{"id":14399,"date":"2021-04-23T10:00:40","date_gmt":"2021-04-23T07:00:40","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=14399"},"modified":"2021-04-23T10:01:57","modified_gmt":"2021-04-23T07:01:57","slug":"spatii-culturale-nr-75-12","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=14399","title":{"rendered":"Spa\u021bii culturale nr. 75 (12)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/22-1-e1619160365184.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14400 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/22-1-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14400\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/22-1-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Doina Cernica<\/strong>, <em>Neaua ninge la Betleem, Editura Mu\u0219atinii, Suceava, 2020<\/em>, 187 p. Copertele c\u0103r\u021bii sunt realizate de artistul Gheorghe Z\u0103rnescu. Coperta I reproduce una din ultimele lucr\u0103ri ale artistei plastice Dany-Madlen Z\u0103rnescu, iar coperta IV, lucrarea sa: Biseric\u0103 de lemn. Cartea de pove\u0219ti de c\u0103l\u0103torie de fa\u021b\u0103, Neaua ninge la Betleem, este a cincea, urm\u00e2nd volumelor: Rodos, ultima var\u0103 (2011), Cititoarea, c\u0103l\u0103toarea (2014), Prive\u0219te \u0219i \u00eencearc\u0103 s\u0103 vezi (2019) \u0219i H\u00e4nsel \u0219i Gretel \u00een P\u0103durea Luminoas\u0103 (2020).<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/23-1-e1619160394927.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14401 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/23-1-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 205px; --smush-placeholder-aspect-ratio: 205\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14401\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/23-1-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florentin Popescu<\/strong>, <em>Convorbiri cu Theodor Damian, Rawex Coms, Bucure\u0219ti, 2020<\/em>, 141 p. \u00cen cuv\u00e2ntul s\u0103u, <em>\u00cen loc de \u00eencheiere<\/em>, Florentin Popescu spune: <em>&#8230; Scrierile lui Theodor Damian sunt adev\u0103rate f\u00e2nt\u00e2ni de lumin\u0103, de idei, de credin\u021b\u0103 \u0219i de frumos, d\u0103t\u0103toare de via\u021b\u0103 \u0219i de tinere\u021be. (&#8230;) Consider, a\u0219adar, c\u0103 dialogurile din aceast\u0103 carte au fost un mare noroc pentru mine, ca \u0219i pentru dumneavoastr\u0103, cei care le ve\u021bi citi.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/24-1-e1619160411119.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14402 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/24-1-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 182px; --smush-placeholder-aspect-ratio: 182\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14402\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/24-1-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marcel Mure\u0219eanu,<\/strong> <em>Poeme decapitate, Editura Avalon, Cluj-Napoca, 2020<\/em>, 111 p. \u00cen prefa\u021b\u0103, Horia B\u0103descu ne asigur\u0103 c\u0103 este <em>O carte de bucurat inima cu \u00eenser\u0103rile \u0219i speran\u021bele unui remarcabil florilegiu poetic, c\u00e2ntat pe struna unic\u0103, dar cu at\u00e2t de bogate sonorit\u0103\u021bi a poemului \u00eentr-un vers.<\/em> Ilustra\u021biile din interior \u0219i de pe copert\u0103 apar\u021bin Irinei Petra\u0219, iar traducerile sunt f\u0103cute de Cristina T\u0103tar, \u00een limba englez\u0103, Leti\u021bia Ilea limba francez\u0103, Gabriela Lungu \u00een limba italian\u0103 \u0219i Marcela Ciortea \u00een limba latin\u0103.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/25-e1619160438706.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14403 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/25-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14403\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/25-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ionel Necula<\/strong>, <em>Eminescu \u00een tenta\u021bii metafizice, Edi\u021bia II-a rev\u0103zut\u0103 \u0219i ad\u0103ugit\u0103, Editura StudIS, Ia\u0219i, 2020,<\/em> 214 p. La finele c\u0103r\u021bii, autorul precizeaz\u0103: <em>Despre Eminescu s-a scris mult. At\u00e2t de mult c\u0103 bibliografia cumulat\u0103 cu greu mai poate fi parcurs\u0103 \u00eentr-o via\u021b\u0103 de om. Aceast\u0103 carte reune\u0219te c\u00e2teva din articolele despre fenomenul Eminescu publicate de-a lungul anilor prin diferite reviste de cultur\u0103&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/26-e1619160454478.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14404 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/26-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 194px; --smush-placeholder-aspect-ratio: 194\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14404\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/26-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Gheorghe Simon<\/strong>, <em>Calea Numelui, Eikon, Bucure\u0219ti, 2019<\/em>, 101 p. \u00cen nr, 11-12\/ 2020 al revistei Neuma, cartea de fa\u021b\u0103 era astfel prezentat\u0103: <em>Pentru Gheorghe Simon poezia e r\u0103spuns bun la toate, dar mai cu seam\u0103 la \u00eentreb\u0103rile existen\u021biale \u0219i la durerile fiin\u021bei umane. \u00cen jurul unui s\u00e2mbure luminos, de profund\u0103 religiozitate, se \u00eenf\u0103\u0219oar\u0103 miezul de fruct delicat, cu parfum tandru, u\u0219or pudrat, al poeziei. Versurile sunt o retrospectiv\u0103 melancolic\u0103 \u00eenspre copil\u0103rie, casa p\u0103rinteasc\u0103, nucleul familial. Acestea sunt v\u0103zute ca repere ce trebuie perpetuate pe calea numelui.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/27-e1619160469227.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14405 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/27-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14405\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/27-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Cornel Galben<\/strong>, <em>Personalit\u0103\u021bi b\u0103c\u0103uane &#8211; VIII, Editura Corgal Press, Bac\u0103u, 2020<\/em>, 304 p. Printre alte personalit\u0103\u021bi b\u0103c\u0103uane, \u00een acest volum Cornel Galben ne d\u0103 \u00eent\u00e2lnire cu Anton Achi\u021bei, Vasile Bardan, Radu Beligan, Mihai Buznea, Ernest Maftei, G. Gheorghi\u021b\u0103, Valeria Manta T\u0103icu\u021bu, Ion Micheci, \u0218tefan Munteanu, Victor Munteanu, Raluca Neagu, Daniel Nicolescu, Viorel Savin, Dorina Stoica, Traian Valeriu, Mariana Velisar-Codrescu.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/28-e1619160487891.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14406 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/28-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 192px; --smush-placeholder-aspect-ratio: 192\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14406\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/28-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mioara B\u0103lu\u021b\u0103<\/strong>, <em>Frunze sub un \u0219terg\u0103tor de parbriz, Editura Babel, Bac\u0103u, 2017<\/em>, 200 p. <em>\u00cen cele din urm\u0103&#8230;<\/em> autoarea spune: <em>Cu aerul unor frunze, prinse de ploaie sub un \u0219terg\u0103tor de parbriz, ne pred\u0103m cuvintelor ce nu mai pot fi spuse, privirilor pe care nu le mai avem, \u00eembr\u0103\u021bi\u0219\u0103rilor ce nu mai pot fi d\u0103ruite. Ne pred\u0103m pentru a sim\u021bi, sub o alt\u0103 form\u0103, ceea ce ne-am dorit mereu \u00een vie\u021bile noastre \u2013 acea normalitate excep\u021bional\u0103 de a tr\u0103i \u00eentre gesturi domestice&#8230; fire\u0219ti.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/29-e1619160505430.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14407 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/29-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14407\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/29-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Stan Brebenel<\/strong>, <em>\u0218lefuitorii de cuvinte \u2013 vol. III \u2013 O antologie a poe\u021bilor rom\u00e2ni din afara grani\u021belor \u021b\u0103rii, Editura Teocora, Buz\u0103u, 2020<\/em>, 148 p. Cei antologa\u021bi sunt: Adrian Erbiceanu, Benjamin Fundoianu, Grigore Vieru, Leonida Lari, Leo Butnaru, Ilarie Voronca, Nicolae Dabija, Valeriu Matei, Dumitru Matcovschi, Daniel D. Marin, Paul Celan, Victoria Fonari, Arcadie Suceveanu, Alexei Mateevici, Ioan Flora, Ioan Baba, Ion Milo\u0219, Vasko Popa, Theodor Damian, Lidia Grosu, Mihai Prepeli\u021b\u0103, Matei Vi\u0219niec, Florentin Smarandache, Traian Vasilc\u0103u, Miguel Gane, Ion Had\u00e2rc\u0103, Vasile T\u0103r\u00e2\u021beanu, Mihaela Cristescu, Doina Dabija, Alexandru Cet\u0103\u021beanu, Dinu Fl\u0103m\u00e2nd, Aura Christi, Gabriela Melinescu, Bianca Marcovici, Dorin Tudoran, Silvia Butnaru, Adam Pusloji\u0107.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/30-e1619160525614.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14408 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/30-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14408\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/30-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Fevronia Spirescu<\/strong>, <em>bruflit* cu ecou pe Strada Mare, Editura Creator, Bra\u0219ov, 2020<\/em>, 131 p. Ne al\u0103tur\u0103m celor spuse despre aceast\u0103 carte de Ioan Vi\u0219tea: <em>&#8230; text avangardist-poematic, un cin\u00e9-verit\u00e9 din orizontul copil\u0103riei, cu simbolistica revela\u021biei \u0219i rememor\u0103rii&#8230; o retr\u0103ire cu impact emo\u021bional, ca o amprent\u0103 generalizatoare care vrea s\u0103 \u0219tearg\u0103 praful de pe sentimentele memoriei, aduc\u00e2ndu-le la lumin\u0103. \u00cenc\u0103 o admirabil\u0103 carte pentru copii (inclusiv ilustra\u021biile) marca Fevronia Spirescu.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/31-e1619160542515.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14409 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/31-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 219px; --smush-placeholder-aspect-ratio: 219\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14409\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/31-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Manuela Camelia Sava<\/strong>, <em>V\u0103lul \u0218eherezadei, Editura Editgraph, Buz\u0103u, 2020<\/em>, 107 p. \u00cen prefa\u021ba <em>Un mit asumat<\/em>, Passionaria Stoicescu conchide: <em>Cartea (&#8230;) respir\u0103 acel echilibru necesar \u00eentre mesaj \u0219i expresie, \u00eentre talent \u0219i con\u0219tiin\u021b\u0103 estetic\u0103. Asumarea convingerii c\u0103 tu po\u021bi, asemenea \u0218eherezadei, s\u0103 \u00eel farmeci pe rege\/ cititor prin pove\u0219tile\/ poeziile tale, denot\u0103 con\u0219tiin\u021ba de sine a Manuelei Camelia Sava, c\u0103 prin ceea ce scrie, banalul vie\u021bii, nici m\u0103car sub forma monstruoas\u0103 de covid, nu o va ucide \u00een zorii fiec\u0103rei noi zile.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/32-e1619160559869.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14410 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/32-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14410\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/32-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Camelia Ardelean<\/strong>, <em>\u00cen dialog cu Ionel Necula, Editura StudIS, Ia\u0219i, 2019<\/em>, 124 p. \u00centr-un preambul (Ionel Necula \u2013 cu sufletul \u00een palma cititorului) la dialogul ce va urma, Camelia Ardelean precizeaz\u0103: <em>Pelerin al unui destin \u00eenr\u0103d\u0103cinat \u00een cuv\u00e2nt, pentru el \u00een\u021belegerea tainelor existen\u021bei reprezint\u0103 mai mult dec\u00e2t o banal\u0103 curiozitate, a devenit un mod de a tr\u0103i, o necesitate a c\u0103rei satisfacere, chiar dac\u0103 implic\u0103 o munc\u0103 de Sisif ori sacrificarea a zeci de ani din via\u021b\u0103, r\u0103m\u00e2ne dorin\u021ba suprem\u0103&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/33.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14411 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/33.jpg\" alt=\"\" width=\"182\" height=\"260\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 182px; --smush-placeholder-aspect-ratio: 182\/260;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14411\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/33.jpg\" alt=\"\" width=\"182\" height=\"260\" \/><\/noscript><\/a><br \/>\n<strong>Laura Cozma<\/strong>, <em>Lama dulce a timpului, Editura Editgraph Buz\u0103u, 2020<\/em>, 76 p. Aceast\u0103 carte este \u00eengrijit\u0103 \u0219i tehnoredactat\u0103 impecabil de Lucian M\u0103n\u0103ilescu, cel care \u00een prefa\u021b\u0103 (<em>Timpul iubirii<\/em>) spune: <em>Volumul de debut al Laurei Cozma \u2013 Lama dulce a timpului \u2013 reprezint\u0103 un exerci\u021biu poetic profund \u0219i \u00eendelung exersat, un demers liric consistent, desf\u0103\u0219urat pe parcursul unor ani de acumul\u0103ri lirice ce v\u0103d, \u00een sf\u00e2r\u0219it, lumina tiparului.<\/em> Iar \u00een postfa\u021b\u0103 (<em>Everestul cuv\u00e2ntului<\/em>) Gina Zaharia men\u021bioneaz\u0103: <em>Cu acest volum de debut, Laura Cozma \u00ee\u0219i face apari\u021bia ca o pic\u0103tur\u0103 de rou\u0103 pe geana unei dimine\u021bi de mai. La o cafea cu timpul, autoarea se dest\u0103inuie prin versuri care opresc \u00een loc \u0219i cel mai gr\u0103bit c\u0103l\u0103tor&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/34-e1619160589284.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14412 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/34-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14412\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/34-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Rodica Dasc\u0103lu<\/strong>, <em>Imagineaz\u0103-\u021bi o gr\u0103din\u0103, Editura Art Book, Bac\u0103u, 2020<\/em>, 139 p. \u00cen prefa\u021ba \u2013 <em>Imagina\u021bia nu exclude Ra\u021biunea sau esen\u021ba poeziei este (in)actual\u0103<\/em> \u2013 Petre Isachi apreciaz\u0103: <em>&#8230; Imagineaz\u0103-\u021bi o gr\u0103din\u0103. Este modul elegant al scriitoarei, de a ne invita s\u0103 parcurgem o scriitur\u0103, aparent accesibil\u0103, \u00een care esteticul se \u00eent\u00e2lne\u0219te fericit cu sacrul, configur\u00e2nd o frumuse\u021be sofianic\u0103, neostentativ\u0103, plin\u0103 de smerenie, asemenea celei din Cumin\u021benia p\u0103m\u00e2ntului a lui Constantin Br\u00e2ncu\u0219i.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/35-e1619160609723.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14413 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/35-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14413\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/35-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Vasile Iftime<\/strong>, <em>Colonia de licurici, Editura Eikon, Bucure\u0219ti, 2020<\/em>, 77 p. Pe coperta a patra a c\u0103r\u021bii Cristian B\u0103dili\u021b\u0103 men\u021bioneaz\u0103: <em>Colonia de licurici e un volum tulbur\u0103tor, plin de via\u021b\u0103 \u0219i de poezie, de\u0219i tema obsesiv\u0103 este moartea. Vasile Iftime face parte din categoria poe\u021bilor liturgici. El reinventeaz\u0103 zborul, \u00een modul cel mai firesc, adic\u0103 suprafiresc cu putin\u021b\u0103. Dincolo de aceast\u0103 autenticitate palpabil\u0103 avem de a face cu un poet rafinat, st\u0103p\u00e2n pe me\u0219te\u0219ugul s\u0103u, \u0219lefuit prin lectur\u0103 \u0219i medita\u021bie&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/36.jpg\" data-rel=\"lightbox-image-14\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14414 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/36.jpg\" alt=\"\" width=\"172\" height=\"244\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 172px; --smush-placeholder-aspect-ratio: 172\/244;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14414\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/04\/36.jpg\" alt=\"\" width=\"172\" height=\"244\" \/><\/noscript><\/a><br \/>\n<strong>Christian<\/strong> <strong>Bistriceanu<\/strong>, <em>tricicleta care te va ridica la ceruri \u2013 ritualuri \u0219i bagatele -, Editura Mirador, Arad, 2019<\/em>, 104 p. \u00cen paginile de sf\u00e2r\u0219it ale volumului sunt dedate selec\u021bii din referin\u021bele critice semnate de Gheorghe Zincescu, Gheorghe Jurma, Ion Cocora \u0219i&#8230; Gheorghe Mocu\u021ba, din care cit\u0103m: <em>T\u00e2n\u0103rul poet Christian Bistriceanu reinventeaz\u0103 un fel de a privi lumea \u0219i de a scrie. Nu \u00eenceteaz\u0103 s\u0103 se oglindeasc\u0103 \u00een diferitele ipostaze ale vie\u021bii, surprinz\u00e2ndu-ne prin inventivitate, prospe\u021bime \u0219i sete de absolut, (&#8230;) O inventivitate nes\u0103buit\u0103 \u00eei traverseaz\u0103 imagina\u021bia. E ca \u0219i cum b\u0103iatul acesta a c\u0103zut de pe o alt\u0103 planet\u0103 precum<\/em> <em>Micul Prin\u021b.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Valentina BECART<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/becart-e1600249563217.jpg\" data-rel=\"lightbox-image-15\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10728 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/becart-263x300.jpg\" alt=\"\" width=\"263\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 263px; --smush-placeholder-aspect-ratio: 263\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10728\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/becart-263x300.jpg\" alt=\"\" width=\"263\" height=\"300\" \/><\/noscript><\/a><\/p>\n<p><strong>Fiecare gest devenea o poezie&#8230;<\/strong><\/p>\n<p>C\u00e2ndva,<br \/>\nam locuit \u00eentr-o lumin\u0103 clar\u0103.<br \/>\n\u00centre ieri \u0219i azi \u2013 doar infinitul;<br \/>\n\u00een jurul meu, cuvintele<br \/>\nse preschimbau \u00een vise,<br \/>\niar bra\u021bele \u2013 ca ni\u0219te aripi mari \u2013<br \/>\nsl\u0103veau r\u0103s\u0103ritul.<\/p>\n<p>C\u00e2ndva,<br \/>\nam locuit sub o rev\u0103rsare<br \/>\nde sori.<br \/>\nRareori str\u00e2ngeam ploile<br \/>\n\u00een bra\u021be<br \/>\n\u0219i mi se p\u0103rea c\u0103 via\u021ba, uneori,<br \/>\ne ca un murmur divin<br \/>\n\u0219tiut doar de noi.<\/p>\n<p>Alteori, florile mi-au fost ad\u0103post<br \/>\nla amiaz\u0103,<br \/>\nc\u00e2nd fiecare gest devenea<br \/>\no nou\u0103 poezie,<br \/>\nIar eu \u2013 caden\u021ba unei lini\u0219ti \u2013 sub<br \/>\nt\u00e2mpla unui vaier.<\/p>\n<p>Azi, departe de toate cuvintele<br \/>\nmari,<br \/>\n\u0219i ziua aceea c\u00e2nd sufletul<br \/>\nse sc\u0103lda \u00een lumin\u0103,<br \/>\n\u00eemi f\u0103uresc ad\u0103post \u00eentr-o toamn\u0103<br \/>\ngr\u0103bit\u0103,<br \/>\ncu fluturii de noapte risipi\u021bi<br \/>\nprintre c\u0103r\u021bi.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Cuvinte mari, abia ating\u00e2ndu-se&#8230;<\/strong><\/p>\n<p>Hai s\u0103 c\u0103utam \u00eempreun\u0103 ziua aceea<br \/>\ncu m\u0103rgele, cercei, aureole r\u0103s\u0103rite<br \/>\n\u00een privire;<br \/>\nun z\u00e2mbet larg era totul , mai mult dec\u00e2t<br \/>\no mie de cuvinte.<br \/>\n\u0218i cuvintele, da, erau mari, mari abia<br \/>\nse atingeau \u00eentre ele.<br \/>\nUneori, s\u0103ltau p\u00e2n\u0103 sus, c\u00e2t mai aproape<br \/>\nde un vis str\u0103veziu.<\/p>\n<p>Eu st\u0103team de veghe \u0219i prindeam<br \/>\nc\u00e2te unul,<br \/>\n\u00een timp ce \u00eentreaga-mi fiin\u021b\u0103 te sorbea,<br \/>\nademenindu-te<br \/>\n\u00eentr-un pat de rou\u0103;<br \/>\ntu \u0219tii c\u0103 altarele tac, c\u0103 cerul se \u00eenclin\u0103,<br \/>\nalteori,<br \/>\nnumai inima trebuie s\u0103 r\u0103m\u00e2n\u0103 ca un cuv\u00e2nt<br \/>\ntremurat, ca o tain\u0103&#8230;<\/p>\n<p>Hai s\u0103 c\u0103utam \u00eempreun\u0103 ziua aceea<br \/>\nca un clinchet u\u0219or, cu br\u0103\u021b\u0103ri de absint,<br \/>\nanemone.<br \/>\nUn suflet uria\u0219 \u0219i privirea ta \u00eembl\u00e2nzit\u0103&#8230;<br \/>\npot locui, \u00eentr-o zi, \u00een c\u00e2teva cuvinte mari,<br \/>\ntot mai mari, abia ating\u00e2ndu-se \u00eentre ele&#8230;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Un cer invadat de fluturi<\/strong><\/p>\n<p>E dep\u0103rtarea o tain\u0103, un unghi<br \/>\nascu\u021bit r\u0103ne\u0219te privirea;<br \/>\nc\u0103rarea-i un semn c\u0103 lumea exist\u0103<br \/>\n\u0219i zarea aprins\u0103 v\u00e2neaz\u0103 \u00eentrebarea.<\/p>\n<p>E cerul o pat\u0103, un cerc necuprins<br \/>\ne sufletul zilei;<br \/>\nun strig\u0103t e raza c\u0103zut\u0103 \u00een ciuturi<br \/>\n\u0219i-ntreag\u0103 uimirea e-un arc &#8211; \u00een stropul<br \/>\nde ap\u0103 -,<br \/>\nce \u021bine treaz\u0103 lumina.<\/p>\n<p>E unghiul, p\u0103tratul \u0219i rostul&#8230;<br \/>\nMereu alte semne zv\u00e2rlite<br \/>\n\u00een frunzele moarte;<br \/>\ndoar cerul \u00eenalt \u2013, invadat de fluturi,<br \/>\narunc\u0103 \u00een aer urme de pulberi, stropi<br \/>\nde culoare pe scuturi&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU Raftul cu c\u0103r\u021bi Doina Cernica, Neaua ninge la Betleem, Editura Mu\u0219atinii, Suceava, 2020, 187 p. Copertele c\u0103r\u021bii sunt<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14399"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14399"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14399\/revisions"}],"predecessor-version":[{"id":14417,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/14399\/revisions\/14417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}