{"id":14543,"date":"2021-05-08T21:21:28","date_gmt":"2021-05-08T18:21:28","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=14543"},"modified":"2021-05-08T21:21:28","modified_gmt":"2021-05-08T18:21:28","slug":"spatii-culturale-nr-58-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=14543","title":{"rendered":"Spa\u021bii culturale nr. 58 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/17-e1620497014705.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14547 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/17-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14547\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/17-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Viorel Savin<\/strong>, <em>Implozia lui Melec, Editura Princeps Multimedia, Ia\u0219i, 2017<\/em>, 354 p. \u00centr-un scurt cuv\u00e2nt \u00eenainte, cu titlul-citat &#8211;<em> Trebuie s\u0103 scriu s\u0103 m\u0103 salvez<\/em>, Ioan Holban spune: <em>Viorel Savin \u00ee\u0219i nume\u0219te \u201eroman\u201d ultima sa carte de poezie (\u2026). Este, \u00een adev\u0103r, un \u201eroman\u201d? Sau, poate, un poem eroi-comic (dac\u0103 nu ar fi tragic grotesc)? Sau, poate, o carte \u00een cheie, cronica \u00een 23 de C\u00e2nturi, o Addenda \u0219i un Dic\u021bionar al unui episod din biografia poetului? \u00cen orice caz, Implozia lui Melec\u2026 e o carte cu totul special\u0103\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/18-e1620497197598.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14548 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/18-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 219px; --smush-placeholder-aspect-ratio: 219\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14548\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/18-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Petru Ursache<\/strong>, <em>Titu Maiorescu esteticianul \u2013 studiu hermeneutic, Editura Eikon, Bucure\u0219ti 2017<\/em>, 314 p. \u00cen <em>Not\u0103 asupra edi\u021biei<\/em> sau \u201e<em>\u00cenapoi la Maiorescu<\/em>\u201d, doamna Magda Ursache men\u021bioneaz\u0103: <em>Petru Ursache pune accent pe \u201evia dorin\u021b\u0103 de europenizare\u201d a lui Titu Maiorescu \u00eentemeietorul, accentu\u00e2nd c\u0103 nu \u0219i-a dorit \u201eo simpl\u0103 aliniere\u201d, nici \u201eo recunoa\u0219tere binevoitoare \u00eentr-o familie cu rude bogate \u0219i s\u0103race\u201d, ci o sincronizare cu spiritul Europei, cu progresul ei. Nu prin forme copiate, f\u0103r\u0103 fond, ci prin forme de creativitate original\u0103, rom\u00e2neasc\u0103\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/19-e1620497723918.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14549 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/19-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 199px; --smush-placeholder-aspect-ratio: 199\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14549\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/19-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Dumitru Augustin Doman<\/strong>, <em>zbateri facile, str\u0103danii futile \u2013 49 de proze scurte. una \u0219i una!, Editura Bibliotheca, T\u00e2rgovi\u0219te, 2017<\/em>, 140 p. Pe prima clapet\u0103 a c\u0103r\u021bii, George Vulturescu men\u021bioneaz\u0103: <em>Doman duce momentul \u0219i schi\u021ba caragialesc\u0103 a personajelor la pamflet. Nota ziaristic\u0103 este distilat\u0103, ars\u0103, precum nisipul, p\u00e2n\u0103 devine sticl\u0103, lentil\u0103 a oglinzilor \u00een care formele devin diforme. De\u0219i \u00eel putem localiza, cel mai adesea, la o cafea sau o cram\u0103, cu \u201ev\u0103zul enorm \u0219i sim\u021bul monstruos\u201d, autorul pare a oficia la un amvon preo\u021besc (stilul dialogic a fost remarcat deja de critic\u0103), strecur\u00e2nd, \u00eentre prescur\u0103 \u0219i vinul de \u00eemp\u0103rt\u0103\u0219anie, pilde \u0219i \u00een\u021belesuri morale\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/20-e1620497741875.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14550 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/20-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 196px; --smush-placeholder-aspect-ratio: 196\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14550\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/20-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Diana Dobri\u021ba B\u00eelea<\/strong>, <em>Impresii de c\u0103l\u0103torie \u00een lumea c\u0103r\u021bilor, Editura Ex Ponto, Constan\u021ba, 2018<\/em>, 233 p. Pl\u0103cuta c\u0103l\u0103torie a autoarei este f\u0103cut\u0103 prin parcurgerea a 48 de c\u0103r\u021bi. \u00cen prefa\u021ba la acest volum (<em>C\u0103l\u0103toriile Dianei<\/em>), Rodica L\u0103z\u0103rescu apreciaz\u0103: <em>\u2026 Exerci\u021biul critic al Dianei Dobri\u021ba B\u00eelea se dovede\u0219te a fi o invita\u021bie la lectur\u0103 v\u0103zut\u0103 ca o c\u0103l\u0103torie (\u00een lumea c\u0103r\u021bilor), precum \u0219i o excelent\u0103 pledoarie \u00een favoarea demol\u0103rii prejudec\u0103\u021bilor privitoare la un complex de inferioritate a provincialismului. Nu-i deloc pu\u021bin \u00eentr-o breasl\u0103 dezbinat\u0103, m\u0103cinat\u0103 de politica lui \u201ecine nu-i cu noi nu exist\u0103!\u201d<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/21-e1620497773423.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14551 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/21-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14551\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/21-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Costel Bunoaica<\/strong>, <em>Autoportret \u00een oglinda concav\u0103, Antologie, Editura Detectiv literar, Bucure\u0219ti, 2016<\/em>, 223 p. Pe coperta a patra a c\u0103r\u021bii, Nicolae Dabija apreciaz\u0103: <em>\u2026 Harul a ie\u0219it \u00eenving\u0103tor \u00een confruntarea cu timpul, interesul s\u0103u fiind deosebit pentru valoarea mesajului, pentru tehnic\u0103 \u0219i inova\u021bie (\u0219i este mult\u0103 inova\u021bie interesant\u0103 care ar trebui studiat\u0103 separat \u2013 vezi Uciderea sinelui. Demoni sau zei; Noaptea cu sinele meu; c\u0103l\u0103tor prin lumea de\u0219art\u0103). Poeme introspective, sond\u0103ri responsabile ale l\u0103untrului, discursul s\u0103u poetic devine un perpetuum \u0219i \u00eencr\u00e2ncenat dialog perpetuum \u0219i \u00eencr\u00e2ncenat \u00eentre Sine \u0219i Eu.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/22-e1620497802975.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14552 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/22-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14552\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/22-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florentina Loredana Dalian<\/strong>, <em>Domni\u0219oara Nimeni, Editura Eikon, Bucure\u0219ti, 2017<\/em>, 90 p. \u00centr-o cronic\u0103 la acest volum, Valeria Manta T\u0103icu\u021bu men\u021bioneaz\u0103: <em>\u2026 Femeie-copil, femeie prototip pentru arti\u0219ti, so\u021bi s\u0103tui de neveste ori simpli vis\u0103tori cu s\u00e2nge \u00eenc\u0103 fierbinte, \u201edomni\u0219oara Nimeni\u201d este, deopotriv\u0103, o ipostaz\u0103 feminin\u0103 a \u00eengerului condamnat s\u0103 se t\u00e2rasc\u0103 f\u0103r\u0103 aripi \u00eentr-o lume a canonului ve\u0219nic, a demonului (dualitate de sorginte romantic\u0103) sau a femeii de r\u00e2nd, capabile de gesturi eroice, dar \u0219i de atitudini mundane\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/23-e1620497839287.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14553 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/23-178x300.jpg\" alt=\"\" width=\"178\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 178px; --smush-placeholder-aspect-ratio: 178\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14553\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/23-178x300.jpg\" alt=\"\" width=\"178\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Petrache Plopeanu<\/strong>, <em>Neolitice, Editura Pim, Ia\u0219i, 2017<\/em>, 160 p. Mioara Bahna, \u00een prefa\u021ba la acest volum, concluzioneaz\u0103 astfel: <em>\u2026 cartea lui Petrache Plopeanu este o provocare: te determin\u0103 s\u0103 cite\u0219ti, s\u0103 cau\u021bi sensuri, s\u0103 iei tu, ca cititor, la r\u00e2ndu-\u021bi, \u00een st\u0103p\u00e2nire lumea poetului, descoperind c\u0103 \u201e\u00eentreaga geometrie\/ st\u0103 at\u00e2rnat\u0103 \u00eentr-un ciot noduros\u201d, intuind astfel increatul, s\u0103 cau\u021bi s\u0103 \u00een\u021belegi \u201eritmul trecerii prin t\u0103i\u0219\u201d, \u201egeam\u0103tul ierbii t\u0103v\u0103lite de umbr\u0103\u201d \u0219i tr\u0103ind, la sf\u00e2r\u0219it, o \u201eoboseal\u0103 aurie\u201d.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/24-e1620497857569.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14554 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/24-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14554\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/24-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Gina Zaharia<\/strong>, Perseide, Editgraph, Buz\u0103u, 2017, 84 p. Pe coperta a patra a volumului, Dumitru Br\u0103neanu face urm\u0103toarele men\u021biuni: <em>Poeta, ca oarec\u00e2nd Me\u0219terul Manole, \u00een cartea sa ca o biseric\u0103 profan\u0103, zide\u0219te \u00een temelie o Ana care s-o \u00eenve\u0219niceasc\u0103. \u00cen poemele ca ni\u0219te tablouri aproape rafaelice, poeta zugr\u0103ve\u0219te f\u0103r\u0103 timp \u0219i spa\u021biu rela\u021bia iubit-iubit\u0103 \u00een tonuri \u0219i nuan\u021be contrastante \u0219i \u00een culori de la sumbru la viu, st\u0103ri suflete\u0219ti \u0219i tr\u0103iri de la extaz la agonie, de la bucurie la triste\u021be, de la entuziasm la frustrare, de la a\u0219tept\u0103ri la renun\u021b\u0103ri fulgerate de la un cap\u0103t la altul de lumina dragostei, iar versurile precum perseidele copuleaz\u0103 imagina\u021bia, sufletul \u0219i gustul cititorului, d\u00e2ndu-i satisfac\u021bia unei lecturi autentice \u0219i elevate\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/25-e1620497876741.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14555 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/25-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14555\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/25-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihaela Roxana Boboc<\/strong>, <em>Spovedania oaselor, Editura Grinta, Cluj-Napoca, 2017<\/em>, 95 p. Spune Marin Ifrim \u00een prefa\u021b\u0103 (<em>Oase cu suflet<\/em>): <em>\u2026 spovedania oaselor (\u2026) e o carte viguroas\u0103, o carte \u00een care fiecare cuv\u00e2nt are c\u00e2te ceva din realitatea dur\u0103 \u0219i inefabil\u0103 a oaselor de sub\/ dintre cuvinte\u2026<\/em> Iar, pe coperta a patra a volumului, criticul literar Daniel Cristea-Enache remarc\u0103: <em>\u00centr-un peisaj liric atins (dac\u0103 nu marcat) de sentimentalism dulceag, Mihaela Roxana Boboc are curajul contonden\u021bei \u0219i durit\u0103\u021bii poetice. Versurile sale sunt tensionate \u0219i desf\u0103\u0219urate aproape epic, p\u00e2n\u0103 c\u00e2nd drama \u0219i trauma provocat\u0103 de ea \u00ee\u0219i cap\u0103t\u0103 posibilit\u0103\u021bile expresive. C\u00e2t\u0103 poezie aici, at\u00e2ta autenticitate.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/26-e1620497894999.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14556 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/26-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 207px; --smush-placeholder-aspect-ratio: 207\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14556\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/26-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Stan Brebenel<\/strong>, <em>\u0218lefuitorii de cuvinte &#8211; Vol. I. O antologie a poe\u021bilor rom\u00e2ni contemporani, Editura Teocora, Buz\u0103u, 2018<\/em>, 187 p. L\u0103udabil a fost\/ este proiectul ini\u021biat de Stan Brebenel de a oferi buzoienilor s\u0103pt\u0103m\u00e2nal c\u00e2te o pagin\u0103 de poezie, cu prezentarea prealabil\u0103 a poe\u021bilor. Ini\u021bial, poezia a fost g\u0103zduit\u0103 de Via\u021ba Buz\u0103ului (2016), apoi de Opinia (2016-prezent). Autorul a sim\u021bit nevoia unei antologii \u0219i, \u00een regie proprie, a editat primul volum din \u0218lefuitorii de cuvinte, care cuprinde 74 de poe\u021bi, majoritatea provenind de pe plaiuri buzoiene.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/27-e1620497924107.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14557 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/27-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14557\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/27-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Rodica L\u0103z\u0103rescu<\/strong>, <em>Semne de carte &#8211; III, Editura Corgal Press, Bac\u0103u, 2017<\/em>, 185 p. \u00cen aceast\u0103 carte, autoarea \u00ee\u0219i adun\u0103 cronicile literare ap\u0103rute, \u00een perioada 2015-2017, \u00een revistele Pro Saeculum, Ateneu, Vatra veche, Actualitatea literar\u0103, Cronica veche, Mi\u0219carea literar\u0103, 13 Plus, Scriptor, Arge\u0219, Antares, Curtea de la Arge\u0219 la c\u0103r\u021bile scriitorilor: Ion Andrei\u021b\u0103, Nicolae Dan Fruntelat\u0103, \u0218tefan Mitroi, Nicolae I. Nicolae, Elisabeta L\u0103sconi, Nicolae Cabel, Ovidiu Dun\u0103reanu, Andrei Moldovan, Loren\u021ba Popescu, Ion Brad, Angela Martin, Ileana M\u0103l\u0103ncioiu, Vartan Arachelian, Diana Dobri\u021ba B\u00eelea, Viorel Savin, Teofil R\u0103chi\u021beanu, Cornel Galben, Dinu S\u0103raru, Mihail Diaconescu, Dumitru Ion Dinc\u0103, Adrian \u021aion, Liviu Ioan Stoiciu, Ioan Sb\u00e2rn\u0103 Constantin T. Ciobotaru, S\u00e2nziana Mure\u0219eanu, Lina Ciobanu.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/28-e1620497946461.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14558 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/28-190x300.jpg\" alt=\"\" width=\"190\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 190px; --smush-placeholder-aspect-ratio: 190\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14558\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/28-190x300.jpg\" alt=\"\" width=\"190\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Nicolae Grigore M\u0103r\u0103\u0219anu<\/strong>, <em>Viorel Coman, Locuirea \u00een poezie. O estetic\u0103 a supravie\u021buirii. Convorbiri, Editura Istros a Muzeului Br\u0103ilei \u201eCarol I\u201d, 2017<\/em>, 314 p. Un interviu c\u00e2t o carte. Un interviu c\u00e2t o via\u021b\u0103 de scriitor. Aceasta realizeaz\u0103 Viorel Coman, care \u00een Pledoarie spune: <em>\u2026 Nicolae Grigore M\u0103r\u0103\u0219anu contrazice prejudec\u0103\u021bile literare statornicite, legate de senectutea scriitorilor rom\u00e2ni. De regul\u0103, poetul rom\u00e2n, la anii ace\u0219tia (80, n.r.), a pus demult \u201elira-n cui. B\u0103tr\u00e2ne\u021bea-i totul!\u201d pare a spune M\u0103r\u0103\u0219anu, contrazic\u00e2ndu-l \u00een judec\u0103\u021bi chiar pe Shakespeare care paria doar pe \u201ematuritate\u201d. Ini\u021bial, am crezut c\u0103 va fi un interviu u\u0219or. Nicidecum\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/29-e1620497970211.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14559 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/29-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 216px; --smush-placeholder-aspect-ratio: 216\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14559\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/29-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Corneliu Vasile<\/strong>, <em>Acredit\u0103ri livre\u0219ti, Editgraph, Buz\u0103u, 2017<\/em>, 135 p. Dintre c\u0103r\u021bile \u201eacreditate\u201d aici de autor, men\u021bion\u0103m: Muzeul cu nem\u0103rginiri de Florea Miu, fragede vitralii de Valeriu Valegvi, Marin Preda. Anii form\u0103rii intelectuale (1929-1948) de Stan V. Cristea, Tab\u0103ra damna\u021bilor de Gheorghe Andrei Neagu, \u00cen s\u00e2ngele ploii de Marin Ifrim, Recuperarea sinelui de Any Dr\u0103goianu, Contorsiuni de Nicolae G\u00e2lmeanu, Talazuri de Gina Zaharia, Convorbiri (in)discrete de Constantin T. Ciubotaru, Nicolae Dina, Almanahul Rena\u0219terea buzoian\u0103-2016.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/30-e1620497985462.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14560 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/30-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 196px; --smush-placeholder-aspect-ratio: 196\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14560\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/30-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>T\u0103nase Serea<\/strong>, <em>Jocul umbrelor &#8211; poeme, Ex Ponto, Constan\u021ba, 2017<\/em>, 74 p. \u00cen prefa\u021ba la acest volum <em>(Poezia, ardere de sine<\/em>), Daniela Varvara puncteaz\u0103: <em>\u2026 Metafora sa este a iubirii \u2013 \u00een diversele sale ipostaze, a melancoliei, a triste\u021bii, a crepusculului, dar \u0219i a credin\u021bei \u00een salvarea prin poezie. \u00cen orice caz, se poate vorbi de suprema\u021bia sentimentului transpus \u00een forme lirice a c\u0103ror prozodie se apropie de cea a modernilor, mai ales prin renun\u021barea la \u201esubjug\u0103rile\u201d punctua\u021biei \u0219i chiar ale ortografiei (e vorba de ortografierea cu majuscul\u0103 la \u00eenceput de vers)\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/31-e1620498000679.jpg\" data-rel=\"lightbox-image-14\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14561 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/31-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 199px; --smush-placeholder-aspect-ratio: 199\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14561\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/05\/31-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Radu G. \u021aeposu<\/strong>, <em>Suferin\u021bele t\u00e2n\u0103rului Blecher, Edi\u021bia a II-a ad\u0103ugit\u0103, Editura Eikon, Bucure\u0219ti, 2017<\/em>, 171p. \u00cen <em>Cuv\u00e2nt \u00eenainte la edi\u021bia a doua<\/em>, Otilia \u021aeposu men\u021bioneaz\u0103: <em>\u2026 Sunt convins\u0103 c\u0103 a existat acel \u201eflach\u201d, acea premoni\u021bie care le-a apropiat oarecum destinele curmate nedrept de devreme. Radu G. \u021aeposu s-a sim\u021bit at\u00e2t de legat de scrierile lui lui M. Blecher, \u00eenc\u00e2t \u00een prima lui carte a tr\u0103it subiectiv avatarurile t\u00e2n\u0103rului \u00eencarcerat de suferin\u021b\u0103, care a descris cu realism sf\u00e2\u0219ietor, cu sinceritate \u0219i luciditate cople\u0219itoare simfonia bolii \u0219i a durerii, a\u0219a cum nu a mai f\u0103cut-o nimeni \u00een literatura rom\u00e2n\u0103.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU Raftul cu c\u0103r\u021bi &nbsp; Viorel Savin, Implozia lui Melec, Editura Princeps Multimedia, Ia\u0219i, 2017, 354 p. \u00centr-un scurt<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14543"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14543"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14543\/revisions"}],"predecessor-version":[{"id":14562,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14543\/revisions\/14562"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}