{"id":14733,"date":"2021-05-26T13:04:31","date_gmt":"2021-05-26T10:04:31","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=14733"},"modified":"2021-05-26T13:05:46","modified_gmt":"2021-05-26T10:05:46","slug":"spatii-culturale-nr-56-3","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=14733","title":{"rendered":"Spa\u021bii culturale nr. 56 (3)"},"content":{"rendered":"<p><strong>Leons BRIEDIS<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/BREDIS-e1620714350539.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/BREDIS-300x186.jpg\" alt=\"\" width=\"300\" height=\"186\" class=\"alignnone size-medium wp-image-14589 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/186;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/BREDIS-300x186.jpg\" alt=\"\" width=\"300\" height=\"186\" class=\"alignnone size-medium wp-image-14589\" \/><\/noscript><\/a><\/p>\n<p><strong>Nu stie nimenea<\/strong><\/p>\n<p>nu \u015ftie nimenea<br \/>\nce se ascunde \u00een urma cuv\u00e2ntului<br \/>\nc\u0103ci cuvintele tac<br \/>\n\u015fi nu-\u015fi dest\u0103nuie tainele sale<br \/>\ncum e cuv\u00e2ntul \u201eIubire\u201d<br \/>\ncare ar p\u0103rea s\u0103-\u0163i spun\u0103<br \/>\nc\u0103 ai \u00eent\u00e2lnit pe toat\u0103 via\u0163a<br \/>\nFemeia<br \/>\ndar la cump\u0103na vie\u0163ii<br \/>\nvezi cat de fragil este corpul lui<br \/>\ncare curg\u00e2nd prin Dumnezeu,<br \/>\nse preface \u00een r\u00e2ndunic\u0103<br \/>\npe cerul proasp\u0103t din zori<\/p>\n<p><strong><br \/>\nLoc de trai<\/strong><\/p>\n<p>De copil visam s\u0103 locuiesc<br \/>\npe inelul din Saturn<br \/>\nDe t\u00e2n\u0103r vroiam s\u0103 locuiesc<br \/>\n\u00een metropolii ca \u00een centrul lumii<br \/>\nLa maturitatea visam sa tr\u0103iesc<br \/>\npe \u0163\u0103rmul m\u0103rii \u00een cea mai mare solitudine<br \/>\n\u015ei doar acum nu mai visez<br \/>\nci tr\u0103iesc cu toate visele-n pace<\/p>\n<p><strong><br \/>\nProfetul<\/strong><\/p>\n<p>un m\u0103slin \u015fi-a \u00eentins<br \/>\nramurile de-argint<br \/>\npeste sclipirea unei mla\u015ftini<br \/>\ndin pustiu<\/p>\n<p><strong><br \/>\nSilogismul singur\u0103t\u0103\u0163ii<\/strong><\/p>\n<p>Via\u0163a nici c\u00e2nd nu-\u0163i explic\u0103<br \/>\nvia\u0163a nici c\u00e2nd nimic nu-\u0163i explic\u0103<br \/>\nnici chiar lucrurile cele mai explicite<br \/>\nde parc\u0103 s-a n\u0103scut din ad\u00e2ncuri de singur\u0103tate<br \/>\npentru a-\u0163i ad\u00e2nci singur\u0103t\u0103\u0163ile tale<br \/>\nde parc\u0103 singur\u0103tatea este<br \/>\nmai veche dec\u00e2t lumea \u015fi via\u0163a<br \/>\nde parc\u0103 s-ar fi n\u0103scut<br \/>\n\u00eenaintea lor<\/p>\n<p><strong><br \/>\nCitatul lui Dumnezeu<\/strong><\/p>\n<p>sunt, Doamne, citatul t\u0103u<br \/>\ncare fie din haos<br \/>\nsau greseal\u0103<br \/>\nai uitat de numele meu<br \/>\nlans\u00e2ndu-m\u0103-n lume<br \/>\ncu capul \u00een jos,<br \/>\nsunt revoltat<br \/>\niar tu \u00eemi sur\u00e2zi scuz\u00e2ndu-te:<br \/>\n\u201ea\u015fa suntem noi &#8211;<br \/>\niresponsabili pe Om\u201d<\/p>\n<p><strong><br \/>\nDeziluzie<\/strong><\/p>\n<p>Dumnezeu nu mai spune nimic<br \/>\na renu\u0163at la vorbe<br \/>\nde dragul faptelor noastre<\/p>\n<p>(ah, ce progres ar fi fost<br \/>\ndac\u0103 am fi \u00eenaintat numai prin vorbele lui!)<\/p>\n<p><strong><br \/>\nSclipire<\/strong><\/p>\n<p>c\u00e2nd m\u0103 ating de cuv\u00e2nt<br \/>\no sclipire suspin\u0103<br \/>\n\u00een mine \u2013 ad\u00e2nc<\/p>\n<p><strong><br \/>\n\u00cen\u0163elepciune primordial\u0103<\/strong><\/p>\n<p>Sunt o fil\u0103 rupt\u0103<br \/>\ndin ve\u015fnicie<br \/>\npe acest t\u0103r\u00e2m<br \/>\nve\u015fnic nearat, nesem\u0103nat,<br \/>\nnecultivat de poezie<\/p>\n<p>(patrie, mo\u015fie, \u00eemp\u0103r\u0103\u0163ie de poezie<br \/>\n\u00een care tr\u0103iesc tot mai ad\u00e2nc)<\/p>\n<p>patrie, mo\u015fie, poezie<br \/>\nunde m\u0103 simt<br \/>\n\u00een siguran\u0163\u0103 \u015fi statornicie<br \/>\nc\u0103ci \u015fi eu, Doamne, sunt<br \/>\no fil\u0103 rupt\u0103 din ve\u015fnicie<\/p>\n<p><strong><br \/>\n Maria \u2013 tu e\u015fti slava acestui p\u0103m\u00e2nt<\/strong><\/p>\n<p>Tu e\u015fti aerul pe care-l c\u00e2nt \u015fi-l respir<br \/>\n\u00eenaltul cerului<br \/>\npentru care toate-nfloresc<\/p>\n<p>Tu e\u015fti aceast\u0103 putere<br \/>\nce nu-mi apar\u0163ine<br \/>\ndar pe care peste tot o \u00eemp\u0103rt\u0103\u015fesc<br \/>\ncu izul poasp\u0103t de p\u00e2ine<\/p>\n<p>\u015ei gestul t\u0103u<br \/>\nlunec\u0103 pe glie<br \/>\nla fel de tulbur\u0103tor<br \/>\n\u015fi de ne\u00eemplinit \u2013<br \/>\nMarie \u2013<br \/>\nca slava acestui p\u0103m\u00e2nt<\/p>\n<p><strong><br \/>\ncuvintele<\/strong><\/p>\n<p>\tI<\/p>\n<p>\u00cen cel mai singuratec punct<br \/>\najuns-am al singur\u0103t\u0103\u0163ii mele<br \/>\nunde nici singur\u0103tatea<br \/>\nnu poate s-ajung\u0103<\/p>\n<p>\tII<\/p>\n<p>taci<br \/>\n\u015fi vei spune totul:<br \/>\nc\u0103ci to\u0163i putea-vor vorbi<br \/>\nprin tine cu tine \u00eensu\u0163i <\/p>\n<p>\tIII<\/p>\n<p>Ce fericire e<br \/>\ns\u0103-l ascul\u0163i<br \/>\npe cel carele<br \/>\ne\u015fti Tu!<\/p>\n<p><em>Traducere de<br \/>\nMaria Briedis-Macovei<\/em><\/p>\n<p><strong><br \/>\nCamelia Manuela SAVA<\/strong><\/p>\n<p><strong>DEP\u0102RTARE. STR\u0102INUL DINTR-UN TABLOU<\/strong><\/p>\n<p>Te admiram \u00eendelung \u2013<br \/>\nErai str\u0103inul din tabloul cu rama aurie<br \/>\nP\u0103rea c\u0103 \u021bii \u00een m\u00e2n\u0103 o scoic\u0103 vie<br \/>\nDep\u0103rtarea \u00ee\u021bi rosese coastele, unghiile, maxilarul<br \/>\nMu\u0219chii t\u0103i erau \u00eengenunchia\u021bi de dorul infam<br \/>\nce te legase de un zid<br \/>\nCe a\u0219 mai fi putut face?<br \/>\nCum a\u0219 fi trecut peste valurile \u00eentomnate ca s\u0103 ajung p\u00e2n\u0103 la tine?<br \/>\nToate \u00eembr\u0103\u021bi\u0219\u0103rile au pierit<br \/>\nPe rama tabloului st\u0103tea \u00eenghesuit verdele ochilor t\u0103i<br \/>\nDoar verdele&#8230;<\/p>\n<p><strong><br \/>\nCU\u021aITUL DE ARGINT<\/strong><\/p>\n<p>Am t\u0103iat \u00een inima ta o fereastr\u0103 \u2013<br \/>\nde atunci privesc zilnic peisaje diverse<br \/>\npictate \u00een roz \u0219i \u00een gri de g\u00e2ndurile tale<\/p>\n<p>\u00een poligonul unde toate gloan\u021bele trec<br \/>\npe l\u00e2ng\u0103 speran\u021bele albite de a\u0219teptare<br \/>\ncu\u021bitul de argint s-a \u00eenfipt ad\u00e2nc<br \/>\ntu nu sufereai: iubirea \u00ee\u021bi d\u0103dea noi puteri<br \/>\neu \u00ee\u021bi bandajam r\u0103nile<br \/>\nsocotind c\u0103<br \/>\nfereastra aceea albastr\u0103 era a mea&#8230;<br \/>\ncu\u021bitul s-a pierdut \u00eentr-un loc tainic ce \u00eemi apar\u021binea<br \/>\ndin ziua c\u00e2nd argintul viu te atinsese<br \/>\nerai al meu<br \/>\ns\u00e2ngele g\u00e2lg\u00e2ia t\u00e2n\u0103r<br \/>\nnumai eu am t\u0103iat o fereastr\u0103 albastr\u0103 \u00een inima ta<br \/>\nLa apus cu\u021bitul desenase perfid<br \/>\no pat\u0103 s\u00e2ngerie<br \/>\nera fereastra prin care eu admiram priveli\u0219ti minunate<br \/>\nconturate cu grij\u0103 de sufletul t\u0103u frem\u0103t\u00e2nd<br \/>\nm\u0103 bucuram de clipele petrecute \u00eempreun\u0103<br \/>\niubind mai mult cu\u021bitul<br \/>\ndin m\u00e2na mea obosit\u0103<br \/>\ntimpul a fost f\u0103cut f\u0103r\u00e2mi\u021be \u0219i &#8211;<br \/>\nd\u0103ruindu-\u021bi cu\u021bitul acela &#8211;<br \/>\nm\u0103 muncesc s\u0103 pictez cu r\u00e2vn\u0103 ramele<br \/>\npotrivite pentru fereastra din inima ta<br \/>\nunde s-a \u00eenfipt ad\u00e2nc<br \/>\niubirea r\u0103s\u0103rit\u0103 ca o buruian\u0103<br \/>\ndin primul nostru s\u0103rut<br \/>\ns-a n\u0103scut amintirea<\/p>\n<p><em><strong><br \/>\nPove\u0219ti de c\u0103l\u0103torie<\/strong><\/em><\/p>\n<p><strong>Doina CERNICA<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/20-1-e1598112009940.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/20-1-268x300.jpg\" alt=\"\" width=\"268\" height=\"300\" class=\"alignnone size-medium wp-image-10214 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 268px; --smush-placeholder-aspect-ratio: 268\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/20-1-268x300.jpg\" alt=\"\" width=\"268\" height=\"300\" class=\"alignnone size-medium wp-image-10214\" \/><\/noscript><\/a>\t<\/p>\n<p>         <strong>Despre t\u0103cere \u00een Praga de Aur<\/strong><\/p>\n<p>Un basm care m-a \u00eenfrico\u0219at \u00een copil\u0103ria ciclului primar a fost \u201eOmul de piatr\u0103\u201d al lui Nicolae Filimon. Cu siguran\u021b\u0103, d\u0103ruindu-mi aceast\u0103 \u201eculegere din literatura noastr\u0103 clasic\u0103\u201d (ESPLA, Bucure\u0219ti, 1958), cu un f\u0103t-frumos \u0219i un cerb cu str\u0103lucitoare coarne de aur pe copert\u0103, p\u0103rin\u021bii nu au b\u0103nuit ce groaz\u0103 aveam s\u0103 \u00eencerc c\u00e2nd Afin, fratele de cruce al lui Dafin, \u00eenfrunt\u00e2nd leg\u0103m\u00e2ntul t\u0103cerii impus de v\u00e2ntul de prim\u0103var\u0103, avea s\u0103 \u00eempietreasc\u0103 progresiv, c\u00e2nd Dafin \u0219i Chiralina aveau s\u0103-i ia \u0219i s\u0103-i p\u0103streze trupul-statuie \u00een odaia lor \u0219i c\u00e2nd \u00eempreun\u0103 \u00ee\u0219i vor sacrifica pruncul abia n\u0103scut, sc\u0103ld\u00e2nd stana \u00een s\u00e2ngele lui, ca s\u0103-l readuc\u0103 pe Afin la via\u021b\u0103. \u00cen ciuda sf\u00e2r\u0219itului fericit, cruzimea basmului m-a p\u0103zit c\u00e2\u021biva ani de tenta\u021bia recitirii, p\u00e2n\u0103 c\u00e2nd bibliografia \u0219colar\u0103 mi l-a adus \u00een aten\u021bie pe Nicolae Filimon, cu ansamblul crea\u021biei sale. Atunci, \u00eens\u0103, poate dintr-un instinct de protejare al imagina\u021biei de propriile \u00eenchipuiri, g\u00e2ndul s-a mutat \u0219i a st\u0103ruit asupra t\u0103cerii lui Afin \u0219i de acolo asupra t\u0103cerii \u00een general, a diversit\u0103\u021bii \u0219i a valorilor ei, \u00een acel soi de medita\u021bie specific adolescen\u021bei, at\u00e2t de frumos, de cutez\u0103tor tentat\u0103 s\u0103 \u00een\u021beleag\u0103 lumea. \u0218i poate irepetabil.<br \/>\nCel pu\u021bin eu una nu am mai vorbit cu mine \u00eens\u0103mi despre t\u0103cere sau nu mai \u021bin minte s-o fi f\u0103cut p\u00e2n\u0103 la \u00eent\u00e2lnirea cu Ioan Nepomuk, pe care \u00eel privisem de nenum\u0103rate ori, aproape tot de at\u00e2tea c\u00e2t biserica romano-catolic\u0103 din centrul Sucevei, o cl\u0103dire masiv\u0103 \u0219i elegant\u0103 din prima jum\u0103tate a secolului al XIX-lea, adic\u0103 de pe vremea Imperiului Austriac, c\u00e2nd a \u0219i fost \u00eenchinat\u0103 sf\u00e2ntului din Boemia. Abia dup\u0103 ce \u00een pia\u021beta din fa\u021ba bisericii a fost inaugurat monumentul dedicat papei Ioan Paul al II-lea, \u00een amintirea vizitei f\u0103cute \u00een urm\u0103 cu zece ani \u00een Rom\u00e2nia, fiind la data aceea singurul existent \u00eentr-un loc public din \u021bara noastr\u0103, m-am uitat cu luare aminte la firida din st\u00e2nga intr\u0103rii \u00een biseric\u0103. A fost ca \u0219i cum \u00eensu\u0219i suveranul pontif i-ar fi re\u00eennoit lumina, st\u0103ruind s\u0103-l cercetez \u00eendeaproape. Sculptat de C. Hofman din Cern\u0103u\u021bi cu un crucifix \u00een bra\u021be, \u021binut cu dulcea\u021ba de care are parte pruncul divin la pieptul maicii sale, cu ochii \u00eentor\u0219i \u00eenl\u0103untru spre zarea \u021binuturilor cere\u0219ti, Sf\u00e2ntul Ioan Nepomuk las\u0103 s\u0103 zboare mute prin buzele \u00eentredeschise cuvintele pove\u0219tii sale.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/9-1-e1622023316762.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/9-1-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14734 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/225;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/9-1-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14734\" \/><\/noscript><\/a><br \/>\nN\u0103scut \u00een 1320 la Nepomuk, urmeaz\u0103 universitatea la Praga, devine preot, ajunge vicar \u0219i cap\u0103t\u0103 faima meritat\u0103 pentru evlavia, modestia, milostivenia sa \u0219i pentru devotamentul \u0219i fermitatea puse \u00een ap\u0103rarea drepturilor celor umili. O faim\u0103 foarte mare, adic\u0103 greu de suportat de curtenii regelui Wenceslau. Acesta, cu urechea otr\u0103vit\u0103 de \u0219oaptele lor \u0219i \u00eencurajat de propria-i fire, \u00eei cere s\u0103 dea glas confesiunii pe care i-o f\u0103cuse regina sub pecetea tainei la spovedanie. Refuzul categoric al lui Ioan Nepomuk este men\u021binut \u0219i sub o tortur\u0103 lung\u0103, greu de suportat \u0219i numai ca descriere. P\u00e2n\u0103 la urm\u0103, cu limba smuls\u0103, aruncat de pe Podul Carol, dispare \u00een apele Vltavei \u00een ajunul \u00cen\u0103l\u021b\u0103rii Domnului. Noaptea, regina vede o lumin\u0103 f\u0103r\u0103 seam\u0103n plutind deasupra r\u00e2ului \u0219i i-o arat\u0103 so\u021bului, \u00eentreb\u00e2ndu-l ce ar putea s\u0103 fie. F\u0103r\u0103 s\u0103-i r\u0103spund\u0103, cuprins de spaim\u0103 \u0219i c\u0103in\u021b\u0103, Wenceslau cere s\u0103 fie pescuit trupul martirului \u0219i \u00eenmorm\u00e2ntat cre\u0219tine\u0219te \u00een catedrala \u00een care slujise ca preot. Peste mai mult de trei secole, deshumat, este aflat cu limba intact\u0103. Limba care nu a vrut s\u0103 tr\u0103deze secretul spovedaniei este a\u0219ezat\u0103 \u00eentr-un relicvar \u00eempodobit cu diamante, iar \u0219irul de minuni \u00eenf\u0103ptuite la morm\u00e2ntul s\u0103u \u00eel \u00eenal\u021b\u0103 pe Ioan Nepomuk \u00een r\u00e2ndul sfin\u021bilor, cu s\u0103rb\u0103toarea \u00eenscris\u0103 \u00een calendarul romano-catolic la 20 martie.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/10-1.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/10-1-226x300.jpg\" alt=\"\" width=\"226\" height=\"300\" class=\"alignnone size-medium wp-image-14735 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/10-1-226x300.jpg 226w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/10-1.jpg 296w\" data-sizes=\"(max-width: 226px) 100vw, 226px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 226px; --smush-placeholder-aspect-ratio: 226\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/10-1-226x300.jpg\" alt=\"\" width=\"226\" height=\"300\" class=\"alignnone size-medium wp-image-14735\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/10-1-226x300.jpg 226w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/10-1.jpg 296w\" sizes=\"(max-width: 226px) 100vw, 226px\" \/><\/noscript><\/a><br \/>\n Ca \u0219i istoria lui Afin, \u0219i aceasta nu este lipsit\u0103 de cruzime \u0219i de suferin\u021b\u0103. Dar una pentru c\u0103 fratele rupe t\u0103cerea, cealalt\u0103 pentru c\u0103 preotul o p\u0103streaz\u0103. Am\u00e2ndoi \u00eens\u0103 o fac \u00een numele onoarei. \u0218i am\u00e2ndou\u0103 ne cer s\u0103 lu\u0103m aminte la t\u0103cere \u0219i la onoare, ca la valori de care vremea noastr\u0103 flecar\u0103 \u0219i nep\u0103s\u0103toare fa\u021b\u0103 de respectul de sine \u0219i fa\u021b\u0103 de demnitatea seam\u0103nului se desparte cu indiferen\u021b\u0103, \u00eenec\u00e2ndu-ne drumul  \u00een cea\u021b\u0103.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/11-1.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/11-1-227x300.jpg\" alt=\"\" width=\"227\" height=\"300\" class=\"alignnone size-medium wp-image-14736 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/11-1-227x300.jpg 227w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/11-1.jpg 368w\" data-sizes=\"(max-width: 227px) 100vw, 227px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 227px; --smush-placeholder-aspect-ratio: 227\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/11-1-227x300.jpg\" alt=\"\" width=\"227\" height=\"300\" class=\"alignnone size-medium wp-image-14736\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/11-1-227x300.jpg 227w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/11-1.jpg 368w\" sizes=\"(max-width: 227px) 100vw, 227px\" \/><\/noscript><\/a><br \/>\nSunt lucruri care mi-au ap\u0103rut \u00een minte \u00een diminea\u021ba de august a primei \u00eent\u00e2lniri cu Vltava la Praga, c\u00e2nd nea\u0219teptat m-am g\u00e2ndit la sf\u00e2ntul care a preferat t\u0103cerea vie\u021bii. Poate pentru c\u0103 ne aflam \u00een Boemia, poate \u0219i pentru c\u0103 \u0219irul ambarca\u021biunilor \u00eentins de-a lungul \u021b\u0103rmului de vizavi  era str\u0103juit de numeroase lebede, care \u00eei \u00eenstelau valurile p\u00e2n\u0103 la noi. Or blagianul \u201emut ca o leb\u0103d\u0103\u201d a ajuns s\u0103 fac\u0103 parte \u00eentr-at\u00e2t \u0219i din bagajul cultural al iubitorului de poezie, \u00eenc\u00e2t nimeni nu poate s\u0103 fie sigur c\u0103 a auzit vreodat\u0103 glasul acestor splendide f\u0103pturi. Dup\u0103 ce ne-am bucurat o vreme de vederea lor, am urcat \u00een obi\u0219nuita larm\u0103 turistic\u0103 a sezonului spre Prazky Hrad, Castelul din Praga, cel mai vechi castel locuit \u0219i ast\u0103zi din lume, de fapt un complex medieval de edificii atr\u0103g\u0103toare arhitectonic, prin istorii \u0219i func\u021bionalitatea contemporan\u0103, \u00eentre care \u0219i re\u0219edin\u021ba pre\u0219edintelui Cehiei. Am privit, am vizitat, am admirat c\u00e2t am putut de multe, dar cumva sub imperiul unei st\u0103ri de febrilitate. Dup\u0103 ce am \u00eencercat s\u0103 cuprindem tabloul ora\u0219ului din punctul cel mai prielnic, marcat cu inscri\u021bia \u201eclassic panorama\u201d pe gardul de fier forjat care \u00eel protejeaz\u0103 pe privitor de pericolul alunec\u0103rii pe coasta abrupt\u0103 a colinei, cel mai mult ne-am dorit s\u0103 ajungem la Catedrala Mitroplitan\u0103 \u201eSf. Vitus\u201d, mai exact a Sfin\u021bilor Vitus, Venceslau \u0219i Adalbert &#8211; Metropolitn\u00ed Katedr\u00e1la Svat\u00e9ho V\u00edta, V\u00e1clava a Vojt\u011bcha, ale c\u0103rei turle susurau sub cerul albastru, dublat de o pelicul\u0103 de miere, o chemare pe c\u00e2t de misterioas\u0103, pe at\u00e2t de \u00eembietoare. De acolo, proiectat\u0103 pe oglinzile dep\u0103rt\u0103rii, promitea parc\u0103 o apropiere treptat\u0103, care s\u0103-\u021bi \u00eeng\u0103duie o familiarizare lent\u0103 cu farmecul s\u0103u. Dar nu a fost a\u0219a, a \u021b\u00e2\u0219nit pur \u0219i simplu dintre zidurile, dintre palatele Castelului, o leb\u0103d\u0103 c\u0103reia \u00eei lipse\u0219te spa\u021biul suficient ca s\u0103-\u0219i ia zborul, dar nu ca s\u0103-\u0219i \u00eenal\u021be \u00eendelung g\u00e2tul brun, p\u00e2n\u0103 ce ciocul \u0219i ochii de aur ajung \u00een t\u0103rii, \u00een bolta celest\u0103. \u00cen cele \u0219ase sute de ani de lucru la construc\u021bia sa, fiecare centimetru a concurat \u00een broderie \u0219i frumuse\u021be cu cei de al\u0103turi, contribuind major la splendoarea ansamblului. Loca\u0219 al Arhiepiscopiei Prag\u0103i, loc de odihn\u0103 pentru r\u0103m\u0103\u0219i\u021bele p\u0103m\u00e2nte\u0219ti ale unora dintre sf\u00e2n\u021bii protectori ai Boemiei, biseric\u0103 a \u00eencoron\u0103rilor, necropol\u0103 regal\u0103 \u0219i imperial\u0103, galerie rafinat\u0103 de art\u0103 \u0219i seif al bijuteriilor coroanei &#8211; cu \u0219apte lac\u0103te ale c\u0103ror chei se afl\u0103 \u00een grija a \u0219apte persoane, una fiind pre\u0219edintele \u021b\u0103rii -, Catedrala \u201eSf. Vitus\u201d domin\u0103 nu numai capitala Cehiei, ci \u0219i amintirile milioanelor de oameni care i-au trecut pragul, dac\u0103 nu cumva ea \u00eens\u0103\u0219i este pragul cioplit din visul profetic al reginei Libuse despre \u00eentemeierea \u0219i gloria viitoare a ora\u0219ului Praga.<br \/>\nCu inevitabile regrete pentru at\u00e2tea renun\u021b\u0103ri, \u00eentre care popasul la vitraliile \u00een stil Art Nouveau ale lui Alfred Mucha \u00eenchinate sfin\u021bilor Chiril \u0219i Metodiu, am ales, \u00een m\u0103sura \u00een care alegerile ne apar\u021bin \u00een totalitate, monumentul funerar al Sf\u00e2ntului Ioan Nepomuk, o remarcabil\u0103 lucrare de J. E. Ficher von Erlach, artist de la \u00eenceputul veacului al XVIII-lea, care a folosit pentru omagierea t\u0103cerii sale de aur 1680 kilograme de argint provenind din Kutna Hora, de unde \u0219i prezen\u021ba statuilor de mineri l\u00e2ng\u0103 sarcofagul cu sf\u00e2ntul \u00eengenuncheat \u00een v\u00e2rful lui. O inscrip\u021bie reia lapidar povestea at\u00e2t de bine cunoscut\u0103 \u00een \u00eentreaga Boemie: \u201eSub aceast\u0103 lespede zace trupul fericitului \u015fi sl\u0103vitului f\u0103c\u0103tor de minuni Ioan Nepomuk, doctor, canonic al acestei biserici \u015fi duhovnic al reginei; care, deoarece a p\u0103strat secretul spovedirii, a fost chinuit crunt \u015fi apoi aruncat de pe podul din Praga \u00een r\u00e2ul Moldava, din porunca lui Venceslau al IV-lea, regele Boemiei, \u00een anul 1383\u201d. Moldava, Moldau fiind echivalentul german al Vltavei.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/12-1-e1622023423675.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/12-1-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14737 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/225;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/12-1-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14737\" \/><\/noscript><\/a><br \/>\nAm mai traversat ape peste poduri str\u0103juite de statui, dar Podul Carol, Karluv Most, care leag\u0103 Mala Strana, al  Castelului \u0219i al Catedralei, \u021b\u0103rmul st\u00e2ng al r\u00e2ului,  de cel\u0103lalt celebru cartier istoric, Stare Mesto, de pe \u021b\u0103rmul drept, este f\u0103r\u0103 egal. A fost ridicat la mijlocul secolului al XIV-lea, \u00eencep\u00e2nd din anul, luna, ziua, ora \u0219i minutul calculate de astrologi, 1357, 9 iulie, 5,31, care alc\u0103tuiesc un triunghi magic de numere -135797531 \u2013 menit s\u0103-l fac\u0103 mai durabil ca timpul. Cu turnuri impun\u0103toare la un cap\u0103t \u0219i la cel\u0103lalt, are 516 metri lungime \u0219i 10 metri l\u0103rgime \u0219i se sprijin\u0103 pe 16 piloni. \u00cen amiaza sc\u0103ldat\u0103 de soarele puternic al lui august, nou\u0103 ne-a ap\u0103rut ca o scen\u0103 \u00een aer liber, deasupra valurilor, cu neobosite grupuri instrumentale, cu arti\u0219ti schi\u021b\u00e2nd portrete \u0219i peisaje la cerere, cu artizani \u0219i v\u00e2nz\u0103tori de suveniruri, cu turi\u0219ti film\u00e2nd \u0219i fotografiind f\u0103r\u0103 \u00eencetare, cu privitori lini\u0219ti\u021bi \u0219i meditativi, izola\u021bi \u00een ei \u00een\u0219i\u0219i, \u00een fream\u0103tul uman de la picioarele sfin\u021bilor \u0219i scenelor religioase \u00een piatr\u0103. Treizeci \u0219i \u0219ase, \u00een piatr\u0103 ca \u0219i podul, acesta \u00eens\u0103 cu misterul vie\u021bii din g\u0103lbenu\u0219urile de ou puse \u00een tencuiala care a unit lespezile, au fost realizate de sculptori diferi\u021bi \u00een epoci diferite, fiecare cu talentul, inspira\u021bia \u0219i credin\u021ba sa. Fiecare cu istoria sa. Statuia Sfintei Lutgard de Matthias Braun, dat\u00e2nd din 1710, poveste\u0219te cu dramatism visul unei c\u0103lug\u0103ri\u021be oarbe, \u00een care M\u00e2ntuitorul, crucificat, o las\u0103 s\u0103-i ating\u0103 r\u0103nile. Grupul fondatorilor crucia\u021bi ai ordinului trinitarian pentru r\u0103scump\u0103rarea cre\u0219tinilor prizonieri de F. M. Brokoff, din 1714, cu sfin\u021bii deasupra unei temni\u021be p\u0103zite de un maur plictisit \u0219i de un c\u00e2ine mai milos dec\u00e2t st\u0103p\u00e2nul s\u0103u. Sfin\u021bii Chiril \u0219i Metodiu de Karel Dvorak, din 1938, cau au adus cehilor nu numai cre\u0219tinismul, ci \u0219i alfabetul chirilic. \u0218i tot a\u0219a mai departe, dar nu f\u0103r\u0103 s\u0103 \u00eent\u00e2rziem la monumentul Sf\u00e2ntului Ioan Nepomuk de Matthias Rauchm\u00fcller, din 1683, cu crucifixul \u00een bra\u021be \u0219i cu o pan\u0103 lung\u0103, de arip\u0103 ampl\u0103, l\u00e2ng\u0103 m\u00e2na dreapt\u0103, luminoas\u0103 ca \u0219i cele cinci stele  care \u00eei schi\u021beaz\u0103 aura. Pe soclul sf\u00e2ntului ocrotitor al preo\u021bilor, cor\u0103bierilor, pluta\u0219ilor, al morarilor, al  podurilor \u0219i al celor care p\u0103streaz\u0103 o tain\u0103, scene cu martiriul \u0219i moartea sa. Convingerea c\u0103 atingerea lor \u00eendep\u0103rteaz\u0103 r\u0103ul pentru un deceniu \u0219i asigur\u0103 revenirea la Praga creeaz\u0103 pe pod, permanent, punctul maximei aglomera\u021bii \u0219i d\u0103 scenelor str\u0103lucire prin necontenitele atingeri umane. Vis\u0103toare, Niadi m\u0103 a\u0219teapt\u0103 cu r\u0103bdare, p\u00e2n\u0103 ce izbutesc \u0219i eu s\u0103 pun v\u00e2rful degetelor pe povestea sf\u00e2ntului din Boemia pe care \u00eel \u0219tiu de la Suceava.<br \/>\nC\u0103derea serii ne g\u0103se\u0219te pe puntea unui vapora\u0219 lunec\u00e2nd pe Vltava. Praga de Aur este deasupra noastr\u0103, adev\u0103r \u0219i \u00eenchipuire deopotriv\u0103. \u00cen dreptul Podului Carol, facem instinctiv un pas \u00eenapoi: o lumin\u0103 bl\u00e2nd\u0103 se desprinde din structura sa \u00eentunecat\u0103,  cade \u00eencet  \u00een ap\u0103 \u0219i c\u00e2nd o atinge o leb\u0103d\u0103 se \u00eenal\u021b\u0103 \u00een cea mai muzical\u0103 \u0219i mai stranie dintre lini\u0219ti. O lini\u0219te celest\u0103.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/13-1-e1622023445471.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/13-1-300x266.jpg\" alt=\"\" width=\"300\" height=\"266\" class=\"alignnone size-medium wp-image-14738 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/266;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/13-1-300x266.jpg\" alt=\"\" width=\"300\" height=\"266\" class=\"alignnone size-medium wp-image-14738\" \/><\/noscript><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leons BRIEDIS Nu stie nimenea nu \u015ftie nimenea ce se ascunde \u00een urma cuv\u00e2ntului c\u0103ci cuvintele tac \u015fi nu-\u015fi dest\u0103nuie<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14733"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14733"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14733\/revisions"}],"predecessor-version":[{"id":14740,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14733\/revisions\/14740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}