{"id":13664,"date":"2021-02-20T21:50:58","date_gmt":"2021-02-20T18:50:58","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=13664"},"modified":"2021-02-20T21:50:58","modified_gmt":"2021-02-20T18:50:58","slug":"literadura-nr-3-6","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=13664","title":{"rendered":"Literadura nr. 3 (6)"},"content":{"rendered":"<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/sysmo.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/sysmo-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" class=\"alignnone size-medium wp-image-13666 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/sysmo-200x300.jpg 200w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/sysmo.jpg 293w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/sysmo-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" class=\"alignnone size-medium wp-image-13666\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/sysmo-200x300.jpg 200w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/sysmo.jpg 293w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/noscript><\/a><\/p>\n<p><strong>HEBERTO DE SYSMO<\/strong> este pseudunimul lui JOS\u00c9<br \/>\nANTONIO OLMEDO L\u00d3PEZ-AMOR (Valencia,<br \/>\n1977), scriitor, critic literar \u0219i de film, eseist, cronicar,<br \/>\nziarist, licen\u021biat \u00een audiovizuale, se dedic\u0103 programelor<br \/>\nde popularizare a \u0219tiin\u021bei.<br \/>\nMembru al mai multor re\u021bele \u0219i asocia\u021bii literare<br \/>\nspaniole sau mondiale.<br \/>\nParte din poemele sale sunt traduse \u00een englez\u0103,<br \/>\ngerman\u0103, italian\u0103, rom\u00e2n\u0103, etc.<br \/>\nAutorul c\u0103r\u021bilor: Testamentul trandafirului, Floarea<br \/>\nvie\u021bii (Elogiu geometriei sacre), Preaiubit \u0219i blestemat<br \/>\nbibelou.<br \/>\nCoautor al c\u0103r\u021bilor Lumini de antimoniu \u0219i Singur\u0103tate<br \/>\naprins\u0103 (haiku).<br \/>\nPoezia sa a fost inclus\u0103 \u00een mai multe antologii.<\/p>\n<p><strong>Apostrof\u0103ri ale eului<\/strong><\/p>\n<p>Iubim.<br \/>\nUr\u00e2m.<br \/>\nNe pare r\u0103u.<br \/>\nNe doare.<br \/>\nAstfel rana \u00ee\u0219i caut\u0103<br \/>\nspa\u021biul literar.<br \/>\nInvocarea Bestiilor,<br \/>\nInvocarea Zeilor;<br \/>\nfiecare rug\u0103 aspir\u0103<br \/>\nla rug\u0103ciunea ei l\u0103untric\u0103.<br \/>\nMetric\u0103 nefast\u0103,<br \/>\nadun\u0103 versul<br \/>\n\u2014supurarea inimii\u2014<br \/>\npentru ciupirea coardelor sonul lor ineligibil.<br \/>\nOASPETE<br \/>\nScrisul, virusul<br \/>\nse propag\u0103 \u00een cerneal\u0103;<br \/>\ngramatic \u0219i semantic,<br \/>\nermetic \u0219i gol;<br \/>\nsonul alfanumeric,<br \/>\nlichidul \u0219i cupa,<br \/>\nlumina andro-teluric\u0103.<br \/>\nCu c\u00e2t frumuse\u021bea lui<br \/>\nne p\u0103trunde \u00een via\u021b\u0103,<br \/>\ncu c\u00e2t ne st\u0103p\u00e2ne\u0219te<br \/>\n\u0219i c\u00e2t\u0103 durere ne-ar aduce&#8230;<br \/>\nniciodat\u0103 nu vom evita<br \/>\nposibila sa contagiere.<br \/>\n*<br \/>\nIzomer incalculabil<br \/>\nTraiul de cealalt\u0103 parte a poemului,<br \/>\n\u00een nestatornica \u021bar\u0103 a f\u0103g\u0103duin\u021bei<br \/>\n\u2014 acest regat utopic de legend\u0103\u2014<br \/>\npe care aed \u0219i trubadur \u00eel c\u00e2nt\u0103 \u0219i-l viseaz\u0103,<br \/>\ntrebuie s\u0103 fie at\u00e2t de greu ca traiul<br \/>\nf\u0103r\u0103 poezie.<br \/>\nTraiul \u00een reversul poemului,<br \/>\nc\u00e2ntarea usc\u0103ciunii \u0219i a decaden\u021bei,<br \/>\nprin cristal<br \/>\ncontemplarea vestirii grotescului;<br \/>\ndevalorizarea persoanei \u0219i a artei ,<br \/>\ns\u0103rb\u0103torirea pe ascuns<br \/>\na autismului Frumuse\u021bii.<br \/>\n*<br \/>\nr\u0103s\u0103rit \u00een chiparosul vr\u0103biilor<br \/>\nNoaptea trece, iubire, \u0219i eu gol,<br \/>\ncontemplu \u00een ghemul c\u0103rnii tale<br \/>\nc\u00e2t de mizerabil sunt, \u0219i frumuse\u021bea.<br \/>\nContemplu \u00een tulul minunatei coapse<br \/>\nlumina zdren\u021buit\u0103 de m\u00e2ng\u00e2iere,<br \/>\n\u00eembuc\u0103tura rafinat\u0103 de foame.<br \/>\nNoaptea trece, iubire, \u0219i eu blestem,<br \/>\nclipele r\u0103mase dintr-un timp gre\u0219it,<br \/>\nblestem extraordinarul la eternitate;<br \/>\ns\u0103 te iubesc mereu,<br \/>\n\u0219i binecuv\u00e2ntez mirajul vis\u0103rii<br \/>\ns\u0103 nu se lumineze de ziu\u0103.<br \/>\nNoaptea trece, iubire \u0219i nimeni nu \u0219tie<br \/>\nde aceast\u0103 ran\u0103 de ne\u00eenl\u0103turat ce ne une\u0219te.<\/p>\n<p><em>(traducere Elisabeta BO\u021aAN)<\/em><\/p>\n<p><strong><br \/>\nDaniel MONTOLY<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/montoly.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/montoly-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-13665 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/montoly-300x300.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/montoly-150x150.jpg 150w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/montoly.jpg 432w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/montoly-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-13665\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/montoly-300x300.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/montoly-150x150.jpg 150w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/montoly.jpg 432w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p>S-a n\u0103scut la Montecristi, Republica<br \/>\nDominican\u0103, 1968. A studiat dreptul la<br \/>\nUniversitatea Autonom\u0103 din Santo<br \/>\nDomingo (UASD). A fost finalist \u00een<br \/>\nconcursul de poezie Latin Poets for<br \/>\nHumanity \u0219i c\u00e2stig\u0103tor al celui de poezie<br \/>\norganizat de revista ,,Niedenrgasse\u201d \u0219i ,,Editor&#8217;s<br \/>\nChoice Award&#8221; al The Internacional Poets Society.<br \/>\nA publicat \u00een primul volum de colec\u021bie<br \/>\n\u201eSensibilit\u0103\u021bi\u201d (Spania, Editura Alternativa),<br \/>\nMae\u0219trii necunoscu\u021bi ai poeziei hispano-americane<br \/>\n(USA, Editura El Salvaje Refinado), Antologia<br \/>\ntinerilor poe\u021bi latino-americani (Uruguay, Editura<br \/>\nAbrace) \u0219i \u00een \u201eTinerii poe\u021bi c\u00e2nt\u0103 p\u0103cii\u201d (Sidney,<br \/>\nAustralia, Casa Latino-american\u0103). \u201eVerbul<br \/>\nne\u00eengr\u0103dit\u201d (Editura Apostrophes, Santiago de<br \/>\nChile), Antologia noii poezii hispano-americane<br \/>\n(Editura Lord Byron, Lima, Peru) \u0219i antologia<br \/>\nnord-american\u0103: A Generation Defining Itself- In<br \/>\nOur Onw Words (AMW Enterprises, North<br \/>\nCarolina).<br \/>\nParte din poemele sale au fost traduse \u00een:<br \/>\nportughez\u0103, englez\u0103, rom\u00e2n\u0103 \u0219i german\u0103.<br \/>\nColaboreaz\u0103 activ cu diverse publica\u021bii literare \u0219i<br \/>\nadministreaz\u0103 blogul \u201eEl Wrong Side\u201d, dedicat<br \/>\ndifuz\u0103rii literaturii hispano-americane.<\/p>\n<p><strong>Prevestirea eclipsei<\/strong><\/p>\n<p>S\u00e2ngele coloreaz\u0103<br \/>\nalbul penaj al cerului<br \/>\n\u0219i \u00eengropat\u0103 \u00een carne<br \/>\naurora a\u0219teapt\u0103 obosit\u0103<br \/>\nde mila loviturii<br \/>\nurmat\u0103 de strig\u0103tul n\u0103ucitor al vulcanului<br \/>\nce r\u0103spunde nelini\u0219tit<br \/>\nla ofranda preotului;<br \/>\n\u0219i o ploaie de fluturi<br \/>\nstr\u0103bate vertiginos<br \/>\nc\u00e2mpul cu verdea\u021b\u0103<br \/>\no oglind\u0103 ce oscileaz\u0103<br \/>\n\u00eentre dou\u0103 m\u0103ri.<\/p>\n<p><strong><br \/>\nP\u0103s\u0103ri fr\u00e2nte<\/strong><\/p>\n<p>Va fi deja diminea\u021b\u0103<br \/>\nchiar dac\u0103 nu vor mai r\u0103m\u00e2ne ochi<br \/>\nca s\u0103-\u0219i testifice<br \/>\noriginea oarb\u0103.<\/p>\n<p>Nu doar p\u0103s\u0103rilor fr\u00e2nte<br \/>\nle cad aripile<br \/>\nc\u00e2nd negura<br \/>\nca o secure<br \/>\nmetafizic\u0103 le \u00eenmoaie<br \/>\ncu lacrimi<br \/>\n\u0219i cu aceea\u0219i rou\u0103, care<br \/>\n\u00een loc s\u0103 le umezeasc\u0103<br \/>\nle r\u0103ne\u0219te cu sunete<br \/>\nde clopote negre<br \/>\nie\u0219ite din iad.<\/p>\n<p>Chiar dac\u0103 greierii ar c\u00e2nta<br \/>\n\u0219i ar \u00eembr\u0103ca diminea\u021ba<br \/>\nca pe o feti\u0219can\u0103 \u00een verde<br \/>\ntriste\u021bea ne r\u0103ne\u0219te<br \/>\nca o dag\u0103 de sacrificiu<br \/>\nce str\u0103punge trupul supus<br \/>\nal ultimelor nop\u021bi.<br \/>\nVa fi deja diminea\u021b\u0103 din nou<br \/>\nchiar dac\u0103 nu vor mai r\u0103m\u00e2ne ochi<br \/>\ncare s\u0103 converseze cu p\u0103s\u0103rile fr\u00e2nte<br \/>\nsub nori.<\/p>\n<p><strong><br \/>\nAlb pe negru<\/strong><\/p>\n<p>Alb pe negru<br \/>\nritualitatea matern\u0103 al\u0103pteaz\u0103<br \/>\ncu s\u00e2nii s\u0103i lumino\u0219i<br \/>\noastea cea incredul\u0103 \u0219i fl\u0103m\u00e2nd\u0103<br \/>\nde motive abandonate<br \/>\ncare a fost v\u00e2rful de lance<br \/>\nal orbirii fiin\u021bei, cea<br \/>\ncare s-a d\u0103ruit metalului<br \/>\ntransform\u00e2ndu-se \u00een el, se \u00eentoarce<br \/>\nacum la p\u00e2ntece f\u0103r\u0103<br \/>\nve\u0219m\u00e2ntul \u00eengreunat de orgoliu<br \/>\n\u0219i bea ca cel care a gustat<br \/>\npentru prima dat\u0103, lichidul<br \/>\ncelulelor sale.<\/p>\n<p><em>(traducere Elisabeta BO\u021aAN)<\/em><\/p>\n<p><strong><br \/>\nSorin C\u0102LIN<\/strong><\/p>\n<p><strong>Furnituri<\/strong><\/p>\n<p>Adap\u0103 izvorul ce trece din mine \u00een tine<br \/>\nCiteaz\u0103 din sheakespeare<br \/>\nO can\u0103 cu vin<br \/>\nPune-i nop\u021bii c\u0103lu\u0219ul la gur\u0103<br \/>\nC\u0103ma\u0219\u0103 de for\u021b\u0103 pornirii<br \/>\nMatinale, c\u00e2nd m\u00e2na<br \/>\n\u00cemi caut\u0103 prin somnul divin<br \/>\nD\u0103 fuga \u00een vis \u0219i adu-mi orele<br \/>\nR\u0103t\u0103cite, hoinare printre n\u0103luci<br \/>\nSpune cucului s\u0103 tac\u0103, murmur codrii<br \/>\nCresc r\u0103d\u0103cini de spaime lupilor<br \/>\nRup\u021bi de hait\u0103, url\u0103 ceasuri p\u00e2n\u0103-n turle<br \/>\nDe amor.<br \/>\nCa s\u0103 treze\u0219ti sfin\u021bii de la miaza zilei<br \/>\nStinge lumina soarelui,<br \/>\n\u00eenjur\u0103 birj\u0103re\u0219te cu sput\u0103<br \/>\nGrumaz ateu, \u00eencalec\u0103 corticele fiin\u021be de<br \/>\nDumnezeu.<br \/>\nImun\u0103 trezire sparge lac\u0103tul ochiului,<br \/>\nHo\u021b b\u0103tr\u00e2n cu palm\u0103 prin iarb\u0103<br \/>\nFerecat\u0103 \u00een basm<br \/>\nTe-ai mijit? Nu drag\u0103.<br \/>\n\u00cenc\u0103 dorm cu fruntea pe st\u00e2nci de sonete<br \/>\nAm licori pentru tine, ascunse sus<br \/>\nLa cucurigul fetelor mari<br \/>\nIele nebune, stropite cu lacrimi de\u0219ucheate.<br \/>\nBolnave de primul p\u0103trar, cumin\u021bi pe-nserat<br \/>\nTurbate la primul bang de ornic.<br \/>\n&#8211; Taci tu, pendul\u0103 sor\u0103<br \/>\nS\u0103 nu treze\u0219ti copilul de azi.<\/p>\n<p>***<\/p>\n<p><strong><br \/>\nDor de&#8230;<\/strong><\/p>\n<p>Vre\u021bi poezie?<br \/>\nPune\u021bi poporul sugar la s\u00e2nul mu\u0219ei<br \/>\nCu sf\u00e2rcul \u00een sus<br \/>\nS\u0103-i \u021b\u00e2\u0219neasc\u0103 lapte lui Eminescu,<br \/>\nAdemeni\u021bi-l cu-n os str\u0103bun \u0219i<br \/>\nPune\u021bi-l s\u0103 v\u0103 amu\u0219ineze g\u00e2ndurile,<br \/>\nS\u0103-i curg\u0103 experimentele lui Pavlov<br \/>\nPeste coapsele protuberan\u021belor albe,<br \/>\nCenu\u0219ile nedefinite ale min\u021bilor pierdute,<br \/>\nFruste, imuabile, vindecabile la<br \/>\nCongresul pieilor ro\u0219ii.<br \/>\nV\u0103 place poezia?<br \/>\nA\u0219a nebun\u0103, pierdut\u0103<br \/>\nPe-un cal \u0219arg, cu coama de v\u00e2nt,<br \/>\nCu ochii de plasm\u0103,<br \/>\nFugar peste c\u00e2mp, peste vremea de-asear\u0103,<br \/>\nCu g\u00e2nd de Ion, de ocar\u0103, cu plete de lut,<br \/>\nCu secer\u0103 la treierat de stele.<br \/>\nLa cules, la v\u00e2nat de pu\u0219c\u0103 \u00een capcana pupilei,<br \/>\nLa naiba cu c\u0103r\u021bi.<br \/>\nA\u021bi citit o poezie?<br \/>\nC\u00e2t pentru fiecare sete de blond p\u0103r,<br \/>\nAscuns de Mihai, b\u0103iat din flori,<br \/>\nDe viori, de nurori, de&#8230;<br \/>\nFoame de hulpe, de pe\u0219te pr\u0103jit la soare,<br \/>\n\u00centins pe burt\u0103 \u00een m\u0103laiele lui Neptun.<br \/>\nAscul\u021bi ce-\u021bi spun? Adu degrab\u0103<br \/>\nColea, l\u00e2ng\u0103 mine tritonul<br \/>\nS\u0103-mi zic\u0103 de susur, de t\u0103lic\u0103<br \/>\nMadamo ingrat\u0103.<br \/>\nMai vre\u021bi poezie?<\/p>\n<p>***<br \/>\n<strong><br \/>\nAll inclusive<\/strong><\/p>\n<p>Acum ca nic\u0103ieri, aici ca niciodat\u0103<br \/>\n\u00cen g\u0103ri de vis iubirea se serve\u0219te la pachet<br \/>\nRumen\u0103, beat\u0103,<br \/>\nPe tocuri cui \u0219i u\u0219i de lemn<br \/>\n\u00cencuscrite-n piatr\u0103.<br \/>\nDoar dou\u0103 fraze cost\u0103 s\u0103rutarea,<br \/>\nTrei fran\u021buzisme o \u00eembr\u0103\u021bi\u0219are.<br \/>\nPe gratis minciunelele din prund.<br \/>\n\u0218i-apoi s\u0103 bei la bere,<br \/>\nS\u0103rate gulere de g\u00e2nd.<br \/>\nUn vini\u0219or \u00eel dau pe dou\u0103 \u0219oapte<br \/>\nDin butoia\u0219ul t\u0103u<br \/>\nFecund \u0219i-nmiresmat de patimi.<br \/>\nSimt v\u00e2nt de prim\u0103var\u0103.<br \/>\nPlou\u0103&#8230;<br \/>\n&#8211; Frusino, te trezi\u0219i?<\/p>\n<p><strong><br \/>\nMaria ROT\u0102RESCU<\/strong><\/p>\n<p><strong>Poveste<\/strong><\/p>\n<p>Era prea var\u0103 pentru ora\u0219ul lor<br \/>\naglomerat. A\u0219a c\u0103 el, pe nepl\u0103nuite, a<br \/>\ntrecut s\u0103 o ia de la serviciu \u00eentr-o vineri<br \/>\nseara, dar \u00een loc s\u0103 se \u00eendrepte spre blocul<br \/>\n\u00eenghesuit \u00een c\u0103ldura urban\u0103, au pornit spre o<br \/>\ndestina\u021bie pe care urmau s\u0103 o descopere<br \/>\n\u00eempreun\u0103.<br \/>\nDiminea\u021ba i-a trezit cu m\u00e2ng\u00e2ieri de raze<br \/>\nbl\u00e2nde \u0219i cu susur de izvor la fereastr\u0103. Se<br \/>\naflau \u00eentr-o cas\u0103 mic\u0103 din lemn, fiind<br \/>\n\u00eenconjura\u021bi de mun\u021bi c\u00e2t vedeau cu ochii. De<br \/>\npe prispa curat\u0103, sc\u0103lda\u021bi \u00een lumina dulce a<br \/>\nsoarelui de munte, tinerii \u00eendr\u0103gosti\u021bi au<br \/>\ninspirat intens culoarea verde \u015fi-au z\u00e2mbit<br \/>\nsfios, de parc\u0103 \u00een ziua aceea s-ar fi \u00eent\u00e2lnit<br \/>\n\u00eent\u00e2ia oar\u0103. Locul acela uitat de lume, unde se<br \/>\nsim\u021beau mai aproape de cer, avea s\u0103 \u00eei<br \/>\n\u00eendemne la o privire introspectiv\u0103, pentru ca,<br \/>\nreg\u0103sindu-\u0219i sinele, s\u0103 se redescopere unul pe<br \/>\ncel\u0103lalt.<br \/>\nLa amiaz\u0103, ea a ie\u0219it aduc\u00e2nd \u00een m\u00e2ini,<br \/>\n\u00eentr-o strachin\u0103 de lemn, m\u0103m\u0103ligu\u021ba aburind.<br \/>\nEl o privea z\u00e2mbind. P\u0103rea c\u0103 \u00eei aduce soarele<br \/>\n\u00een palme. Era at\u00e2t de frumoas\u0103 \u00een rochia ei<br \/>\nalb\u0103 de p\u00e2nz\u0103, legat\u0103 cu br\u00e2u ro\u0219u-n talie, cu<br \/>\nflori m\u0103runte prinse-n p\u0103rul flutur\u00e2ndu-i<br \/>\ncastaniu pe spate. I se p\u0103rea incredibil c\u0103 e a<br \/>\nlui, at\u00e2t de frumoas\u0103, de harnic\u0103, at\u00e2t de<br \/>\n\u00een\u021beleapt\u0103 \u0219i de cuminte&#8230; Se re\u00eendr\u0103gostea de<br \/>\nea cu fiecare vorb\u0103 a ei, cu fiecare mi\u0219care, cu<br \/>\nfiecare z\u00e2mbet. Era femeia lui adev\u0103rat\u0103, cea<br \/>\ncare \u0219tia s\u0103 p\u0103\u0219easc\u0103 gra\u021bios purt\u00e2nd tocuri pe<br \/>\nbulevardele ora\u0219ului, dar, \u00een acela\u0219i timp, era<br \/>\nrom\u00e2nca lui autentic\u0103, cea care z\u00e2mbea a cer<br \/>\nalerg\u00e2nd descul\u021b\u0103 prin verdele crud al ierbii.<br \/>\nSeara i-a g\u0103sit odihnindu-se unul \u00een bra\u021bele<br \/>\nceluilalt pe o buturug\u0103. Un foc mare, de<br \/>\ntab\u0103r\u0103, le lumina chipurile. Ea \u00eel privea<br \/>\nz\u00e2mbind. Ar fi vrut s\u0103 opreasc\u0103 timpul \u00een loc,<br \/>\ns\u0103 transforme clipa aceea \u00een ve\u0219nicie. S\u0103<br \/>\nr\u0103m\u00e2n\u0103 la infinit acolo, sub bolta senin\u0103,<br \/>\nprivindu-l cum z\u00e2mbe\u0219te \u0219i s\u0103 adoarm\u0103, \u00eenspre<br \/>\nzori, l\u00e2ng\u0103 glasul lui. Se re\u00eendr\u0103gostea de el<br \/>\ncu fiecare atingere a m\u00e2inilor lor, cu fiecare<br \/>\ns\u0103rutare a frun\u021bii pe care o primea, cu fiecare<br \/>\nvis cl\u0103dit \u00eempreun\u0103.<br \/>\nEra un cer frumos \u00een acea noapte, de<br \/>\nparc\u0103 Dumnezeu sc\u0103pase din palme borcanul<br \/>\n\u00een care \u021binea stelele, iar acestea se<br \/>\n\u00eempr\u0103\u0219tiaser\u0103 \u00een constela\u021bii. St\u0103teau t\u0103cu\u021bi sub<br \/>\nbolta ce p\u0103rea c\u0103 \u00eei acoper\u0103 precum o cupol\u0103<br \/>\n\u00eentr-un univers sortit numai lor. Mai erau,<br \/>\noare, al\u021bi oameni pe p\u0103m\u00e2nt? Sau toat\u0103<br \/>\nfericirea lumii le fusese d\u0103ruit\u0103 lor?<br \/>\nAu num\u0103rat \u00eempreun\u0103 trei stele c\u0103z\u0103toare.<br \/>\nApoi el a sl\u0103bit u\u0219or \u00eembr\u0103\u021bi\u0219area \u0219i a<br \/>\n\u00eengenuncheat \u00een fa\u021ba ei. A privit-o st\u00e2nd<br \/>\n\u00eenaintea lui, cu chipul luminat de fl\u0103c\u0103ri, cu<br \/>\nochii plini de iubire \u0219i cu surpriza citindu-i-se<br \/>\npe buzele tremur\u00e2nd. Atunci, Universul s-a<br \/>\noprit \u00een loc \u0219i \u00een acea secund\u0103 de ve\u0219nicie, o<br \/>\n\u00eentrebare a fost rostit\u0103. \u00cen a doua secund\u0103 de<br \/>\nve\u0219nicie, un r\u0103spuns afirmativ a fost dat.<br \/>\nApoi, mun\u021bii \u0219i-au \u00eenchis ochii, brazii \u0219i-au<br \/>\nlipit pleoapele, iar focul s-a uitat \u00een cealalt\u0103<br \/>\nparte. Numai stelele, mai \u00eendr\u0103zne\u021be, au privit<br \/>\nspre s\u0103rutul celor doi. Da, voia s\u0103 fie so\u021bia<br \/>\nlui! \u00cen lumina focului, un superb inel cu safir<br \/>\nsclipea pe inelarul ei, ca simbol al infinitei<br \/>\ncomuniuni dintre sufletele lor.<br \/>\nLuna le-a fost martor\u0103 \u0219i brazii au p\u0103strat<br \/>\ntaina jur\u0103m\u00e2ntului lor. Mun\u021bii le-au dorit s\u0103-\u0219i<br \/>\ntr\u0103iasc\u0103 \u00een pace via\u021ba pe care acum o<br \/>\n\u00eemp\u0103r\u021beau. Apoi \u0219i-au trimis dorin\u021ba t\u0103cut\u0103 \u00een<br \/>\nsus, ca s\u0103 fie scris\u0103 \u00een stele.<br \/>\nVor trece ani \u0219i ani peste f\u0103g\u0103duin\u021ba lor, iar<br \/>\npovestea celor doi \u00ee\u0219i va urma cursul firesc.<br \/>\nDar cererea-n c\u0103s\u0103torie va d\u0103inui \u00een inimile<br \/>\nlor c\u00e2t vor tr\u0103i pe p\u0103m\u00e2nt. Apoi, o vor mai<br \/>\n\u021bine minte doar luna, brazii \u0219i mun\u021bii, l\u0103s\u00e2nd-o,<br \/>\n\u00een c\u00e2te-o noapte de var\u0103, s\u0103 susure pe la<br \/>\nurechile vreunui p\u0103m\u00e2ntean ce-\u0219i va odihni<br \/>\nt\u00e2mpla pe p\u0103m\u00e2nt, l\u00e2ng\u0103 \u0219opotul lin al<br \/>\nizvorului.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>HEBERTO DE SYSMO este pseudunimul lui JOS\u00c9 ANTONIO OLMEDO L\u00d3PEZ-AMOR (Valencia, 1977), scriitor, critic literar \u0219i de film, eseist, cronicar,<\/p>\n","protected":false},"author":17,"featured_media":13596,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13664"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13664"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13664\/revisions"}],"predecessor-version":[{"id":13667,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13664\/revisions\/13667"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/13596"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}