dragostei tale!<\/p>\n

*<\/p>\n

Simt c\u0103 toate stelele palpit\u0103 \u00een mine.
\nLumea \u0163\u00e2\u015fne\u015fte \u00een via\u0163a mea ca o ap\u0103 curg\u0103toare;
\nFlorile se vor deschide \u00een fiin\u0163a mea ;
\nToat\u0103 prim\u0103vara cu peisaje \u015fi r\u00e2uri
\nUrc\u0103 aidoma unui fum de t\u0103m\u00e2ie \u00een inima mea, \u015fi suflul
\nTuturor lucrurilor \u00eemi c\u00e2nt\u0103 ca un flaut \u00een g\u00e2nduri.<\/p>\n

C\u00e2nd p\u0103m\u00e2ntul e adormit vin la u\u015fa ta.
\nStelele sunt mute \u015fi mi-e team\u0103 s\u0103 c\u00e2nt;
\nA\u015ftept \u015fi veghez p\u00e2n\u0103 ce umbra ta
\nTrece pe balconul nop\u0163ii, atunci m\u0103 \u00eentorn
\nCu inima plin\u0103 de tine.
\nApoi, \u00een zori c\u00e2nt pe marginea drumului;
\nFlorile gardului viu \u00eemi r\u0103spund, aerul proasp\u0103t ascult\u0103.
\nC\u0103l\u0103torii se opresc deodat\u0103 spre a m\u0103 privi
\n\u00cen fa\u0163\u0103: to\u0163i cred c\u0103 i-am strigat pe nume.<\/p>\n

* <\/p>\n

Toate accentele bucuriei se amestec\u0103 \u00een
\nc\u00e2ntecul meu suprem – bucuria care face p\u0103m\u00e2ntul
\ns\u0103-\u015fi descarce sufletul \u00een nest\u0103vilita risip\u0103 a ierbii;
\nbucuria care \u00een lumea larg\u0103 face s\u0103 danseze
\nmoartea \u015fi via\u0163a laolalt\u0103; bucuria care gr\u0103be\u015fte furtuna
\natunci un r\u00e2set treze\u015fte \u015fi scutur\u0103 via\u0163a;
\nbucuria care respir\u0103 lini\u015ftit\u0103 printre lacrimi
\n\u00een ro\u015ful caliciu al lotusului durerea;
\n\u00een sf\u00e2r\u015fit bucuria care arunc\u0103 \u00een praf tot ce este
\n\u015fi nu \u015ftie nimic. <\/p>\n

*<\/p>\n

\u00centr-o prea lung\u0103 zi de lenevire,
\ntimpul pierdut mi l-am pl\u00e2ns.
\nDar, Doamne, el nu s-a pierdut niciodat\u0103!
\nMi-ai prins \u00een m\u00e2ini fiecare moment al vie\u0163ii.
\nAscuns \u00een inima lucrurilor hr\u0103ne\u015fti p\u00e2n\u0103 la
\ngerminare s\u0103m\u00e2n\u0163a,
\np\u00e2n\u0103 la \u00eenflorire bobocul
\n\u015fi floarea p\u00e2n\u0103 ce se preschimb\u0103
\n\u00een fruct consistent.
\nEram acolo, lenevind \u00een pat
\n\u015fi-nchipuindu-mi c\u0103 mi-am terminat lucrarea.
\nM-am trezit \u00een zori \u015fi mi-am aflat gr\u0103dina
\nplin\u0103 de minuni \u015fi de flori!<\/p>\n

*<\/p>\n

De ce s-a ofilit floarea?
\nO str\u00e2ngeam la piept cu nelini\u015fte \u015fi iubire: iat\u0103 de ce s-a ofilit.
\nDe ce a secat p\u00e2r\u00e2ul?
\nI-am f\u0103cut un baraj spre a-mi servi doar mie: iat\u0103 de ce a secat.<\/p>\n","protected":false},"excerpt":{"rendered":"

ISTORIE LITERAR\u0102 Mihai CIMPOI Radu C\u00e2rneci: Eros, Logos, Ontos \u00cenceputurile poetice ale lui Radu C\u00e2rneci stau sub semnul unei solarit\u0103\u021bi<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15359"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15359"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15359\/revisions"}],"predecessor-version":[{"id":15360,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15359\/revisions\/15360"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}