{"id":13876,"date":"2021-03-08T12:05:01","date_gmt":"2021-03-08T09:05:01","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=13876"},"modified":"2021-03-08T00:58:43","modified_gmt":"2021-03-07T21:58:43","slug":"literadura-nr-19-4","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=13876","title":{"rendered":"Literadura nr. 19 (4)"},"content":{"rendered":"<p><strong>Iuliana PA\u0218CA<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/03\/pasca-e1615154257171.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13877 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/03\/pasca-293x300.jpg\" alt=\"\" width=\"293\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 293px; --smush-placeholder-aspect-ratio: 293\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13877\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/03\/pasca-293x300.jpg\" alt=\"\" width=\"293\" height=\"300\" \/><\/noscript><\/a><\/p>\n<p>Iuliana Pa\u0219ca (n. 26 martie 1991) a studiat Limba \u0219i Literatura Rom\u00e2n\u0103 &#8211; Limba \u0219i Cultura Chinez\u0103 la Facultatea de Litere a Universit\u0103\u021bii Babe\u0219-Bolyai din Cluj-Napoca (2010-2014) \u0219i la Universitatea Zhejiang din Hangzhou, China (2012-2014).<br \/>\n\u00cen 2017, a absolvit cursurile masteratului interna\u021bional Conflict Analysis and Management din cadrul Facult\u0103\u021bii de \u0218tiin\u021be Politice, Administrative \u0219i ale Comunic\u0103rii, Cluj-Napoca, apoi s-a mutat \u00een Milano, Italia, unde a lucrat \u00eentr-un ONG care promoveaz\u0103 drepturile copiilor. Din 2019 a predat limba englez\u0103 la o \u0219coal\u0103 din Barcelona, Spania, iar \u00een 2020 s-a \u00eentors \u00een Rom\u00e2nia, de unde colaboreaz\u0103 ca traduc\u0103tor cu reviste din Spania \u0219i din Canada.<br \/>\nA publicat poezii \u00een Albumul ARTivated (Cluj-Napoca, 2015), Antologia Cercul Poe\u021bilor vol. II (Cluj-Napoca, 2018), Antologiile Paradisul Iubirii \u0219i Poezie cu Izoleta (Baia-Mare, 2020), Antologia Clepsamia (Milano, 2020), dar \u0219i \u00een reviste de literatur\u0103, precum \u201eEcreator\u201d, \u201eFestival for poetry\u201d, \u201eWildsound\u201d \u201eIthaca Dublin\u201d, \u201eCronograf\u201d, \u201eSintagme Literare\u201d etc., \u00een acestea din urm\u0103 ad\u0103ug\u00e2nd \u0219i eseuri, interviuri \u0219i traduceri.<br \/>\nDebut \u00een volumul trilingv Reflect\u0103rile unei molecule (Ed. Ecreator, Baia Mare, 2020), volum distins de revista \u201eLiteradura\u201d cu Premiul Marin Ifrim pentru debut.<\/p>\n<p><strong>Dualitate<\/strong><\/p>\n<p>Afar\u0103 \u2013 o lume cu bube<br \/>\n\u0219i riduri \u00een jurul ochilor de lumin\u0103<br \/>\nstr\u0103zi pustii \u00eentre inim\u0103 \u0219i soare<br \/>\npe care picur\u0103 lacrima singur\u0103t\u0103\u021bii;<br \/>\noameni iner\u021bi ca lum\u00e2n\u0103ri de oase<br \/>\n\u00een a\u0219teptarea ultimei lic\u0103riri.<\/p>\n<p>\u00cen\u0103untru \u2013 o alt\u0103 lume (sau aceea\u0219i?)<br \/>\ncu visuri surpate<br \/>\n\u00een pietrele arterelor,<br \/>\nsim\u021biri interzise,<br \/>\noameni care merg<br \/>\nspre marginea fiin\u021bei<br \/>\ncu sufletele \u00een palme<br \/>\nflori \u00eenghe\u021bate<br \/>\npeste dorurile din morminte.<\/p>\n<p>G\u00e2ndurile de necuv\u00e2ntat<br \/>\ntr\u0103iesc \u00een aceast\u0103 lume interioar\u0103<br \/>\nfundamental\u0103,<br \/>\niar existen\u021ba lor<br \/>\ncreeaz\u0103 o siren\u0103 infernal\u0103<br \/>\nce iese dintre<br \/>\npicioarele t\u0103iate ale Adev\u0103rului.<\/p>\n<p><strong><br \/>\nIluzii<\/strong><\/p>\n<p>Din culisele unui teatru imens,<br \/>\nun univers rece<br \/>\na \u00eenlemnit animatorii<br \/>\ncu indiferen\u021ba unui zeu.<br \/>\n\u00cen noaptea interminabil\u0103,<br \/>\nhaosul infertil domin\u0103<br \/>\nultimele sentimente<br \/>\nag\u0103\u021bate de sforile unei marionete<br \/>\nca ni\u0219te franjuri de ghea\u021b\u0103.<\/p>\n<p>Printre degetele m\u00e2inilor cioturoase<br \/>\nprive\u0219te cu ochi vis\u0103tori<br \/>\nsperan\u021ba.<\/p>\n<p><strong><br \/>\nRena\u0219tere continu\u0103<\/strong><\/p>\n<p>Am \u00eencetat s\u0103 mai simt.<\/p>\n<p>A\u0219a se \u00eent\u00e2mpl\u0103 de fiecare dat\u0103<br \/>\nc\u00e2nd nu-mi \u00eenf\u0103\u0219or sufletul<br \/>\n\u00een cel pu\u021bin trei straturi de nep\u0103sare.<\/p>\n<p>Mi-au \u00eenghe\u021bat picioarele \u0219i de acolo<br \/>\na \u00eenceput sf\u00e2r\u0219itul.<\/p>\n<p>(eu umblu descul\u021b\u0103<br \/>\nprin gerul din oameni)<\/p>\n<p>Degeaba am luat vitamine<br \/>\n\u0219i am inspirat \u0219oapte calde,<br \/>\nnu erau pentru mine.<\/p>\n<p>N-am dec\u00e2t s\u0103 a\u0219tept prim\u0103vara,<br \/>\ncare-mi va aduce r\u0103stignirea<br \/>\nca s\u0103 m\u0103 pot rena\u0219te.<\/p>\n<p><strong><br \/>\nSinestezie<\/strong><\/p>\n<p>ascult cum<br \/>\nnep\u0103m\u00e2ntesc de radios<br \/>\nun fulger se desprinde<br \/>\ndin cerul de marmur\u0103,<br \/>\niar tunetul elibereaz\u0103<br \/>\nploaia<br \/>\nce se \u00eentoarce la r\u0103d\u0103cini<br \/>\ncu via\u021ba pe via\u021b\u0103 gust\u00e2nd<br \/>\ncandoarea nirvanei.<\/p>\n<p><strong><br \/>\nBleu\u2019 Marin<\/strong><br \/>\n<em>(Lui Marin Ifrim)<\/em><\/p>\n<p>Efemeri,<\/p>\n<p>tranzit\u0103m<br \/>\nde la suprafa\u021ba formelor f\u0103r\u0103 fond<br \/>\nspre un vid deja re\u00eencarnat<br \/>\n\u00een suma experien\u021belor noastre.<\/p>\n<p>Privim pe fereastr\u0103<br \/>\nora\u0219ul sc\u0103ldat \u00een s\u00e2ngele ploii<br \/>\nca o trilogie de fotografii<br \/>\nunde trecutul, prezentul \u0219i viitorul<br \/>\nsunt bra\u021bele aceluia\u0219i fluviu.<\/p>\n<p>Curentul marin<br \/>\ncunoa\u0219te s\u00e2ngele ploii,<br \/>\nintr\u0103 \u00een jocul fluviului<br \/>\n\u0219i influen\u021beaz\u0103 clima<br \/>\ngloriei locale.<\/p>\n<p><strong><br \/>\nIdentitate<\/strong><\/p>\n<p>Singur\u0103,<br \/>\n\u00een mijlocul oamenilor<br \/>\ngr\u0103bi\u021bi, nervo\u0219i, \u00eeng\u00e2mfa\u021bi.<br \/>\n\u00centinz\u00e2ndu-\u0219i g\u00e2turile ur\u00e2te,<br \/>\nfiecare cu ce nu are<br \/>\nse \u00eenal\u021b\u0103 \u00een fa\u021ba celorlal\u021bi.<\/p>\n<p>Ignorat\u0103,<br \/>\n\u00eenaintez prin mul\u021bime,<br \/>\ntot mai dezam\u0103git\u0103,<br \/>\nc\u0103 se pierde esen\u021ba,<br \/>\niar ace\u0219ti robo\u021bi cu ego<br \/>\nse uit\u0103 cu dispre\u021b la ei \u00een\u0219i\u0219i.<\/p>\n<p><strong><br \/>\nAlexandru SF\u00c2RLEA<\/strong><\/p>\n<p><strong>ATENTAT LA SIGURAN\u021aA LIRIC\u0102 A OMENIRII<\/strong><\/p>\n<p>(&#8230; \u0218i e cum spun, \u0219i nu e cum spun,<br \/>\nlirismul se smiorc\u0103ie prin sufletele care stau<br \/>\n\u00eenchircite \u0219i nesigure de ceea ce cred despre ele<br \/>\ntot felul de locuitori ai acestei planete<br \/>\n\u00eemb\u00e2csite de atmosfera de jelanii<br \/>\ncare fac de nesuferit orice \u00eenmorm\u00e2ntare;<br \/>\n\u00eencerci s\u0103 ui\u021bi de asta \u0219i s\u0103 vezi cum tr\u0103iesc oamenii<br \/>\ncu g\u00e2tlejuri mai uscate ca iasca, \u00eenc\u00e2t ai putea aprinde<br \/>\n-frec\u00e2nd de ele Groenlanda &#8211; un foc p\u00e2n\u0103 la \u00een\u0103l\u021bimea cefei<br \/>\nunui simplu nemernic \u0219i biet infractor.<br \/>\nCarevas\u0103zic\u0103, imperfec\u021biunea de a fi om este egal\u0103<br \/>\ncu sumbra necesitate de a te \u00eenjosi \u00een fa\u021ba<br \/>\njum\u0103t\u0103\u021bii de om c\u0103lare pe jum\u0103tate de iepure \u0219chiop<br \/>\n\u0219i din acest moment te vei gudura pe l\u00e2ng\u0103 mai- marele<br \/>\ncare st\u0103 pro\u021b\u0103pit peste Univers \u0219i spune:<br \/>\n,,Ahhhh&#8230; aaah&#8230; voi muritori care v\u0103 \u00eentoarce\u021bi cu spatele la<br \/>\npuhava \u0219i inefabila fraged\u0103 \u0219i contorsionat\u0103 Nemu-ri-hiii-hii-ire!\u201d<br \/>\nM\u0103 uit \u00eentr-un ciob<br \/>\nde la oglinda spart\u0103 cu capul de un poet &#8211; \u0219i \u00eenc\u0103 ce poet &#8211;<br \/>\noglinda r\u0103sfr\u00e2nge pe altcineva,<br \/>\natunci simt c\u0103-mi iese din c\u0103lc\u00e2i o sub\u021birime ca de lipitoare<br \/>\n\u0219i-l provoac\u0103 pe Ahile, dar \u0103sta e pe la mironosi\u021be, a\u0219tept<br \/>\ninterven\u021bia lui Platon cu pe\u0219tera lui, cu izgonirea poe\u021bilor,<br \/>\n\u0219i parc\u0103-l v\u0103d &#8211; voi parc\u0103 nu &#8211; cum st\u0103 cu b\u0103rbia \u00eempins\u0103-n sus<br \/>\ncum era a mamei mele c\u00e2nd a murit \u00een satul natal Cihei \u2013<br \/>\nasta era c\u00e2ndva \u0219i nu pretind s\u0103 simt\u0103 cineva ceva,<br \/>\nfiecare este prizonierul propriei nenorociri \u0219i \u00eencerc\u0103ri<br \/>\nde-a nu avea de-a face cu suicidul<br \/>\n-Cioran a murit cu ideea asta-n gur\u0103 &#8211; voi profe\u021bi<br \/>\ncare pupa\u021bi \u0219i\u0219ul \u00eenfipt \u00een g\u00e2t pe jum\u0103tate,<br \/>\nve\u021bi spune c\u0103 eu am luat-o razna precum \u0219oaptele<br \/>\ndin g\u00e2tul unui mut, precum v\u0103zul din ochiul unui orb<br \/>\n\u0219i precum sc\u00e2nteia care a fost \u00eent\u00e2ia iubit\u0103<br \/>\ncu care nu a putut avea copii Prometeu &#8211;<br \/>\nRevin \u0219i spun c\u0103 spre Omenire se \u00eendreapt\u0103 o ur\u0103 de sine<br \/>\nf\u0103r\u0103 margini, o ciocnire de interese incomensurabile \u0219i nim\u0103nui<br \/>\nnu-i pas\u0103 de nimeni, de parc\u0103 a\u0219 spune pentru prima oar\u0103 eu asta;<br \/>\nvin \u0219i spun \u0219i fa\u021ba mea e un f\u0103ra\u0219 din piele \u0219i oase tocmai bun,<br \/>\n\u00eentruc\u00e2t adun mizeria \u0219i sc\u00e2rbo\u0219enia \u0219i vomele umanit\u0103\u021bii, apoi invoc<br \/>\npe madam Nimenioaica: iubirea cea incredibil de cast\u0103 \u0219i sf\u00e2\u0219ietoare,<br \/>\ncei care \u00eenv\u00e2rt crava\u0219a Poeziei peste sc\u0103f\u00e2rliile de poe\u021bi<br \/>\ncred c\u0103 \u00eencearc\u0103 s\u0103 se ca\u021bere pe liniile trase<br \/>\nspre acel pisc dinspre care se aud<br \/>\nsmiorc\u0103ieli semantice: aproape c\u0103 molf\u0103iesc file din umberto eco,<br \/>\nde fapt totul este asemeni \u0219techerului scos din priz\u0103<br \/>\n\u0219i-asemeni unei duminici ticsit\u0103 cu vr\u0103bii<br \/>\nciripind de parc\u0103 \u0219i-ar m\u0103rturisi p\u0103catele a\u0219a de iute \u0219i de-nc\u00e2lcit,<br \/>\n\u00eenc\u00e2t s\u0103 fie totul de ne\u00een\u021beles \u0219i indescifrabil.<br \/>\nOmenirea str\u0103nut\u0103 \u0219i geme,<br \/>\npoe\u021bii ating cu inimile \u0219i creierul l\u0103untrurile ei, nu se poate a\u021bipi,<br \/>\nnu po\u021bi \u00eencerca s\u0103 te sustragi<br \/>\ncoronavirusului chinezesc, po\u021bi smulge o tulpin\u0103 sur\u00e2z\u0103toare<br \/>\ndin ADN \u0219i s\u0103 o fluturi deasupra capului ca pe o sperietoare de ciori;<br \/>\ndar nu mai ai pe cine s\u0103 sperii, nu mai ai cum s\u0103 \u0219tii cine mai are chef<br \/>\ns\u0103 se lase speriat dac\u0103 spui c\u0103 ai murit, c\u0103 da, domnule, e\u0219ti mort,<br \/>\nte ba\u021bi \u00een piept cu crucea: e\u0219ti crezut pe cuv\u00e2nt,<br \/>\noh, bun\u0103 diminea\u021ba \u0219i uite cum \u021bi se n\u0103zare s\u0103 mai tr\u0103ie\u0219ti<br \/>\n\u00eenc\u0103 o zi, nu-\u021bi pas\u0103 c\u0103 seara, noaptea, diminea\u021ba, ziua se-ncaier\u0103<br \/>\n\u0219i c\u00e2t s\u00e2nge curge, \u00eenc\u00e2t mai-marii peste Omenire<br \/>\n\u00eenghit \u00een sec \u0219i Omenirea se-ntinde lat\u0103 la p\u0103m\u00e2nt<br \/>\n\u0219i vin boschetarii \u0219i-o agreseaz\u0103 de parc\u0103 nici vorb\u0103<br \/>\ns\u0103 urle New-York-ul Parisul sau Wuhan-ul, voi ferici\u021bi nenoroci\u021bi,<br \/>\ncum e s\u0103 nu-\u021bi mai \u0219tii de nume, de mam\u0103, de p\u0103m\u00e2ntul<br \/>\n\u00een care vei fi \u00eengropat \u0219i de lirismul care tic\u0103ie-n ritm cu inima<br \/>\n\u0219i a\u0219a murd\u0103rit de s\u00e2nge pretinde c\u0103<br \/>\nnu mai e mult \u0219i el va refuza s\u0103 moar\u0103 \u00een locul t\u0103u&#8230;)<\/p>\n<p><strong><br \/>\nTIMP DILATAT<\/strong><\/p>\n<p>(&#8230; Acest trup l\u00e2nced aproape \u00eenrudit cu igrasia<br \/>\npare-a fi apt a acompania ritmul \u00eempleticit<br \/>\nal celulelor canceroase, exasperarea \u0219i cerbicia cu care acestea<br \/>\nchinuie omul pe patul de spital; cu un fel de surescitare<br \/>\n\u00ee\u0219i dilat\u0103 porii, spre-a-ng\u0103dui timpului stors<br \/>\nca un tub de hyaluronic 3D<br \/>\ns\u0103-i invadeze intimitatea \u2013<br \/>\nDecusear\u0103 \u00eencepuse\u0219i deja<br \/>\ns\u0103-\u021bi sim\u021bi inima un pic mai grea, mai dens\u0103 \u0219i mai somnoroas\u0103,<br \/>\niar drept urmare, abia mai \u00eengaimi cuv\u00e2ntul ataraxie pe silabe,<br \/>\napoi, \u00een proximul vis &#8211; n\u0103cl\u0103it de realitatea mofluzo-confuz\u0103 &#8211;<br \/>\nflutur\u0103 zdren\u021buit \u0219i decolorat drapelul trupesc din piele de g\u0103in\u0103&#8230;)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Iuliana PA\u0218CA Iuliana Pa\u0219ca (n. 26 martie 1991) a studiat Limba \u0219i Literatura Rom\u00e2n\u0103 &#8211; Limba \u0219i Cultura Chinez\u0103 la<\/p>\n","protected":false},"author":17,"featured_media":13844,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13876"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13876"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13876\/revisions"}],"predecessor-version":[{"id":13879,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13876\/revisions\/13879"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/13844"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}