{"id":15302,"date":"2021-07-17T23:08:01","date_gmt":"2021-07-17T20:08:01","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=15302"},"modified":"2021-07-17T23:08:01","modified_gmt":"2021-07-17T20:08:01","slug":"spatii-culturale-nr-54-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=15302","title":{"rendered":"Spa\u021bii culturale nr. 54 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/19-1-e1626552179493.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15306 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/19-1-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 199px; --smush-placeholder-aspect-ratio: 199\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15306\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/19-1-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Petru Ursache<\/strong>, <em>Istorie, genocid, etnocid , Edi\u021bia a doua, cu prefa\u021b\u0103 de Adrian Alui Gheorghe \u0219i postfa\u021b\u0103 de Magda Ursache, Editura Eikon, Bucure\u0219ti, 2017<\/em>, 213 p. Prefa\u021batorul conchide: <em>Scriitorul Paul Goma, preotul Gheorghe Calciu-Dumitreasa \u0219i \u201eeroul popular\u201d Grigore Caraza sunt cele trei tipuri de eroi care pornesc din zone de implicare diferite, dar care se \u00eent\u00e2lnesc \u00een aceea\u0219i cauz\u0103. Resorturile intime sunt acelea\u0219i \u0219i se refer\u0103 la valorile consacrate ale unui neam. (\u2026) Cartea profesorului Petru Ursache este ecoul acestor pilduitoare destine \u0219i voci care, \u00een plin\u0103 prigoan\u0103 inchizitorial\u0103, au avut t\u0103ria s\u0103 spun\u0103 precum Iov: C\u0103ci acum dac\u0103 a\u0219 t\u0103cea, a\u0219 muri.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/20-1-e1626552195918.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15307 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/20-1-295x300.jpg\" alt=\"\" width=\"295\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 295px; --smush-placeholder-aspect-ratio: 295\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15307\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/20-1-295x300.jpg\" alt=\"\" width=\"295\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Viorel Savin<\/strong>, <em>Nicu Enea &#8211; Grafica, Editura Babel, Bac\u0103u, 2017<\/em>, 200 p. Albumul este deschis de Viorel Savin cu un amplu comentariu asupra operei pictorului Nicu Enea, Linia, precum o poveste, din care cit\u0103m: <em>Fondul de grafic\u0103 Nicu Enea de la muzeul din Bac\u0103u (400 de lucr\u0103ri donate de so\u021bia sa) (\u2026) permite conturarea unei viziuni globale obiective asupra crea\u021biei sale, \u00een cadrul c\u0103reia desenul se impune ca fiind baza pe care \u0219i-a \u00een\u0103l\u021bat \u00eentregul succes real al operei. \u00cent\u0103resc afirma\u021bia, sprijinindu-m\u0103 \u00eentr-un citat din Dan Grigorescu: Construc\u021bia compozi\u021bional\u0103 a lui Nicu Enea valorific\u0103 virtu\u021bile unui desen ferm, cl\u0103dit cu o mare siguran\u021b\u0103 a liniei ce se organizeaz\u0103 \u00een structuri ample<\/em>.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/21-1-e1626552209774.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15308 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/21-1-176x300.jpg\" alt=\"\" width=\"176\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 176px; --smush-placeholder-aspect-ratio: 176\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15308\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/21-1-176x300.jpg\" alt=\"\" width=\"176\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florentin Popescu<\/strong>, <em>Povestiri din Anul Coco\u0219ului de Foc, R\u00e2mnicu V\u00e2lcea: Antim Ivireanu, 2017,<\/em> 270 p. Pe coperta a patra a c\u0103r\u021bii poetul Gheorghe Istrate, face c\u00e2teva men\u021biuni: <em>Florentin Popescu este un mare cavaler al verbului rom\u00e2nesc contemporan. De o prolificitate uimitoare, este autorul unor valoroase c\u0103r\u021bi de poezie, este, poate, cel mai puternic reflector \u00een opera \u0219i destinul lui V. Voiculescu, este prozator enciclopedist, critic literar, memorialist, publicist neobosit\u2026(\u2026) Florentin Popescu \u0219i-a creat un stil numai al lui, evocator \u0219i dilatat, sub supraveghere, bogat narativ, pe care istoricii \u0219i cercet\u0103torii literari de azi \u0219i de m\u00e2ine \u00eel vor evalua cu \u00eendatorare<\/em>.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/22-1-e1626552227494.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15309 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/22-1-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 197px; --smush-placeholder-aspect-ratio: 197\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15309\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/22-1-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Alexandru Ovidiu Vintil\u0103,<\/strong> <em>Poetici ale sinelui \u2013 Faptul-de-a-fi-\u00een-modul-cel-mai-propriu, Editura Eikon, Bucure\u0219ti, 2017<\/em>, 202 p. Pe coperta a patra a c\u0103r\u021bii, Petri\u0219or Militaru men\u021bioneaz\u0103: S<em>itu\u00e2ndu-se undeva \u00eentre cunoa\u0219terea de sine socratic\u0103 \u0219i junghianul proces de individua\u021bie, Alexandru Ovidiu Vintil\u0103 \u00ee\u0219i folose\u0219te calit\u0103\u021bile de istoric literar \u0219i hermeneut pentru a ne conduce dantesc printre nivele de profunzime ale universului poetic proiectat de dadai\u0219ti (Tzara), suprareali\u0219ti (Nisipeanu, Naum, Luca, P\u0103un, Trost, Sesto Pals), oniri\u0219ti (Dimov &amp; Iv\u0103nceanu) sau contemporani (Ab\u0103lu\u021b\u0103, Hrehor, Stoiciu &amp; Mariana Marin). Realiz\u00e2nd aceast\u0103 veritabil\u0103 galerie de portrete ale poe\u021bilor rom\u00e2ni moderni sau contemporani, eseistul \u00eencearc\u0103 s\u0103 surprind\u0103 esen\u021ba (quinta essentia o numeau alchimi\u0219tii) poeziei practicat\u0103 de fiecare dintre ei\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/23-1-e1626552249753.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15310 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/23-1-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 194px; --smush-placeholder-aspect-ratio: 194\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15310\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/23-1-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihaela Malea Stroe<\/strong>, <em>Fatimata, roman \u2013 edi\u021bia a doua, Editura Eikon, Bucure\u0219ti, 2017<\/em>, 140 p. Christian Cr\u0103ciun face, \u00een prefa\u021b\u0103, men\u021biuni critice de valoare: <em>Romanul Mihaelei Malea Stroe este o mic\u0103 bijuterie alc\u0103tuit\u0103 din slide-uri. Poate \u0219i mai potrivit\u0103 ar fi imaginea deja arhaicului proiector de diapozitive. Proiector la care vedeai fasciculul de lumin\u0103 cu firele de praf, auzeai un mic zgomot c\u00e2nd se trecea de la o imagine la alta \u0219i era \u00eentre ele o secund\u0103 de \u00eentuneric. Pentru c\u0103 intereseaz\u0103 \u00een roman aceste trei elemente: lumina (imaginea), \u00eentunericul care o desparte de imaginea urm\u0103toare \u0219i vocea care une\u0219te \u00eentr-o unic\u0103 eufonie lini\u0219tit\u0103, prin poveste, toate acestea\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/24-1-e1626552263446.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15311 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/24-1-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 198px; --smush-placeholder-aspect-ratio: 198\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15311\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/24-1-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Cristina \u0218tefan<\/strong>, <em>Rostul unei crengi de brad, Art Book, Bac\u0103u, 2017<\/em>, 87 p.<em> S\u0103rb\u0103toarea marilor iubiri <\/em>este prefa\u021ba semnat\u0103 de Valeria Manta T\u0103icu\u021bu, \u00een care spune: <em>Senzitiv-imaginativ\u0103, poezia Cristinei \u0218tefan contureaz\u0103 un univers personal care se desf\u0103\u0219oar\u0103 subtil, pe spirala devenirii, plec\u00e2nd de la bobul de rou\u0103, ca s\u0103 ajung\u0103 la steaua ce-l vegheaz\u0103 \u0219i mai departe, \u00een ne\u0219tiute galaxii. (\u2026) &#8230; \u201erostul unei crengi de brad\u201d este s\u0103 \u00eenving\u0103 lumea de plastic, sentimentele artificiale, scrisul despre nimic \u0219i alte boli ale sufletului \u0219i s\u0103 trezeasc\u0103, \u00een cititorul-martor al tuturor triste\u021bilor reale sau virtuale, nevoia de recuperare a inocen\u021bei, a capacit\u0103\u021bii de a tr\u0103i cu adev\u0103rat \u0219i c\u00e2t mai aproape de ceea ce conteaz\u0103\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15312 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-205x300.jpg 205w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-699x1024.jpg 699w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-768x1125.jpg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-1049x1536.jpg 1049w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1.jpg 1065w\" data-sizes=\"(max-width: 205px) 100vw, 205px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 205px; --smush-placeholder-aspect-ratio: 205\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15312\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-205x300.jpg 205w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-699x1024.jpg 699w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-768x1125.jpg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1-1049x1536.jpg 1049w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/25-1.jpg 1065w\" sizes=\"(max-width: 205px) 100vw, 205px\" \/><\/noscript><\/a><br \/>\n<strong>Diana Dobri\u021ba B\u00eelea<\/strong>, <em>Omul dintre dou\u0103 lumi, Editura Ex Ponto, Constan\u021ba, 2017<\/em>, 264 p. Astfel \u00ee\u0219i \u00eencepe \u0219i\u2026 termin\u0103 prefa\u021ba, <em>Mai presus dec\u00e2t moartea<\/em>, criticul (de ast\u0103 dat\u0103) Ion Ro\u0219ioru: <em>Omul dintre dou\u0103 lumi este cel mai tulbur\u0103tor roman din c\u00e2te a scris p\u00e2n\u0103 acum prozatoarea Diana Dobri\u021ba B\u00eelea, roman ce se \u00eenscrie f\u0103r\u0103 nici un fel de re\u021binere sau de exagerare \u00een sfera realismului magic ilustrat \u00een chip str\u0103lucit, printre al\u021bii, de columbianul Gabriel Garcia M\u00e1rquez cu al s\u0103u Cien a\u00f1os de soledad. (\u2026) Medita\u021bie despre toleran\u021b\u0103, sinceritate a sentimentelor, comunicare \u00eentre semeni, romanul basmic \u0219i poematic al Dianei Dobri\u021ba B\u00eelea are ca mesaj capital ideea c\u0103 iubirea adev\u0103rat\u0103 e mereu mai presus \u0219i mai puternic\u0103 dec\u00e2t moartea pe care o poate exorciza \u0219i aboli definitiv.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/26-1-e1626552298661.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15313 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/26-1-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 196px; --smush-placeholder-aspect-ratio: 196\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15313\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/26-1-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Valeriu Mititelu<\/strong>, <em>Acedia, Editura BrumaR, Timi\u0219oara, MMXVI<\/em>, 80 p. Pe coperta a patra a volumului, Robert \u0218erban face c\u00e2teva men\u021biuni critice: <em>\u2026 Exist\u0103, bine\u00een\u021beles, \u0219i poe\u021bi care mizeaz\u0103 pe verb, pe efecte surpriz\u0103, pe schimb\u0103ri de registru, de ritm, de planuri. Valeriu Mititelu este, \u00een aceast\u0103 carte, un astfel de poet. \u00cen versurile sale se \u00eent\u00e2mpl\u0103 tot timpul ceva ce st\u00e2rne\u0219te o curiozitate ca un balaur cu mai multe capete: unul atent la poveste, altul la glis\u0103rile bru\u0219te care au loc permanent \u00een texte, altul la umbra mor\u021bii, care e c\u00e2nd juc\u0103u\u0219\u0103, c\u00e2nd v\u00e2scoas\u0103, c\u00e2nd evanescent\u0103\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/27-1-e1626552319994.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15314 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/27-1-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 198px; --smush-placeholder-aspect-ratio: 198\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15314\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/27-1-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihaela Meravei<\/strong>, <em>Cinci degete, Ex Ponto, Constan\u021ba, 2017<\/em>, 205 p. \u00cen prefa\u021ba la aceast\u0103 antologie liric\u0103, Ovidiu Dun\u0103reanu men\u021bioneaz\u0103: <em>A\u0219a cum au afirmat \u0219i al\u021bi comentatori ai c\u0103r\u021bilor sale, subscriu \u0219i eu la ideea c\u0103 Mihaela Meravei cultiv\u0103 o poezie cu deschideri neomoderniste, \u00eentre\u021binut\u0103 de elemente autoreferen\u021biale; o poezie unitar\u0103, cu un limbaj direct, limpede, profund. Dincolo de senzualitate, candoare, fine\u021be, versurile autoarei se mai remarc\u0103 \u0219i printr-o anume sinceritate a lucidit\u0103\u021bii \u0219i a unei ironii subtextuale bine temperate.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/28-1-e1626552334225.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15315 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/28-1-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 197px; --smush-placeholder-aspect-ratio: 197\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15315\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/28-1-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Flavia Adam<\/strong>, <em>Raiul de urgen\u021b\u0103, Editura Neuma, Cluj-Napoca, 2017<\/em>, 128 p. Ce poate fi mai corect \u0219i la obiect dec\u00e2t spusele domnului Horia G\u00e2rbea, pe coperta a patra a volumului!? Iat\u0103-le: <em>O poezie de dragoste care oscileaz\u0103 \u00eentre introspec\u021bie, cu medita\u021bii melancolice, \u0219i jubila\u021bie poten\u021bat\u0103 de spiritul ludic pe care Flavia Adam \u00eel g\u0103se\u0219te adesea. Metaforele memorabile jaloneaz\u0103 un discurs elegant \u0219i precis, care doar se deghizeaz\u0103 pentru a ob\u021bine efectul unei feminit\u0103\u021bi debordante \u0219i capricioase. Textele sunt omogene valoric \u0219i recomand\u0103 o poet\u0103 \u00een vertiginoas\u0103, reconfortant\u0103 ascensiune.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/29-1-e1626552350839.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15316 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/29-1-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15316\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/29-1-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Monahia Elena Simionovici<\/strong>, <em>Bucuria c\u0103l\u0103toriilor de suflet \u2013 istorie, \u021b\u0103ri, oameni, culori, cuvinte, Editura Mu\u0219atinii, Suceava, 2017<\/em>, 196 p. \u00cen c\u00e2teva note de lector despre aceast\u0103 carte, Alexandru Ovidiu Vintil\u0103 men\u021bioneaz\u0103: <em>\u00centr-o vreme \u00een care mul\u021bi au anun\u021bat sf\u00e2r\u0219itul istoriei, monahia Elena Simionovici ne \u00eendeamn\u0103 la reevaluarea propriei existen\u021be. Acesta este, \u00een opinia mea, sensul profund al volumului Bucuria c\u0103l\u0103toriilor de suflet, Suceava, Mu\u0219atinii, 2017, scris pe un ton direct, cu sinceritate \u0219i c\u0103ldur\u0103, cu omenie \u0219i pace, cu o mul\u021bumire transmis\u0103 filocalic. Cartea de fa\u021b\u0103 este, \u00een esen\u021b\u0103, un \u00eendemn la medita\u021bie \u0219i reconsiderare pe marginea condi\u021biei umane, a \u201elucrului bun\u201d.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/30-1-e1626552369410.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15317 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/30-1-155x300.jpg\" alt=\"\" width=\"155\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 155px; --smush-placeholder-aspect-ratio: 155\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15317\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/30-1-155x300.jpg\" alt=\"\" width=\"155\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Carmen Tania Grigore<\/strong>, <em>Secven\u021bial\/ Sequentially, Editura Teocora, Buz\u0103u, 2017<\/em>, 97 p. Edi\u021bie bilingv\u0103 rom\u00e2no-englez\u0103. \u00cen C<em>uv\u00e2nt \u00eenainte<\/em> Lumini\u021ba Zaharia spune: <em>\u2026 \u201eSecven\u021bial\u201d, cel de-al patrulea volum de versuri al autoarei, vine s\u0103 confirme \u00eenc\u0103 o dat\u0103, dac\u0103 mai era cazul, c\u0103 \u00een lirica feminin\u0103 rom\u00e2neasc\u0103, extrem de bogat\u0103 \u0219i divers\u0103, mai exist\u0103 \u00eentotdeauna ceva de spus.(\u2026) Carmen Tania Grigore este diafan\u0103 f\u0103r\u0103 a c\u0103dea \u00een dulceg\u0103rie, este senzual\u0103 dincolo de sim\u021buri, seduc\u00e2nd prin cuv\u00e2ntul scris, care devine astfel viu, tactil, necuminte\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/31-1-e1626552380755.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15318 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/31-1-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15318\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/31-1-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marin Moscu<\/strong>, <em>Galaxia lebedelor negre, Art Creativ, Bucure\u0219ti, 2017<\/em>, 176 p. \u00cen prefa\u021ba la acest volum, Marin Moscu \u0219i frumuse\u021bea sentimentelor, Stan Brebenel apreciaz\u0103: <em>\u2026 Unul dintre cei care cred cu t\u0103rie \u00een frumuse\u021bea poeziei, \u00een destinul demiurgic al omului, \u00een simbioza perfect\u0103 dintre om \u0219i natur\u0103, \u00een frumuse\u021bea sentimentelor este Marin Moscu.(\u2026) Galaxia lebedelor negre nu este numai o metafor\u0103 pentru persoanele trecute \u0219i de a doua tinere\u021be, ci \u0219i un mesaj pentru genera\u021biile tinere: gusta\u021bi subtilit\u0103\u021bile limbii rom\u00e2ne \u0219i ve\u021bi fi mai ferici\u021bi cu o clip\u0103!<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/32-e1626552395411.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15319 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/32-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 224px; --smush-placeholder-aspect-ratio: 224\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15319\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/32-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Vasile Larco<\/strong>, <em>Rochia de sear\u0103 \u2013 Sonete \u0219i rondeluri, Editura PIM, Ia\u0219i, 2017<\/em>, 204 p. La finele c\u0103r\u021bii avem o precizare <em>Din partea autorului<\/em>: <em>O parte din aceste crea\u021bii literare a fost trimis\u0103 de mine la diferite concursuri de crea\u021bie literar\u0103 satirico-umoristice, iar c\u00e2teva dintre ele au fost publicate anterior \u00een alte c\u0103r\u021bi de-ale subsemnatului. Complet\u0103m scurta prezentare cu o Deviz\u0103 a autorului: Vreau s\u0103 r\u0103m\u00e2n cum sunt, de-i cu putin\u021b\u0103\/ Modest, atent cu to\u021bi din jur, om fin\/ \u0218i s\u0103 renun\u021b cu mare u\u0219urin\u021b\u0103\/ La tot ce-i imposibil s\u0103 ob\u021bin.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/33-e1626552407972.jpg\" data-rel=\"lightbox-image-14\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15320 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/33-179x300.jpg\" alt=\"\" width=\"179\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 179px; --smush-placeholder-aspect-ratio: 179\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15320\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/07\/33-179x300.jpg\" alt=\"\" width=\"179\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Cornel Galben<\/strong>, <em>Zile de trecere, Editura Studion, Bac\u0103u, 2017<\/em>, 147 p. \u00centr-un comentariu la acest volum, Rodica L\u0103z\u0103rescu remarca: <em>\u2026 Acesta este jurnalul anului 2016, la finele c\u0103ruia diaristul constat\u0103, bacovian: \u201eAm fost at\u00e2t de risipit anul acesta \u00eenc\u00e2t am \u00een jur doar un gol imens\u201d, \u201eDar \u2013 \u00ee\u0219i \u00eencheie el \u00eensemn\u0103rile \u2013 , vorba rom\u00e2nului, cu Dumnezeu \u00eenainte!\u201d Ce i-am putea r\u0103spunde acestui, totu\u0219i, optimist incurabil \u00een permanent\u0103 c\u0103utare a m\u00e2ntuirii? Doamne-ajut\u0103! <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU Raftul cu c\u0103r\u021bi Petru Ursache, Istorie, genocid, etnocid , Edi\u021bia a doua, cu prefa\u021b\u0103 de Adrian Alui Gheorghe<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15302"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15302"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15302\/revisions"}],"predecessor-version":[{"id":15321,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15302\/revisions\/15321"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}