{"id":14420,"date":"2021-04-24T16:21:55","date_gmt":"2021-04-24T13:21:55","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=14420"},"modified":"2021-04-24T16:21:55","modified_gmt":"2021-04-24T13:21:55","slug":"spatii-culturale-nr-75-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=14420","title":{"rendered":"Spa\u021bii culturale nr. 75 (13)"},"content":{"rendered":"<p><strong>REVISTE LITERARE<\/strong><\/p>\n<p><strong>Acolada, anul XV<\/strong>, <em>nr. 2(159), februarie, 2021,<br \/>\nSatu Mare<\/em>. Eseurile \u0219i comentariile sunt realizate de<br \/>\nRadu Ulmeanu, Chiar toate sunt la fel? C.D. Zeletin,<br \/>\nReflec\u021bii eminesciene, Constantin Trandafir, Miracolul<br \/>\nliterar rom\u00e2nesc interbelic, Constantin C\u0103lin,<br \/>\nMarginalii la Alecsandri (V), Magda Ursache, C\u0103rturari<br \/>\n\u00een colonia de scribi, Isabela Vasiliu-Scraba, Actualitatea<br \/>\nfilozofului Nae Ionescu, \u0218tefan Ion Ghilimescu, Jurnalul<br \/>\nlui Zaciu (I), Mircea Popa, Gavril Moldovan &#8211;<br \/>\nmemorialistul, Menu\u021b Maximinian, Despre normalitatea<br \/>\nnormal\u0103, Pavel \u0218u\u0219ar\u0103, Un scenariu paranoic de<br \/>\nbuzunar: Sabin B\u0103la\u0219a. Critica literar\u0103 este f\u0103cut\u0103 de<br \/>\nGheorghe Grigurcu (Adrian Alui Gheorghe,<br \/>\nComunitatea artistic\u0103), Zenovie C\u00e2rlugea (Nicolae<br \/>\nMare\u0219, Lucian Blaga \u2013 traduc\u0103tor, traductolog),<br \/>\nTudorel Urian (Iulia Mo\u021boc, Maria \u0219i Machiavelli),<br \/>\nTudor Cicu (Any Dr\u0103goianu, Vie\u021bi de rezerv\u0103), Marian<br \/>\nIlea (Romi\u021ba M\u0103lina Constantin, T\u0103cerea din jurul<br \/>\nrodiei, Raluca Faraon, Alchimia memoriei, Dumitru<br \/>\nS\u00e2rghie, Cu o s\u0103pt\u0103m\u00e2n\u0103 \u00eenainte de niciodat\u0103, Any<br \/>\nDr\u0103goianu, Vie\u021bi de rezerv\u0103), Adrian \u021aion (Ioan-Pavel<br \/>\nAzap, Zgomot de sticl\u0103 spart\u0103), N. Georgescu (Mihail<br \/>\nSoare, Ars profetica), Dumitru Branc (Emil Mircea<br \/>\nNe\u0219iu, Desprinderea de \u021b\u0103rm). Memorialistic\u0103 avem de<br \/>\nla Alex. \u0218tef\u0103nescu (De pe vremea c\u00e2nd eram t\u00e2n\u0103r \u0219i<br \/>\nnelini\u0219tit). Din Spuma zilelor \u0219i nop\u021bilor de lectur\u0103:<br \/>\nIpocri\u021bii \u00eentre ei \u0219i din Jurnal (\u201eScintila\u021bii<br \/>\n\u00eent\u00e2mpl\u0103toare\u201d) ne ofer\u0103 pagini Dumitru Augustin<br \/>\nDoman, respectiv, Gheorghe Grigurcu. Interviul este<br \/>\nrealizat de Lucia Negoi\u021b\u0103 cu \u0218tefan Dimitriu (III).<br \/>\nSemneaz\u0103 poezie: Dan Culcer, Carolina Baldea, Daniela<br \/>\nM\u0103rcule\u021b, Bill Wolak (traducere \u0219i prezentare de<br \/>\nOlimpia Iacob), parodie: Lucian Per\u021ba, pamflet: Florica<br \/>\nBud (Springora vs. Matzeneff).<\/p>\n<p><strong><br \/>\nActualitatea literar\u0103<\/strong>, <em>anul XI, nr. 108, februarie<br \/>\n2021, Lugoj<\/em>. Eseurile \u0219i comentariile sunt realizate de<br \/>\nNicolae Silade, Despre poezie \u0219i cum s\u0103 fii \u00een marea<br \/>\ntrecere (editorial), Virgil Diaconu, De la dogma iudaic\u0103<br \/>\na \u021bapului isp\u0103\u0219itor la dogma cre\u0219tin\u0103 a m\u00e2ntuirii,<br \/>\nMagda Ursache, C\u0103rturari \u00een colonia de scribi.<br \/>\nDialogheaz\u0103: Adrian Dinu Rachieru cu Mircea<br \/>\nL\u0103z\u0103rescu \u0219i George Motroc cu Vasile Ernu. Scriu<br \/>\ncritic\u0103 literar\u0103: Remus V. Giorgioni (Nicolae Panaite,<br \/>\nZiua verde \u0219i Mihai Ursulescu, Conjura\u021bia declinului),<br \/>\nCornel Ungureanu (Andreea R\u0103suceanu, V\u00e2ntul, duhul,<br \/>\nsuflarea), Radu Ciobanu (Monica Pillat, Dansul<br \/>\nmemoriei), Ovidiu Pecican (Dora Pavel, Bastian \u0219i<br \/>\nCamelia Iuliana Radu, Toluen), Livia Fumurescu<br \/>\n(Mioara Bahna, Heraldice. \u00cen lumea c\u0103r\u021bilor lui Radu<br \/>\nCiobanu), Romeo Adrian Ilie (Deniz Otay, Fotocrom<br \/>\nParadis \u0219i Antonia Mih\u0103ilescu, Note din secolul kitsch),<br \/>\nEla Iakab (Octavian Doclin, O sut\u0103 \u0219i una de poezii),<br \/>\nNicolae Silade (Ramona B\u0103lu\u021bescu, Rumegu\u0219 de miez,<br \/>\nvol. I, II \u0219i III), Corneliu Vasile (Magda Ursache, Carte<br \/>\npentru minte, inim\u0103 \u0219i [wow!] literatur\u0103), Ada D.<br \/>\nCruceanu (Veronica Balaj, Cotidienele pariziene),<br \/>\nMihai Posada (Dumitru M\u0103lin, \u00cen munte, l\u00e2ng\u0103 piatra<br \/>\nc\u00e2nt\u0103toare), Octavian Mihalcea (Andrei Caucar, Focuri<br \/>\ndin z\u0103pezi). Dintre c\u0103r\u021bile sosite la Cristian Ghinea<br \/>\namintim: \u00eent\u00e2mpl\u0103ri cu poetul d. d. marin \u0219i alte<br \/>\npersonaje controversate, de Ofelia Prodan, Poeme cu<br \/>\nMama sau Morm\u00e2ntul din cuvinte, de Teofil<br \/>\nR\u0103chi\u021beanu, Paingul orb, de Adrian Munteanu,<br \/>\nBalerinul din curtea spitalului, Alex Ivanov. Poezie<br \/>\nsemneaz\u0103: Nicolae Silade, Albert V. C\u0103t\u0103nu\u0219, Petru\u021b<br \/>\nP\u00e2rvescu, Marcel Vi\u0219a, D. H. Lawrence (traducere de<br \/>\nCristina Bot\u00eelc\u0103), Patrizia Cavalli (traducere de Adrian<br \/>\nGrauenfels), Mirkka Elina Rekola (prezentare \u0219i<br \/>\ntraducere de Costel Drejoi), Adrian Grauenfels \u0219i proz\u0103:<br \/>\nOvidiu Bufnil\u0103, Nina Ceranu, Gheorghe Alexandru<br \/>\nIancovici, Nicolae Havriliu.<\/p>\n<p><strong><br \/>\nAlgoritm literar<\/strong>, <em>anul XI, nr. 4 (32), 2020, C\u0103lan<\/em>.<br \/>\nRemarc\u0103m eseurile realizate de Silviu Guga, Pl\u0103cuta \u0219i<br \/>\nfolositoarea z\u0103bav\u0103 (editorial), Cornel Ungureanu, D. R.<br \/>\nPopescu \u0219i Calendarele sale \u0219i Ovidiu Genaru, \u00een<br \/>\nmemoria timpului, Radu Ciobanu, Chipurile Patriei,<br \/>\nVirgil Podoab\u0103, Restan\u021ba despre traducere, Mircea Mo\u021b,<br \/>\nPrezen\u021be. Sub semnul r\u0103zboiului civil, Andreea Zavicsa,<br \/>\nUn spa\u021biu al permanentei a\u0219tept\u0103ri, Nicolae Munteanu,<br \/>\nRepere. Via\u021ba care pr\u0103duie\u0219te, Alina Ion, Nerval. Vis \u0219i<br \/>\nsalvare a fiin\u021bei, Anca S\u00eerghie, Drumul de la<br \/>\n\u201eapproches critiques\u201d la \u201eCaietele Cioran \u2013 edi\u021bia<br \/>\n2019\u201d, critica literar\u0103 f\u0103cut\u0103 de Felix Nicolau (Filip<br \/>\nFlorian, Matei Florian, B\u0103iu\u021beii), Ana Dobre (Bogdan<br \/>\nBr\u0103tescu, 21 de zile), Mihai Posada (Nicolae Silade,<br \/>\nEverest), Cristina \u0218tefan (Maria Dobrescu, Mireasa de<br \/>\nsare \u0219i G\u00e2nduri \u00een cu\u0219c\u0103), Nicolae Iuga (Nina Hoza,<br \/>\n\u00cenflorim acolo unde tr\u0103im), Ottilia Ardeleanu (Lumini\u021ba<br \/>\nZaharia, Singur\u0103-n simulator), Angela Nache Mamier<br \/>\n(Romi\u021ba M\u0103lina Constantin, T\u0103cerea din jurul rodiei),<br \/>\nMirabela David (Tatiana \u021a\u00eebuleac, Vara \u00een care<br \/>\nmama&#8230;), Irina Maria M\u0103eru\u021b (Radu \u021auculescu, Femeile<br \/>\ninsomniacului), Daniel Mari\u0219 (Elisabeta Scurtu, Nu mai<br \/>\nsunt locuri \u00een Rai), Silviu Guga (Mihai Petre,<br \/>\nCaragiale. Lecturi, rela\u021bii, perspective), Lucian Gruia<br \/>\n(Emilia D\u0103nescu, M\u0103rul insomniei), Paul Aretzu (Ioan<br \/>\nBarb, Cet\u0103\u021bile de sc\u0103pare) \u0219i&#8230; Ioan S. Pop (Ioan Barb,<br \/>\nCet\u0103\u021bile de sc\u0103pare), reflec\u021biile lui \u0218tefan Bolea,<br \/>\ntraducerile lui Ioan Radu V\u0103c\u0103rescu, \u00een limba englez\u0103,<br \/>\ndin poezia scris\u0103 de Magda Isanos, \u0218tefan Aug. Doina\u0219,<br \/>\nOvidiu Genaru, Cristian Simionescu \u0219i Ioan Barb.<br \/>\nSemneaz\u0103 poezie: Ioan Radu V\u0103c\u0103rescu, Emil C\u0103t\u0103lin<br \/>\nNeghin\u0103, \u0218tefan Jurc\u0103, Emilia Poenaru Moldovan, Nina<br \/>\nHoza, Carmen Br\u0103garu, Marius Penea, Dan D\u0103nil\u0103,<br \/>\nDaniel L\u0103c\u0103tu\u0219, Gabriel Nan, Octavian Mihalcea, Bela<br \/>\nNicolae Farca\u0219 \u0219i proz\u0103: Emil C\u0103t\u0103lin Neghin\u0103, Ana<br \/>\nGoia, Daniel Mari\u0219.<\/p>\n<p><strong><br \/>\nArca<\/strong>, <em>nr. 1 (362), 2021, Arad<\/em>. Eseurile acestui<br \/>\nnum\u0103r sunt realizate de Florea Lucaci, \u0245\u00f3yo\u03c2 \u0219i<br \/>\nfilosofia, Cosmin Victor Lotreanu, Alegerile Fran\u021bei:<br \/>\nDe la Val\u00e9ry Giscard d\u02b9Estaing la Fran\u00e7ois Mitterrand<br \/>\n(II), Ovidiu Pecican, Suzana F\u00e2nt\u00e2nariu \u0219i sertarele<br \/>\nvie\u021bii, C\u0103lin Chendea, \u201eAm g\u0103sit frumuse\u021bea \u00een<br \/>\nfurtun\u0103\u201d, Constantin Dehelean, Despre modernitatea<br \/>\npost romantic\u0103, iar critica literar\u0103, de Radu Ciobanu<br \/>\n(Mircea Zaciu, Jurnal, vol. 5-6), Vasile Dan (Grigore<br \/>\nChiper, Semin\u021be de betel), Andrei Mocu\u021ba (Adina<br \/>\nDini\u021boiu &#038; Raul Popescu, Nume de cod. Flash fiction.<br \/>\nAntologie Literomania de proz\u0103 scurt\u0103 \u0219i Vasile Gogea,<br \/>\nOftalMOFTologia sau Ochelarii lui Nenea Iancu),<br \/>\nHoria Al. C\u0103bu\u021bi (Hermann Broch, Moartea lui<br \/>\nVirgiliu), Florin Ardelean (Horia Al. C\u0103bu\u021bi, T\u0103r\u00e2murile<br \/>\nce\u021bii), Carmen Neam\u021bu (P\u00e9ter Dem\u00e9ny, Splendidul<br \/>\nmistre\u021b), Felix Nicolau (Raluca Faraon, Alchimia<br \/>\nmemoriei), Lucian Scurtu (Petru Covaci, Nisipul \u0219i<br \/>\npletele muzei), Anton Ilica (Domnica Pop, Leag\u0103nul<br \/>\nduminicii), Lucia Cuciureanu (Simona-Grazia Dima,<br \/>\nHavuz), Sonia Elvireanu (Radu Matei Todoran, Clopote<br \/>\nde lemn), Maria Ni\u021bu (Dorin Murariu, Luna de tabl\u0103),<br \/>\nMihaela Albu (Ela Iakab, Poemele de la Aethris), Titu<br \/>\nPopescu (Cornel Nistea, Vedenia), Tudor Cicu (Ildiko<br \/>\n\u0218erban, La cump\u0103na furnicilor), Gheorghe Seche\u0219an<br \/>\n(Anca-Iulia Beidac, Pink-Porn Guerrila). Remarc\u0103m,<br \/>\napoi, dialogul dintre Rodrigo Menze\u0219 \u0219i Simona<br \/>\nConstantinovici. Semneaz\u0103 poezie: Ramona B\u0103lu\u021bescu,<br \/>\nVirginia Olaru, Yvan Goll (traducere de Leo Butnaru) \u0219i<br \/>\nproz\u0103: \u0218tefan Damian.<\/p>\n<p><strong><br \/>\nArena literar\u0103<\/strong>, <em>Anul 6, nr. 20, ianuarie, februarie,<br \/>\nmartie 2021<\/em>. Din bogatul sumar remarc\u0103m: eseurile<br \/>\nrealizate de Aureliu Goci, Libertatea, suveranitatea,<br \/>\nunitatea (editorial), Eminescu rena\u0219te de fiecare dat\u0103<br \/>\nc\u00e2nd se contureaz\u0103 o nou\u0103 identitate estetic\u0103 real\u0103, cu o<br \/>\nnou\u0103 \u0219i original\u0103 interpretare critic\u0103, Nicolae<br \/>\nGeorgescu, Eminescu \u0219i autocenzura \u0219i Cum devine de<br \/>\nse leag\u0103 cuv\u00e2nt \u0219i idee (VI), Ionel Necula, Omul<br \/>\neminescian, Lucian Gruia, Interviu cu Eminescu,<br \/>\nCristache Gheorghiu, Eseu despre fericire, Nicolae Dan<br \/>\nFruntelat\u0103, Domnul Arghezi \u0219i Cetatea M\u0103r\u021bi\u0219or,<br \/>\nC\u0103t\u0103lina Ha\u0219otti, Misterul Nichita, eminescologul Nae<br \/>\nGeorgescu \u00een dialog cu universitarul Nicolae Georgescu<br \/>\n(Elefterie Duca), despre Eminescu, \u00eentre detractori \u0219i<br \/>\nidolatri, alte dialoguri \u2013 Aureliu Goci \u2013 Ignatie Grecu,<br \/>\nAnca St\u00e2ngaciu \u2013 Mihai Neagu Basarab, Evelyne Maria<br \/>\nCroitoru \u2013 Ana Dobre, critica literar\u0103 f\u0103cut\u0103 de Ionel<br \/>\nBota (Lirica Irinei Lucia Mihalca sau despre un ritual<br \/>\ngerminativ al Poesiei), Ana Dobre (Aureliu Goci,<br \/>\nMagistrul \u0219i discipolii \u0219i Florin George Moldovan,<br \/>\nIcoane pe sticl\u0103), Geni Du\u021b\u0103 (Cristache Gheorghiu,<br \/>\nEmigrat acas\u0103), Ion Haine\u0219 (Coman \u0218ova, dramaturg),<br \/>\nFlorentin Popescu (Raia Rogac, Ziduri \u00eentru ve\u0219nicirea<br \/>\nNeamului, L\u0103cr\u0103mioara V\u0103suianu Apostu, Z\u00e2mbetul<br \/>\ncopil\u0103riei, Paraschiva C\u0103rbunar, Inima Ioanei Precup),<br \/>\npoezie semnat\u0103 de Radu Gyr, Mihai Merticaru, Victoria<br \/>\nMilescu, Hanna Bota, George Ioni\u021b\u0103, Irina Lucia<br \/>\nMihalca, Paula Romanescu, Vasile Toma \u0219i proz\u0103, de<br \/>\nErwin Lucian Bureriu, Issabela Cotelin, Eliza Roha,<br \/>\nSimona Berar, Marina Costa, Gabriela Banu, Irina<br \/>\nKavali, Octav Lica, Nic\u0103 D. Lupu, Catia Maxim,<br \/>\nClaudiu Robert Toma, Florin Anghel Vedeanu, Bogdan<br \/>\nBob R\u0103dulescu.<\/p>\n<p><strong><br \/>\nARGE\u0218<\/strong>, <em>Anul XXI (LV), nr. 3 (465), martie 2021<\/em>.<br \/>\nRemarc\u0103m: textele aforistice scrise de Calinic<br \/>\nArge\u0219eanul (Din frumuse\u021bea lumii v\u0103zute) \u0219i Grigore<br \/>\nGrigurcu (Jurnal), eseurile \u0219i comentariile realizate de<br \/>\nJean Dumitra\u0219cu, Trei ani f\u0103r\u0103 Sergiu Nicolaescu \u0219i<br \/>\nOmenia lui Mihail Diaconescu, Horia Vicen\u021biu<br \/>\nP\u0103tra\u0219cu, Admira\u021bia ca invidie transfigurat\u0103. Schi\u021b\u0103 a<br \/>\nunei teorii a pl\u0103cerii, C. Voinescu, Din vorb\u0103-n vorb\u0103,<br \/>\nDan Ciachir, Un cenaclu mistic, Arthur Suciu, Orizontul<br \/>\napocaliptic, Barry Brownstein, Fahrenheit 451 a<br \/>\nanticipat vremurile noastre (traducere de Ninel Ganea),<br \/>\nCristian Cocea, Urm\u0103torii trei sute de ani (list\u0103 de idei),<br \/>\nCosmin Victor Lotreanu, Exemplele istoriei: Isma\u04f1l<br \/>\nUrbain), Aurel Sibiceanu, Florin Anton \u2013 actorul de la<br \/>\nPoarta Raiului, critica literar\u0103 f\u0103cut\u0103 de Nicolae Oprea<br \/>\n(Lirismul feminin \u00eentre natur\u0103 \u0219i cultur\u0103), Mircea<br \/>\nB\u00e2rsil\u0103 (Iulian Talianu, C\u0103l\u0103torie printr-o amintire),<br \/>\nGheorghe Simon (Adrian Alui Gheorghe, Comunitatea<br \/>\nartistic\u0103), Leonid Dragomir (Sue Prideaux, Sunt<br \/>\ndinamit\u0103! Via\u021ba lui Nietzsche), Dan Lauren\u021biu P\u0103tra\u0219cu<br \/>\n(Olga Tokarczuk, Povestiri bizare), Cristina Cergan<br \/>\n(Don Juan \u00een romanele lui Nicolae Breban), Daniel<br \/>\nMarian (C. Voinescu, Dau cuv\u00e2ntul \u0219i stau jos), Paul<br \/>\nAretzu (Dumitru Drinceanu, \u0218oapte r\u0103t\u0103cite), Mihai<br \/>\nPosada (Mariana Codru\u021b, Pulsul nu poate fi minimalist),<br \/>\nDenisa Popescu (Poverile lui Mustafa K\u00f6z). Apoi,<br \/>\nJurnal 2009. Pagini r\u0103zle\u021be (V), de Mariana \u0218enil\u0103-<br \/>\nVasiliu \u0219i reportajul, Pe urmele lui Tudor Vladimirescu<br \/>\n\u00een \u021aara lui Papur\u0103 Vod\u0103, dup\u0103 fix 200 de ani de la<br \/>\nRevolu\u021bia din C\u00e2mpia Soarelui, de Mihai Barbu. Poezia<br \/>\neste semnat\u0103 de Niculina Oprea, Radu Cange, Nika<br \/>\nTurbina (prezentare \u0219i traducere de Leo Butnaru),<br \/>\nFlorentin Sorescu, Liviu M\u0103\u021b\u0103oanu, Sorin Durdun,<br \/>\nDrago\u0219 Popescu, Nicoleta Popa, Gabriel Grigore, Liviu<br \/>\n\u0218tef\u0103nescu, Nina Vasile, Constantin Gligore, Tiberiu<br \/>\nFrim, Ana Maria Sturdzu, Andreea Hiric\u0103, Marius<br \/>\nDumitrescu, Gelu Ungureanu, Dan Neam\u021bu, Monica<br \/>\nDoru, Orlando N\u0103stase, Magda Grigore, iar proza, de<br \/>\nSavu Popa.<\/p>\n<p><strong><br \/>\nAteneu<\/strong>, <em>Anul 58 (serie nou\u0103), nr. 618, februarie<br \/>\n2021, Bac\u0103u<\/em>. Eseurile \u0219i comentariile sunt realizate de,<br \/>\nAl. Ioanid, Fragmentarium, Adrian Jicu, Z\u00e2mbetul trist<br \/>\nal lui Calistrat Costin, Emil Nicolae, Arturo Schwartz,<br \/>\nultimul suprarealist, Ozana Kalmuski-Zarea, Un templu<br \/>\nmagic, Ioan D\u0103nil\u0103, Bac\u0103ul (pre)primar (XXX),<br \/>\nPsihologul inventator \u2013 Liviu Filimon, i \u201e\u0219optit\u201d este<br \/>\nsau nu este sunet? (II), Liviu Franga, Trei chipuri ale<br \/>\nfeminit\u0103\u021bii auctoriale (I), Marius Manta, Altfel, despre<br \/>\ndiscern\u0103m\u00e2nt \u0219i r\u0103bdare (Valeria Manta T\u0103icu\u021bu,<br \/>\nBiblioteca subiectiv\u0103, Nicolai T\u0103icu\u021bu, 70 &#8211; o<br \/>\nbiodiversitate \u00een gri) \u0219i Umorul \u00een art\u0103, Elena Ciobanu,<br \/>\nDoamna Caliban, Daniel-\u0218tefan Pocovnicu, Scris sau<br \/>\ncitit creativ? Carmen Mihalache, C\u00e2nd tat\u0103l e doar o<br \/>\nproiec\u021bie imaginar\u0103 \u0219i Chipul tragic al feminit\u0103\u021bii<br \/>\nultragiate, Ovidiu Petca, Labirint, Ion Fercu,<br \/>\n\u201eNocturnele lu\u055a Leonida \u0219i Prejudec\u0103\u021bile: infern \u0219i<br \/>\nprovocare etern\u0103 (15), Elena Petriman-\u021aar\u0103lung\u0103, Un<br \/>\nan f\u0103r\u0103 C. D. Zeletin, Gheorghe Iorga, Boema. Mitul<br \/>\nImaginarului social \u0219i singularitatea revendicat\u0103,<br \/>\nVasile Spiridon, Oglinda retrovizoare, Cornel Galben,<br \/>\nTatiana Scor\u021banu. Istorie literar\u0103 scrie Constantin C\u0103lin<br \/>\n(\u201eExerci\u021bii de sf\u00eer\u0219it\u201d &#8211; 2), iar critica literar\u0103 este f\u0103cut\u0103<br \/>\nde Adrian Jicu (Bogdan Cre\u021bu, Cornul inorogului),<br \/>\nAdrian Lesenciuc (Ivan Pilchin, Omul-acvariu), Diana<br \/>\nDobri\u021ba B\u00eelea (Ildiko \u0218erban, Cu\u021bit f\u0103r\u0103 copac), Ionel<br \/>\nSavitescu (Marguerite Harrison, Disp\u0103rut\u0103 \u00een Moscova).<br \/>\nPoezia este semnat\u0103 de Cassian Maria Spiridon, Vlad<br \/>\nOlteanu, Flavia Teoc, cuget\u0103rile apar\u021bin lui Alexandru<br \/>\nMelian, iar teatrul, lui Valentin Talpalaru.<\/p>\n<p><strong><br \/>\nAvalon<\/strong>,<em> Nr. 2, decembrie 2020 &#8211; ianuarie 2021,<br \/>\nCluj-Napoc<\/em>a. Era covidian\u0103 se intituleaz\u0103 editorialul<br \/>\nAvalon. Eseurile, memorialistica \u0219i consemn\u0103rile sunt<br \/>\nrealizate de Adrian Lesenciuc, Canonul literar, \u00eentre<br \/>\nestetic \u0219i social, Liliana Trandabur, Patafizica lui Alfred<br \/>\nJarry: o art\u0103 poetic\u0103 a subversivului, G. E. Berrios, Ce<br \/>\neste fenomenologia? Tur de orizont (traducere de Vlad<br \/>\nManoliu), Ovidiu Pecican, A desc\u00e2nta, a rena\u0219te,<br \/>\nGiovanni Rotiroti, Amintiri din tinere\u021be. Ionesco la<br \/>\nFloren\u021ba: 1986, Nikolaus Otto Kruch, Domnul Ladea,<br \/>\ni\u0219lerul \u0219i Raveca, Eugenia Sarvari, Festivaluri teatrale<br \/>\nonline. Urmeaz\u0103 dialogul Amaliei Lumei cu Peter Ivan<br \/>\nChelu, dialogurile inimaginabile ale lui Marcel<br \/>\nMure\u0219eanu \u0219i broderiile lui Dan Gr\u0103dinaru. Mihai<br \/>\nBarbu ne pune la dispozi\u021bie pagini din \u201eObiectivul<br \/>\n\u0218erb\u0103nescu\u201d. Despre Securitate \u0219i sinceritate&#8230; Critica<br \/>\nliterar\u0103 este f\u0103cut\u0103 de Ovidiu Pecican (Mircea Popa,<br \/>\nMusis et virtutis \u0219i Luca Pi\u021bu \u2013 Vasile Spiridon, Ceasul<br \/>\nf\u0103r\u0103 rost), Doru Pop (Scula\u021bi, voi, oropsi\u021bi ai Uberului!),<br \/>\nDaniela Sitar-T\u0103ut (Goncourt sau nu?), Stelian \u021aurlea<br \/>\n(Lee Child, Timpul trecut). Poezia este semnat\u0103 de<br \/>\nRuxandra Cesereanu, Ion Mure\u0219an, Monica Rohan,<br \/>\nFrithjof Schuon (traducere de S\u00e2nziana Mure\u0219eanu), iar<br \/>\nproza, de Dafin Mure\u0219eanu, Suzana F\u00e2nt\u00e2nariu, Silviu<br \/>\nBuzan \u0219i Paul Hermann (traducere de Dumitru<br \/>\nP\u0103curaru).<\/p>\n<p><strong><br \/>\nBanchetul<\/strong>, <em>anul VI, nr. 61-62-63 (ianuarie-<br \/>\nfebruarie-martie), 2021, Petro\u0219ani<\/em>. (Prima parte)<br \/>\nEseurile \u0219i comentariile sunt realizate de Dumitru Velea,<br \/>\nEminescu despre Tudor Vladimirescu = \u201eTroi\u021b\u0103 de o<br \/>\nfiin\u021b\u0103\u201d, Ion Andrei\u021b\u0103, O lec\u021bie de demnitate na\u021bional\u0103,<br \/>\nBianca Scurtul, 7 miliarde de galaxii, Tudor Nedelcea,<br \/>\nEminescu sau \u201ebucuria culturii\u201d, Shanti Nilaya,<br \/>\nFilosofia ca s\u0103rb\u0103toare a sufletului rom\u00e2nesc, Ion<br \/>\nPachia-Tatomirescu, \u201eOchii mari \u0219i purt\u0103tori de pace ai<br \/>\niubirii\u201d \u00een sonetul \u201eC\u00e2nd \u00eensu\u0219i glasul&#8230;\u201d, Tudor R\u0103\u021boi,<br \/>\nEminescu \u00een viziunea lui Tudor Nedelcea, A. I.<br \/>\nBrumaru, Alte reverii etnohermeneutice, staulul<br \/>\nMiori\u021bei \u0219i exerci\u021bii de dilatare \u0219i In memoriam<br \/>\nAlexandru Surdu la Por\u021bile \u00cemp\u0103r\u0103\u021biei, Drago\u0219<br \/>\nNiculescu, Rusia ideologic\u0103, \u00eentre determinismul social-<br \/>\ndemocrat \u0219i bol\u0219evismul revolu\u021bionar (II), Nicolae<br \/>\nB\u0103la\u0219a, Introducere la \u201eIstoria jegurilor umane,<br \/>\nscursuri din primordii\u201d, Aldyn Alexander, Ecrane<br \/>\nintermitente: Moartea ca o oscila\u021bie a Centrului, Ovidiu<br \/>\nPecican, Cantacuzinii: de la boierie la dinastie, Iulian<br \/>\nChivu, Cu Niculae Gheran, La spartul t\u00e2rgului,<br \/>\nAnamaria Cristina Coroian, Proza scurt\u0103 a lui Mircea<br \/>\nCiobanu: posibilit\u0103\u021bi discursive \u00een epistole, Constantin<br \/>\nZavati, \u00cent\u00e2mpl\u0103ri adev\u0103rate, Dumitru Augustin<br \/>\nDoman, De\u0219i e despre Iisus, o carte nerecomandat\u0103<br \/>\ncre\u0219tinilor, Marin Iancu, Marin Preda. \u201eSteaua<br \/>\nc\u0103l\u0103uzitoare\u201d, Constantin Stancu, Radu Igna,<br \/>\nprozatorul, despre poezia p\u0103m\u00e2ntului, Lucian<br \/>\nAvramescu, \u0218obolanii? Sunt peste tot, Dumitru Hurub\u0103,<br \/>\nS\u0103 v\u0103 spun ceva&#8230;, Magda Ursache, Era grafomanilor,<br \/>\nMariana Buruian\u0103, Taina m\u0103rturisirii (VIII), Beatrice<br \/>\nSilvia Sorescu, De la Montreal la Bulze\u0219tii lui Marin<br \/>\nSorescu. Dialogurile sunt: S\u00e2nziana Pop cu V.G.<br \/>\nPaleolog \u0219i Nicolae Busuioc cu \u0218tefan Amari\u021bei, iar<br \/>\nmemorii scriu: Ioan D\u0103nil\u0103, Ctitorul comunei literare<br \/>\nBechet \u0219i Constantin Zavati, Cele cinci \u201efantome\u201d din<br \/>\nBac\u0103ul de alt\u0103dat\u0103.<\/p>\n<p><strong><br \/>\nBucure\u0219tiul literar \u0219i artistic<\/strong>, <em>anul XI, nr. 1-2<br \/>\n(112-113), ianuarie-februarie 2021<\/em>. Eseurile \u0219i<br \/>\ncomentariile sunt realizate de Florentin Popescu, Grupul<br \/>\nliterar \u201eCatacomba\u201d sfideaz\u0103 pandemia (editorial),<br \/>\nIulia Popescu, Restituiri \u2013 p\u0103m\u00e2nt, ap\u0103, aer, foc. O<br \/>\nexpozi\u021bie cu multiple conota\u021bii, Cezar Petrescu (60 de<br \/>\nani de la moarte), Literatura P\u0103m\u00e2ntului, Mircea Eliade,<br \/>\n\u00cencercarea labirintului (VIII), Cele trei lec\u021bii ale Indiei,<br \/>\nParaschiva C\u0103rbunar, Mitul inorogului \u00een izvoare<br \/>\n\u0219tiin\u021bifice \u0219i literare (II), Dalia Bialcovski, Carol Popp<br \/>\nde Szathm\u00e1ry, Radu Adrian, C\u0103l\u0103torie \u00een istoria<br \/>\nmultimilenar\u0103 a ceramicii (XXVII), Ion Haine\u0219, Coman<br \/>\n\u0218ova \u2013 dramaturg, Nicolae Cabel, Memoria, ca o<br \/>\ncapcan\u0103 (V), Titus V\u00eejeu, Paul Celan (1920-1970),<br \/>\nNicolae Dan Fruntelat\u0103, A plecat \u00eenc\u0103 un prieten, Neagu<br \/>\nUdroiu, Un monarh la Elys\u00e9e, \u0218erban Codrin, Florentin<br \/>\nPopescu \u00een delict de v\u00e2rst\u0103 \u2013 75 de ani imputabili<br \/>\ntimpului, nu scriitorului, iar varia: Mircea Colo\u0219enco,<br \/>\nUn imn francez dedicat lui Mihai Eminescu, Marian<br \/>\nNencescu, De la visul american, la aventura american\u0103,<br \/>\nGeorge Apostoiu, Ioan Slavici, trei lecturi \u00eencruci\u0219ate,<br \/>\nIon Andrei\u021b\u0103, Durerea morm\u00e2ntului gol. Critica literar\u0103<br \/>\neste f\u0103cut\u0103 de Florentin Popescu (Victor Petrescu,<br \/>\nCrochiuri literare. Scriitori \u0219i publici\u0219ti d\u00e2mbovi\u021beni,<br \/>\nvol. I \u0219i II) \u0219i de Ion Ro\u0219ioru (Elena Netcu, La margine<br \/>\nde lume). Dintre seniorii literaturii noastre Florentin<br \/>\nPopescu a ales, pentru dialog, pe I. Opri\u0219an (II).<br \/>\nSemneaz\u0103 poezie: Coman \u0218ova, Hristache Popescu,<br \/>\nNicolae Drago\u0219, Nicolae Dan Fruntelat\u0103, Florentin<br \/>\nPopescu, \u0218erban Codrin, George Alboiu, Paul Celan,<br \/>\nIon Minulescu (140 de ani de la na\u0219tere), G. Th.<br \/>\nPopescu \u0219i proz\u0103: A. E. Baconsky, Vasile Szolga.<br \/>\nAtelierul Artelor Vizuale, de pe ultima pagin\u0103, are<br \/>\nlucr\u0103ri ale pictorului Gavril Mocenco.<\/p>\n<p><strong><br \/>\nCadran cultural<\/strong>, <em>Anul IV, nr. 1 (17), ianuarie-<br \/>\nfebruarie 2021, Bac\u0103u<\/em>. Eseurile si comentariile sunt<br \/>\nrealizate de Cornel Galben, Speran\u021be, C. Hanganu,<br \/>\nIsidor Budu \u2013 140, Unirea, na\u021biunea a f\u0103cut-o! G.C.<br \/>\nSimion, Scriitorul Ioan Vicoleanu la ceas aniversar,<br \/>\nArhivistul Vilic\u0103 Munteanu, Scriitoarea Valeria Manta<br \/>\nT\u0103icu\u021bu, Poetul Gheorghe Chi\u021bimu\u0219, Scriitorul-erou Ion<br \/>\nGr\u0103mad\u0103, CSG, Reviste moldovalahe \u2013 Caligraf, Spa\u021bii<br \/>\nculturale, Pro Saeculum -, \u0218tefan Munteanu, Tudor<br \/>\nGhideanu despre filosofia lui Eminescu (X), Grigore<br \/>\nCodrescu, Harold Bloom ignor\u0103, \u00een Canonul<br \/>\noccidental, rom\u00e2nii (2), Vasile Bardan, Genaru<br \/>\noctoGenaru, Lina Codreanu, C\u0103i de cunoa\u0219tere a<br \/>\nvalorilor universale, Ion Dinvale, Iubirea vr\u0103jma\u0219ului \u2013<br \/>\nun act profund egoist, Constantin C\u0103lin, Agende (V),<br \/>\nDan Sandu, C\u00e2ntec de prieten (fragmente) \u2013 Nu pot<br \/>\nTomni&#8230;! Ozana Kalmuski Zarea, Caleidoscop muzical.<br \/>\nInterviu: Cornel Galben cu Ion Fercu \u2013 \u201eIntrarea \u00een<br \/>\nsubterane e dificil\u0103&#8230;\u201d Critica literar\u0103 este scris\u0103 de<br \/>\nCornel Galben (Ioan Enache, Iudacainul. Cartea \u00eent\u00e2i a<br \/>\npoc\u0103in\u021bei). \u00cent\u00e2lnim poezie de Mihai Eminescu,<br \/>\nAlexandru Cazacu, Nicolae V\u0103l\u0103reanu S\u00e2rbu, Nicolae<br \/>\nMihai, Adrian Grauenfels, \u0219i proz\u0103 de Ioan B\u0103rbun\u021boiu.<\/p>\n<p><strong><br \/>\nCafeneaua literar\u0103<\/strong>, <em>Anul XIX, nr. 2\/ 216 \u0219i nr. 3\/<br \/>\n217, februarie \u0219i martie 2021, Pite\u0219ti<\/em>. Remarc\u0103m<br \/>\neseurile realizate de Bogdan-\u0218tefan Fi\u0219cuci, O istorie<br \/>\nzidit\u0103, Sorin Mih\u0103ilescu, Arta plastic\u0103 \u00eentru Eminescu,<br \/>\nAlexandru Jurcan, Sacrificiul copacului uscat,<br \/>\nConstantin Dehelean, Despre joc \u0219i ludic \u00een literatur\u0103,<br \/>\naforismele lui Gheorghe Grigurcu, critica literar\u0103 f\u0103cut\u0103<br \/>\nde Valeria Manta T\u0103icu\u021bu (Laura Cozma, Lama dulce a<br \/>\ntimpului \u0219i Leti\u021bia Vladislav, Lockdown), Constantin<br \/>\nStancu (Eugen Dorcescu, Adam: pagini de jurnal (2000-<br \/>\n2010)), Liliana Rus (Florentin Sorescu, Amaretto,<br \/>\nNicolai T\u0103icu\u021bu, 70 \u2013 o biodiversitate \u00een gri, Costel<br \/>\nStancu, Ochiul din palm\u0103 \u0219i Nicoleta Popa, Un om<br \/>\nh\u0103ituit), Lucian Gruia (Octavian Mihalcea, Patima<br \/>\ncheilor), Ionel Bota (Adrian Mih\u0103escu, Invita\u021bie la<br \/>\nritual \u0219i Dumitru Tranc\u0103, Gr\u0103dinile din aer), Florentin<br \/>\nPopescu (Gabriela Banu, Transhuman\u021b\u0103 \u0219i Horia<br \/>\nB\u0103descu, C\u0103derea din rai), Teo Cabel (Oana Camelia<br \/>\n\u0218erban, Scrisorile singur\u0103t\u0103\u021bii), Athanasie Petrescu<br \/>\n(Dan Antoniu, Horia Stoica, George Rotaru, Aeroclubul<br \/>\nRom\u00e2niei. 100 de ani \u00een imagini), Gheorghe Grigurcu<br \/>\n(Constantin C\u0103lin, \u00cen plin\u0103 lumin\u0103), Iulian Chivu<br \/>\n(Monica Larisa Manafu, De admirat, dar \u0219i de r\u00e2su\u055a-<br \/>\npl\u00e2nsu\u055a), Virgil Diaconu (Lucian Costache, Urmuz sau<br \/>\nDespre paradox), Ana Dobre (Ioan Adam, Duiliu<br \/>\nZamfirescu, fa\u021ba din umbr\u0103), Emil Niculescu (Alex<br \/>\nIvanov, Balerinul din curtea spitalului), scurte aprecieri<br \/>\ncritice, la Biblia literar\u0103 a lui Virgil Diaconu, f\u0103cute de<br \/>\nIulian Chivu \u0219i Ana Dobre, Arte poetice: Ziua Mondial\u0103<br \/>\na Poeziei \u2013 21 martie este marcat\u0103 prin selec\u021bia lui<br \/>\nVirgil Diaconu: Rug\u0103ciunea lui Ghilgame\u0219 c\u0103tre zeul<br \/>\nSama\u0219, Apostolul Pavel, Crezul. Charles Baudelaire (tr.<br \/>\nAl. Philippide), Paul Aretzu, Horia B\u0103descu, Elisabeta<br \/>\nBog\u0103\u021ban, Ionel Bota, Elisabeta Bo\u021ban, Daniel Corbu,<br \/>\nLucian Costache, Virgil Diaconu, Gheorghe Dobre,<br \/>\nMirela Duma, Jean Dumitra\u0219cu, Dan Bogdan Hanu,<br \/>\nValeria Manta T\u0103icu\u021bu, Daniela Marchetti, Crengu\u021ba<br \/>\nM\u0103l\u0103ia\u0219, Victoria Milescu, Emil Nicolae, Denisa<br \/>\nPopescu, Liliana Rus, Aurel Sibiceanu, Nicolae Silade,<br \/>\nIoan Vintil\u0103 Finti\u0219, Luis Alonso Sch\u00f6kel, Manual de<br \/>\npoetic\u0103 ebraic\u0103, Robert Alter, Arta nara\u021biunii biblice<br \/>\n(tr. de Liana Alecu) \u0219i Karolien Verneulen, Introducere:<br \/>\nC\u00e2teva g\u00e2nduri asupra textelor ebraice vechi \u0219i a celor<br \/>\n\u201eliterare\u201d (tr. de Crengu\u021ba M\u0103l\u0103ie\u0219). Poezia este<br \/>\nsemnat\u0103 de Maria Ieva, Georgeta Resteman, Ramona<br \/>\nM\u00fcller, George Vulturescu \u2013 70, Daniela B\u00eerzu \u0219i proza,<br \/>\nde Sorana-Cristina Man.<\/p>\n<p><strong><br \/>\nCaligraf<\/strong>, <em>Anul XXI, nr. 226, martie 2021,<br \/>\nAlexandria<\/em>. Eseurile \u0219i comentariile sunt realizate de<br \/>\nFlorea Burtan, Oglinda realit\u0103\u021bii (editorial), E.D.<br \/>\nR\u0103tescu, Marea iubire a lui Marin Preda a plecat \u00eentr-o<br \/>\nlume mai bun\u0103!, Dana Heuberger, De fapt, despre ce<br \/>\nmai e vorba?, \u0218tefan Mitroi, Despre fericire, la scriitori<br \/>\n\u0219i cititori, Titi Damian, Marin Preda: Reflec\u021bii, opinii<br \/>\nliterare, confesiuni \u0219i pilde morale. Cu file de istorie<br \/>\nliterar\u0103 se prezint\u0103 Stan V, Cristea, Radu Voinescu.<br \/>\nLibertatea criticii, \u00eentre metod\u0103 \u0219i discurs \u0219i cu<br \/>\nrestituiri, Nicolae Scurtu, Epistolierul Miron Radu<br \/>\nParaschivescu. Iulian Talianu este \u00een dialog cu Dumitru<br \/>\nAugustin Doman. Critic\u0103 literar\u0103 fac: Ana Dobre (Emil<br \/>\nLungeanu, Jocul), Marin Iancu (Dimitrie Stelaru, O sut\u0103<br \/>\n\u0219i una de poezii), Florentin Popescu (Doina Cernica,<br \/>\nMierl\u0103 neagr\u0103 pe z\u0103pad\u0103 alb\u0103), Zenovie C\u00e2rlugea<br \/>\n(Alexandru Ciocioi, Dincolo de trup), Nicoleta Milea<br \/>\n(Theodor R\u0103pan \u2013 un ales al spiritului), Aureliu Goci<br \/>\n(Gabriela Stanciu P\u0103s\u0103rin, Teo, Dora \u0219i Teodora),<br \/>\nLucian Gruia (Ecaterina Petrescu Botoncea, Numele<br \/>\nmeu este Tu), Nicolae Dina (Stan V. Cristea, Tradi\u021bia<br \/>\nC\u0103lu\u0219ului \u00een Teleorman), Cristian Gabriel Moraru<br \/>\n(Iulian Bitoleanu, Triptic al sublimului). Poezia este<br \/>\nsemnat\u0103 de Carmen Foc\u0219a, Ana Ardeleanu, Ada Carol,<br \/>\nMarian Raicu, Viorel Birtu-P\u00eer\u0103ianu, iar proza, de Leon-<br \/>\nIosif Grapini.<\/p>\n<p><strong><br \/>\nConstela\u021bii diamantine<\/strong>, A<em>nul XII, nr 3 (127),<br \/>\nmartie 2021, Craiova<\/em>. Remarc\u0103m eseurile \u0219i<br \/>\ncomentariile realizate de Nicolae Mare\u0219, Titulescu \u2013 80<br \/>\nde ani de la trecerea \u00een ve\u0219nicie, Mihai Caba, Gala<br \/>\nGalaction \u2013 un p\u0103rinte cu har scriitoricesc, Ion<br \/>\nP\u0103tra\u0219cu, Constantin Br\u00e2ncu\u0219i \u2013 \u00een India, Tudor<br \/>\nNedelcea, Eminescu, despre Tudor Vladimirescu, Janet<br \/>\nNic\u0103, Poe\u021bii nu exist\u0103!, Drago\u0219 Niculescu, Nae Ionescu<br \/>\n\u0219i \u0218coala sa (XI), Al. Florin \u021aene, Eugen Ionescu \u2013<br \/>\np\u0103rintele teatrului absurdului, Ion Popescu-Br\u0103diceni,<br \/>\nJocul \u00eempreun\u0103 al textului poetic \u0219i al cititorului din<br \/>\npostura de critic literar, Vavila Popovici, Filozofia,<br \/>\nReligia, \u0218tiin\u021ba, Politica \u2013 J. G. Fichte (XXII), Mihai<br \/>\nS\u0103lcu\u021ban, Nicolae Grigore Mih\u0103escu-Nigrim &#8211; 150, Ben<br \/>\nTodic\u0103 Moneda, Galina Martea, Istoria rom\u00e2nilor<br \/>\ncanadieni \u2013 o paralel\u0103 \u00een contextul evolu\u021biei umane,<br \/>\nNicolae B\u0103la\u0219a, Despre un Dumnezeu al tuturor,<br \/>\nGeorge Petrovai, Perenitatea \u0219i actualitatea<br \/>\nvoltairianismului, Maria Vieru-I\u0219aev, Cuvinte de<br \/>\ndesp\u0103r\u021bire \u0219i un cimitir istoric din Bucure\u0219ti, Nelu<br \/>\nVasile, Bicentenarul Revolu\u021biei de la 1821, Olga<br \/>\nB\u0103l\u0103nescu, Ne influen\u021beaz\u0103 publicitatea?, Filip Tudora,<br \/>\nHenry Ottmann, critica literar\u0103 f\u0103cut\u0103 de Maria<br \/>\nCalafeteanu (Al. Florin \u021aene, Ce greu a fost \u00een noaptea<br \/>\nasta), Liviu Chiscop (Ioan B\u0103rbun\u021boiu, Meandrele<br \/>\ndestinului), Anca S\u00eerghie (Galina Martea, Basarabia<br \/>\ndestin \u0219i provocare), Octavian Mihalcea (Alex Ivanov,<br \/>\nBalerinul din curtea spitalului), Livia Ciuperc\u0103 (Al.<br \/>\nFlorin \u021aene, Ce greu a fost \u00een noaptea asta), Romel<br \/>\nMoga (Mihai Caba, Despre Ia\u0219i, cu iubire), Ionel Popa<br \/>\n(George Vulturescu, Lucian Blaga, ipostazele \u201eharfei<br \/>\nde-ntuneric\u201d), poezia semnat\u0103 de Doina Dr\u0103gu\u021b, George<br \/>\nFilip, Mihai Merticaru, Beatrice Silvia Sorescu,<br \/>\nConstan\u021ba Ab\u0103la\u0219ei-Donos\u0103, Ovidiu Purdea-Some\u0219,<br \/>\nGelu Drago\u0219, Constantin Miu, Nicolae M\u0103tca\u0219.<\/p>\n<p><strong><br \/>\nExpres cultural<\/strong>, <em>Anul V, nr. 2 (50), februarie 2021,<br \/>\nIa\u0219i<\/em>. Dup\u0103 cum vede\u021bi, revista a ajuns la num\u0103rul 50. Cu<br \/>\nacest prilej \u00eei aduc binemeritate laude: Gabriel Chifu,<br \/>\nAl. Cistelecan, Liviu Ioan Stoiciu, Leo Butnaru, Carmen<br \/>\nMihalache, Adrian Alui Gheorghe, Gellu Dorian,<br \/>\nCristian Livescu, Ovidiu Dun\u0103reanu, Grigore Ilisei \u0219i<br \/>\nGeorge Vulturescu. Eseurile \u0219i comentariile sunt<br \/>\nrealizate de Liviu Ioan Stoiciu, Posibilitatea vindec\u0103rii<br \/>\nde literatur\u0103, Nicolae Panaite, Expres cultural &#8211; 50,<br \/>\nConstantin Coroiu, Ion Barbu, portret \u00een postumitate,<br \/>\nAndrei Zanca, Sui generis, Emanuela Ilie, Un act<br \/>\ncultural esen\u021bial, Eugen Munteanu, Jurnal<br \/>\nheidelberghez 1994 (VII), Dan Bogdan Hanu, Suburbii<br \/>\nsubterane. Post(st)\u0103ri (sec\u021biuni contemplative prin<br \/>\nactualitatea de proximitate), Gellu Dorian, De veghe la<br \/>\nsufletul meu (I), Magda Ursache, \u201eBun\u0103 libertate de<br \/>\nopinie!\u201d, Virgil Diaconu, R\u0103spuns la Iov sau Jung<br \/>\ndespre dreptul Iov \u0219i Dumnezeu cel nedrept, Adrian<br \/>\nDinu Rachieru, Cezar Iv\u0103nescu, poezia ca soteriologie,<br \/>\nFlorin Faifer, Nocturne, Constantin Pricop, Direc\u021bia<br \/>\ncritic\u0103 (XLIII). Critica literar\u0103 este f\u0103cut\u0103 de Mihaela<br \/>\nGr\u0103dinariu (Gabriel Chifu, O via\u021b\u0103), Ioan Holban<br \/>\n(Daniel Cristea-Enache, Linia de contur), Adrian Alui<br \/>\nGheorghe (Echim Vancea, Culoarul \u0219arpelui \u0219i<br \/>\nVeronica Balaj, Cotidiene pariziene), Al, Cistelecan<br \/>\n(Gina Sandri, Printre clipe), Diana Vrabie (Mihai<br \/>\nZamfir, Alt jurnal indirect), Gheorghe Simon (Florin<br \/>\nCaragiu, Ca s\u0103 vezi \u0219i s\u0103-nviezi), Friedrich Michael<br \/>\n(Simona-Grazia Dima, Havuz), Cristina Chiprian<br \/>\n(Angela Baciu, Mic dejun la Frida), Liviu Antonesei<br \/>\n(Kocsis Francisko, Arta de a evita necazul), Nicolae<br \/>\nCre\u021bu (\u0218erban Alexandru, Benedict \u0219i Maledict, Cartea<br \/>\nI:Mallarm\u00e9), Drago\u0219 Mariciuc (Gabriel Liiceanu, Isus al<br \/>\nmeu). Poezia poart\u0103 semn\u0103turile: Marin Sorescu, Liviu<br \/>\nIoan Stoiciu \u0219i George Vulturescu. Infernurile lui<br \/>\nVladimir Streinu de Nicolae Mecu se constituie \u00een<br \/>\nZigurat, supliment al revistei, nr. 17, februarie 2021.<\/p>\n<p><strong><br \/>\nHelis<\/strong>,<em> Anul XVIII, nr. 1-2-3, ianuarie-februarie-<br \/>\nmartie 2021<\/em>.Remarc\u0103m: eseurile realizate de Loredana<br \/>\nStan, Scurt\u0103 privire asupra anului literar 2020 \u2013 c\u0103r\u021bi<br \/>\nsub semnul femininului (I), R\u0103zvan Ciuc\u0103, Miori\u021ba,<br \/>\nMarian \u0218tefan, Personalit\u0103\u021bi ialomi\u021bene, Ion P.<br \/>\nLicherdopol, Ana Amelia Dinc\u0103, Graficianul George<br \/>\nP\u0103tru (1946-2012), Marius Stan, Noaptea Sf\u00e2ntului<br \/>\nValentin, Victor Nicolae, Botni\u021ba, Alexandru Bulandra,<br \/>\nPe urmele autorului. M\u0103rturiile unui detectiv literar,<br \/>\nC\u0103t\u0103lina Stroe, Distribu\u021bia \u2013 cine, ce face! &#8211; pagina lui<br \/>\nDan Simionescu ce cuprinde retrospectiva Helis \u2013<br \/>\noctombrie-noiembrie-decembrie, 2020, critica literar\u0103<br \/>\nf\u0103cut\u0103 de Titi Damian (Damian St\u0103noiu, modernitate \u0219i<br \/>\nactualitate: Furtun\u0103 \u00een iad), Petronela Apopei (Florin<br \/>\nDochia, Nop\u021bi cu Inanna Lee \u2013 sonete \u00eenamorate),<br \/>\nTudor Cicu (Dan Elias, Dou\u0103 mor\u021bi \u0219i o \u00eenviere).<br \/>\nSemneaz\u0103 poezie: Petre Ioan Cre\u021bu, Gheorghe Dobre,<br \/>\n\u0218tefan Neagu, Florentina Loredana Dalian, Nicolae<br \/>\nTeoharie, F.M. Ciocea, Gelu Drago\u0219, Aurel Anghel,<br \/>\nMarian \u0218tefan, iar proz\u0103: F.M. Ciocea, Nicolae<br \/>\nMarinescu, Vasile Radu, Leonard I. Voicu, Marian<br \/>\n\u0218tefan \u0219i George Nica.<\/p>\n<p><strong><br \/>\n\u00centrez\u0103riri<\/strong>, <em>Anul IX, nr. 33, martie 2021, P\u00e2rscov<\/em>.<br \/>\nEseurile \u0219i comentariile sunt realizate de Gheorghe<br \/>\nPostelnicu, Omagiu dasc\u0103lilor p\u00e2rscoveni (editorial),<br \/>\nGheorghe A. Stroia, \u00centrez\u0103riri (32) \u2013 o nobil\u0103 revist\u0103<br \/>\nde \u0219tiin\u021b\u0103 \u0219i cultur\u0103, Aida-Oana Drug\u0103u, Casa<br \/>\nmemorial\u0103 Vasile Voiculescu, Tudor Cicu, G\u00e2nduri<br \/>\nscrise \u00eentr-un jurnal de poet, I. Nedelea, Rug\u0103ciuni \u00een<br \/>\nmetamorfoz\u0103, Relu Stoica, Absolven\u021bi buzoieni ai \u0218colii<br \/>\nNormale \u201eCarol I\u201d, Enache Necula, Sf\u00e2nta tain\u0103 a<br \/>\ncununiei, Georgeta Tudor, Pelerin \u00een \u021bara ta (III), Titi<br \/>\nDamian, Scriitori rom\u00e2ni despre monahism. Alexandru<br \/>\nSahia, \u201eAva cu tava\u201d, Constantin Costea, Pagini din<br \/>\nistoria romilor, Serghei Colo\u0219enco, Eveniment<br \/>\nEditorial: Eminescu. Critica literar\u0103 este scris\u0103 de<br \/>\nGheorghe Postelnicu (Girel Barbu, C\u0103r\u021bile prietenilor,<br \/>\nVictoria Milescu, \u00cenc\u0103 liber\u0103, Ilie M\u00e2ndricel, Fosta<br \/>\nm\u0103n\u0103stire Aluni\u0219, Iorgu G\u0103l\u0103\u021banu, \u00cen chilia m\u0103n\u0103stirii<br \/>\nsale&#8230;, Tudor Cicu, Nu e\u0219ti \u00een povestea aceasta,<br \/>\nMarilena R\u0103ghinaru, Fo\u0219net de slove \u0219i lacrimi), Tudor<br \/>\nCicu (T\u00e2n\u0103rul Voiculescu \u2013 un portret \u00eentr-o carte,<br \/>\nMarilena R\u0103ghinaru, Suflet \u00eenc\u0103tu\u0219at), Dumitru K.<br \/>\nNegoi\u021b\u0103 (F\u0103clie p\u00e2rscovean\u0103), Girel Barbu (O carte cu<br \/>\nvia\u021b\u0103 c\u00e2t o via\u021b\u0103), Corneliu Vasile (Mai mult\u0103 lumin\u0103 \u00een<br \/>\nvia\u021ba \u0219i opera unui mare poet). Poezia este semnat\u0103 de<br \/>\nConstantin Steriade, Marilena R\u0103ghinaru, Elena<br \/>\nC\u0103p\u0103\u021b\u00e2n\u0103, Elena Rusen, Elena Stroe-Otav\u0103, Georgeta<br \/>\nTudor, Girel Barbu, Victoria Milescu, Corneliu Vasile,<br \/>\nMarin Ifrim, Nicolae G\u00e2lmeanu, Aurel Anghel, iar<br \/>\nproza, de Laura Alexandru.<\/p>\n<p><strong><br \/>\nLa Mongolu<\/strong>, <em>nr. 5, ianuarie-martie 2021<\/em>. Eseurile,<br \/>\ncomentariile \u0219i consemn\u0103rile sunt realizate de Ovidiu<br \/>\nPecican, G\u00e2nduri despre proz\u0103 \u0219i prozatori (editorial) \u0219i<br \/>\nKinema Ikon semicentenar, Ioan Lascu, Optzecismul,<br \/>\natunci \u0219i acum, Aurel Codoban, \u00cen\u021belegerea \u0219i<br \/>\nalteritatea se \u00eentemeiaz\u0103 pe analogie, Henry Flynt, Art\u0103<br \/>\nsau brand? (traducere de Radu Vultur), Sorin Mitu,<br \/>\nSecuii pe \u00een\u021belesul rom\u00e2nilor, Luk\u00e1cs J\u00f3zsef, Un prim<br \/>\nmoment al excelen\u021bei academice la Cluj, Dan<br \/>\nGr\u0103dinaru, \u201eCorbul iat\u0103 s-a-n\u0103l\u021bat!\u201d, Adrian \u021aion, Un<br \/>\ndrum modelat de fream\u0103tul artei, Varga Viorica, Teatru<br \/>\npentru bebelu\u0219i. O tentativ\u0103 de definire, Lucian \u021aion,<br \/>\nPolitica \u0219i prostia, Dodo Ni\u021b\u0103, Angel: Sanctuarul<br \/>\nereticilor, Marius R\u00eemba\u0219iu, C\u00e2ndva&#8230; la oper\u0103,<br \/>\nConstantin Severin, Amintiri de la Muzeul Paul Klee din<br \/>\nBerna, Eugenia Sarvari, Piazza del Popolo, Via<br \/>\nMargutta, A. Valon, Un nou \u00eenceput. Amalia Lumei<br \/>\neste \u00een dialog cu Laszlo Alexandru, iar Rodica<br \/>\nDr\u0103ghicescu cu Suzana F\u00e2nt\u00e2nariu. Critica literar\u0103 este<br \/>\nscris\u0103 de Ovidiu Pecican (Simona Constantinovici \u2013<br \/>\ncoordonator, Dic\u021bionar de termeni cioranieni) \u0219i<br \/>\nDaniela Sitar-T\u0103ut (Rudy Roth, Geometriile<br \/>\ncontradictorii ale singur\u0103t\u0103\u021bii). Poezia este semnat\u0103 de<br \/>\nTraian \u0218tef, Maria Pal, Camelia Iuliana Radu, Horia<br \/>\nB\u0103descu \u0219i Marcel Mure\u0219eanu, iar proza, de Gheorghe<br \/>\nSchwartz, Cornel Nistea \u0219i Luigi Pirandello (traducere<br \/>\nde Laszlo Alexandru).<\/p>\n<p><strong><br \/>\nLeviathan<\/strong>, <em>Anul IV, nr. 1 (10), ianuarie-<br \/>\nmartie, 2021<\/em>. Remarc\u0103m editorialul lui Rudy Roth,<br \/>\nConferim elocven\u021ba h\u00e2rtiei crea\u021biilor de valoare,<br \/>\nstudiile: Schiller \u2013 ispita romantic\u0103 (2) de Costin<br \/>\nTuchil\u0103 \u0219i Pu\u0219a Roth \u0219i O capodoper\u0103 a literaturii<br \/>\nrom\u00e2ne de inspira\u021bie rural\u0103: \u201eDulce ca pelinul\u201d de<br \/>\n\u0218tefan Mitroi de Mioara Bahna, comentariile \u0219i studiile<br \/>\nrealizate de Neculai Moghior, Ferdinand I \u2013 regele<br \/>\ntuturor rom\u00e2nilor. O poveste adev\u0103rat\u0103, Dan Caragea,<br \/>\nAlgoritm \u0219i Amfitrion dar \u0219i sosie, Niculae V\u0103leanu,<br \/>\nSimbolistica numerelor \u00een Vechiul \u0219i Noul Testament,<br \/>\nUrfet \u0218achir, Harem. Lumea care nu trebuie \u0219tiut\u0103 (5),<br \/>\nDaniela Sitar-T\u0103ut, Restituiri: \u201eHusserl. O introducere<br \/>\n\u00een filozofia fenomenologic\u0103\u201d \u0219i \u201eAici se repar\u0103 ieftin<br \/>\nroata norocului\u201d de Camil Petrescu, Ana Dobre,<br \/>\n\u201eIstorie, genocid, etnocid\u201d, o carte \u00eempotriva uit\u0103rii,<br \/>\nCornelia Costin, Despre obiectivele politicilor culturale<br \/>\n(1), pagini de jurnal de c\u0103l\u0103torie ne ofer\u0103 Camelia<br \/>\nCristescu (Nu am escaladat Everestul, dar l-am atins cu<br \/>\nsufletul), \u0219i Pu\u0219a Roth (Amintirile, prezentul pandemiei),<br \/>\nSabina M\u0103du\u021ba aflat\u0103 \u00een dialog cu Ioan Ion Diaconu, iar<br \/>\nSimona V\u0103leanu cu Alexandru Banto\u0219, critica literar\u0103<br \/>\nf\u0103cut\u0103 de Costin Tuchil\u0103 (Ana Pop S\u00eerbu, C\u00e2nd<br \/>\namurgul devine albastru), Rodica Gabriela Chira<br \/>\n(Louis-Philippe H\u00e9bert, Spectacolul mor\u021bii), Valeria<br \/>\nManta T\u0103icu\u021bu (Romi\u021ba M\u0103lina Constantin, Totem),<br \/>\nRodica L\u0103z\u0103rescu (Constantin Coroiu, M\u0103rturia altor<br \/>\ngenera\u021bii), Veronica Pavel Lerner (Matei C\u0103linescu, Ion<br \/>\nVianu, Scrisori din exil), poezia semnat\u0103 de David<br \/>\nZimmerman (traducere de Daniel Onaca), Ion Barbu,<br \/>\nGiosu\u00e8 Carducci (traducere de \u0218\u021b. O. Iosif), Fr\u00e9d\u00e9ric<br \/>\nMistral (traducere de Adrian Maniu), Mihai Eminescu<br \/>\n(cu versiune \u00een lb. francez\u0103 de Paula Romanescu), Sonia<br \/>\nElvireanu (cu versiune \u00een lb. francez\u0103 de autoare),<br \/>\nFlorentina Loredana Dalian (cu versiuni \u00een lb.<br \/>\nmacedonean\u0103 de Dina Cuvata \u0219i \u00een lb. englez\u0103 de Horia<br \/>\nCoco\u0219), Rudy Roth (cu versiuni \u00een lb. englez\u0103 de Daniel<br \/>\nIoni\u021b\u0103, \u00een lb. francez\u0103 de Sonia Elvireanu \u0219i \u00een lb.<br \/>\nportughez\u0103 de Dori Lederer), Alina Celia Cumpan,<br \/>\nAdriana Me\u0219ter, Daniela \u0218ontic\u0103 \u0219i Lauren\u021biu-Ciprian<br \/>\nTudor (cu versiuni \u00een lb. englez\u0103 de Daniel Ioni\u021b\u0103),<br \/>\nVictoria Milescu (cu versiune \u00een lb. s\u00e2rb\u0103 de Anjicka<br \/>\nBarbu \u0219i Teodor Ramjanc), Dori Lederer (cu versiune \u00een<br \/>\nlb. portughez\u0103 de autoare), Cornelia Bartels (cu versiune<br \/>\n\u00een lb. german\u0103 de autoare), Elina Adam (cu versiune \u00een<br \/>\nlb francez\u0103 de autoare), George Corbu, Alexandru<br \/>\nSf\u00e2rlea, Cornel Galben, Ioan Vasiu, Pa\u0219cu Balaci,<br \/>\nAlexandru Cazacu, Vasilica Grigora\u0219, Mihai P\u0103curaru,<br \/>\nSeri, Satendra Nandan Mildred Sope Albert Leomala \u0219i<br \/>\nDus Mapun prezent\u0103ri \u0219i traduceri de Daniel Ioni\u021b\u0103),<br \/>\nLidia Batali, proz\u0103, de Hanna Minah (traducere de<br \/>\nGeorge Grigore), Louis-Philippe H\u00e9bert (traducere de<br \/>\nChristian T\u0103ma\u0219), Pu\u0219a Roth (cu versiune \u00een lb.<br \/>\nportughez\u0103 de Dori Lederer), Leti\u021bia Vladislav, R\u0103zvan<br \/>\nNicula, Cornelia Bartels, Rudy Roth, Mircea Bodnariu,<br \/>\nGina Zaharia, Radu Com\u0219a, Claudiu Neac\u0219u, C\u0103t\u0103lina<br \/>\nHa\u0219otti, Lic\u0103 Barbu, Alexandru Mereu\u021b\u0103, teatru, de<br \/>\nCostin Tuchil\u0103.<\/p>\n<p><strong><br \/>\nLiteradura<\/strong>, <em>Anul V, nr. 18, decembrie 2020 \u0219i<br \/>\nnr. 19, martie 2021, Buz\u0103u<\/em>. Eseurile sunt realizate Teo<br \/>\nCabel, Editorial, Ramona M\u00fcller, Aici e casa mea \u0219i<br \/>\nLacul n\u0103scut din lacrimi de fecioare, Mihaela-Nicoleta<br \/>\nBurlacu, Lecturi \u00een pandemie, Yigru Zeltil, Elemente de<br \/>\npoetic\u0103 \u0219i versifica\u021bie contemporan\u0103. 1. Direc\u021bii<br \/>\ndominante, \u0218erban Codrin, Florentin Popescu \u00een delict<br \/>\nde v\u00e2rst\u0103 \u2013 75 de ani imputabili timpului, nu<br \/>\nscriitorului, Florentin Boroghin\u0103, Theodor Rogalski,<br \/>\nreprezentant al crea\u021biei muzicale rom\u00e2ne\u0219ti. Camelia<br \/>\nIuliana Radu realizeaz\u0103 interviuri cu Lucian Vasilescu \u0219i<br \/>\nManuela Klenke, iar Florentin Popescu evoc\u0103 Oameni \u0219i<br \/>\nlocuri din Buz\u0103ul de alt\u0103dat\u0103 (XIV \u0219i XV). Critic\u0103<br \/>\nliterar\u0103 fac: Raluca Faraon, (Lucian M\u0103n\u0103ilescu, Amurg<br \/>\n\u00een \u0219oapt\u0103), Tudor Cicu (Ion Lazu, \u00cen neaten\u021bia general\u0103,<br \/>\nMihaela Meravei, Prezum\u021bia de fericire, Gheorghe<br \/>\nAndrei Neagu, M\u0103garul din f\u00e2nt\u00e2n\u0103, Valeria Merca,<br \/>\nManuscrisul vremii), Daniel Luca (Mihaela Meravei,<br \/>\nColivia de sticl\u0103 \u0219i Nicolae Preda, Trece via\u021ba prin<br \/>\noglind\u0103), Mihai Vintil\u0103 (Eric Vouillard, Ordinea de zi \u0219i<br \/>\nIon Marin, Povestea unui jurnalist), Paul Androne<br \/>\n(Cornelia Golna, Eroi p\u0103ta\u021bi). Poezia este semnat\u0103 de<br \/>\nLucian M\u0103n\u0103ilescu, Yigru Zeltil, Marian Mihai, \u0218tefan<br \/>\n\u0218andru, Mircea Teculescu, Mihaela Roxana Boboc,<br \/>\nCamelia Monica Cornea, Manuela Camelia Sava,<br \/>\nViorica Popescu, Victoria Pripon, Mihaela Aionesei,<br \/>\nMaria Cernegura, Tudor Cicu, Daniel D\u0103ian, Camelia<br \/>\nIuliana Radu, Raluca Faraon, Teo Cabel, Radu Bata,<br \/>\nIuliana Pa\u0219ca, Alexandru Sf\u00e2rlea, Codru\u021ba Vancea,<br \/>\nGeorge Ioni\u021b\u0103, Corina Ligia P\u0103tra\u0219cu, Livia Dimulescu,<br \/>\nIulia Dragomir, Gabriela Mimi Boroianu, Lucian Victor<br \/>\nBota, Liviu Gogu, Sun Qian \u0219i \u00c1ngel Guinda (prezent\u0103ri<br \/>\n\u0219i traduceri de Elisabeta Bo\u021ban), \u0219i proz\u0103, de Mihaela<br \/>\nRoxana Boboc, Savu Popa, Liliana Rus, Florentina<br \/>\nLoredana Dalian, Marius R\u00e2peanu, Liviu Antonesei,<br \/>\nRamona M\u00fcller, Oana Goia, Sorin C\u0103lin. Premiile<br \/>\nrevistei\/ 2020 au fost: Premiul Ion Caraion \u2013 Alexandru<br \/>\nSf\u00e2rlea \u0219i Premiul Marin Ifrim \u2013 Iuliana Pa\u0219ca. Dintre<br \/>\nevenimente amintim: Salonul de carte de la Slobozia.<br \/>\nPrezen\u021be buzoiene.<\/p>\n<p><strong><br \/>\nLuceaf\u0103rul literar \u0219i artistic<\/strong>, <em>Anul II-III, Serie<br \/>\nnou\u0103, Nr. 3 &#8211; 5, 2019-2020, Biblioteca Jude\u021bean\u0103<br \/>\nBr\u0103ila<\/em>. Comentariile, eseurile \u0219i varia sunt realizate de<br \/>\nCorneliu Burada, MERCUR Jurnal Comer\u021bial al<br \/>\nPortului Br\u0103ilei, volumul I (1839-1840), Hora\u021biu<br \/>\nM\u0103nd\u0103\u0219escu, Panait Istrati n-a fost agentul Siguran\u021bei \u2013<br \/>\nAdnot\u0103ri pe marginea Dosarului de la Siguran\u021b\u0103 al<br \/>\nscriitorului br\u0103ilean, Vasile Datcu, Coloanele<br \/>\natemporale, Marioara Novac, Atrac\u021bia c\u0103r\u0103rii, Lucian<br \/>\nSabados, 70 de ani. E mult? E pu\u021bin? Constantin<br \/>\nToader, Patrimoniul br\u0103ilean \u2013 de la conservare \u0219i<br \/>\nrevitalizare, la valorificare, Dana Ciutacu, Barometrul<br \/>\ncultural al jude\u021bului Br\u0103ila. Interviul edi\u021biei este f\u0103cut<br \/>\nde Drago\u0219 Adrian Neagu cu Emilia Rasty-Petzalis.<br \/>\nCritic\u0103 literar\u0103 scriu: Valentin Popa (Romancierul Petru<br \/>\nPintilie), Valentina Vintil\u0103 (Mihail Sebastian &#8211;<br \/>\npsihobiografie), Roxana Neagu (Laura Hartte, Puls \u00een<br \/>\nalb \u0219i negru), Mariana Gog\u0103lniceanu (Elif Shafac,<br \/>\nBastarda Istanbulului), cronic\u0103 teatral\u0103: Dumitru<br \/>\nAnghel (C\u00e2nt\u0103rea\u021ba cheal\u0103 de Eugen Ionescu),<br \/>\nAndrada Filipine (C\u00e2nd Comedia se scrie scenic cu<br \/>\nmajuscul\u0103. Cum ajungem s\u0103 iubim B\u0103d\u0103ranii), cronic\u0103<br \/>\nde art\u0103: Lucian Constantin (Lutul \u0219i crea\u021bia artistic\u0103) \u0219i<br \/>\ncronic\u0103 de film: (Mr, Turner). Poezia este semnat\u0103 de<br \/>\nValeriu Mititelu, Tudori\u021ba Tarni\u021b\u0103, Vasile Mandric,<br \/>\nIonel Jecu (epigram\u0103), proz\u0103, de Vergil Matei, Paula<br \/>\nGur\u0103u, Elsa Pop \u0219i traduceri, de Lucia P\u0103tra\u0219cu.<br \/>\nLiter-Club, Anul VI, nr. 1(20), ianuarie, 2021.<br \/>\nBiblioraftul con\u021bine albumul La pas pe meleaguri<br \/>\nvasluiene \u0219i cartea Linei Codreanu, Pagini de cultur\u0103<br \/>\nhu\u0219ean\u0103. Remarc\u0103m, apoi, Numere \u00een labirint (1003) de<br \/>\nTheodor Codreanu, aforisme de \u0218tefan M\u00e2rzac, critica<br \/>\nliterar\u0103 f\u0103cut\u0103 de Teodor Pracsiu (Pavel Toma, Radu<br \/>\nGyr \u2013 Resurec\u021bia poetului) \u0219i eseurile Nelei Diana<br \/>\nRadu-Grigorescu, Curajul \u0219i \u00eencurajarea \u0219i Liviei<br \/>\nAndrei, Confesiunile unui cititor. Poezie semneaz\u0103:<br \/>\nPetru\u0219 Andrei, Daniela Oatu, Marcel Miron, Elina<br \/>\nCojocaru, Ana Opran, Valentina Teclici. Martin Cata,<br \/>\nMihaela Albu, Oana Andrei (cu dou\u0103 versiuni: \u00een limba<br \/>\nrom\u00e2n\u0103 \u0219i \u00een limba englez\u0103), Mihai Apostu, C\u0103t\u0103lin<br \/>\nAfr\u0103sinei, George Ioni\u021b\u0103, Alexandru Cazacu, Ion<br \/>\nGrigorescu \u0219i proz\u0103: Adina Darawsha \u0219i Lina Codreanu.<br \/>\nBreviarul aniversar apar\u021bine lui Tudor Nedelcea \u2013 75:<br \/>\nBiserica \u0219i societatea, Marin Sorescu sau voca\u021bia<br \/>\nidentit\u0103\u021bii, Eminescu \u2013 edi\u021bia a II-a, Eminescu (studiu) \u0219i<br \/>\nPrintre c\u0103r\u021bi \u0219i oameni, vol. VI.<\/p>\n<p><strong><br \/>\nLitere<\/strong>, <em>Anul XXII, nr. 2(251), februarie, 2021,<br \/>\nT\u00e2rgovi\u0219te<\/em>. Remarc\u0103m eseurile \u0219i comentariile realizate<br \/>\nde Mihai Stan, Actualitatea clasicilor (editorial), Barbu<br \/>\nCioculescu, Mircea Eliade \u00eentre abilitate \u0219i clarviziune,<br \/>\nMihai Cimpoi, A fi Eminescolog, Alex \u0218tef\u0103nescu,<br \/>\nMegalitice, de Ion Gheorghe, Lina Codreanu, Un destin<br \/>\nimpetuos \u2013 Leonida Lari, Marin Iancu, Marin Preda \u2013<br \/>\nMarginaliza\u021bii satului, Vasile Bardan, Nimic nu este<br \/>\naltceva, M\u0103d\u0103lina Simionescu-Cojocaru, Febra \u2013 file de<br \/>\njurnal, metajurnal \u0219i metaliteratur\u0103, Alexandru<br \/>\nBulandra, Pe urmele autorului. M\u0103rturisirile unui<br \/>\ndetectiv literar, Florin Chivaci, Un nou portret al lui<br \/>\nMarin Preda, Mihaela Albu, Revistele exilului \u2013<br \/>\nimportant document cultural al celeilalte Rom\u00e2nii,<br \/>\nNicolae Georgescu, Mihai \u0219i Veronica \u2013 infernuri<br \/>\nparalele, pagini de istorie literar\u0103 ne sunt oferite de<br \/>\nMircea Colo\u0219enco, Vocea lui George Bacovia<br \/>\n\u00eenregistrat\u0103 pe band\u0103 magnetic\u0103, Theodor Codreanu,<br \/>\nInedit. Gheorghe C. Ol\u0103reanu: un kantian \u00een plin<br \/>\nproletcultism, Florentin Popescu, Antologiile ca repere<br \/>\nistorico-literare (XII), Emilia Motoranu, \u0218tefan Baciu \u0219i<br \/>\nrevista \u00cen\u0219ir\u055a te m\u0103rg\u0103rite (1951-1958), critica literar\u0103<br \/>\nf\u0103cut\u0103 de Nicolae Oprea (Florin Logre\u0219teanu, Fals eseu<br \/>\ndespre vanitate), Constantin Eretescu (Doina Jela,<br \/>\nDrumul Damascului. Spovedania unui tor\u021bionar),<br \/>\nMagda Ursache (Radu Ulmeanu, Ospe\u021bele iubirii),<br \/>\nLucian Chi\u0219u (Maria Calciu, Esen\u021be de rubin \u0219i Sunet<br \/>\nmut), Horia G\u00e2rbea (Evelyne Maria Croitoru, Caligrafia<br \/>\ndestinului), Ana Dobre (Victoria Milescu, O sut\u0103 \u0219i una<br \/>\nde poezii), Amalia Elena Constantinescu (Ion Dulugeac,<br \/>\nRegina Templierilor), George Coand\u0103 (George D. Pite\u0219,<br \/>\nAntologia LITERE), Daniela-Olgu\u021ba Iordache (George<br \/>\nCorbu, Corbigrame. Urmuzeu poetic), Mihaela Meravei<br \/>\n(Raluca Faraon, Alchimia memoriei), Galina Martea<br \/>\n(Theodor Codreanu, Basarabia eminescian\u0103), Ion<br \/>\nHaine\u0219 (Tudor Opri\u0219, Versuri alese), Amalia Elena<br \/>\nConstantinescu (Dinu S\u0103raru, Ultimul \u021b\u0103ran din<br \/>\nSl\u0103tioara), Titi Damian (Mihaela Meravei, Prezum\u021bia de<br \/>\nfericire), Tudor Cicu (Ildiko \u0218erban, Cu\u021bit f\u0103r\u0103 copac),<br \/>\nGeorge Toma Veseliu (Ion M\u0103rculescu, Un fluture trece<br \/>\nstrada). Semneaz\u0103 poezie: Natalia Maz\u00eelu-Miron,<br \/>\nNicolae Nistor, Vasile Toma, Sorin Diaconescu, Kir<br \/>\nPapas (parodii) \u0219i proz\u0103: Dumitru Augustin Doman,<br \/>\nFlorin Bungete, Constan\u021ba Popescu, Corin Bianu,<br \/>\nGeorge Coand\u0103, Adrian Mun\u021biu.<\/p>\n<p><strong><br \/>\nPlumb<\/strong>, <em>Anul XVII, nr. 167-168, februarie-martie<br \/>\n2021, Bac\u0103u<\/em>. Comentariile \u0219i eseurile sunt realizate de<br \/>\nMihai Buznea, Vocile T\u0103cerii, Ioan Vulcan-Agniteanul,<br \/>\nTrecute vremi de glorii \u0219i m\u00e2ndrii na\u021bionale, Dumitru<br \/>\nBr\u0103neanu, De la un g\u00e2nd, la altul \u2013 Trece timpul ca<br \/>\nnebunul, Romulus-Dan Busnea, 100 de ani de la<br \/>\nna\u0219terea lui Valeriu Gafencu, Ticu Leontescu, Poetul<br \/>\nCostache Ioanid, bijutier al limbajului poetic, Ioan<br \/>\nFlorin Stanciu, Farul dinspre apele mor\u021bilor, Andrei<br \/>\nBreab\u0103n, 24 Ianuarie 1859 \u2013 Unirea Principatelor<br \/>\nRom\u00e2ne. Critica literar\u0103 este scris\u0103 de Constantin Dram<br \/>\n(Mircea \u021a\u00e2mp\u0103u, Slalom printre contemporani), Ionel<br \/>\nNecula (Paul Blaj, Opera poetic\u0103), Livia Ciuperc\u0103 (Ana<br \/>\nBlandiana, Sor\u0103 Lume), Mioara Bahna (Viorel Birtu<br \/>\nP\u00eer\u00e2ianu, Aripi de nisip), Grigore Codrescu (Ion Fercu,<br \/>\nPrin subteranele dostoievskiene, Codru\u021ba Per\u0219a, \u00cent\u00e2ia<br \/>\nnoapte de dragoste \u0219i Maria Radu, Suflet deschis \u00een<br \/>\nversuri), Ioan \u021aicalo (Un scriitor bucovinean de<br \/>\nanvergur\u0103), Petre Isachi (Ligia Stan, Macii r\u00e2d \u00een<br \/>\nhohote de soare), Cristina \u0218tefan (Georgeta Resteman,<br \/>\nAltarele miresmelor t\u00e2rzii), Teodora F\u00eent\u00eenaru (Janine<br \/>\nVadislav, Adam Nour cel Bun), Lucian Strochi (O<br \/>\nbunicu\u021b\u0103 care spune pove\u0219ti: Victoria Furcoiu), Gina<br \/>\nZaharia (Any Dr\u0103goianu, Umbra mea urc\u0103 pe scen\u0103),<br \/>\nIc\u0103 S\u0103li\u0219teanu (\u0218tefan Mitroi, Preg\u0103tiri de \u00eenviere),<br \/>\nCarmen Foc\u0219a (Adriana \u0218erb, Pre\u021bul unei clipe de<br \/>\nextaz), Lucian Gruia (Aura Dan, Str\u00e2mtori \u00eentre<br \/>\nlacrimi). Poezia este semnat\u0103 de Camelia Popovici,<br \/>\nPetru\u0219 Andrei, Dorina Stoica, Constantin Vaciu,<br \/>\nRamona M\u00fcller, iar proza, de Firi\u021b\u0103 Carp \u0219i Dan<br \/>\nArv\u0103tescu. In memoriam Calistrat Costin au scris: Cristina<br \/>\n\u0218tefan, Nicolae Mihai, Cornel Galben, Grigore<br \/>\nCodrescu, Ioan D\u0103nil\u0103, Mioara Bahna, Sebi \u0218ufariu,<br \/>\nEmilian Marcu, Petru\u0219 Andrei, Dan Bogdan Hanu,<br \/>\nDumitru Br\u0103neanu, Dan Iacob&#8230;<\/p>\n<p><strong><br \/>\nPro Saeculum<\/strong>, <em>Anul XX, nr. 1-2 (149-150), 1<br \/>\nianuarie-31 martie 2021, Foc\u0219ani<\/em>. (Prima parte)<br \/>\nEseurile \u0219i comentariile sunt realizate de Rodica<br \/>\nL\u0103z\u0103rescu, \u201eI pak spui domnietale&#8230;\u201d (editorial), Magda<br \/>\nUrsache, M\u0103rirea \u0219i dec\u0103derea criticului literar, Dan<br \/>\nAnghelescu, Constantim Am\u0103riu\u021bei \u2013 Eminescu sau<br \/>\ndrumul de la poezie la metafizic\u0103, Nicolae Mare\u0219, Blaga<br \/>\n\u2013 Eminescu, Ionel Necula, \u0218tefan Munteanu revine,<br \/>\nIonel Boamf\u0103, Vechimea \u0219i r\u0103sp\u00e2ndirea numelor<br \/>\ncre\u0219tine vechi rom\u00e2ne\u0219ti ca prob\u0103 a (str\u0103)vechimii<br \/>\ncre\u0219tinismului \u00een spa\u021biul central \u0219i sud-est european (I),<br \/>\nIoan Dumitru Denciu, Recurs vr\u00e2ncean IV: Alte topice.<br \/>\nLegenda sau mitul c\u0103l\u0103re\u021bului Giurgiu, Maria Ni\u021bu,<br \/>\n\u201eMi-ai f\u0103cut capul calendar\u201d, Victor Ravini, De ce<br \/>\nMiori\u021ba \u0219i nu ciobanul? A. Gh. Olteanu, Scriitorii \u0219i<br \/>\nfolclorul, Nicolae Constantinescu, Terenuri prahovene,<br \/>\nNicolae C\u00e2rlan, Marginalii la un catalog de carte<br \/>\nrom\u00e2neasc\u0103 veche (II), Marian Nencescu, Dou\u0103<br \/>\nanivers\u0103ri \u0219i grani\u021buirea Rom\u00e2niei Mari, Mircea Popa,<br \/>\nIon Barbu \u0219i folclorul (I), Constantin Cuble\u0219an, Mircea<br \/>\nRadu Iacoban \u2013 dramaturgul, Ioan N. Ro\u0219ca, Biblia<br \/>\nliterar\u0103 a lui Virgil Diaconu sau direc\u021bia critic\u0103 \u00een<br \/>\ncercetarea biblic\u0103, Marin Iancu, Alexandru Jurcan \u0219i<br \/>\nlumea \u00een criz\u0103, Ion Fercu, \u201eGathenna Domhan\u201d, un<br \/>\ntulbur\u0103tor univers fantasy (I). Darie Ducan, Ultimul<br \/>\nIonesco \u0219i tradi\u021bia teatrului european: Maximilian<br \/>\nKolbe (I), Mircea Mo\u021b, Anchetatorii, ministra \u0219i<br \/>\ncititorul, Iulian Chivu, Ariile judec\u0103\u021bii \u00een Eseuri<br \/>\nprovinciale de Dumitru Velea, Ionel Popa, Liviu<br \/>\nRebreanu \u2013 Teze. Antiteze, teme, Anpyar Sahakyan,<br \/>\nPropensiuni europene \u00een orientalistica din Rom\u00e2nia,<br \/>\nMircea Radu Iacoban, Vechituri, Mihai S\u0103lcu\u021ban, \u021aara<br \/>\nde dincolo de cuv\u00e2nt, \u0218tefan Susai, C\u0103r\u021bile din pod.<br \/>\nDestine din \u021aara Prutului. La aniversar\u0103 &#8211; Viorel Savin<br \/>\n\u2013 80 scriu: Ion Fercu \u0219i Rodica L\u0103z\u0103rescu, iar la<br \/>\naniversar\u0103 &#8211; Matei Vi\u0219niec \u2013 65, Iulia Murariu.<br \/>\nRemember Marin Sorescu scriu: D. R. Popescu, Nicolae<br \/>\nDan Fruntelat\u0103, Titus V\u00eejeu \u0219i Ion Andrei\u021b\u0103, remember<br \/>\nMircea Dinu\u021bz, Ionel Necula \u0219i remember Mihail<br \/>\nDiaconescu, Marin Toma.<\/p>\n<p><strong><br \/>\nScriptor, Anul VI<\/strong>I,<em> nr.3-4 (75-76), martie-<br \/>\naprilie 2021, Ia\u0219i<\/em>. Poezia este semnat\u0103 de George<br \/>\nVulturescu (cu poem desenat de Drago\u0219 P\u0103tra\u0219cu),<br \/>\nHoria B\u0103descu, Simona-Grazia Dima, Andrei Zanca,<br \/>\nJenaro Talens \u0219i Homero Aridjis (prezent\u0103ri \u0219i traduceri<br \/>\nde Mihaela Vechiu \u0219i Eugen Barz), iar proza, de Silvian<br \/>\nFloarea \u0219i Florin Toma. Remarc\u0103m eseurile realizate de<br \/>\nDoru Sc\u0103rl\u0103tescu, Filosoful din scrisori; Mihai<br \/>\nEminescu, \u0218tefan Afloarei, Din nou la t\u00e2rgul de sensuri,<br \/>\nElvira Sorohan, Profesorul unei genera\u021bii (Nae<br \/>\nIonescu), Simona Modreanu, Biruit-au g\u00e2ndul?&#8230;,<br \/>\nBogdan Cre\u021bu, Sadoveanu \u0219i Strada L\u0103pu\u0219neanu,<br \/>\nGeorge Banu, Teatrul \u2013 o inven\u021bie a Europei, Eugen<br \/>\nUricaru, T\u00e2rn\u0103veni, Liviu Ioan Stoiciu, Din anul<br \/>\nrevolu\u021biei. De uz strict personal (XXXIV), jurnal de<br \/>\nc\u0103l\u0103torie \u2013 Gellu Dorian, Prin Moscova \u0219i Sankt<br \/>\nPetersburg, liber \u0219i \u00eenvins. La Chestionar scriptorian,<br \/>\nformulat de Lucian Vasiliu, r\u0103spunde Horia G\u00e2rbea, iar<br \/>\ndialogurile sunt: Grigore Ilisei \u2013 Emil Brumaru,<br \/>\nAnastasia Dumitru \u2013 \u0218tefan Hostiuc, Robert \u0218erban \u2013<br \/>\nLiviu M\u0103\u021b\u0103oanu. Scriu critic\u0103 literar\u0103: Vasile Iancu<br \/>\n(Eugen Uricaru, Gr\u0103dina Paradisului), Ioan Holban<br \/>\n(Grigore Ilisei, La gurile Africii), Constantin Cuble\u0219an<br \/>\n(\u0218tefan Mitroi, Preg\u0103tiri de \u00eenviere), Fr\u0103gu\u021ba Zaharia<br \/>\n(Stelian \u021aurlea, La nord \u0219i la sud de Tejo), Ioan<br \/>\nR\u0103ducea (Ion \u021aurcanu, Istorisiri r\u0103zle\u021be), Gruia Novac<br \/>\n(Codrin Liviu Cu\u021bitaru, Filozofia lucrurilor mici),<br \/>\nBogdan-Mihai Mandache (Fernando Pessoa, Cartea<br \/>\nnelini\u0219tirii), Maria Pilchin (Gabriela Feceoru, Vorbesc<br \/>\ndin nou pozitiv \u0219i din nou pozitiv), Liviu Apetroaie<br \/>\n(Vlad Scutelnicu, Poeme instant), Stelian \u021aurlea (Caius<br \/>\nDobrescu, Preg\u0103tiri de \u00eenviere, Vlad Scutelnicu, Poeme<br \/>\ninstant), Constantin Cuble\u0219an (Angela Marinescu,<br \/>\nLumea de dincolo), Lina Codreanu (Lu Nei, Husarii de<br \/>\n17 ani), Traian D. Laz\u0103r (Constantin Ardeleanu, Aller<br \/>\nRetour).<\/p>\n<p><strong><br \/>\nSud<\/strong>, <em>Anul XXV, nr.1-2 (238-239), ianuarie-<br \/>\nfebruarie 2021, Bolintin-Vale<\/em>. Edi\u021bia se deschide cu<br \/>\nProclama\u021bia de la Bolintin \u2013 16\/ 28 martie 1821.<br \/>\n\u00cent\u00e2lnim poezie de M. Eminescu, Adrian Munteanu,<br \/>\nAnton Constantin, Ionu\u021b Calot\u0103, Liu Guigin (traducere<br \/>\nde Constantin Lupeanu), Bogdan I. Pascu \u0219i proz\u0103 de<br \/>\nVasile Szolga \u0219i Ion C, \u0218tefan. Remarc\u0103m, apoi, eseurile<br \/>\nrealizate de Florentin Popescu, Scriitori, \u00een viziuni<br \/>\ngrafice (XIV), Alexandru Cazacu, Starea de frontier\u0103,<br \/>\nGabriel Dragnea, &#8230; apei de-acum scoate-i malurile,<br \/>\nNicolae Dan Fruntelat\u0103, Primarul absolut \u0219i Martori ai<br \/>\nunui veac dement, Titus V\u00eejeu, Un \u201eapropiat poet de<br \/>\ndeparte\u201d, Ioana-Ruxandra Fruntelat\u0103, Redescoperind<br \/>\ncosmogoniile tradi\u021bionale, Gheorghe Dragomir, Cele<br \/>\ntrei mari provoc\u0103ri ale civiliza\u021biei umane de ieri, de azi<br \/>\n\u0219i de m\u00e2ine: foametea, bolile \u0219i r\u0103zboaiele, Romani\u021ba-<br \/>\nMaria \u0218ten\u021bel, Pornind de la un cuv\u00e2nt drag&#8230; Cu file de<br \/>\njurnal \u0219i de monografie sunt prezen\u021bi Ion I. Carbar\u0103u,<br \/>\nUnde sunt iernile de alt\u0103dat\u0103?! \u0219i Lumini\u021ba Cornea, O<br \/>\nvia\u021b\u0103 sub sabie (VIII), cu evoc\u0103ri, Neagu Udroiu,<br \/>\n\u201eUniversit\u0103\u021bile mele\u201d (VIII) \u2013 Galaxia G\u00fctenberg,<br \/>\nziditori, iar inscrip\u021biile g\u0103site de Nicolae Scurtu sunt:<br \/>\nNoi contribu\u021bii la biografia lui Dimitrie V\u00e2rb\u0103nescu.<br \/>\n\u00centregiri la biografia lui A,I, Bassarabescu \u0219i C\u00e2teva<br \/>\n\u0219tiri noi despre Gellu Naum la Comana. Critica literar\u0103<br \/>\neste f\u0103cut\u0103 de Florentin Popescu (Tudor Opri\u0219, Versuri<br \/>\nalese), Ion Andrei\u021b\u0103 (Magda Ursache, Bursa de iluzii),<br \/>\nIon C. \u0218tefan (Ion P\u0103tra\u0219cu, La pas prin satul global),<br \/>\n\u0218erban Codrin (Magda Ursache, Bursa de iluzii \u0219i<br \/>\nFlorentin Popescu \u00een delict de v\u00e2rst\u0103 \u2013 75 de ani<br \/>\nimputabili timpului, nu scriitorului), Constan\u021ba Crudu<br \/>\n(Stan V. Cristea, Tradi\u021bia c\u0103lu\u0219ului \u00een Teleorman: de la<br \/>\nritual la spectacol), Carmen Foc\u0219a (C\u0103t\u0103lin Lungu,<br \/>\nPovestiri din vremea dropiei), Corneliu Vasile<br \/>\n(Domni\u021ba Neaga, Floarea de lotus), Gabriel Dragnea<br \/>\n(Cu Bogdan I. Pascu despre dragoste, t\u0103ceri<br \/>\nnejustificate, \u00een majoritatea crea\u021biilor iluzii \u0219i oameni),<br \/>\nAlexandru Cazacu (S\u00e1ndor M\u00e1rai, Lum\u00e2n\u0103rile ard p\u00e2n\u0103<br \/>\nla cap\u0103t).<\/p>\n<p><strong><br \/>\nUrmuz<\/strong>, <em>seria a doua, anul VIII, no.1-2\/ 2021,<br \/>\nC\u00e2mpina<\/em>. Remarc\u0103m: poezia semnat\u0103 de Philippe<br \/>\nMaurel, Eleanor Boudreau (cu poem comentat), Joannie<br \/>\nStangeland (t\u0103lm\u0103ciri de Florin Dochia), Irina Legba,<br \/>\nDaniel Corbu, Marinela Belu-Cap\u0219a, Janeta Iuga,<br \/>\nLumini\u021ba Cojoac\u0103, Mihaela Gudan\u0103, Petru\u021b P\u00e2rvescu,<br \/>\nPetronela Apopei, Vasile Ioan Ciutacu, Mircea Dan<br \/>\nDu\u021b\u0103, Diana Trandafir, Dan D\u0103nil\u0103, critica literar\u0103<br \/>\nf\u0103cut\u0103 de Mioara Bahna (Lucia P\u0103tra\u0219cu, Str\u0103luce clipa,<br \/>\nRaluca Faraon (Daniel Luca, P\u0103tulul cu inimi arse),<br \/>\nDiana Trandafir (Arta de a fi om a Silviei Bitere),<br \/>\nPetronela Apopei (Daniela M\u0103rginean, Agapi mou),<br \/>\nOctavian Mihalcea (Cecilia Costache, Texte ad\u0103ugate),<br \/>\nConstantin Trandafir (Mircea Teculescu, Umbrele<br \/>\ncopacilor t\u0103ia\u021bi \u0219i Costel Stancu, Ho\u021bul de ferestre),<br \/>\nChristian Cr\u0103ciun (Anda Mihaela Miroiu, Contre-jour),<br \/>\nFlorentin Streche (Mihai \u0218urubaru, Arcanele<br \/>\nStrigoniei), Nicolae-Paul Mihail (Vasile Ioan Ciutacu,<br \/>\nDesc\u00e2ntece pentru via\u021b\u0103 \u0219i moarte), cronic\u0103 de art\u0103<br \/>\nplastic\u0103 \u2013 Cornel Florin Cuble\u0219an, Mihai \u0218erb\u0103nescu,<br \/>\nVia\u021ba de dup\u0103 via\u021b\u0103, cronic\u0103 de film &#8211; Raluca Faraon,<br \/>\nTrandafirul ro\u0219u din Cairo. Mircea Dan Du\u021b\u0103 \u2013 poetul<br \/>\n\u0219i poezia este eseul Andreei Teodora Mocanu, iar Jillian<br \/>\nMukavetz este \u00een dialog cu Joannie Stangeland<br \/>\n(t\u0103lm\u0103cire de Florin Dochia).<\/p>\n<p><strong><br \/>\nVatra veche<\/strong>, <em>serie veche nou\u0103, anul XIII, nr. 1<br \/>\n(145), ianuarie 2021, T\u00e2rgu Mure\u0219<\/em>. Remarc\u0103m eseurile<br \/>\nrealizate de Nicolae B\u0103ciu\u021b, Florin Piersic \u2013 85, Aron<br \/>\nCotru\u0219 \u2013 poetul care a\u0219teapt\u0103 s\u0103 fie (re)descoperit&#8230; \u0219i<br \/>\nMuntele Athos din Muntele Athos (IX), acad. Ioan-Aurel<br \/>\nPop, Florin Piersic sau arta ca via\u021b\u0103 \u0219i Transilvania,<br \/>\nStarea noastr\u0103 de veghe (XLII), Emilia Luchian,<br \/>\nIubirile lui Nichita St\u0103nescu (IX), Gheorghe Sar\u0103u,<br \/>\nCoresponden\u021ba lui Dimitrie Stelaru (XXXV), Dumitru<br \/>\nHurub\u0103, Mai altfel, despre Veronica Micle (XVIII),<br \/>\nTheodor Damian, Pandemie \u0219i credin\u021b\u0103, Valeria Bil\u021b,<br \/>\nDespre o reveren\u021b\u0103 la ceas aniversar, Dorin Nadr\u0103u,<br \/>\n\u201eAdmirabila t\u0103cere\u201d, jurnalul lui Alexandru Mironescu,<br \/>\nAdrian Lesenciuc, III, A. P. B\u0103nu\u021b. Oamenii de isprav\u0103<br \/>\nai lui A. P. B\u0103nu\u021b, Ion M\u00e2n\u0103scurt\u0103, Limpeziri, Traian D.<br \/>\nSt\u0103nciulescu, R\u0103d\u0103cin\u0103 a spiritului de neam,<br \/>\nEMINUL&#8230;, Radu \u0218erban, Geniul lui Br\u00e2ncu\u0219i \u00een<br \/>\nJaponia, Nicolae Suciu, Aron Cotru\u0219 \u0219i poezia chtonic\u0103,<br \/>\ninterviurile: Virgil Ra\u021biu \u2013 Niculae Gheran, Mariana<br \/>\nTerra \u2013 Mihaela Malea Stroe, Liliana Popa \u2013 George<br \/>\nBanu, critica literar\u0103 scris\u0103 de Nicolae Suciu (R\u0103zvan<br \/>\nDucan, Electron cu rochie de dantel\u0103), Valeria Manta<br \/>\nT\u0103icu\u021bu (Georgeta Minodora Resteman, Altarele<br \/>\nmiresmelor t\u00e2rzii), Lumini\u021ba Cornea (Dosoftei, Psalmi<br \/>\n\u00een versuri), Traian Vasilc\u0103u (Florentin Smarandache,<br \/>\nClopotul t\u0103cerii), Corneliu Vasile (Domni\u021ba Neaga,<br \/>\nFloarea de lotus), Rodica G\u00e2rleanu-Costea (Veronica<br \/>\nPavel Lerner, Neterminatele secunde), Livia Fumurescu<br \/>\n(Olivia M\u00e2ndru\u021biu-Rusu, Mesteceni \u0219i rafturi), A. I.<br \/>\nBrumaru (Alex Maroiu, Katia), Aureliu Goci<br \/>\n(Alexandru Ciocioi, Dincolo de trup), Daniel Luca<br \/>\n(Vasile Dan Zaberca, A Cappella), Mihai Batog-<br \/>\nBujeni\u021b\u0103 (Sorin Finchelstein, Covid 19, 2020 \u2013 jurnal de<br \/>\nfront), Mircea Daro\u0219i (Aurel Podaru, Exerci\u021bii de<br \/>\n\u00eent\u00e2mpinare). Semneaz\u0103 poezie: Iulia Pa\u021biu, Cora<br \/>\nBotezatu, Stere Bucoval\u0103, Ana-Mirabela Diacu, George<br \/>\nIoni\u021b\u0103, Mihaela Ro\u0219ca, Adrian Botez, Iuliu Iona\u0219, Clara<br \/>\nFrancesca Schoppel, Nicolae M\u0103tca\u0219, Vasile Larco \u0219i<br \/>\nproz\u0103: Ion Fercu.<\/p>\n<p><strong>Cititorul de reviste<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>REVISTE LITERARE Acolada, anul XV, nr. 2(159), februarie, 2021, Satu Mare. Eseurile \u0219i comentariile sunt realizate de Radu Ulmeanu, Chiar<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14420"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14420"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14420\/revisions"}],"predecessor-version":[{"id":14421,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14420\/revisions\/14421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}