{"id":15039,"date":"2021-06-21T14:18:40","date_gmt":"2021-06-21T11:18:40","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=15039"},"modified":"2021-06-21T14:18:40","modified_gmt":"2021-06-21T11:18:40","slug":"spatii-culturale-nr-55-1","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=15039","title":{"rendered":"Spa\u021bii culturale nr. 55 (1)"},"content":{"rendered":"

Editorial<\/strong><\/p>\n

Mihaela MALEA STROE<\/strong>
\n\"\"

Pandemia de diminutivit\u0103<\/strong><\/p>\n

Din c\u00e2nd \u00een c\u00e2nd m\u0103 plimb pe net la voia-nt\u00e2mpl\u0103rii \u0219i fac popas c\u00e2nd \u00eent\u00e2lnesc nume \u00een care am \u00eencredere. A\u0219a am g\u0103sit – cu oarecare \u00eent\u00e2rziere, ce-i drept – un articol semnat de Radu Paraschivescu (https:\/\/www.newmoney.ro\/opinie-radu-paraschivescu-de-ce-fac-romanii-abuz-de-diminutive\/), unul dintre \u201eap\u0103r\u0103torii de gra\u021bie ai limbii rom\u00e2ne\u201d (mul\u021bumim, Radu Paraschivescu!). Articolul lui despre \u201erom\u00e2na diminutival\u0103\u201d \u0219i despre \u201ediminutivit\u0103\u201d m-a \u00eentors instantaneu (uite c\u0103 refuz s\u0103 spun \u201einstant\u201d, cum e la mod\u0103!) cu \u0219ase-\u0219apte ani \u00een urm\u0103 c\u00e2nd, la catedr\u0103 fiind \u00eenc\u0103, am urm\u0103rit o sam\u0103 de lec\u021bii demonstrative sus\u021binute de cincisprezece tinere d\u0103sc\u0103li\u021be de limb\u0103 rom\u00e2n\u0103, aspirante la titularizare. \u00cenc\u0103 de-atunci mi-a dat frisoane abuzul de diminutive. Orele demonstrative s-au bazat, ca s\u0103 zic precum Moromete, pe \u201ejocule\u021be\u201d, \u201efilmule\u021be\u201d, \u201ep\u0103l\u0103riu\u021be\u201d, \u201eciupercu\u021be\u201d, \u201earticola\u0219e\u201d, \u201ebile\u021bele\u201d – \u00een fine, tot arsenalul dob\u00e2ndit de absolventele cu pricina, cel mai probabil la cursurile de psiho-pedagogie (modern\u0103!) \u00een anii de facultate. A fost ilar, chiar \u0219i pentru elevi. Liceeni fiind, i-a amuzat s\u0103 fie trata\u021bi ca \u021b\u00e2ncii de gr\u0103dini\u021b\u0103, dar, din polite\u021be, \u0219i-au mascat c\u00e2t au putut z\u00e2mbetele c\u00e2nd li s-a cerut s\u0103 deschid\u0103 \u201ecaie\u021belele\u201d (studen\u021be\u0219ti!) sau s\u0103 participe la un \u201ejocule\u021b\u201d. N-am scris atunci niciun articol pe tema diminutivelor, dar i-am scris unui bun prieten despre frisoanele mele \u0219i am \u00eencercat s\u0103 le absolv pe… absolvente de vina contamin\u0103rii cu morbul diminutiv\u0103rii, ironiz\u00e2nd, \u00een scrisoare, bravele moderniz\u0103ri ale \u201ecursule\u021belor\u201d universitare de \u201epsiho-pedagogicu\u021b\u0103\u201d. Dac\u0103 fetele a\u0219a au \u00eenv\u0103\u021bat \u00een facultate, a\u0219a aplic\u0103 \u00eenv\u0103\u021b\u0103tura \u00een practic\u0103! Po\u021bi s\u0103 le \u00eenvinov\u0103\u021be\u0219ti? Nu. \u0218i, pe moment, am socotit c\u0103 o fi doar o maladie local\u0103, trec\u0103toare. Dar c\u00e2teva luni mai t\u00e2rziu, \u00een toamn\u0103, am ajuns \u00een Bucure\u0219ti, la \u201eGaudeamus\u201d. \u00centre dou\u0103 lans\u0103ri de carte, am ie\u0219it \u00een pauz\u0103 de \u021bigar\u0103. L\u00e2ng\u0103 scrumiera pus\u0103 la dispozi\u021bia vicio\u0219ilor din tagma c\u0103rora fac \u0219i eu parte, o t\u00e2n\u0103r\u0103 domni\u021b\u0103 \u2013 \u201ecapitalist\u0103\u201d \u00een accep\u021biune caragialesc\u0103 \u2013 \u201edulce \u0219i suav\u0103\/ ca o garofi\u021b\u0103\u201d, \u00ee\u0219i exersa decibelii vorbind c\u00e2torva cunoscu\u021bi dispu\u0219i s\u0103 o asculte despre cartea a c\u0103rei autoare era \u0219i pe care tocmai o lansase. Am auzit f\u0103r\u0103 s\u0103 vreau. Scrisese despre noile metode pedagogice, a c\u0103ror cheie-a-succesului const\u0103 \u00een… \u201efilmule\u021be\u201d, \u201ejocule\u021be\u201d… \u0218i a \u00eenceput s\u0103 dea am\u0103nunte despre \u201eun jocule\u021b cu mici cubule\u021be (sic!) de diferite culori\u201d. M-a luat cu frig, de\u0219i ziua era bl\u00e2nd\u0103, cald\u0103 \u0219i senin\u0103. Am avut atunci dovada c\u0103 boala diminutivelor (\u00eenc\u0103 nebotezat\u0103 p\u00e2n\u0103 \u0219i-a g\u0103sit \u201ena\u0219ul\u201d \u00een Radu Paraschivescu), este mai r\u0103sp\u00e2ndit\u0103 dec\u00e2t \u00eemi p\u0103ruse mie \u0219i c\u0103 unul dintre agen\u021bii patogeni se pitea chiar acolo, \u00een… noua abordare metodico-psiho-pedagogicheasc\u0103. R\u0103sp\u00e2ndacii ei? Iat\u0103, mul\u021bi dintre tinerii c\u0103rora \u00een facultate, volens-nolens, li s-au perforat timpanele cu ascu\u021bi\u0219ul miniaturiz\u0103rii \u0219i li s-au ag\u0103\u021bat de v\u00e2rful limbii piercinguri cu diminutive. Dup\u0103 ei (sau \u00eenainte???) intr\u0103 \u00een scen\u0103 descenden\u021bii din neamul lui Chico\u0219 Rostogan sau al lui Makarenko, proaspe\u021bi autori ai tomurilor de specialitate, irepro\u0219abil \u0219i cu mare m\u00e2ndrie \u201ealinia\u021bi\u201d la noile tendin\u021be \u0219i direc\u021bii, bune-rele, cum or fi ele, conteaz\u0103 doar s\u0103 fii \u201ealiniat\u201d.
\nLa vremea aceea nu m-am g\u00e2ndit \u0219i la al\u021bi posibili distribuitori ai maladiei. Articolul lui Radu Paraschivescu, excelent scris, arat\u0103 \u00eens\u0103 ce propor\u021bii pandemice a atins \u00eentre timp diminutivita \u0219i m-a determinat s\u0103 scotocesc \u0219i alte c\u0103i (chiar mai eficiente) de infestare, f\u0103r\u0103 \u0219anse, totu\u0219i, de a dibui \u201epacientul zero\u201d \u0219i sursa ini\u021bial\u0103 a bolii, pentru a g\u0103si apoi, eventual, un remediu.
\nEficient este Internetul pe care (via e-mail, facebook etc.) circul\u0103 masiv \u201efilmule\u021be cu anim\u0103lu\u021be\u201d. Las\u0103 c\u0103 \u201efilmule\u021bul\u201d este varianta lexical\u0103 siropoas\u0103 a videoclipului \u0219i las\u0103 c\u0103 \u201eanim\u0103lu\u021bele\u201d nu-s mereu boboci aurii de ra\u021b\u0103, simpatici pui de arici, c\u0103\u021bei juc\u0103u\u0219i, iezi zbanghii, pisoi pufo\u0219i, papagali pup\u0103cio\u0219i ori ginga\u0219ele p\u0103s\u0103ri colibri! La categoria \u201eanim\u0103lu\u021be\u201d intr\u0103 de-a valma \u0219i lei, tigri, hipopotami, elefan\u021bi, ur\u0219i de toate neamurile \u2013 albi, negri, bruni, surprin\u0219i \u00een atipice ipostaze duioase, c\u00e2nd se las\u0103 \u2013 cu nea\u0219teptat\u0103 reciproc\u0103 afec\u021biune \u2013\u00eembr\u0103\u021bi\u0219a\u021bi sau m\u00e2ng\u00e2ia\u021bi de om, sc\u0103rpina\u021bi \u00een coam\u0103, pe burt\u0103 sau dup\u0103 urechi, pupa\u021bi pe bot sau pe tromp\u0103, \u00een pofida ferocit\u0103\u021bii lor sau a dimensiunilor uria\u0219e. Oare ce-ar sim\u021bi, de pild\u0103 regele junglei, dac\u0103 ar \u00een\u021belege c\u0103 este catalogat drept \u201eanim\u0103lu\u021b\u201d?
\nEficiente cu supram\u0103sur\u0103 \u00een transmiterea virusului diminutivitei sunt \u0219i reclamele. Coana Chiva din zona rural\u0103, de zeci de ori pe zi, ne mome\u0219te cu \u201em\u0103rgelu\u021be de br\u00e2nzicu\u021b\u0103\u201d nu doar sucul gastric, ci \u0219i centrii responsabili cu g\u00e2ndirea\/ rostirea, \u00een timp ce o gospodin\u0103, urban\u0103 de data asta, preg\u0103te\u0219te, la fel de repetitiv, aromata \u201eKnorbi\u021b\u0103\u201d care \u00ee\u021bi \u201eabure\u0219te\u201d \u0219i n\u0103rile, \u0219i creierul. \u00cen alt\u0103 reclam\u0103, un angajat caut\u0103 s\u0103-\u0219i str\u0103mute \u201es\u0103l\u0103riu\u021bul\u201d la o banc\u0103 anume, ca s\u0103 fie protejat. \u00cen alta, p\u0103rin\u021bii sunt asigura\u021bi c\u0103 \u201emonstrule\u021bii\u201d din podoaba capilar\u0103 a odraslelor pot fi alunga\u021bi cu nu \u0219tiu ce \u0219ampon. Pe aceea\u0219i formul\u0103, \u00eenrudit\u0103 cu pic\u0103tura chinezeasc\u0103, de nenum\u0103rate ori pe zi \u201eun \u00eengera\u0219 de c\u0103\u021bel\u201d \u00ee\u0219i a\u0219teapt\u0103 por\u021bia de \u201ebuc\u0103\u021bele\u201d savuroase din meniu.
\n\u0218i \u00eenc\u0103… Am avut ocazia, acum un an sau doi, s\u0103 citesc \u00eenainte de publicare (nici nu \u0219tiu dac\u0103 s-a publicat p\u00e2n\u0103 la urm\u0103) cartea unei tinere despre c\u0103l\u0103toria cu scop ini\u021biatic pe care tocmai o f\u0103cuse. Autoarea sigur era deja contaminat\u0103 cu virusul \u00een discu\u021bie, \u00eentruc\u00e2t a manifestat \u0219i \u00een scris, conving\u0103tor, simptomele bolii. Textul era at\u00e2t de \u00een\u021besat cu diminutive, \u00eenc\u00e2t e greu s\u0103 mi le amintesc. Am re\u021binut, \u00eens\u0103, ca urmare a frecven\u021bei sporite, \u201eceiu\u021b\u201d\/ \u201eceiule\u021b\u201d \u0219i faptul c\u0103 protagonista, aflat\u0103 la sute de kilometri dep\u0103rtare, t\u00e2njea obsesiv dup\u0103 un… \u201enesulic\u0103\u201d (sic!), nessul de-acas\u0103, apt s\u0103 o trezeasc\u0103 de-a binelea diminea\u021ba \u0219i c\u0103uta, \u00een condi\u021biile vitrege de pelerinaj, un \u201epapa-bun\u201d de ostoit foamea. Apeten\u021ba pentru diminutive n-a f\u0103cut altceva dec\u00e2t s\u0103 submineze p\u00e2n\u0103 la pr\u0103bu\u0219irea \u00een de\u0219ert\u0103ciune \u0219i infantilism sobrietatea cuvenit\u0103 unei c\u0103r\u021bi menite s\u0103 surprind\u0103 o experien\u021b\u0103 spiritual\u0103. Un asemenea text, odat\u0103 publicat, negre\u0219it func\u021bioneaz\u0103 \u0219i el ca surs\u0103 de infestare.
\nNu este lipsit\u0103 de primejdie nici ispita de a-i imita ironic pe cei c\u0103rora li s-au lipit diminutivele de limb\u0103 ca unse cu infailibilul adeziv \u201eBison max\u201d. Imi\u021bi, imi\u021bi ca s\u0103 ridiculizezi n\u0103ravul unora, ca s\u0103 le atragi aten\u021bia asupra maladiei de care sufer\u0103 \u0219i, tot imit\u00e2nd, numai ce te pomene\u0219ti dup\u0103 o vreme c\u0103-\u021bi intr\u0103 \u201evirusul\u201d \u00een reflex \u0219i apoi, chiar con\u0219tientiz\u00e2ndu-l, tare greu scapi de el. Doamne, fere\u0219te!<\/p>\n


\nFapte culturale <\/strong><\/p>\n

Joi, 2 noiembrie 2017, la Galeriile de Art\u0103 Buz\u0103u, Ovidiu Cameliu Petrescu \u0219i-a lansat volumul de poeme \u201eUlise orb\u201d, care s-a bucurat de aprecierea elitei culturale buzoiene. <\/p>\n

Lucian M\u0102N\u0102ILESCU<\/strong>
\n\"\"

FIC\u0162IUNEA NUMIT\u0102 ULISE<\/strong>
\n\"\"

Pu\u0163ine c\u0103r\u0163i de poezie reu\u015fesc s\u0103 sintetizeze, \u00een titlu, acel \u201etot\u201d care \u00eenglobeaz\u0103, \u00een germene, \u00eentregul demers liric. De ce \u201eUlise orb\u201d? Dup\u0103 p\u0103rerea nostr\u0103, fic\u0163iune numit\u0103 Ulise \u00eemprumut\u0103, de la Homer, p\u0103rintele s\u0103u literar, puterea de a vedea pe din\u0103untru. Orgolios, ambi\u0163ios \u015fi, ca to\u0163i grecii antichit\u0103\u0163i, \u00eenzestrat cu iscusin\u0163a \u015fireteniei, regele din Ithaca p\u00e2nde\u015fte, \u00een burta \u00eentunecat\u0103 a calului de lemn, s\u0103 i se \u00eemplineasc\u0103 destinul glorios. Mai t\u00e2rziu, \u00een p\u00e2lp\u00e2irea fl\u0103c\u0103rilor printre care se \u00eentrez\u0103resc ruinele Troiei, eroul mitologic \u00een\u0163elege c\u0103, de fapt, n-a fost vorba de nici o victorie.
\nAbia atunci \u00eencepe adev\u0103rata aventur\u0103, pe drumul singur\u0103t\u0103\u0163ii, nu c\u0103tre Ithaca, o \u0163ar\u0103 care nu mai exist\u0103, ci spre Atlantida, scufundat\u0103 \u00een abisul memoriei. Penelopa, cea de acum, \u0163es\u00e2nd p\u00e2nza timpului, a devenit altcineva, la fel cum Telemah \u015fi c\u00e2inele credincios sunt doar umbre ale trecutului.
\nPoezia domnului Ovidiu Cameliu Petrescu, \u00eenscris\u0103 pe coordonatele ce fisureaz\u0103 grani\u0163a fragil\u0103 dintre om \u015fi eternitate, cu toate c\u0103 nu are atmosfera lirismului bacovian, st\u00e2rne\u015fte, \u015fi ea, ecourile \u201emateriei curg\u00e2nd\u201d, abord\u00e2nd marile teme axiologice: durata, via\u0163a \u015fi moartea, iubirea, speran\u0163a \u015fi resemnarea. Numai c\u0103, zidurile turnului s\u0103u de filde\u015f fiind foarte \u00eenalte, lipsesc viorile, clavecinul sau melancolia suav\u0103 \u015fi gri. Adev\u0103rurile sunt fruste \u015fi, parc\u0103, lipsite de orice speran\u0163\u0103.
\nTimpul este un \u201ec\u00e2ine hulpav\u201d sf\u00e2\u015fiind amintirile, prezentul \u015fi viitorul devin anotimpuri ale irealit\u0103\u0163ii, doar imaginile trecutului r\u0103m\u00e2n\u00e2nd, paradoxal, durabile \u015fi reale, \u00een efemeritate. \u201eLas\u0103-m\u0103, din c\u00e2nd \u00een c\u00e2nd,\/ s\u0103 r\u0103t\u0103cesc prin g\u00e2ndurile tale\/ Port \u00een bra\u0163e amintirea iubirii\/ precum nisipul umbre de valuri\u201d (superb\u0103 metafor\u0103, nu-i a\u015fa?), poemul (Amintiri) \u00eencheindu-se cu o \u00eentrebare retoric\u0103: \u201eCe a mai r\u0103mas din noi\/ \u00een afara amintirilor\u201d). A\u015fadar, durata este, pentru om, mai cur\u00e2nd rememorare \u015fi \u00eencremenire \u00eentr-un album de fotografii, dec\u00e2t curgere.
\nLa fel cum, \u00een fa\u0163a Styxului, dincolo de care nimeni nu \u015ftie ce se afl\u0103, omul \u00eencearc\u0103 s\u0103 evadeze din carapacea existen\u0163ei: \u201eAm strivit bezmetic\/ pendula, dar ea bate\/ bl\u00e2nd \u015fi sinistru\/ \u00een fiecare g\u00e2nd\/ Zac istovit \u00een\/ nisipul care m\u0103 sufoc\u0103.\/ fuga mea s-a ispr\u0103vit\u201d (resemnare).
\nMitologia mor\u0163ii este, la poet, un fel de epopee a lui Ghilgame\u015f, retr\u0103it\u0103 mereu \u015fi mereu de cei os\u00e2ndi\u0163i la c\u0103utarea \u201evie\u0163ii f\u0103r\u0103 de moarte\u201d, aceasta fiind o tenta\u0163ie \u015fi, \u00een egal\u0103 m\u0103sur\u0103, o perpetu\u0103 \u00eenfr\u00e2ngere. Exist\u0103, \u00eens\u0103, \u015fi o alt\u0103 abordare, poate mai apropiat\u0103 de genele ADN-ului nostru na\u0163ional, precum cea din Miori\u0163a sau din \u201eZ\u00e2na Moarte\u201d a Floren\u0163ei Albu, \u00een care o b\u0103tr\u00e2n\u0103 \u00eei spune fiicei, atunci c\u00e2nd moartea bate la poart\u0103: \u201eDeschide-i \u015fi las-o s\u0103 intre\/ E \u015fi ea o biat\u0103 b\u0103tr\u00e2n\u0103 ca mine\u201d.
\nUltimul vers din \u201eResemnarea\u201d d-lui Ovidiu Cameliu Petrescu are, cumva, aceea\u015fi \u00een\u0163eleapt\u0103 acceptare \u201eFuga mea s-a sf\u00e2r\u015fit\u201d. Ideea revine \u015fi \u00een poemul \u201eC\u0103ut\u00e2nd printre cuvinte\u201d: \u201eG\u00e2ndul, seme\u0163 c\u00e2ndva,\/ prive\u015fte tot mai des \u00eenapoi\/ \u015fi ochii t\u0103i au secat\/ a\u015ftept\u00e2nd z\u00e2mbetul meu.\/ Pe cel\u0103lat mal fo\u015fnesc\/ Amintiri uscate \u015fi teama,\/ ploaia de toamn\u0103, se adun\u0103\/ prin cutele sufletului. \/ \u00cendoielile mi-au s\u0103pat\/ pe chip \u00eentreb\u0103ri nerostite.\/ Oare ce mai caut, \u00eenc\u0103?\/ Tu m-ai uitat a\u015ftept\u00e2nd.\u201d.
\nO alt\u0103 fa\u0163et\u0103 a timpului o reprezint\u0103 \u201erelativitatea\u201d: \u201eM\u00e2ine este doar\/ o pas\u0103re albastr\u0103\/ ce moare \u00een fiecare clip\u0103 a zilei de azi\/ \u00centre amintire \u015fi speran\u0163\u0103\/ tr\u0103ie\u015fti de fapt o singur\u0103 zi\/ precum un fluture zbur\u00e2nd\/ \u00eentr-o lume str\u0103in\u0103\u201d.
\nCondi\u0163ia uman\u0103, \u00een precaritatea ei, are \u00eens\u0103 \u015fi o latur\u0103 sublim\u0103, pe care o dezv\u0103luie I. L. Caragiale, compar\u00e2nd efemeritatea g\u00e2zei cu piramida ce \u00eenfrunt\u0103 eternitatea: \u201ePiramida e de granit, insecta de ni\u0219te \u021besuturi mucoase; insecta d-abia se vede, \u0219i piramida e piramidal\u0103; insecta, n\u0103scut\u0103 azi-diminea\u021b\u0103, va muri desear\u0103; iar piramida e o veche cuno\u0219tin\u021b\u0103 a soarelui, \u0219i poate va sta neclintit\u0103 \u0219i rece pe temelia ei p\u00e2n\u0103 mult dup\u0103 ce soarele va fi \u00eencetat a-i mai putea trimite m\u0103car o raz\u0103 de c\u0103ldur\u0103 \u0219i de lumin\u0103. Da, dar piramida st\u0103 \u0219i va sta; iar insecta va muri, \u00eens\u0103 tr\u0103ie\u0219te.\u201d
\nC\u00e2t\u0103 c\u0103ldur\u0103 \u015fi tandre\u0163e degaj\u0103 un astfel de sentiment, al asum\u0103rii efemerit\u0103\u0163ii, \u00een poezia intitulat\u0103 Amurg! (\u201eCe facem ast\u0103-sear\u0103, iubito?\/ Simt cum sufletul t\u0103u\/ se aga\u0163\u0103, cu disperare,\/ de privirile mele fl\u0103m\u00e2nde.\/ M\u0103 scufund printre g\u00e2ndurile tale\/ frem\u0103t\u00e2nd precum ierburile c\u00e2mpie\/ f\u0103r\u0103 sf\u00e2r\u015fit sub adierea\/ v\u00e2ntului de prim\u0103var\u0103.\/ \u00cembr\u0103\u0163i\u015feaz\u0103-m\u0103 precum\/ un copac \u00eembr\u0103\u0163i\u015feaz\u0103 p\u0103s\u0103rile cerului\/ Ei, nu chiar a\u015fa de brusc!\/ s\u0103 nu anchilozezi din nou?\/ Mai bine \u00ee\u0163i caut ochelarii\/ s\u0103 ne uit\u0103m, \u00een amurgul\/ bl\u00e2nd al toamnei,\/ la fotografiile unor tineri superbi,\/ ce seam\u0103n\u0103 vag cu noi.\u201d)
\nTr\u0103ind \u00eentr-o lume contorsionat\u0103 de alteritate, poetul se vede pe sine \u00eentr-o oglind\u0103, sau – mai cur\u00e2nd – \u00eentr-un labirint de oglinzi: \u201eDin oglind\u0103 m\u0103 prive\u015fte\/ un str\u0103in, iar vorbele lui\/ m\u0103 lovesc ca ni\u015fte pietre ascu\u0163ite\u201d (Visuri uitate) \u015ei totu\u015fi: \u201eDoar c\u00e2nd visez \u00een nop\u0163ile de prim\u0103var\u0103\/ m\u0103 mai simt t\u00e2n\u0103r\/ \u015fi str\u00e2ng sub ploape florile speran\u0163ei\u201d
\nO a doua fa\u0163et\u0103 a alterit\u0103\u0163ii sunt… ceilal\u0163i, adic\u0103 infernul implacabil al lui Sartre: \u201eG\u00e2ndaci bezmetici,\/ mi\u015fun\u0103 prin mizeria lumii\/ \u015fi credem c\u0103 descoperim\/ sensurile existen\u0163ei:\/ Iat\u0103 adev\u0103rul! (…) F\u0103r\u0103 s\u0103 sim\u0163im\/ via\u0163a ne devor\u0103 lent,\/ ca o plant\u0103 carnivor\u0103 \u015fi\/ lumea noastr\u0103 moare\/ odat\u0103 cu noi\/ \u015fi cu g\u00e2ndurile noastre\u201d (G\u00e2ndaci besmetici). Este o lume globalizat\u0103, ce ne transform\u0103, a\u015fa cum spunea un poet: \u201e\u00een colec\u0163ionari de fapte rare, care tr\u0103deaz\u0103 canalia din om\u201d. Iat\u0103 o proiec\u0163ie a individului secolului XXI, devenit exponat omniprezent \u00een muzeele figurilor de cear\u0103, aceste falsuri condamnate la… celebritate: \u201eC\u00e2nd dai m\u00e2na cu un om,\/ puternic \u015fi frumos, care \u00ee\u0163i z\u00e2mbe\u015fte,\/ undeva, ascuns \u00eenl\u0103untru lui,\/ este un altul mic \u015fi ur\u00e2t,\/ care spumeg\u0103 de furie,\/ imagin\u00e2ndu-\u015fi c\u0103 tu ai fi fericit\u201d
\nNu puteau s\u0103 lipseasc\u0103, din opera unei personalit\u0103\u0163i care s-a implicat benefic, \u00eentotdeauna, \u00een social, poezia patriotic\u0103 de bun\u0103 factur\u0103. Din nefericire, istoria, identitatea pe care ea ne-o confer\u0103 este, tot mai mult, o aproximare; oamenii o tr\u0103iesc, dar nu mai au memoria ei. Din fericire, ne spune poetul, mun\u0163ii stau cu frun\u0163ile printre nori: \u201eEi nu au mers niciodat\u0103\/ nici la Mahomed, nici la Ivan \u015fi nici la Johnny\u201d. \u201eDe vom fi precum mun\u0163ii\u201d, cu alte cuvinte dac\u0103 vom tr\u0103i cu viteza st\u00e2ncilor: \u201e…vom sim\u0163i\/ stropul de ve\u015fnicie\/ r\u0103t\u0103cit \u00een suflet\u201d. Patria, adaug\u0103 dl. Ovidiu Petrescu \u00eentr-un alt poem, este dincolo de bine \u015fi dincoace de r\u0103u: \u201ealunec pe o lacrim\u0103\/ \u00een ad\u00e2ncul sufletului\/ \u015fi-mi reg\u0103sesc patria\/ zgribulit\u0103 printre amintiri\u201d
\nTic\u0103lo\u015fit\u0103 sau nu, Patria r\u0103m\u00e2ne, a\u015fadar, un punct de reper, o grani\u0163\u0103 care ne apar\u0103 de armatele migratoare ale haosului: \u201eNumai aici, \u00eentre prieteni,\/ f\u00e2nt\u00e2nile f\u0103r\u0103 cump\u0103n\u0103 ale sufletului meu\/ se umplu de lini\u015fte.\u201d
\nConcluzion\u00e2nd, trebuie s\u0103 ne amintim cuvintele M\u00e2ntuitorului, reproduse \u00een Evanghelia dup\u0103 Matei, al c\u0103ror \u00een\u0163eles este mult mai profund dec\u00e2t acceptarea z\u0103-d\u0103rniciei: \u201eCe-a\u0163i ie\u015fit s\u0103 vede\u0163i \u00een pustie? Au trestie cl\u0103tinat\u0103 de v\u00e2nt\u201d (Matei \u2013 11,7). Completarea o aduce Pascal: \u201eOmul nu este dec\u00e2t o trestie, cea mai fragil\u0103 din natur\u0103: dar este o trestie g\u00e2nditoare. Nu este nevoie ca universul \u00eentreg s\u0103 se \u00eenver\u015funeze \u00eempotriva lui pentru a-l zdrobi. Un abur, o pic\u0103tur\u0103 de ap\u0103 sunt de ajuns pentru a-l ucide. Dar chiar dac\u0103 universul \u00eentreg l-ar zdrobi, omul tot ar fi mai nobil dec\u00e2t cel care-l ucide…\u201d<\/p>\n

POEZII DIN VOLUM<\/strong><\/p>\n

Ulise orb<\/strong><\/p>\n

Nu mai \u015ftiu s\u0103 m\u0103 \u00eentorc
\npe \u0163\u0103rmul speran\u0163elor p\u0103r\u0103site c\u00e2ndva.
\nSemnele d\u0103ltuite cu trud\u0103
\n\u00een drumul de piatr\u0103
\ns-au tocit …
\nR\u0103t\u0103cesc prin ploaia rece ca moartea,
\nun Ulise orb care a uitat
\nce c\u0103uta prin lume<\/p>\n


\nA\u015fteptare<\/strong><\/p>\n

Umbra ta \u00eemi m\u00e2ng\u00e2ie privirea
\n\u015eoapte izgonite din vis
\nse preling pe trup
\n\u00een nop\u0163i b\u00e2ntuite de nelini\u015fti
\n\u015fi v\u00e2ntul spulber\u0103 cenu\u015fa de aripi.
\nZac strivit sub amintiri scorojite
\nVino, vino acum
\nS\u0103 m\u0103 vindeci cu un z\u00e2mbet.<\/p>\n


\nPe\u015ftera<\/strong><\/p>\n

Pe pere\u021bii pe\u0219terii
\nsufletului t\u0103u joac\u0103
\numbre ciudate.
\nAi ucis g\u00e2nduri rebele,
\niubiri netr\u0103ite \u021bi-au \u00eencol\u021bit
\nprintre visuri,
\ndar ai tr\u0103it mereu \u00eent\u00e2mpl\u0103ri cenu\u0219ii.
\nAcum clipele care
\n\u021bi-au mai r\u0103mas
\nmiros trist a p\u0103m\u00e2nt,
\niar pe\u0219tera te va strivi
\n\u00een cur\u00e2nd.<\/p>\n


\nUitare<\/strong><\/p>\n

Timpul, c\u00e2ine hulpav,
\nmi-a mai sf\u00e2\u015fiat ni\u015fte amintiri.
\nClipele petrecute \u00eempreun\u0103
\nse preling \u00een neant.
\n\u00centr-o zi voi uita
\n\u015fi primul s\u0103rut,
\niar viscolul clipelor
\n\u00eemi va risipi fiin\u0163a
\nspre alt t\u0103r\u00e2m.<\/p>\n


\nAmurg<\/strong><\/p>\n

Ce facem ast\u0103-sear\u0103, iubito?
\nSimt cum sufletul t\u0103u
\nse aga\u0163\u0103, cu disperare,
\nde privirile mele fl\u0103m\u00e2nde.
\nM\u0103 scufund printre g\u00e2ndurile tale
\nfrem\u0103t\u00e2nd precum ierburile c\u00e2mpie
\nf\u0103r\u0103 sf\u00e2r\u015fit sub adierea
\nv\u00e2ntului de prim\u0103var\u0103.
\n\u00cembr\u0103\u0163i\u015feaz\u0103-m\u0103 precum
\nun copac \u00eembr\u0103\u0163i\u015feaz\u0103 p\u0103s\u0103rile cerului
\nEi, nu chiar a\u015fa de brusc!
\nVrei s\u0103 anchilozezi din nou?
\nMai bine \u00ee\u0163i caut ochelarii
\ns\u0103 ne uit\u0103m, \u00een amurgul
\nbl\u00e2nd al toamnei,
\nla fotografiile unor tineri superbi,
\nce seam\u0103n\u0103 vag cu noi.<\/p>\n


\nDisolu\u0163ie<\/strong><\/p>\n

Str\u00e2ng \u00een bra\u0163e, cu disperare,
\namintirea primului s\u0103rut.
\nZ\u00e2mbetul t\u0103u,
\nprizonier \u00eentr-o lacrim\u0103,
\nmi se prelinge
\nprintre cutele sufletului.
\nPrinde-m\u0103 de m\u00e2n\u0103
\np\u00e2n\u0103 c\u00e2nd valurile timpului
\n\u00eemi vor risipi f\u0103ptura.<\/p>\n


\nTeama<\/strong><\/p>\n

Nu sim\u0163i teama?
\nNu te ui\u0163i peste um\u0103r
\nc\u00e2nd petreci cu prietenii,
\nc\u00e2nd faci dragoste,
\nc\u00e2nd \u00ee\u0163i zide\u015fti casa?
\nTe str\u0103duie\u015fti din r\u0103sputeri
\ns\u0103-\u0163i tr\u0103ie\u015fti clipele
\nbanalei tale fericiri,
\ndar te treze\u015fti mereu
\nnum\u0103r\u00e2nd pa\u015fii c\u0103tre moarte
\nde parc\u0103 asta ar avea vreun rost.
\nDe parc\u0103 ceva ar avea un rost!<\/p>\n


\nNimicul<\/strong><\/p>\n

Vine o zi
\nc\u00e2nd afli c\u0103 nu mai \u00eensemni
\nnimic pentru nimeni,
\nnicic\u00e2nd \u015fi nic\u0103ieri
\n\u015fi atunci moare g\u00e2ndul \u015fi cad stelele
\nNimicul te soarbe
\ndintr-o dat\u0103 \u015fi
\nlocul t\u0103u \u00een lume
\ndevine al altora.
\nCe s\u0103 scriem pe crucea lui?
\nNu \u015ftim nimic despe el.<\/p>\n


\nAripi uscate<\/strong><\/p>\n

Speran\u0163a, pas\u0103re istovit\u0103
\ndeasupra oceanului
\nmoare \u00een zbor, departe de mine.
\nZidurile p\u0103m\u00e2ntii ale silei
\ncresc, tot mai \u00eenalte,
\n\u00een jurul meu,
\nArpile mi s-au uscat demult
\n\u015fi nu mai pot zbura
\nc\u0103tre cerul tot mai \u00eendep\u0103rtat.
\nVoi r\u0103m\u00e2ne aici p\u00e2n\u0103 c\u00e2nd criv\u0103\u0163ul
\nm\u0103 va spulbera pe un alt t\u0103r\u00e2m.<\/p>\n


\nResemnare<\/strong><\/p>\n

S\u0103 tr\u00e2ntim u\u015fa
\n\u00een fa\u0163a clipei, s\u0103geat\u0103 otr\u0103vit\u0103
\n\u015fi-ntind fl\u0103m\u00e2nd sufletul.
\nAm strivit bezmetic
\npendula, dar ea bate
\nbl\u00e2nd \u015fi sinistru
\n\u00een fiecare g\u00e2nd.
\nZac istovit \u00een
\nnisipul care m\u0103 sufoc\u0103.
\nFuga mea s-a sf\u00e2r\u015fit.<\/p>\n


\n\u00cen labirint<\/strong><\/p>\n

Via\u0163a mea \u2013 un labirtint
\nabsurd \u00een care Minotaurul
\na murit, a\u015ftept\u00e2ndu-m\u0103.
\nA\u015f vrea s\u0103 mai r\u0103m\u00e2n
\n\u00een\u0103untru de teama
\nNimicului de afar\u0103.<\/p>\n


\nSisif istovit<\/strong><\/p>\n

\u00cencepe o nou\u0103 zi.
\nPrivesc \u00een gol ca un
\nSisif istovit.
\nCuvintele ce trebuie s\u0103
\nle \u00eemping prin lume
\npar mai grele
\nca niciodat\u0103.
\nPoate am murit demult
\n\u015fi acum tr\u0103iesc
\ndoar f\u0103r\u00e2me de amintiri
\ndin alte vie\u0163i,
\na\u015ftept\u00e2nd s\u0103 se nasc\u0103
\nt\u0103cerea.<\/p>\n


\nSalonul revistei \u201eSpa\u0163ii culturale\u201d <\/strong>
\nedi\u0163ia a II-a<\/strong>
\n\"\"

\tA doua edi\u0163ie a Salonului revistei \u201eSpa\u0163ii culturale\u201d s-a desf\u0103\u015furat \u00een data de 7 octombrie 2017 la Centrul Cultural \u201eFlorica Cristoforeanu\u201d din R\u00e2mnicu S\u0103rat. \u00cen afar\u0103 de scriitorii r\u00e2mniceni, gazdele manifest\u0103rii, au fost invita\u0163i scriitori din Foc\u015fani. Din motive absolut strict obiective ace\u015ftia nu au putut r\u0103spunde invita\u0163iei, mai ales c\u0103 a fost o vreme deosebit de rea (ploi \u015fi v\u00e2nt), urm\u00e2nd ca ace\u015ftia s\u0103 dea curs unei invita\u0163ii ulterioare.
\nDup\u0103 ce gazda manifest\u0103rii, scriitoarea Valeria Manta T\u0103icu\u0163u, a anun\u0163at modul de desf\u0103\u015furare a celei de-a doua edi\u0163ii, \u00eentr-un cadru mai restr\u00e2ns, ne-a propus s\u0103 ascult\u0103m o melodie clasic\u0103 interpretat\u0103 la pian de Florin Boroghin\u0103.
\nScriitorul r\u00e2mnicean care \u015fi-a lansat o nou\u0103 carte cu aceast\u0103 ocazie a fost Petrache Plopeanu. Aceasta a fost volumul de versuri \u201eCuibul crucii. Poeme triunghiulare\u201d ce a ap\u0103rut \u00een acest an la Editura PIM din Ia\u015fi. Prezentarea acestui nou volum este f\u0103cut\u0103 de Valeria Manta T\u0103icu\u0163u, apoi autorul ne spune c\u00e2teva cuvinte despre acest volum \u015fi recit\u0103 asisten\u0163ei patru poeme. Florin Boroghin\u0103 are un nou moment muzical ce precede podiumul poe\u0163ilor. R\u00e2nd pe r\u00e2nd sunt citite dou\u0103 sau trei poezii sau un text \u00een proz\u0103 \u00een urm\u0103toarea ordine: Ecaterina Chifu, Nicolai T\u0103icu\u0163u, Nina Plopeanu (proz\u0103), Nicolas Bratu, Lauren\u0163iu Selegean, Viorel Dodan, Stan Brebenel (proz\u0103), Genovel Fr\u0103\u0163il\u0103, Sorin C\u0103lin \u015fi Valeria Manta T\u0103icu\u0163u. Momentele de poezie au fost completate armonios cu acorduri de pian din m\u00e2na m\u0103iastr\u0103 a lui Florin Boroghin\u0103. Au mai fost prezen\u0163i Andreea Bratu \u015fi Horia Oprea, care nu au citit, dar au promis c\u0103 la urm\u0103toarea \u00eent\u00e2lnire vor fi preg\u0103ti\u0163i pentru a citi ceva din crea\u0163ia lor.
\nManifestarea s-a \u00eencheiat \u00eentr-un ton optimist pe muzica acelora\u015fi clape de pian. Urm\u0103toarea \u00eent\u00e2lnire va avea loc pe data de 4 noiembrie 2017.<\/p>\n


\nSalonul revistei \u201eSpa\u0163ii culturale\u201d edi\u0163ia a III-a<\/strong>
\n\"\"

\u00cen ziua de s\u00e2mb\u0103t\u0103, 4 noiembrie 2017, s-a desf\u0103\u015furat o nou\u0103 edi\u0163ie a Salonului revistei \u201eSpa\u0163ii culturale\u201d la Centrul Cultural \u201eFlorica Cristoforeanu\u201d din R\u00e2mnicu S\u0103rat, la Clubul \u201eFemina\u201d, gazd\u0103 \u015fi a edi\u0163iilor anterioare. Invita\u0163i de seam\u0103 au fost scriitori din Br\u0103ila grupa\u0163i \u00een jurul revistei \u201eLitera 13\u201d. Au fost prezen\u0163i: Mihai Vintil\u0103, Tudori\u0163a Tarni\u0163\u0103 \u015fi Alexandru Costin Tudor. Ei au fost \u00eenso\u0163i\u0163i de g\u0103l\u0103\u0163eanul A.G. Secar\u0103. Au mai r\u0103spuns prezent: Nina Plopeanu (Vrancea) \u015fi Lucian M\u0103n\u0103ilescu, Nicolae Pogonaru, Emil Niculescu, Tudor Cicu, Dumitru Pan\u0103 \u015fi subsemnatul (din Buz\u0103u). Gazdele, care au de\u0163inut majoritatea, cum era \u015fi firesc, au fost: Valeria Manta T\u0103icu\u0163u, Nicolai T\u0103icu\u0163u, Genovel Florentin Fr\u0103\u0163il\u0103, Petrache Plopeanu, Manuela Camelia Sava, Lauren\u0163iu Selegean, Cornelia Ionescu Ciurumelea, Sorin C\u0103lin, Costel Suditu, Mioara Bahna, Nicolas Bratu \u015fi Violeta V\u00e2lcu \u2013 directorul Centrului Cultural. Aceste prezent\u0103ri au fost f\u0103cute, ca de obicei, de scriitoarea Valeria Manta T\u0103icu\u0163u, moderatoarea \u00eent\u00e2lnirii. Pentru fiecare dintre cei prezen\u0163i a avut un cuv\u00e2nt cald de apreciere. Tipicul desf\u0103\u015fur\u0103rii salonului nu se va modifica, \u00een principal, nici la aceast\u0103 edi\u0163ie. Vor fi lansate dou\u0103 c\u0103r\u0163i \u015fi apoi va urma podiumul poe\u0163ilor.
\n\tPrima carte prezentat\u0103 este a unuia dintre oaspe\u0163i. Este vorba de volumul de versuri \u201eDirijorul de cuvinte\u201d apar\u0163in\u00e2nd br\u0103ileanului Mihai Vintil\u0103. Acest volum este prezentat de scriitorul g\u0103l\u0103\u0163ean A.G. Secar\u0103, dup\u0103 care autorul ne cite\u015fte c\u00e2teva dintre poeziile incluse \u00een volum.
\n\tA doua carte prezentat\u0103 este \u201e\u015eirul lui Fibonacci. Fibonacci\u2019s sequence\u201d, a r\u00e2mniceanului Genovel Florentin Fr\u0103\u0163il\u0103, un volum de haiku-uri, \u00een edi\u0163ie bilingv\u0103 rom\u00e2no-englez\u0103 \u00een traducerea prof. Daniela Sorina Ciuraru de la Herford Steiner Academy din Marea Britanie. Cartea este recenzat\u0103 de Valeria Manta T\u0103icu\u0163u. Apoi autorul cite\u015fte c\u00e2teva produc\u0163ii din volum.
\n\tUrmeaz\u0103 podiumul poe\u0163ilor \u00een care, alternativ, citesc un r\u00e2mnicean \u015fi un oaspete. Vreau s\u0103 remarc faptul c\u0103 au citit to\u0163i scriitorii prezen\u0163i, recitaluri urm\u0103rite cu aten\u0163ie.
\n\tMomentele de literatur\u0103 au fost \u00eempletite cu aceea\u015fi m\u0103iestrie artistic\u0103 de Florin Boroghin\u0103 \u015fi clapele pianului s\u0103u, care ne-au oferit momente de virtuozitate interpretativ\u0103.
\n\tFa\u0163\u0103 de celelalte dou\u0103 edi\u0163ii, aceasta a avut un punct \u00een plus \u00een desf\u0103\u015fur\u0103tor. Au fost prezentate revistele \u201eLitera 13\u201d \u015fi \u201eSpa\u0163ii culturale\u201d. Redactorul-\u015fef al revistei \u201eLitera 13\u201d, Mihai Vintil\u0103, spune cu am\u0103r\u0103ciune c\u0103 aceast\u0103 revist\u0103, ajuns\u0103 la 4 ani de existen\u0163\u0103, este singura care apare \u00een Br\u0103ila \u015fi costurile ei sunt suportate chiar de el. \u015ei noi, cei prezen\u0163i, suntem consterna\u0163i fa\u0163\u0103 de tradi\u0163ia literar-cultural\u0103 a ora\u015fului cu salc\u00e2mi \u015fi poten\u0163ialul s\u0103u. Urm\u0103toarea revist\u0103 prezentat\u0103 este \u201eSpa\u0163ii culturale\u201d ce apare la R\u00e2mnicu S\u0103rat. Redactorul-\u015fef, Valeria Manta T\u0103icu\u0163u, spune c\u0103 revista deja a \u00eemplinit 10 ani de existen\u0163\u0103 \u015fi \u015fi-a c\u00e2\u015ftigat o reputa\u0163ie la nivel na\u0163ional, ba chiar \u015fi interna\u0163ional, gra\u0163ie \u0163inutei artistice \u015fi stilistice \u00eenalte ce a avut-o \u00een vedere \u00eenc\u0103 de la primul num\u0103r. Vremurile sunt grele, banii sunt pu\u0163ini pentru cultur\u0103 \u015fi educa\u0163ie, dar f\u0103r\u0103 dramul de nebunie al ini\u0163iatorilor aceasta se oprea de mult. Se cuvine cu cuv\u00e2nt de mul\u0163umire, pe acordurile pianului lui Florin Boroghin\u0103, Prim\u0103riei din R\u00e2mnicu S\u0103rat.<\/p>\n

\t\t\t\t\t\t\t\tA consemnat,<\/em>
\n\t\t\tStan Brebenel<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Editorial Mihaela MALEA STROE Pandemia de diminutivit\u0103 Din c\u00e2nd \u00een c\u00e2nd m\u0103 plimb pe net la voia-nt\u00e2mpl\u0103rii \u0219i fac popas<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15039"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15039"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15039\/revisions"}],"predecessor-version":[{"id":15043,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15039\/revisions\/15043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}