{"id":14618,"date":"2021-05-13T11:06:55","date_gmt":"2021-05-13T08:06:55","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=14618"},"modified":"2021-05-13T11:06:55","modified_gmt":"2021-05-13T08:06:55","slug":"spatii-culturale-nr-57-4","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=14618","title":{"rendered":"Spa\u021bii culturale nr. 57 (4)"},"content":{"rendered":"<p><em><strong>Pove\u0219ti de c\u0103l\u0103torie<\/strong><\/em><\/p>\n<p><strong>Doina CERNICA <\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/20-1-e1598112009940.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/20-1-268x300.jpg\" alt=\"\" width=\"268\" height=\"300\" class=\"alignnone size-medium wp-image-10214 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 268px; --smush-placeholder-aspect-ratio: 268\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/20-1-268x300.jpg\" alt=\"\" width=\"268\" height=\"300\" class=\"alignnone size-medium wp-image-10214\" \/><\/noscript><\/a><\/p>\n<p>      <strong>\u00centre dou\u0103 r\u00e2uri, \u00eentre dou\u0103 fluvii<\/strong><\/p>\n<p>Veneam dinspre Bratislava, \u00eenso\u021bite de Dun\u0103re ca de un balaur masiv \u0219i lent, care ni se ar\u0103ta c\u00e2nd pe por\u021biuni generoase, c\u00e2nd prin str\u0103fulger\u0103rile solzilor dincolo de ramurile \u00eentre\u021besute de r\u0103chit\u0103 de pe \u021b\u0103rm. \u0218i am p\u0103r\u0103sit-o odat\u0103 cu ma\u0219ina, ca s\u0103 urc\u0103m Colina Castelului din Esztergom spre grandioasa Catedral\u0103 Romano-Catolic\u0103 a Adormirii Maicii Domnului \u0219i a Sf\u00e2ntului Adalbert, cea mai mare din Ungaria, a c\u0103rei semnifica\u021bie consolidat\u0103 \u00een istorie justific\u0103 \u00eenscrisul de pe frontispiciu: Caput, Mater et Magistra Ecclesiarum Hungariae \u2013 Capul, Mama \u0219i Magistra Bisericilor Ungariei. Era un urcu\u0219 bl\u00e2nd, desenat de alei largi din piatr\u0103 cubic\u0103 printre garduri vii \u0219i arbu\u0219ti \u00een dreptunghiuri de iarb\u0103 m\u0103runt\u0103. Dar cum la intrare, \u00een spatele \u00eenaltei statui a Sfintei Fecioare cu Pruncul, treptele erau \u00een repara\u021bii, protejate de un gard de s\u00e2rm\u0103, am luat-o la dreapta \u0219i ne-am trezit brusc, dup\u0103 c\u0103ldura amiezii \u0219i a lui august, \u00eentr-un parc bogat, cu  f\u00e2nt\u00e2n\u0103, copaci \u0219i statui \u0219i cu o umbr\u0103 fraged\u0103, intens\u0103, deopotriv\u0103 a lor \u0219i a Dun\u0103rii care curgea jos \u00een marginea sa. Bazilica \u00eencoron\u0103rii regilor cre\u0219tini ai Ungariei, cum i se mai spune Catedralei, \u00eencep\u00e2nd de la anul 1000 cu \u0218tefan I, fondatorul statului maghiar, Sf\u00e2ntul \u0218tefan, dup\u0103 canonizare, are \u00een monumentul care \u00eel sl\u0103ve\u0219te un subtil contrapunct. Realizat de sculptorul Miklos Melocco, el \u00eel \u00eenf\u0103\u021bi\u0219eaz\u0103 pe episcopul de Esztergom \u00eencoron\u00e2ndu-l pe cel care avea s\u0103 devin\u0103 patronul spiritual al \u021b\u0103rii. Lucrarea se hr\u0103ne\u0219te din \u00eenzestrarea artistului, din m\u0103re\u021bia momentului evocat, din vecin\u0103tatea Catedralei, din amploarea priveli\u0219tii pe care o str\u0103juie\u0219te: cerul, peste puterea ochilor de cuprindere, dar nu \u0219i de oglindire \u00een apa fluviului atemporal. \u00cen vreme ce de pe zidul terasei pe care se \u00eenal\u021b\u0103 \u201e\u00cencoronarea\u201d, ora\u0219ul este o cobor\u00e2re de acoperi\u0219uri \u0219i copaci spre Dun\u0103re, \u00eentre care se disting turlele Palatului Arhiepiscopal cu cel mai mare Muzeu Cre\u0219tin Romano-Catolic din Ungaria, arcurile podului alb Maria-Valeria \u00eel ridic\u0103 \u0219i \u00eel leag\u0103 nu numai de cel\u0103lalt \u021b\u0103rm, ci, cu Sturovo din Slovacia,  \u0219i de alt\u0103 \u021bar\u0103.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/2-e1620892931761.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/2-300x223.jpg\" alt=\"\" width=\"300\" height=\"223\" class=\"alignnone size-medium wp-image-14619 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/223;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/2-300x223.jpg\" alt=\"\" width=\"300\" height=\"223\" class=\"alignnone size-medium wp-image-14619\" \/><\/noscript><\/a><br \/>\nM-am a\u0219ezat pe piatra cald\u0103 \u0219i, \u00eencerc\u00e2nd s\u0103 deslu\u0219esc c\u00e2t din muzica interioar\u0103 a amiezii era fream\u0103tul copacilor, c\u00e2t melodie de org\u0103 \u2013 a treia din lume ca m\u0103rime, orga Bazilicii nu poate dec\u00e2t s\u0103 c\u00e2nte \u0219i atunci c\u00e2nd tace -, c\u00e2t vuietul valurilor, am descoperit, \u00eentregindu-le, \u0219i firul de nisip al unei vagi nelini\u0219ti: venisem cu Dun\u0103rea \u00een st\u00e2nga ma\u0219inii \u0219i iat-o deodat\u0103 \u00een dreapta noastr\u0103. M\u0103 aflam straniu \u00eentre dou\u0103 Dun\u0103ri, ca odinioar\u0103 \u00een copil\u0103rie, c\u00e2nd ne-am mutat din locuin\u021bele cefere de pe malul drept al Moldovei la casa noastr\u0103 din lemn, muzical\u0103 ca o vioar\u0103, construit\u0103 la poalele muntelui, \u00eens\u0103 at\u00e2t de sus, \u00eenc\u00e2t deocamdat\u0103 din strad\u0103 ajunsese doar numele ei, R\u0103zboieni. Atunci o vedeam adeseori curg\u00e2nd sub cre\u0219tetul Runcului, descompus\u0103 minute \u00een \u0219ir \u00een miriade de pic\u0103turi \u0219i c\u0103l\u0103torind spre urm\u0103torul v\u00e2rf de munte ca o alunecare ne\u00eentrerupt\u0103 de nouri alb\u0103strui.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/7-e1620892951526.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/7-226x300.jpg\" alt=\"\" width=\"226\" height=\"300\" class=\"alignnone size-medium wp-image-14624 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 226px; --smush-placeholder-aspect-ratio: 226\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/7-226x300.jpg\" alt=\"\" width=\"226\" height=\"300\" class=\"alignnone size-medium wp-image-14624\" \/><\/noscript><\/a><br \/>\n\u00cen vreme ce eu continuam s\u0103 o visez, sora mai mic\u0103, Dany Madlen, pictori\u021b\u0103 de c\u00e2nd \u021binuse primul creion, primul c\u0103rbune \u0219i prima ceraculoare \u00een m\u00e2n\u0103, pleca mai departe cu ea pe foaia unui bloc de desen. \u00cempreun\u0103 cu Moldova ca partea vizibil\u0103 a unei coroane a\u0219ezate pe munte, pe mun\u021bii sudici ai ora\u0219ului, de c\u0103tre amiaza \u00eensorit\u0103 trec\u00e2nd spre ploaia obi\u0219nuit\u0103 aici de la mijlocului zilei. Sorella, prieten\u0103 cu feti\u021ba unor \u00eenv\u0103\u021b\u0103tori, le-a ar\u0103tat \u00eentr-o zi schi\u021bele sale \u0219i oaspe\u021bilor acesteia. Erau rude sau prieteni, o familie cu doi copii, apropia\u021bi de v\u00e2rsta lui Dany, venit\u0103 din Esztergom pentru o vacan\u021b\u0103 \u00een minunatul ora\u0219 care era C\u00e2mpulungul Moldovenesc \u00een anii 60. Vag la curent cu schimbul de scrisori \u00eenfiripat \u00eentre Dany \u0219i ei, a\u0219 fi r\u0103mas la distan\u021b\u0103 de candida coresponden\u021b\u0103, dac\u0103 plicurile venind din Esztergom nu ar fi fost acompaniate de un stol de ilustra\u021bii, \u00een exclusivitate reproduceri dup\u0103 lucr\u0103ri de art\u0103 modern\u0103. Le studiam \u00eendelung, fermecate, ne deprindeam cu nume de arti\u0219ti din lumea mare, cei mai mul\u021bi necunoscu\u021bi \u00een universul nostru preadolescentin. Gra\u021bie lor, un r\u0103stimp Esztergom a \u00eensemnat pe harta imagina\u021biei noastre o mare galerie sau chiar un muzeu de art\u0103, pe care abia mai t\u00e2rziu orele de istorie au a\u0219ezat Bazilica \u0219i pe primul rege cre\u0219tin al Ungariei. Cu vreun deceniu \u00een urm\u0103, c\u00e2nd dintr-o carte a \u021b\u00e2\u0219nit pe nea\u0219teptate, ca o pas\u0103re r\u0103t\u0103cit\u0103 de stol, o reproducere dup\u0103 Cezanne, o natur\u0103 static\u0103 luminat\u0103 de faimoasele sale mere, mi s-a p\u0103rut c\u0103 Dany o prive\u0219te nu \u00een chenarul unei zile care a fost, ci al uneia care ar putea s\u0103 fie. Precum aceasta, \u00eens\u0103 f\u0103r\u0103 sorella, doar cu Niadi \u0219i cu mine pe terasa cu Monumentul \u00cencoron\u0103rii ca \u00een colivia spa\u021biului de veghe al unui fort deasupra apei: cu amintiri, \u00eenchipuiri \u0219i necunoscute curg\u00e2nd spre mare.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/3-e1620892990564.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/3-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14621 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/225;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/3-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14621\" \/><\/noscript><\/a><br \/>\nApoi ne-am \u00eentors la ma\u0219in\u0103. R\u0103mas\u0103 \u00een dreapta, la grani\u021ba cu Slovacia, Dun\u0103rea se afla \u0219i aici, \u00een st\u00e2nga drumului, astfel c\u0103 mergeam nu pe o \u0219osea, ci pe o creast\u0103 de piatr\u0103 care \u00eei despica apa asemenea unei ambarca\u021biuni rapide, unei vedete fluviale, nemi\u0219cate \u0219i mi\u0219c\u0103toare totodat\u0103. Privind \u00een urm\u0103 spre ambiguitatea solar\u0103 a acelei dup\u0103-amieze, nici nu-mi imaginez o intrare mai potrivit\u0103 \u00een Ora\u0219ul Arti\u0219tilor, \u00een utopia lor real\u0103, palpabil\u0103, Szentendre. Povestea a\u0219ez\u0103rii aflate la nici 20 km \u00een nord de Budapesta  \u00eencepe cu romani, conform vestigiilor descoperite aici, \u0219i continu\u0103 cu unguri cam din timpul primului lor rege cre\u0219tin \u0219i dup\u0103 aceea cu \u00eenst\u0103p\u00e2nirea sa numeric\u0103, de grai, religie \u0219i obiceiuri de c\u0103tre migran\u021bii s\u00e2rbi pleca\u021bi din calea otomanilor \u0219i a pericolului islamiz\u0103rii. Mai deschi\u0219i diferen\u021bei, dar atra\u0219i \u0219i de frumuse\u021bea locurilor, numero\u0219i arti\u0219ti plastici \u0219i scriitori au venit mai t\u00e2rziu din capitala Ungariei \u0219i au preschimbat treptat Szentendre, stabilindu-\u0219i atelierele de crea\u021bie sau mut\u00e2ndu-se cu totul aici. Amprenta original\u0103 pe care au conferit-o acestui spa\u021biu oricum deosebit a atras turi\u0219ti \u0219i, odat\u0103 cu ei, mae\u0219tri ai tradi\u021biilor re\u00eenviate \u0219i al re\u00eenviatului respect pentru originalitatea \u0219i valoarea lucrului manual. Cu automobilele l\u0103sate \u00een parcarea de la intrare \u0219i cu bicicli\u0219ti numai la orizont, l\u00e2ng\u0103 o perdea de soare \u00eentre ei \u0219i Dun\u0103re, la plimbare pe falez\u0103 sau c\u0103tre uria\u0219ul muzeu al satului \u00een aer liber, cu peste 300 de case din diferite zone ale Ungariei rurale de p\u00e2n\u0103 la primul r\u0103zboi mondial, tipice prin arhitectur\u0103 \u0219i decora\u021biuni interioare, Szetendre ne-a ap\u0103rut ca un ora\u0219 pietonal \u0219i merit\u00e2nd din plin s\u0103 fie str\u0103b\u0103tut la pas, privit \u0219i fotografiat, cu multe str\u0103du\u021be str\u00e2mte, unele chiar de str\u0103b\u0103tut de vizitatori doar unul dup\u0103 altul, ca pe o punte \u00eengust\u0103, cu aten\u021bie la ghivecele de flori \u0219i la aranjamentele florale hr\u0103nite direct de sol. Cl\u0103direa care ne-a \u00eent\u00e2mpinat la cobor\u00e2re  expunea rezemate de gard vreo zece tablouri, nu \u0219tiu dac\u0103 s\u0103 li se usuce mai \u00eencet culorile sau s\u0103 le apere de ultima str\u0103lucire puternic\u0103 a apusului. Cea de-a doua, \u201eTeatrum caf\u00e9\u201d, ne \u00eendemna la un prim popas, \u00eendemn c\u0103ruia i-am rezistat, atrase de turla bisericii din apropiere. Una din cele \u0219apte din Szentendre, cea mai veche fiind  Biserica catolic\u0103 \u201eSf. Ioan\u201d, cu patru clopote, \u00eent\u00e2iul, de aproape \u0219ase sute kg, reprezent\u00e2ndu-l pe patronul a\u0219ez\u0103rii, Sf\u00e2ntul Andrei, cu o cruce \u00een m\u00e2n\u0103. Punct de atrac\u021bie, mai ales c\u00e2nd vii de la Bazilica \u00eencoron\u0103rilor, este \u0219i scaunul episcopal din lemn, decorat cu tiara papal\u0103 \u0219i cu sculpturi reprezent\u00e2nd coroana lui \u0218tefan I. \u00cens\u0103 cele mai multe, f\u0103r\u0103 serviciu religios ast\u0103zi, vorbesc prin sonoritatea numelor, p\u0103strate, de ctitorii lor s\u00e2rbi, de duhul lor ortodox: Catedrala Belgrad, cum mai este cunoscut\u0103 Biserica Episcopal\u0103 dat\u00e2nd din 1774, Biserica Pozarevaka, Biserica Preobrajenska. Precum \u0219i Biserica Blagovestenska, al c\u0103rei spa\u021biu consacrat c\u00e2ndva \u0218colii Ortodoxe S\u00e2rbe g\u0103zduie\u0219te acum Muzeul Ferenczi. Ferenczi Karoly, pictor impresionist de valoare, o vreme tr\u0103ind \u0219i cre\u00e2nd \u0219i \u00een Baia Mare. Al\u0103turi de lucr\u0103rile sale sunt expuse \u0219i tapiserii ale so\u021biei, Ferenczi Noemi, \u0219i picturi \u0219i sculpturi ale celor doi fii ai lor, Ferenczi Beni \u0219i Ferenczi Valer. De altminteri, cu chipul lui Ferenczi Karoly \u00eencepe \u0219iragul arti\u0219tilor care, picta\u021bi, ne privesc de pe ferestrele de asemenea pictate de deasupra galeriei de art\u0103 \u201eKeptar\u201d. Acesta continu\u0103 cu Bela Csobel, n\u0103scut \u00een apropiere de Cluj, fost student al lui Matisse \u0219i prieten cu Picasso, cu propriul s\u0103u muzeu \u00een Szentendre, inaugurat, \u00een fosta \u0218coal\u0103 Catolic\u0103 pentru b\u0103ie\u021bi, \u00een 1975, la centenarul na\u0219terii artistului.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/4-e1620893060991.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/4-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14622 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/225;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/4-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14622\" \/><\/noscript><\/a><br \/>\n\u0218i cel de-al treilea, pictorul cubist Kmetty Ianos \u00ee\u0219i are muzeul s\u0103u \u00een Ora\u0219ul Arti\u0219tilor. Urmeaz\u0103 Amos Imre, mort de foarte t\u00e2n\u0103r \u00eentr-un lag\u0103r de concentrare, c\u0103ruia i-a fost so\u021bie singura artist\u0103 de la fereastr\u0103, Anna Margit. Dar o alt\u0103 artist\u0103 are la r\u00e2ndu-i muzeu \u00een Szentendre, Kovacs Margit, renumit\u0103 pentru ceramica sa de inspira\u021bie popular\u0103 \u0219i religioas\u0103. Penultima fereastr\u0103 este deschis\u0103 pentru un alt pictor stins din via\u021b\u0103 mult prea devreme, Vajda Lajos, autorul unei modalit\u0103\u021bi personale de crea\u021bie, schema suprarealismului constructiv. \u0218iragul se \u00eencheie cu Baracsay Jeno, reprezentant de seam\u0103 al artei moderniste maghiare, cu picturi \u0219i \u00een Biserica \u201eSfin\u021bii Petru \u0219i Pavel\u201d, apar\u021bin\u00e2nd \u00eent\u00e2i s\u00e2rbilor refugia\u021bi \u0219i apoi c\u0103lug\u0103rilor dalma\u021bieni, dar \u0219i \u00een muzeul care \u00eei poart\u0103 numele, acesta cu o colec\u021bie de peste o sut\u0103 de lucr\u0103ri, pictur\u0103 \u0219i mozaic. E vorba, desigur, de arti\u0219ti clasiciza\u021bi, de indiscutabil\u0103 notorietate, al\u021bii le urmeaz\u0103 ne\u00eencetat, cu recunoa\u0219teri diferite \u0219i speran\u021be \u00eentotdeauna mari, de expozi\u021bii cu r\u0103sunet, de prezen\u021be \u00een dic\u021bionare, de consemn\u0103ri speciale \u00een istorii ale artei, dar \u0219i \u00eentr-o fereastr\u0103 pictat\u0103 anume pentru ei \u00een Szentendre, din care s\u0103 priveasc\u0103 Dun\u0103rea curg\u00e2nd spre mare.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/5-e1620893081356.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/5-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14623 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/225;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/5-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14623\" \/><\/noscript><\/a><br \/>\nPor\u021belanuri, sticl\u0103rie, bijuterii, suveniruri \u00een pr\u0103v\u0103lii cochete sau chiar de-a dreptul, \u00een standuri, pe str\u0103zile \u0219erpuitoare. Primeaz\u0103 unicatul, seria mic\u0103, manufactura. P\u00e2n\u0103 \u0219i pentru lipia, pita atunci coapt\u0103, care \u00ee\u0219i revars\u0103 aroma \u00een pia\u021b\u0103, toporul care sparge lemne st\u0103 \u00eenfipt \u00een butuc, a\u0219tept\u00e2ndu-\u0219i r\u00e2ndul la m\u00e2inele brutarului, ca \u00een gospod\u0103riile de altc\u00e2ndva. \u00cent\u00e2rziem la vitrinele cu p\u0103pu\u0219i, cele mai mici decor\u00e2nd pungu\u021be, borc\u0103nele cu paprika, \u0219i ne oprim surprinse \u00een fa\u021ba unui muzeu cu podoabe de Cr\u0103ciun, al c\u0103rui magazin are destui cump\u0103r\u0103tori \u0219i la cap\u0103tul verii. Existen\u021ba sa accentueaz\u0103 u\u0219orul aer de irealitate al a\u0219ez\u0103rii \u0219i, ca \u0219i cum nu ar fi fost \u00eendeajuns, imediat, c\u0103ut\u00e2ndu-ne parc\u0103, ne iese \u00eenainte, cu sunet argintiu de clopo\u021bei, Muzeul Mar\u021bipanului. \u0218i Muzeul \u0219i magazinul s\u0103u ne vr\u0103jesc, des\u0103v\u00e2r\u0219ind lucrarea celor dedicate Cr\u0103ciunului, cu miresme de demult, de miere \u0219i migdale, cu care ni s-au \u00eencrustat definitiv \u00een memorie f\u0103pturile cu gust irepetabil, veveri\u021be, mielu\u021bi, din bradul s\u0103rb\u0103torilor de iarn\u0103 sau din co\u0219ul iepura\u0219ului la Pa\u0219ti. Personaje din basme, din desene animate, castele \u0219i copaci cu fructe nemaiv\u0103zute sunt etalate \u00eentr-o expozi\u021bie de vis, \u00een care, cel pu\u021bin pentru noi, nu conteaz\u0103 at\u00e2t me\u0219te\u0219ugul, arta, perfec\u021biunea realiz\u0103rii, chiar dac\u0103 admirabile, c\u00e2t candoarea materialului \u0219i dulcea\u021ba lor copil\u0103reasc\u0103. Farmecul lor venind din farmecul basmelor de demult. At\u00e2t de puternic, \u00eenc\u00e2t dou\u0103 clipe fac drumul invers, al apei spre izvor, \u0219i \u00een prima Niadi este o feti\u021b\u0103 de doi-trei ani, a\u0219ezat\u0103 de Dany pe scena celor trei iedu\u021bi, to\u021bi mai \u00eenal\u021bi ca ea, iar \u00een cea de a doua, Dany \u0219i cu mine trecute de zenitul vie\u021bii, dup\u0103 ce am  urcat r\u00e2z\u00e2nd doar pentru o fotografie \u00eentr-o tr\u0103sur\u0103 ca din cartea veche a Fra\u021bilor Grimm, descoperim c\u0103 brusc nu suntem mai mari dec\u00e2t Niadi \u00eentre iedu\u021bi \u0219i c\u0103 nu mai putem s\u0103 cobor\u00e2m, \u0219i ro\u021bile tr\u0103surii \u0219i caldar\u00e2mul de sub ele aflate de acum la o distan\u021b\u0103 ame\u021bitoare.<br \/>\nNe \u00eenapoiem alene, ne\u00eendur\u00e2ndu-ne s\u0103 gr\u0103bim pasul spre ma\u0219in\u0103, de\u0219i este deja t\u00e2rziu \u0219i mai avem de mers. Dun\u0103rea s-a ascuns dup\u0103 o perdea sub\u021bire de umbr\u0103, tablourile rezemate de gard se str\u00e2ng sub ochii no\u0219tri. Apuc s\u0103 pun m\u00e2na pe ultimul dintre ele. Cu aten\u021bie, cu b\u0103gare de seam\u0103, cu grij\u0103, delicat \u00eel \u00eentorc \u00een secunde dilatate \u00een ore. \u0218i c\u00e2nd \u00eel v\u0103d, inima \u00eencepe     s\u0103-mi bat\u0103 cu insuportabil\u0103 putere.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/6-e1620893107626.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/6-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14620 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/225;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/6-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-14620\" \/><\/noscript><\/a><\/p>\n<p><strong><br \/>\nSilvia Ioana SOFINETI <\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/sofineti-e1606906486357.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/sofineti-287x300.jpg\" alt=\"\" width=\"287\" height=\"300\" class=\"alignnone size-medium wp-image-12482 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 287px; --smush-placeholder-aspect-ratio: 287\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/sofineti-287x300.jpg\" alt=\"\" width=\"287\" height=\"300\" class=\"alignnone size-medium wp-image-12482\" \/><\/noscript><\/a><\/p>\n<p><strong>azi nu<\/strong><\/p>\n<p>o lacrim\u0103 alunec\u0103<br \/>\npe um\u0103r din ochiul st\u00e2ng.<br \/>\ncu o lene de felin\u0103<br \/>\nv\u00e2ntul \u00eemi \u00eentoarce privirea spre apus<br \/>\n\u0219optindu-mi s\u0103 plec<br \/>\ns\u0103 nu mai stau locului<br \/>\ns\u0103 m\u0103 duc acas\u0103<br \/>\nprintre nori ro\u0219ii \u0219i galbeni \u0219i viole\u021bi.<br \/>\n\u00eenchid ochii<br \/>\n\u00eei deschid \u0219i las s\u0103 cad\u0103<br \/>\no lacrim\u0103 din ochiul drept<br \/>\n\u0219i spun v\u00e2ntului:<br \/>\nazi nu merg acas\u0103<br \/>\nm\u0103 \u0163ine \u00eenserarea \u00een ea.<\/p>\n<p><strong><br \/>\nioanid<\/strong><\/p>\n<p>tat\u0103l meu este \u00eendr\u0103gostit de b\u0103r\u0103gan.<br \/>\n\u00eel g\u0103sesc mereu acolo<br \/>\nprintre straturi de roci<br \/>\npe sub spicele de gr\u00e2u r\u0103scopt<br \/>\nprintre caii c\u00e2mpiei.<br \/>\ne mereu al\u0103turi de ioanid<br \/>\nprietenul s\u0103u imaginar<br \/>\nc\u0103ruia \u00eei poveste\u015fte tot ce nu a tr\u0103it<br \/>\nto\u0163i anii de navet\u0103 cas\u0103 serviciu<br \/>\npe dunga orizontului<br \/>\n\u00eentre nord \u015fi sud \u015fi retur.<br \/>\nioanid \u00eel ascult\u0103 \u015fi tace<br \/>\napoi scrie mici poeme cu degetul<br \/>\npe geamul aburit al trenului, iarna.<br \/>\nvara merge cu tat\u0103l meu<br \/>\nprintre cai, spice \u015fi roci<br \/>\nascult\u00e2nd nepovestitul.<\/p>\n<p><strong><br \/>\nimagini<\/strong><\/p>\n<p>murmurul ploii se-ng\u00e2n\u0103 cu g\u00e2ndul meu<br \/>\npa\u015fii se-ndreapt\u0103 prin b\u0103l\u0163i albastre<br \/>\nspre tine.<br \/>\n\u00eentinzi m\u00e2na c\u0103u\u015f<br \/>\nprinzi c\u00e2teva pic\u0103turi pe care le sorbi \u00eensetat<br \/>\nte sim\u0163i de parc\u0103 ai luat pastila din matrix<br \/>\nuniversul se \u00eenv\u00e2rte \u00een jurul t\u0103u<br \/>\nvrei s\u0103 opre\u015fti t\u0103v\u0103lugul de imagini<br \/>\npui un deget pe un chip<br \/>\n\u015fi totul \u00eenlemne\u015fte.<br \/>\ne chipul meu crud<br \/>\nm\u0103 v\u0103d prin ochii t\u0103i \u015fi abia m\u0103 recunosc<br \/>\nde parc\u0103 nu m-a\u015f fi v\u0103zut vreodat\u0103<br \/>\nsunt imobil\u0103 sub privirea ta.<br \/>\ndegetul face o mi\u015fcare brusc\u0103<br \/>\nimaginea se schimb\u0103<br \/>\nsunt din nou eu, mai b\u0103tr\u00e2n\u0103<br \/>\nnu m\u0103 recunosc \u00eenc\u0103<br \/>\ndar tu \u015ftii c\u0103 eu voi fi.<br \/>\na treia oar\u0103 c\u00e2nd pui degetul pe o imagine<br \/>\naceasta nu mai arat\u0103 altceva dec\u00e2t<br \/>\no balt\u0103 albastr\u0103<br \/>\nprin care trece pasul meu<br \/>\nal\u0103turi de pasul t\u0103u<br \/>\nspre nic\u0103ieri. <\/p>\n<p><strong><br \/>\nfelin\u0103<\/strong><\/p>\n<p>sub umbrela ro\u015fie st\u0103 o pisic\u0103 neagr\u0103.<br \/>\nnu face nimic<br \/>\ndoar mi\u015fc\u0103 lene\u015f din coad\u0103.<br \/>\n\u00eentoarce privirea goal\u0103 spre sc\u0103rile sparte<br \/>\np\u0103r\u00e2nd s\u0103 aleag\u0103 \u00eentre a sta \u015fi a pleca.<br \/>\najuns\u0103 l\u00e2ng\u0103 ea, m\u0103 uit \u00een ochii galbeni<br \/>\n\u015fi g\u0103sesc soarele<br \/>\nde\u015fi ploaia mi-a ajuns p\u00e2n\u0103 \u00een suflet.<br \/>\nridic pisica \u00een bra\u0163e<br \/>\nmi se \u00eentinde pe \u015fira spin\u0103rii<br \/>\np\u00e2n\u0103 devenim una \u015fi aceea\u015fi<br \/>\no pat\u0103 neagr\u0103 sub o umbrel\u0103 ro\u015fie<br \/>\n\u00eentr-o zi ploias\u0103<br \/>\nl\u00e2ng\u0103 ni\u015fte sc\u0103ri sparte<br \/>\ncare nu duc nici sus, nici jos.<\/p>\n<p><strong><br \/>\npunct terminus<\/strong><\/p>\n<p>urm\u0103reai cu degetul r\u00e2ndurile c\u0103r\u0163ii<br \/>\nnu \u015ftiai ce cau\u0163i<br \/>\nte-ai oprit, ai luat-o de la cap\u0103t<br \/>\n\u015fi, evrika, ai tres\u0103rit: e aici, e aici!<br \/>\nai g\u0103sit cuv\u00e2ntul pe care credeai c\u0103 \u00eel cau\u0163i<br \/>\ndar, citindu-l, \u0163i-ai dat seama c\u0103 te sim\u0163eai gol<br \/>\npentru c\u0103 acum nu mai \u015ftiai ce s\u0103 faci<br \/>\nai ajuns acolo unde credeai<br \/>\nc\u0103 trebuie s\u0103 ajungi<br \/>\n\u015fi n-ai putut s\u0103 mergi mai departe<br \/>\npentru c\u0103 nu mai aveai ce s\u0103 visezi<br \/>\ndescoperise\u015fi cuv\u00e2ntul \u015fi<br \/>\nacesta \u00ee\u0163i spusese totul.<br \/>\nacum puteai s\u0103 renun\u0163i, nu?  <\/p>\n<p><strong><br \/>\neroare<\/strong><\/p>\n<p>teni\u015fi albi pentru zile negre<br \/>\nteni\u015fi negri pentru zile senine<br \/>\nteni\u015fi alba\u015ftri pentru speran\u0163\u0103<br \/>\n\u00eei \u00eencal\u0163 alternativ<br \/>\nde\u015fi uneori \u00eei mai \u00eencurc<br \/>\n\u015fi m\u0103 trezesc c\u0103 \u00eei iau pe cei negri c\u00e2nd plou\u0103<br \/>\n\u015fi pe cei albi c\u00e2nd e z\u0103pad\u0103<br \/>\npa\u015fii mei nu se mai v\u0103d atunci prin iarb\u0103<br \/>\nnu se mai aud pe asfalt.<br \/>\nodat\u0103, am gre\u015fit-o r\u0103u de tot:<br \/>\nam luat teni\u015fii alba\u015ftri, credeam eu<br \/>\n\u00eentr-o noapte a fiin\u0163ei<br \/>\n\u015fi m-am pierdut<br \/>\nera \u00eentuneric \u015fi nu mi-am dat seama<br \/>\n\u00een ce \u00eemi \u00eenc\u0103l\u0163asem visele \u015fi visurile<br \/>\nabia \u00eentr-un final am v\u0103zut prin bezn\u0103<br \/>\nc\u0103 \u00eei \u00eencurcasem<br \/>\n\u015fi n-am mai putut s\u0103 m\u0103 \u00eentorc<br \/>\n\u015fi am r\u0103mas prostit\u0103 \u00eentr-un loc<br \/>\n\u00eentr-un picior un tenis alb<br \/>\n\u00een cel\u0103lat unul negru<br \/>\npe raft, departe, teni\u015fii alba\u0219tri. <\/p>\n<p><strong><br \/>\ncomunicare<\/strong><\/p>\n<p>nu mai visa, \u00eemi spune<br \/>\n\u00eemi spargi timpanul cu at\u00e2ta t\u0103cere<br \/>\nmai bine uit\u0103-te pe geam \u015fi spune-mi<br \/>\nde ce acele bradului se rup \u00een b\u0103taia v\u00e2ntului?<br \/>\nparc\u0103 ar fi trebuit s\u0103 r\u0103m\u00e2n\u0103 acolo, neclintite<br \/>\nneciobite, neprih\u0103nite.<br \/>\nunde e statornicia lor?<br \/>\nr\u0103d\u0103cinile ce scop mai au, dac\u0103 nu acela<br \/>\nde a \u0163ine \u00eentregul \u00eentreg, via\u0163a via\u0163\u0103<br \/>\nvezi, \u0103sta e un subiect bun de discu\u0163ie.<br \/>\ntu taci \u00een continuare<br \/>\npoate c\u0103 \u00eenc\u0103 mai visezi<br \/>\ncum oi fi put\u00e2nd s\u0103 visezi f\u0103r\u0103 r\u0103d\u0103cini, nu \u015ftiu<br \/>\nde ce te ag\u0103\u0163i? de acele care cad fr\u00e2nte?<br \/>\nmi-e mil\u0103 de tine, sincer.<\/p>\n<p><strong><br \/>\nacceptare<\/strong><\/p>\n<p>masca pe care o afi\u015fez<br \/>\nse compune din fluturi atunci c\u00e2nd plou\u0103.<br \/>\npe aripile lor prind imagini \u00een rogvaiv.<br \/>\ndac\u0103 este senin<br \/>\nmasca \u00eemi cap\u0103t\u0103 forma unui val de nisip care<br \/>\nsub cerul greu de albastru<br \/>\nse lichefiaz\u0103 \u015fi devine galeu<br \/>\nbun de pus la expozi\u0163ie<br \/>\n\u00een privirea ta.<br \/>\nc\u00e2nd este noapte port masca stelelor<br \/>\nr\u0103t\u0103cite printre valuri de mare.<br \/>\n\u00een zori, masca mi-e plin\u0103 de rou\u0103<br \/>\n\u00eensetat\u0103 de lumin\u0103 \u015fi de fluturi.<br \/>\ntu-mi prime\u015fti ca pe un dat firesc<br \/>\ntoate aceste m\u0103\u015fti<br \/>\n\u015fi \u00eemi r\u0103spunzi complet\u00e2ndu-m\u0103.<\/p>\n<p><strong><br \/>\n\u00eentrebare<\/strong><\/p>\n<p>tu vrei s\u0103 scrii \u00een loc s\u0103-mi r\u0103spunzi<br \/>\ne grea \u00eentrebarea sau mai greu<br \/>\ne s\u0103 aduni laolalt\u0103<br \/>\ntoate r\u0103spunsurile vechi de mii<br \/>\nde ani care au fost date<br \/>\nde fiecare dat\u0103 c\u00e2nd s-a \u00eent\u00e2mplat<br \/>\nca cineva s\u0103 aib\u0103 nevoie de o certitudine.<br \/>\ncrezi c\u0103 nu e nevoie de r\u0103spuns<br \/>\n\u00ee\u0163i spui c\u0103 nici m\u0103car nu exist\u0103<br \/>\niar m\u00e2na st\u0103 \u00eentr-o suspendare<br \/>\ndeasupra paginii albe.<br \/>\nun nor \u00ee\u015fi las\u0103 umbra peste ea<br \/>\ntu e\u015fti distras \u015fi ui\u0163i c\u0103 trebuia<br \/>\ns\u0103-mi spui ceva, orice.<br \/>\ndispari cu totul \u00een nor<br \/>\n\u015fi la\u015fi o pagin\u0103 goal\u0103 \u00een urma ta.<br \/>\ncare era \u00eentrebarea? <\/p>\n<p><strong><br \/>\nperfec\u0163iune<\/strong><\/p>\n<p>tu\u015fa de culoare incert\u0103 de pe p\u00e2nza<br \/>\naproape goal\u0103<br \/>\nnu-mi spune nimic.<br \/>\nar fi trebuit s\u0103 fie un crochiu<br \/>\ncare s\u0103 surprind\u0103 mi\u015fcarea brusc\u0103<br \/>\na dimine\u0163ii<br \/>\nimagine fragil\u0103 plin\u0103 de roua visului.<br \/>\nar putea fi linia din palma ta st\u00e2ng\u0103<br \/>\n\u00eentins\u0103 spre ghicirea destinului<br \/>\nsau copacul din fa\u0163a casei<br \/>\ncu crengile ridicate c\u0103tre nori.<br \/>\npoate c\u0103 e doar o tu\u015f\u0103 de culoare<br \/>\naruncat\u0103 din \u00eent\u00e2mplare pentru a strica<br \/>\nperfec\u0163iunea p\u00e2nzei<br \/>\n\u015fi, precum \u00een lec\u0163ia despre cub<br \/>\nlumea ar spune, privind-o<br \/>\nce frumoas\u0103 ar fi fost f\u0103r\u0103 dunga aia.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pove\u0219ti de c\u0103l\u0103torie Doina CERNICA \u00centre dou\u0103 r\u00e2uri, \u00eentre dou\u0103 fluvii Veneam dinspre Bratislava, \u00eenso\u021bite de Dun\u0103re ca de un<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14618"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14618"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14618\/revisions"}],"predecessor-version":[{"id":14625,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14618\/revisions\/14625"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}