{"id":13761,"date":"2021-02-26T15:02:12","date_gmt":"2021-02-26T12:02:12","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=13761"},"modified":"2021-02-26T15:02:12","modified_gmt":"2021-02-26T12:02:12","slug":"spatii-culturale-nr-74-12","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=13761","title":{"rendered":"Spa\u021bii culturale nr. 74 (12)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><\/p>\n<p><strong>RAFTUL CU C\u0102R\u021aI<\/strong><\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-4-e1614256191883.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13751 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-4-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13751\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-4-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Lucian M\u0103n\u0103ilescu<\/strong>, <em>\u201eAcroba\u021bii la zidul mor\u021bii\u201d, Editura Editgraph, Buz\u0103u, 2020<\/em>, 114 p. Despre acest ultim volum al regretatului poet Lucian M\u0103n\u0103ilescu (\u00eenaintat la editur\u0103\/ tipografie de autor, dar ap\u0103rut postum), \u00een prefa\u021ba <em>\u201eLucian M\u0103n\u0103ilescu, printre semne de cultur\u0103\u201d<\/em>, Marius Manta apreciaz\u0103: <em>Spuneam cu un alt prilej, \u00een cadrul unei prezent\u0103ri destinate Revistei \u201eAteneu\u201d, c\u0103 Lucian M\u0103n\u0103ilescu are \u0219tiin\u021ba de a recrea partituri \u00een cheie nostalgic\u0103; un rol de vizionar, acesta are darul de a aduce \u00eentr-acela\u0219i loc trecutul \u0219i viitorul, ca interfe\u021be ce dijmuiesc prezentul pe care el, creatorul, \u00eel vrea m\u0103rturisit&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-5-e1614340458883.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13763 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-5-220x300.jpg\" alt=\"\" width=\"220\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 220px; --smush-placeholder-aspect-ratio: 220\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13763\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-5-220x300.jpg\" alt=\"\" width=\"220\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Viorel Savin<\/strong>, <em>\u201eDe-ale revolu\u021biei \u2013 teatru\u201d, Editura Ateneul scriitorilor, Bac\u0103u, 2020<\/em>, 319 p. Constantin Ciopraga remarca: <em>&#8230;Descop\u0103r un autor dramatic remarcabil, cu antene fine \u00een contemporaneitate. Viorel Savin e, \u00een acela\u0219i timp, un observator, un moralist \u0219i un glosator cu sur\u00e2s amar. Cartea de fa\u021b\u0103 cuprinde piesele: \u201eFunia sau Com\u00e9dia supunerii\u201d \u2013 un alt rezumat al secolului XX scris cu mare triste\u021be de Viorel Savin (Jucat\u0103 la Teatrul Na\u021bional \u201eVasile Alecsandri\u201d \u2013 Ia\u0219i, stagiunile 2001-2003), \u201eGre\u0219eala\u201d (Diploma Ministerului Culturii, Concursul Na\u021bional de Dramaturgie \u201eCamil Petrescu\u201d, 1995; Difuzat\u0103 de Teatrul Na\u021bional al Radiodifuziunii Rom\u00e2ne, 1999), \u201e\u00cenchisoarea de sunete \u2013 Clopotul\u201d \u0219i \u201eBustul \u2013 Politic\u0103 \u0219i mahala\u201d Premiul \u201eI.L. Caragiale\u201d al Uniunii Scriitorilor din Rom\u00e2nia \u2013 Colocviile Na\u021bionale de Dramaturgie -, 2003).<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-5-e1614340480794.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13764 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-5-187x300.jpg\" alt=\"\" width=\"187\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 187px; --smush-placeholder-aspect-ratio: 187\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13764\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-5-187x300.jpg\" alt=\"\" width=\"187\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marcel Mure\u0219eanu<\/strong>, <em>\u201eMonede \u0219i monade\u201d \u2013 antologie 2001-2019, Editura Avalon, Cluj-Napoca, 2019<\/em>, 785 p. \u00cen Prefa\u021b\u0103, Petru Poant\u0103 precizeaz\u0103: <em>Cartea lui Marcel Mure\u0219eanu, Monede \u0219i monade, este o provocare. \u00cen manier\u0103 neo-avangardist\u0103, autorul insoliteaz\u0103 un cod tradi\u021bional, cu referin\u021b\u0103 precis\u0103 la unul dintre cele mai rezistente \u0219i mai conservatoare, cel al retoricii. Iat\u0103 proiectul \u00een expresia sa radical\u0103: \u201e\u00cen premier\u0103 absolut\u0103, propun oximoronul, ca specie literar\u0103\u201d. Pe scurt, asta ar \u00eensemna transformarea unei figuri de stil \u00eentr-o specie literar\u0103&#8230; (&#8230;) Universul este o \u021bes\u0103tur\u0103 de monade aflate \u00eentr-o continu\u0103 semioz\u0103: iat\u0103 semnifica\u021bia de ad\u00e2ncime a volumului.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-3-e1614340501963.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13765 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-3-300x277.jpg\" alt=\"\" width=\"300\" height=\"277\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/277;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13765\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-3-300x277.jpg\" alt=\"\" width=\"300\" height=\"277\" \/><\/noscript><\/a><br \/>\n<strong>Doina Cernica<\/strong>, <em>\u201eH\u00e4nsel \u0219i Gretel \u00een P\u0103durea Luminoas\u0103\u201d, Editura Mu\u0219atinii, Suceava, 2020<\/em>, 103 p. Angela Martin apreciaz\u0103: <em>Sunt c\u00e2t se poate de incitante aceste povestiri de c\u0103l\u0103torie ale Doinei Cernica, nu mai la\u0219i cartea din m\u00e2n\u0103 odat\u0103 ce ai \u00eenceput s\u0103 le cite\u0219ti. Sunt scrise cu un puternic suflu emo\u021bional, energiile lui sclipitoare \u00eempung\u00e2nd deseori h\u00e2rtia cam cum \u00eempung cioburile de sticl\u0103 mozaicurile lui Antoni Gaudi.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-3-e1614340522531.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13766 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-3-180x300.jpg\" alt=\"\" width=\"180\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 180px; --smush-placeholder-aspect-ratio: 180\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13766\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-3-180x300.jpg\" alt=\"\" width=\"180\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florentin Popescu<\/strong>, <em>\u201eUnsprezece povestiri \u0219i o fic\u021biune\u201d, Rawex Coms, Bucure\u0219ti, 2020<\/em>, 175 p. Ion Dodu B\u0103lan constata, \u00een anul 2017: <em>Proza lui Florentin Popescu este fluent\u0103, scris\u0103 \u00eentr-un stil simplu, atractiv, cuceritor (&#8230;) Prin toat\u0103 opera sa Florentin Popescu ni se \u00eenf\u0103\u021bi\u0219eaz\u0103 ca un intelectual adev\u0103rat, cu forma\u021bie plurivalent\u0103, prozator talentat, poet inspirat, sociolog, etnopsiholog, critic literar \u0219i de prestigiu, jurnalist curajos, implicat plenar, cu decen\u021b\u0103, deloc g\u0103l\u0103gios, \u00een via\u021ba cultural\u0103 a societ\u0103\u021bii noastre.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-3-e1614340542349.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13767 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-3-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13767\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-3-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Gheorghe Andrei Neagu<\/strong>, <em>\u201eTriste\u021bea lui Dumnezeu\u201d \u2013 Antologie de proz\u0103 scurt\u0103, Editura UZP, Bucure\u0219ti, 2019<\/em>, 279 p. Pe coperta a patra a c\u0103r\u021bii, Lucian Strochi men\u021bioneaz\u0103: <em>Un autor mai mult dec\u00e2t talentat, histrionic, \u0219otios, pendul\u00e2nd \u00eentre un naturalism bine temperat \u0219i un fantastic cu origini livre\u0219ti, dar cu deschideri fertile, insolite \u0219i insolente \u00een imaginar este Gheorghe Andrei Neagu, revendicat, ca orice autor ce se respect\u0103, de mai multe zone culturale \u0219i revendic\u00e2ndu-\u0219i la r\u00e2ndu-i, \u00eeng\u00e2ndurat ca o leb\u0103d\u0103 \u0219i intransigent ca un condotier, teritorii doar ale sale, pe care, odat\u0103 botezate, le restituie cu generozitate semenilor.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21-1-e1614340562294.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13768 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13768\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Paul Blaj<\/strong>, <em>\u201eOpera Poetic\u0103\u201d, Editura Napoca Star, Cluj-Napoca, 2020<\/em>, 672 p. Astfel \u00eencepe Dinu Virgil prefa\u021ba, <em>\u201eN\u0103scut pentru Poezie\u201d<\/em>, la aceast\u0103 antologie: <em>Paul Blaj s-a n\u0103scut pentru Poezie. E singur(ul), e trist(ul), e menestrel(ul) lui Dumnezeu. \u00cens\u0103 g\u0103se\u0219te, prin for\u021ba liric\u0103 a verbului s\u0103u, evadarea din lume \u00een frumos \u0219i iubire. Ochiul lui sap\u0103 \u0219i p\u0103trunde realitatea, este ca o umbr\u0103 plutind peste flashuri de secunde, nu scap\u0103 nici zborul, nici mirosul, nici c\u00e2ntecul inimii lumii, ascuns, ca un demiurg protector, savur\u00e2nd \u00een\u021belesurile&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22-1-e1614340584630.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13769 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22-1-218x300.jpg\" alt=\"\" width=\"218\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 218px; --smush-placeholder-aspect-ratio: 218\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13769\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22-1-218x300.jpg\" alt=\"\" width=\"218\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Passionaria Stoicescu<\/strong>, <em>\u201ePlusfiin\u021ba\u201d &#8211; versuri, eLiteratura, Bucure\u0219ti, 2019<\/em>, 133 p. \u00cen partea final\u0103 a c\u0103r\u021bii sunt redate, selectiv, repere critice semnate de Ion Caraion (<em>Passionaria Stoicescu e o poet\u0103 evident cutez\u0103toare&#8230;<\/em>), Ion B\u0103nu\u021b\u0103, Lauren\u021biu Ulici, Emil Manu, Ileana Cioc\u00e2rlie, Radu C\u00e2rneci, Alex. \u0218tef\u0103nescu (<em>Passionaria Stoicescu are o mare dexteritate a scrisului \u2013 seam\u0103n\u0103 cu un pianist care se joac\u0103 plimb\u00e2ndu-\u0219i degetele pe clape.<\/em>), Ioan Holban, Ion Arie\u0219anu, Gheorghe Istrate, Mariana Ionescu, Florentin Popescu, Dumitru Ion Dinc\u0103, Dionisie Duma, Mihai Antonescu, Titi Damian, Zaira Samharadze, Radu Voinescu, Victoria Milescu, Marin Ifrim, Antonia Bodea, Aureliu Goci, Mugura\u0219 Maria Petrescu, Paul Androne.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23-1-e1614340605601.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13770 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23-1-190x300.jpg\" alt=\"\" width=\"190\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 190px; --smush-placeholder-aspect-ratio: 190\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13770\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23-1-190x300.jpg\" alt=\"\" width=\"190\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Camelia Iuliana Radu<\/strong>, <em>\u201eToluen\u201d, Editura Creator, Bra\u0219ov, 2020<\/em>, 121 p. Angela Nache Mamier se dest\u0103inuie: <em>Am citit \u201eToluen\u201d; carte puternic\u0103; la fel ca \u00een Strig\u0103tul lui Munch. Camelia Iuliana Radu traverseaz\u0103 o tragedie imens\u0103. Voce curajoas\u0103, eroic\u0103, inedit\u0103: motto ironic, metafore acute; timbru ecologic; civic; cazuri concrete, portrete tragice, ora\u0219 transfigurat \u00een arena unei imense tragedii recitat\u0103 de o Casandr\u0103 vizionar\u0103, muribund\u0103, asfixiat\u0103, care denun\u021b\u0103 dezumanizarea generalizat\u0103, dragostea cu miros de benzen. Fiin\u021bele sunt de\u0219euri; \u00een acela\u0219i timp, portretele p\u0103rin\u021bilor sunt deosebite. Toluen letal!&#8230; Las\u0103 pe g\u00e2nduri&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24-1-e1614340630217.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13771 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24-1-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 201px; --smush-placeholder-aspect-ratio: 201\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13771\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24-1-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Teodor Dume<\/strong>, <em>\u201eDumnezeu t\u0103cut ca o lacrim\u0103\u201d, Editura PIM, Ia\u0219i, 2020<\/em>, 150 p. Fragmente din referin\u021bele critice \u00eencheie acest volum. Ele sunt date de Gheorghe Grigurcu (<em>&#8230; Te socotesc unul dintre cei mai de bun\u0103 calitate din \u00eendeajuns de numero\u0219i tineri litera\u021bi pe care, de-a lungul anilor, am avut prilejul a-i \u00eent\u00e2lni&#8230;<\/em>), Florin Mugur, Nicolae Mare\u0219, Ana Urma, Daniel Corbu (<em>Unul dintre poe\u021bii adev\u0103ra\u021bi \u0219i profunzi din peisajul liric rom\u00e2nesc de azi este Teodor Dume&#8230;<\/em>), Cezarina Adamescu, Ionel Bota, Maria-Ana Tupan, Ionu\u021b Caragea, Angela Nache Mamier, Cristina \u0218tefan, Daniel Luca, Mioara Bahna, Mioara B\u0103lu\u021b\u0103, Veronica Pavel Lerner, Marius Chelaru, Jean-Paul Gavard-Perret, Radu C\u0103t\u0103lin Melinte, Gheorghe Apetroae, Gheorghe Pa\u0219a, C\u0103lin S\u0103m\u0103rghi\u021ban, Liviu Ioan Mure\u0219an, Viorel Horj, Sorin Cerin, Liviu Ofileanu, Atila Racz, Lucian Velea, Ion Laz\u0103r da Coza, Viorel Boldi\u0219.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25-1-e1614340677552.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13772 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13772\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihai Merticaru<\/strong>, <em>\u201eRondeluri\u201d, Editura Ateneul Scriitorilor, Bac\u0103u, 2020<\/em>, 117 p. Partea final\u0103 a volumului este constituit\u0103 din referin\u021bele critice de care s-a bucurat poetul Mihai Merticaru, redate selectiv \u0219i fragmentar. Au dat referin\u021be: Ioan Holban, Lucian Strochi, Vasile Spiridon, Petre Isachi, Ion Rotaru, Cristian Livescu, Constantin Tom\u0219a, Adrian Alui Gheorghe Emil Nicolae, Monica I. Costea, George Mihalcea, Petru\u0219 Andrei, Cornel Galben, Victor Sterom, Emilian Marcu, Victoria Milescu, Nicolae Busuioc, Marius Chelaru, Mircea Petean, Remus V. Giorgioni, Gabriel Basarabescu, Leonard Gavriliu, Emanuela Ilie, Constantin M\u0103nu\u021b\u0103, Corin Bianu, \u0218tefan Mitroi, Petre R\u0103u, Adrian Dinu Rachieru, Eugenia \u021aar\u0103lung\u0103, Domni\u021ba Neaga, Elisabeta Bog\u0103\u021ban, Geo Vasile, Diana-Dobri\u021ba B\u00eelea, Paul Aretzu, Delia Muntean.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/26-e1614340698688.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13773 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/26-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13773\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/26-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florin Ciocea<\/strong>, <em>\u201ePrive\u0219te-m\u0103 prin lentila uria\u0219\u0103 a unei lacrimi\u201d, Editura Helis, Slobozia, 2019<\/em>, 78 p. Referitor la acest volum, Daniel Marian aprecia: <em>Ipostaze inedite, desigur credibile doar sub aspectul accep\u021biunii ini\u021biatice, aceea \u00een care poetul st\u0103 la masa \u00eembel\u0219ugat\u0103 cu \u00een\u021belesuri, de unde \u00eens\u0103 alege doar sarea piperul \u0219i ardeiul iute. Un regal al conceptelor despre fiin\u021b\u0103 \u0219i justificarea \u0219i libertatea acesteia; fiind ocheanul pentru m\u0103surarea realit\u0103\u021bii, aceea care nici m\u0103car c-ar conta \u00een prezen\u021ba imagina\u021biei libere&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/27-e1614340718446.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13774 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/27-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13774\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/27-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Gheorghe Postelnicu<\/strong>, <em>\u201eT\u00e2n\u0103rul Voiculescu \u00eentre medicin\u0103 \u0219i literatur\u0103\u201d, Editura Teocora, Buz\u0103u, 2020<\/em>, 228 p. \u00cen Cuv\u00e2nt \u00eenainte, Gheorghe Postelnicu precizeaz\u0103: &#8230; \u00cen aceast\u0103 a patra lucrare despre Vasile Voiculescu continu\u0103m s\u0103 consolid\u0103m momentele veridice din via\u021b\u0103 \u0219i din oper\u0103, s\u0103 combatem cu stricte\u021be afirma\u021biile dubioase ale unor pl\u0103smuitori exalta\u021bi din anii \u030970 \u0219i s\u0103 umplem golurile, cu speran\u021ba c\u0103 al\u021bii, mai pu\u021bin roman\u021bio\u0219i, o vor face cu mai mult noroc&#8230;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/28-e1614340736281.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13775 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/28-218x300.jpg\" alt=\"\" width=\"218\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 218px; --smush-placeholder-aspect-ratio: 218\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13775\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/28-218x300.jpg\" alt=\"\" width=\"218\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Constantin Stancu<\/strong>, <em>\u201eMigran\u021bi f\u0103r\u0103 bagaje\u201d, Editura Limes, Flore\u0219ti, 2019<\/em>, 232 p. Zenovie C\u00e2rlugea aprecia:<em> Autorul surprinde nu numai aspectul de via\u021b\u0103 crud\u0103, autentic\u0103, suculent\u0103, dar, con\u0219tiin\u021b\u0103-oglind\u0103 a epocii sale, scrie \u0219i \u00eentr-o perspectiv\u0103 a indic\u0103rii\/ numirii R\u0103ului, relev\u00e2nd, dincolo de iubirea profund\u0103 \u0219i pasiunea \u00een\u0103l\u021b\u0103toare (Ana Nor, Toma Bucur, Radu Costin), o gam\u0103 variat\u0103 de sentimente, de la atitudini de c\u0103p\u0103tuial\u0103, arivism, egoism, arogan\u021b\u0103, insolen\u021b\u0103, insa\u021bietate patronal\u0103, falsitate, cinism, manipulare, imoralitate, snobism, compromis politic, meschin\u0103rii financiare, tertipuri ale parvenirii, abuzuri, la demagogia conduc\u0103torilor din diferite sectoare de activitate, c\u00e2rd\u0103\u0219ia politic\u0103 \u0219i afacerist\u0103, moravuri u\u0219oare, sclavizarea \u021big\u0103neasc\u0103&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/29-e1614340762806.jpg\" data-rel=\"lightbox-image-14\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13776 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/29-190x300.jpg\" alt=\"\" width=\"190\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 190px; --smush-placeholder-aspect-ratio: 190\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13776\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/29-190x300.jpg\" alt=\"\" width=\"190\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Stanomir Petrovici<\/strong>, <em>\u201eArcade din alb\u201d, Antologie de autor, Editura Rovimed Publishers, Bac\u0103u, 2019<\/em>, 305 p. Despre precedentele volume de poezie ale lui Stanomir Petrovici au formulat considerente critice; Ioan D\u0103nil\u0103, Daniel Nicolescu, Grigore Codrescu, Valentina Becart Bi\u0219og. Din referin\u021bele date la aceast\u0103 antologie de Theodor George Calcan cit\u0103m: <em>&#8230; Sincer vorbind, lectur\u00e2nd volumul s\u0103u de versuri, am r\u0103mas cu senza\u021bia filmic\u0103 a Omului lui Rodin ca fiind o sculptur\u0103 \u00een plin\u0103 mi\u0219care&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/30-e1614340777438.jpg\" data-rel=\"lightbox-image-15\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13777 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/30-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13777\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/30-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>\u201eFestivalul Interna\u021bional al Aforismului pentru rom\u00e2nii de pretutindeni, Edi\u021bia a IV-a, Tecuci 2020, Antologie\u201d<\/strong>, <em>Editura StudIS, Ia\u0219i, 2020<\/em>, 224 p. Desf\u0103\u0219urat\u0103 \u00een vremuri de pandemie, cea de-a IV-a edi\u021bie a Festivalului Interna\u021bional al Aforismului pentru rom\u00e2nii de pretutindeni, Tecuci 2020, sub auspiciile Funda\u021biei PELIN \u0219i ale neobositului Vasile Ghica, a avut ca palmares: Premiul I \u2013 Gina Zaharia \u0219i Gabriel Petru B\u0103e\u021ban, Premiul al II-lea \u2013 George Dr\u0103ghescu \u0219i Ioan Marta, Premiul al III-lea &#8211; Any Dr\u0103goianu, \u0219i premii speciale: Ms. Koan, Adrian R\u0103caru, Liviu Zanfirescu, Ion Cuzuioc, Elena Stan, N. Schi\u021bco. La Ancheta literar\u0103 propus\u0103 cu acest prilej (\u0219apte \u00eentreb\u0103ri) au r\u0103spuns: Petre Isachi, Dumitru Br\u0103neanu, Firi\u021b\u0103 Carp, Gina Zaharia, Traian D. Laz\u0103r, Emil Dinga, Petru\u0219 Andrei, Constantin Tudorache.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU RAFTUL CU C\u0102R\u021aI Lucian M\u0103n\u0103ilescu, \u201eAcroba\u021bii la zidul mor\u021bii\u201d, Editura Editgraph, Buz\u0103u, 2020, 114 p. Despre acest ultim<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13761"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13761"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13761\/revisions"}],"predecessor-version":[{"id":13778,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13761\/revisions\/13778"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}