{"id":13801,"date":"2021-02-28T14:14:19","date_gmt":"2021-02-28T11:14:19","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=13801"},"modified":"2021-03-18T10:56:23","modified_gmt":"2021-03-18T07:56:23","slug":"literadura-nr-2-4","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=13801","title":{"rendered":"Literadura nr. 1 (4)"},"content":{"rendered":"<p><strong>Prof. Dr. MANUELA CAMELIA SAVA<\/strong><\/p>\n<p><strong>O carte de vizit\u0103 cu imagini poetice<\/strong><\/p>\n<p>Scriitoarea Valeria Manta T\u0103icu\u021bu,<br \/>\nmembr\u0103 a USR, nu mai are nevoie de<br \/>\nnicio prezentare, cartea de vizit\u0103 a<br \/>\ndomniei sale const\u0103 \u00een volumele de proz\u0103,<br \/>\ncritic\u0103 sau poezie, \u00een activitatea literar\u0103 \u0219i<br \/>\ncultural\u0103, domnia sa fiind recunoscut\u0103 la nivel<br \/>\nna\u021bional prin premiile numeroase primite \u00een<br \/>\nultimii ani ca recompens\u0103 a talentului, a<br \/>\nmuncii, a perseveren\u021bei unui spirit plurivalent.<br \/>\nProza scurt\u0103 sau romanele, cronicile literare,<br \/>\nvolumele de poezii, eseurile, panseurile stau<br \/>\nm\u0103rturie a contur\u0103rii unei personalit\u0103\u021bi literare<br \/>\nde mare valoare, r\u0103s\u0103rit\u0103 \u00een arealul de sud-est<br \/>\nal literaturii rom\u00e2ne. Titlurile volumelor<br \/>\npublicate sunt cele mai edificatoare \u00een acest<br \/>\nsens: Cite\u0219te, Ulise, \u0219i pl\u00e2ngi (versuri, 2005),<br \/>\nRegatul baroc (versuri, 2006), Laudate<br \/>\nDominum (sonete, 2012), Copiii plictisi\u021bi ai<br \/>\n\u00eent\u00e2mpl\u0103rii (versuri, 2013), Monolog pentru<br \/>\no var\u0103 t\u00e2rzie (proz\u0103 scurt\u0103, 2001), Slalom<br \/>\nsentimental (roman, 2001), Zece la puterea<br \/>\ninfinit (roman, 2002), Anul lui Irod (roman,<br \/>\n2003), Mamin (roman, 2010)<br \/>\nCea mai recent\u0103 apari\u021bie editorial\u0103 care \u00eei<br \/>\npoart\u0103 numele este volumul de poeme<br \/>\nv\u00e2n\u0103toare de \u00eengeri \u0219i crini, editura Editgraph,<br \/>\na v\u0103zut lumina tiparului \u00een 2015,<br \/>\naduc\u00e2nd o not\u0103 original\u0103 \u00een lirica rom\u00e2neasc\u0103<br \/>\nfeminin\u0103.<br \/>\nVoce sigur\u0103, autentic\u0103, liric\u0103, puternic\u0103, poeta<br \/>\neste interesat\u0103 de un demers ini\u021biatic: \u201ev\u00e2n\u0103toarea\u201d<br \/>\nei este una regal\u0103, \u00een care v\u00e2n\u0103torul<br \/>\neste \u0219i v\u00e2nat, pentru c\u0103 devine captiv \u00een<br \/>\npropria lume; urm\u0103rind s\u0103 surprind\u0103 \u00een cuvinte<br \/>\nsentimente, st\u0103ri, tu\u0219e de lumin\u0103, vom<br \/>\n\u00eent\u00e2lni cele dou\u0103 simboluri, prezente \u00eenc\u0103 din<br \/>\ntitlu, ca dou\u0103 puncte terminus ale efortului s\u0103u<br \/>\nartistic: \u00eengerii \u0219i crinii. Ambii termeni desemn\u00e2nd<br \/>\npuritatea, dimensiunea angelic\u0103, se<br \/>\najunge la o c\u0103utare perpetu\u0103 a perfec\u021biunii &#8211;<br \/>\nfie ea spiritual\u0103 (\u00eengerul), fie vegetal\u0103, nobiliar\u0103<br \/>\n(crinul). Acestea vor intra \u00eentr-o puternic\u0103<br \/>\ndistonan\u021b\u0103 cu \u00eentunericul, cu ridicolul, cu<br \/>\nmicimea fiin\u021bei de lut, fiindc\u0103 poemele sunt<br \/>\nastfel croite \u00eenc\u00e2t s\u0103 redea cele dou\u0103 lumi,<br \/>\nbazate pe antinomii: celest\/mundan, sus\/jos,<br \/>\ndivin\/uman, anostul\/str\u0103lucirea.<br \/>\nVolumul v\u00e2n\u0103toare de \u00eengeri \u0219i crini con\u021bine<br \/>\no poezie matur\u0103, a \u00een\u0103l\u021b\u0103rii. E o poezie<br \/>\nvertical\u0103, \u00een\u021beleapt\u0103 a cuv\u00e2ntului \u2013 cuv\u00e2nt ce<br \/>\nreface un drum plin de surprize: cu sentimente,<br \/>\nresentimente, speran\u021be \u0219i dec\u0103dere, cu clipe<br \/>\n\u00een\u0103l\u021b\u0103toare sau cu secven\u021be \u00eentunecate.<br \/>\nIdentificarea sinelui cu poezia, cu lumina \u0219i<br \/>\nbezna, fiin\u021ba e \u00eensetat\u0103 de frumos, caut\u0103 s\u0103-\u0219i<br \/>\ndep\u0103\u0219easc\u0103 timpul prin aripile pe care i le<br \/>\nofer\u0103 versul, tr\u0103g\u00e2nd sufletul spre mai sus,<br \/>\nspre senin.<br \/>\nPoemul ini\u021bial invit\u0103 cititorii \u2013 stabilind o<br \/>\nleg\u0103tur\u0103 str\u00e2ns\u0103 \u00eentre ace\u0219tia \u0219i poet \u2013 la o<br \/>\nlectur\u0103 serioas\u0103, repetat\u0103: \u201ehai s\u0103 citim poezii<br \/>\nscrise pe \u0219erve\u021bele\u2026\u201d, chiar dac\u0103 totul trece<br \/>\nprea repede \u0219i \u201etimpul adoarme totu\u0219i cu<br \/>\npistolul la t\u00e2mpl\u0103\u201d (lectur\u0103 \u00een doi).<br \/>\nSimbolul central al volumului este \u00eengerul:<br \/>\n\u201enu suntem \u00eengeri, \u00eemi spui, suntem imagini\/<br \/>\nv\u00e2ndute la t\u00e2rg\u201d. Nu e vorba doar despre<br \/>\n\u00eengerii biblici \u2013 apare aici o gam\u0103 a tipurilor<br \/>\nangelice, s\u0103rind peste tipare, peste idei<br \/>\npreconcepute, c\u0103ci \u00eengerii pot fi diferi\u021bi, cum<br \/>\nar fi \u201e\u00eengeri tr\u0103d\u0103tori\u201d. Sfatul poetei tr\u0103ie\u0219te<br \/>\nun ve\u0219nic ecou: \u201ef\u0103r\u0103 patim\u0103 \u0219i fric\u0103, fii \u00eenger,<br \/>\nfii \u00eenger!\u201d. Motivul e osmoza \u00eentre om \u0219i<br \/>\n\u00eengerul s\u0103u p\u0103zitor: \u201ei-am spus \u00eengerului:<br \/>\nap\u0103r\u0103-m\u0103, nu m\u0103 l\u0103tra,\/ c\u00e2nd ies pe poart\u0103 cu<br \/>\nm\u0103nu\u0219i de piele \u0219i cheia \u00een buzunar,\/ nu-mi<br \/>\nmirosi cizmele, nu fi c\u00e2ine,\/ fii \u00eenger p\u0103zitor,<br \/>\n\u00eenva\u021b\u0103-m\u0103 cum s\u0103 fiu invizibil\u0103\u201d (fii \u00eenger).<br \/>\nIpostaza primordial\u0103 a poetei este cea de<br \/>\nv\u00e2n\u0103tor, fiindc\u0103 prada preferat\u0103 e cartea:<br \/>\n\u201ecartea f\u0103r\u0103 cuvinte murea \u00een pocnetul<br \/>\npu\u0219tilor de v\u00e2n\u0103toare,\/ prada noastr\u0103 de zile \u0219i<br \/>\nnop\u021bi se schimba \u00een nimic\u201d. Poe\u021bii sunt acei<br \/>\nv\u00e2n\u0103tori ai absolutului: \u201e\u2026noi, v\u00e2n\u0103torii,<br \/>\ntr\u0103iam doar \u00een mun\u021bii celorlal\u021bi,\/ \u00eempu\u0219c\u00e2nd<br \/>\nsecundele, cu luna \u00een ochi\u201d.<br \/>\nLudicul se \u00eemplete\u0219te cu ironia: \u201edrumul spre<br \/>\n\u0219coal\u0103 nu este niciodat\u0103 acela\u0219i,\/ uneori trece<br \/>\nprin inima de iasomie\/ a vreunei gr\u0103dini<br \/>\np\u0103r\u0103site(\u2026)\/ poate c\u0103 e zi, poate c\u0103 e joc\u2026 &#8211;<br \/>\nei, \u0219i?\u201d(drum).<br \/>\nSe remarc\u0103 multitudinea de motive ca ni\u0219te<br \/>\ntopoi ale unui suflet expansiv, care poate<br \/>\ncuprinde totul, cu acribie, cu sete de cuv\u00e2nt:<br \/>\nnoaptea, clopotul, rug\u0103ciunea, cea\u021ba, triste\u021bea,<br \/>\npiatra, somnul, zborul, c\u00e2ntecul, ploaia, toamna.<br \/>\nMoartea \u0219i trecerea timpului sunt u\u0219or de<br \/>\nrecunoscut ca doi poli ai aceluia\u0219i c\u00e2ntec.<br \/>\nApar culori predestinate universului poetic<br \/>\npolifonic, armonic: alb, albastru, verde. Florile<br \/>\npopuleaz\u0103, din c\u00e2nd \u00een c\u00e2nd, liniile curg\u0103toare<br \/>\nale poemelor: m\u0103ce\u0219ii s\u0103lbatici, crizantemele,<br \/>\nclopo\u021beii alba\u0219tri \u0219i, bine\u00een\u021beles, crinii.<br \/>\nCondi\u021bia uman\u0103, tulbur\u0103toare, este definit\u0103<br \/>\nmetaforic, amintind de expresia poe\u021bilor<br \/>\n\u0219aizeci\u0219ti: \u201eiube\u0219te-m\u0103 \u0219ase zile, na\u0219te-m\u0103 \u00een<br \/>\nziua a \u0219aptea,\/ f\u0103-m\u0103 p\u0103m\u00e2nt \u0219i lumin\u0103,<br \/>\ndesparte-m\u0103 de ape\u201d(vedere prin sticl\u0103).<br \/>\nCosmogonie sau poem de dragoste? \u0218i una, \u0219i<br \/>\nalta. Inspira\u021bia poetic\u0103 nu e deloc un loc<br \/>\ncomun, inevitabil, ea pare s\u0103 urmeze fiin\u021ba<br \/>\n\u00eendeaproape, oriunde \u0219i oric\u00e2nd: \u201ela intersec\u021bie,<br \/>\ns-a oprit un g\u00e2nd, ca s\u0103 dea\/ prioritate altui<br \/>\ng\u00e2nd\u201d(a\u0219tept\u00e2nd un poem).<br \/>\nAtrag aten\u021bia poeme cu o u\u0219oar\u0103 tent\u0103 social-moralizatoare<br \/>\nca: perspectiv\u0103 didactic\u0103, grea\u021ba<br \/>\ncea de toate zilele, citadin\u0103, botezuri mov,<br \/>\nfabul\u0103, act de c\u0103in\u021b\u0103. Sunt inserate, de asemenea<br \/>\n\u0219i dou\u0103 sonete, cu o construc\u021bie ideatic\u0103<br \/>\natr\u0103g\u0103toare.<br \/>\nSimetriile, muzicalitatea, farmecul curgerii<br \/>\npoemelor spre un tot armonios sunt calit\u0103\u021bile<br \/>\nunui volum de poezie bun\u0103, ce tinde spre<br \/>\nperfec\u021biunea ideii, spre idealizarea conceptual\u0103<br \/>\na metaforei, spre a fi, a deveni.<br \/>\nIntuitiv\u0103 \u0219i confesiv\u0103, vaporoas\u0103 ca expresie,<br \/>\ndar neiert\u0103toare, constant\u0103 \u00een ironie \u0219i<br \/>\nautoironie, Valeria Manta T\u0103icu\u021bu completeaz\u0103<br \/>\npanoplia c\u0103r\u021bii sale de vizit\u0103 cu imagini<br \/>\nlirice inedite, de mare valoare.<\/p>\n<p><strong><br \/>\nDANIELA \u0218ONTIC\u0102<\/strong><\/p>\n<p><strong>Credinciosule Sancho<\/strong><\/p>\n<p>Orice Dulcinee<br \/>\nar da un \u0219ut \u00een fund m\u00e2r\u021boagei,<br \/>\nar lua condeiul \u0219i i-ar scrie<br \/>\ncredinciosului Sancho,<br \/>\nspre clarificare.<br \/>\nAy, ce mult l-am iubit pe Don Alonso,<br \/>\nl-am cioplit \u00een aur \u0219i fulgere,<br \/>\ni-am pus pe cap cunun\u0103 de pietre scumpe<br \/>\n\u0219i i-am pus \u00een dreapta sabie de argint,<br \/>\nl-am trimis \u00een v\u00e2ltoarea b\u0103t\u0103liilor<br \/>\nca s\u0103-l pot adora de departe,<br \/>\ns\u0103-l v\u0103d neclar \u0219i uria\u0219 \u00een rugul de\u0219ertului,<br \/>\nera cel mai frumos dintre to\u021bi, \u00ee\u021bi jur,<br \/>\nmun\u021bi de h\u00e2rtie am cheltuit<br \/>\nscriindu-i despre o mare iubire,<br \/>\nr\u00e2uri s-au v\u0103rsat cu totul \u00een mare,<br \/>\noceane s-au urcat la cer,<br \/>\ns-au schimbat regi \u0219i palate,<br \/>\nlumea p\u0103rea la picioarele b\u0103rbatului f\u0103r\u0103<br \/>\nseam\u0103n.<br \/>\nIar eu,<br \/>\ndesigur,<br \/>\nce mult<br \/>\nl-am iubit<br \/>\npe Don Alonso,<br \/>\nce mult!<br \/>\nAdev\u0103rata Dulcinee ar da un \u0219ut \u00een fund<br \/>\nm\u00e2r\u021boagei lui ponosite \u0219i \u021bi-ar scrie<br \/>\nc\u0103 a\u0219a se face, credinciosule Sancho,<br \/>\nc\u0103 mi-am trimis inima pe \u0219esuri cu gazon<br \/>\ndirect spre morile de v\u00e2nt<br \/>\ndar acolo, ce folos? &#8211; mestec\u0103 \u00eentruna<br \/>\nnesf\u00e2r\u0219ite deliruri despre<br \/>\nDon Miguel, de parc\u0103 pe el l-a\u0219 fi iubit,<br \/>\nde parc\u0103 a\u0219 fi \u00eembr\u0103cat degeaba rochiile de<br \/>\nmuselin\u0103<br \/>\nc\u00e2nd binevoia s\u0103 ne fac\u0103 o vizit\u0103<br \/>\ncavalerul nici unei triste\u021bi.<\/p>\n<p><strong><br \/>\nVALENTIN TUFAN<\/strong><\/p>\n<p><strong>Fericirea<\/strong><\/p>\n<p>B\u0103tr\u00e2nul<br \/>\ncu m\u00e2inile vl\u0103guite de vreme<br \/>\nconstruie\u0219te cu b\u0103gare de seam\u0103<br \/>\nsensul unic al vie\u021bii &#8211;<br \/>\ncu \u00eendem\u00e2nare \u0219i \u00een\u021belepciune<br \/>\n\u00ee\u0219i a\u0219az\u0103 palmele din care cre\u0219te<br \/>\n\u00eensufle\u021birea, ca cea dint\u00e2i b\u0103taie din univers<\/p>\n<p>Iernile cad peste noi<br \/>\nca o lupt\u0103 inegal\u0103 cu timpul,<br \/>\ndin turnul cu ceas,<br \/>\nurmele secundelor viscolesc \u00een suflet<br \/>\nca o hologram\u0103 din iernile sugrumate<br \/>\nale r\u0103bd\u0103rii<\/p>\n<p>\u00centotdeauna b\u0103tr\u00e2nul a \u0219tiut s\u0103 le arate<br \/>\ncopiilor, tehnica &#8211;<br \/>\nle-a pus h\u00e2rtia \u00een m\u00e2n\u0103 s\u0103 se priveasc\u0103 \u00een<br \/>\nsuflet<br \/>\n\u0219i s\u0103-\u0219i \u00eemp\u0103tureasc\u0103 revel\u0103rile<\/p>\n<p>Odat\u0103 ce sufletul s-a a\u0219ternut pe foaie,<br \/>\na aspirat tot universul<br \/>\nca un iris ce prive\u0219te \u00een el \u00eensu\u0219i<\/p>\n<p>Totul e relativ,<br \/>\ncum s-a \u0219i demonstrat,<br \/>\nfe\u021bele \u00ee\u0219i schimb\u0103 expresia<br \/>\nca un cub Rubick \u00een m\u00e2n\u0103 destinului<\/p>\n<p>B\u0103tr\u00e2nul japonez<br \/>\nd\u0103dea sens vie\u021bii,<br \/>\na\u0219a le invoca \u0219i copiilor<br \/>\nc\u00e2nd f\u0103ceau origami \u2013<br \/>\n\u00ee\u0219i \u00eemp\u0103tureau r\u0103bd\u0103rile<br \/>\n\u0219i timpul r\u0103m\u00e2nea schimonosit<br \/>\n\u0219i relativ<\/p>\n<p>C\u00e2nd terminau<br \/>\nadmirau leb\u0103da \u00een care si-au \u00eemp\u0103turit<br \/>\nsecunda \u2013<br \/>\ndin penajul tehnicizat al ei cre\u0219tea universul<br \/>\n\u0219i toate derivatele lui&#8230;<\/p>\n<p>Fericirea brut\u0103 e acea h\u00e2rtie alb\u0103<br \/>\npe care-\u021bi a\u0219terni fr\u0103m\u00e2nt\u0103rile,<br \/>\ne bonsaiul ce rode\u0219te din zidul pl\u00e2ngerii,<br \/>\nat\u00e2t de simpl\u0103 \u0219i totu\u0219i at\u00e2t de complex\u0103,<\/p>\n<p>o \u00eembr\u0103\u021bi\u0219are a trecutului cristalizat\u0103-n<br \/>\nprezent,<br \/>\nori un simplu z\u00e2mbet pe o h\u00e2rtie milimetric\u0103,<br \/>\nFericirea e<br \/>\nun cocon rodit dintr-un mugur de sc\u00e2nteie<br \/>\npe care \u00eel \u00eenal\u021b\u0103 b\u0103tr\u00e2nul la ceruri drept<br \/>\nlampion \u2013<br \/>\n\u00eenchin\u0103ciune spre cer.<\/p>\n<p><strong><br \/>\nApus electric<\/strong><\/p>\n<p>Un abur molatic peste soborul de patimi<br \/>\ncuib\u0103rite \u00een apus,<br \/>\no searb\u0103d\u0103 re\u00eentoarcere \u00een trecut \u00ee\u021bi las\u0103 gura<br \/>\npung\u0103 \u2013<br \/>\n\u00ee\u021bi activeaz\u0103 sim\u021burile un dor electric pe care \u00eel<br \/>\nasimilezi<br \/>\nca pe o doin\u0103 ce-\u021bi r\u0103sun\u0103 din miezul<br \/>\nsufletului.<br \/>\nPe l\u00e2ng\u0103 st\u00e2lpii de telegraf<br \/>\nse zbat himerele cuvintelor topite p\u00e2n\u0103 \u00een<br \/>\nmiezul \u00een\u021belesului,<br \/>\n\u0219oaptele s\u0103rut\u0103 buzele umbrelor<br \/>\nca refractarea dintre dou\u0103 respira\u021bii ce-\u021bi<br \/>\nescaladeaz\u0103 sim\u021burile \u2013<br \/>\ne acel moment de climax absolut<br \/>\nc\u00e2nd apusul sur\u00e2de electric prin doi ochi<br \/>\nce pier odat\u0103 cu ultima raz\u0103 de soare,<br \/>\nacel moment c\u00e2nd norii \u00ee\u021bi cad la picioare \u0219i te<br \/>\ndezmiard\u0103 seninul<br \/>\nrezultat din \u00eempreunarea m\u00e2inilor noastre.<\/p>\n<p><strong><br \/>\nRena\u0219tere<\/strong><\/p>\n<p>Simt cum \u00eemi curg secundele prin vene<br \/>\nca un dopaj cu ner\u0103bdare,<br \/>\nm-am plictisit de umbra mea<br \/>\n\u0219i o dau pierdut\u0103 voit \u00een ziarul de Duminic\u0103.<\/p>\n<p>\u00cen col\u021bul camerei conul de umbr\u0103 doarme,<br \/>\na\u0219tept\u00e2nd efectul meu de fluture,<br \/>\n\u00eemi strivesc precum un huligan \u00een picioare<br \/>\ntrecutul<br \/>\nmeu asudat \u00een umbre \u0219i \u00eel mestec exact ca pe<br \/>\ngumele Turbo din copil\u0103rie.<\/p>\n<p>Un fir de lumin\u0103 \u00eemi sap\u0103 \u00een suflet \u0219i-mi<br \/>\ndirijeaz\u0103 pa\u0219ii<br \/>\nca un Icar \u00een drumul spre soare &#8211;<br \/>\nm-am descotorosit de aripile de cear\u0103,<br \/>\nam p\u0103strat z\u00e2mbetul \u0219i speran\u021ba,<br \/>\na\u0219a c\u0103 de azi am senza\u021bia c\u0103 \u00eemi cresc aripi,<br \/>\ne o senza\u021bie ciudat\u0103, ca a unui copil c\u0103ruia \u00eei<br \/>\ncresc din\u021bii de lapte&#8230;<\/p>\n<p><strong><br \/>\nANA MARIA G\u00ceBU<\/strong><\/p>\n<p><strong>testament<\/strong><\/p>\n<p>dac\u0103 te \u00eentrebi ce ne-a mai r\u0103mas<br \/>\nprive\u0219te peisajul care ne \u00eenconjoar\u0103<br \/>\nuite<br \/>\n\u00een st\u00e2nga vezi cicatricile<br \/>\n(\u00eenc\u0103 mai ard uneori<br \/>\nmai des dor<br \/>\nse simt furnic\u0103turi sub ele<br \/>\nca \u0219i cum gloan\u021bele<br \/>\nunui r\u0103zboi interior se lovesc de cer)<\/p>\n<p>\u00een partea binelui<br \/>\nse ascunde un morman de r\u0103spunsuri<br \/>\nf\u0103r\u0103 \u00eentreb\u0103ri<br \/>\nnu te sfii s\u0103 iei c\u00e2te ai nevoie<br \/>\nnimeni nu le revendic\u0103 de ani buni<\/p>\n<p>te a\u0219tep\u021bi s\u0103 vezi<br \/>\ncerul \u0219i p\u0103m\u00e2ntul<br \/>\ndar nununu<br \/>\nsus avem tavanul de c\u0103r\u021bi<br \/>\npe care ar fi trebuit s\u0103 le cite\u0219ti<br \/>\nca s\u0103 m\u0103 \u00een\u021belegi<\/p>\n<p>jos ard mocnit toate scrisorile<br \/>\npe care nu ai \u00eendr\u0103znit s\u0103 le scrii<br \/>\nseara po\u021bi auzi pianul c\u00e2nt\u00e2nd singur<br \/>\nfurtuna \u00eenaint\u00e2nd spre noi<br \/>\nne-a mai r\u0103mas o toamn\u0103<br \/>\n\u0219i o zi<br \/>\napoi t\u0103cere<\/p>\n<p><strong><br \/>\nLUMINI\u021aA AMARIE<\/strong><\/p>\n<p><strong>tope\u0219te anotimpul z\u0103rile \u0219i eu r\u0103m\u00e2n<\/strong><\/p>\n<p>treze\u0219te-te dragostea mea treze\u0219te carnea din<br \/>\nsomnul ei ad\u00e2nc<br \/>\n\u00eemi spune moartea nenorocit\u0103 de to\u021bi sfin\u021bii<br \/>\nmei<br \/>\npentru c\u0103 am mor\u021bi dar dintre to\u021bi mor\u021bii<br \/>\nal meu e cel mai frumos cel mai de ne\u00eenvins<br \/>\ntreze\u0219te-te bea cafeaua<br \/>\nrutina s\u0103 par\u0103 un gest des\u0103v\u00e2r\u0219it<br \/>\naproape perfect<\/p>\n<p>am spus c\u0103 nu voi mai pierde timpul<br \/>\nc\u0103 nu voi mai \u00eennopta pe str\u0103zile acestui ora\u0219<br \/>\nplin de viermi \u0219i frunze<br \/>\nce n-au ajuns s\u0103 fie fluturi<br \/>\nn-au luminat nicio triste\u021be<br \/>\ncum eu n-am ajuns b\u0103tr\u00e2na ce se pl\u00e2nge \u00een<br \/>\ninima mea<\/p>\n<p>duc un drum plictisitor<br \/>\ncontinui s\u0103 m\u0103 lupt cu r\u0103scruci imaginare<br \/>\nfir-ar<br \/>\nde-ar veni o durere un sf\u00e2r\u0219it<br \/>\nceva cutremur\u0103tor<br \/>\nde m-ar scoate cineva din m\u00e2lul acesta<br \/>\ndin colivia aceasta aurit\u0103<br \/>\ncu aer cur\u0103\u021bat de m\u00e2ini uciga\u0219e<\/p>\n<p>poate m-a\u0219 trezi<\/p>\n<p>lipsa ta<br \/>\nvia\u021b\u0103<br \/>\ndin inima mea<br \/>\ne o \u00eenmorm\u00e2ntare ratat\u0103.<\/p>\n<p><strong><br \/>\nstare<\/strong><\/p>\n<p>s\u0103 vin\u0103 cineva s\u0103 zdrobeasc\u0103 zidurile din<br \/>\ncapul meu<br \/>\nsticla ce sparge ecoul lini\u0219tii<br \/>\ns\u0103 vin\u0103 cineva s\u0103 \u00eengrijeasc\u0103 \u00eengerul acesta<br \/>\ns\u0103-l ia s\u0103-l m\u00e2ng\u00e2ie s\u0103-l ucid\u0103 s\u0103-l iubeasc\u0103<br \/>\norice numai s\u0103 nu mai fiu cuprins\u0103 de fric\u0103<br \/>\norice numai s\u0103 m\u0103 ocoleasc\u0103 spaima<br \/>\ns\u0103 dau de aerul crud s\u0103 nu mai tremur<br \/>\ns\u0103 nu-mi mai fug\u0103 m\u00e2inile<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prof. Dr. MANUELA CAMELIA SAVA O carte de vizit\u0103 cu imagini poetice Scriitoarea Valeria Manta T\u0103icu\u021bu, membr\u0103 a USR, nu<\/p>\n","protected":false},"author":17,"featured_media":14054,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13801"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13801"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13801\/revisions"}],"predecessor-version":[{"id":14049,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13801\/revisions\/14049"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/14054"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}