{"id":13546,"date":"2021-02-14T00:06:47","date_gmt":"2021-02-13T21:06:47","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=13546"},"modified":"2021-02-14T00:06:47","modified_gmt":"2021-02-13T21:06:47","slug":"spatii-culturale-nr-62-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=13546","title":{"rendered":"Spa\u021bii culturale nr. 62 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/11-1.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13547 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/11-1-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/11-1-208x300.jpg 208w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/11-1.jpg 223w\" data-sizes=\"(max-width: 208px) 100vw, 208px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 208px; --smush-placeholder-aspect-ratio: 208\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13547\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/11-1-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/11-1-208x300.jpg 208w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/11-1.jpg 223w\" sizes=\"(max-width: 208px) 100vw, 208px\" \/><\/noscript><\/a><br \/>\n<strong>Florentin Popescu<\/strong>,<em> G\u00e2nduri de scriitor, Rawex Coms, Bucure\u0219ti, 2018<\/em>, 326 p. Subintitulat\u0103 <em>Autoportret \u00een interviuri<\/em>, cartea reune\u0219te convorbirile, \u00een timp, ale lui Florentin Popescu cu Valeriu B\u00e2rg\u0103u, Dorin S\u0103l\u0103jan, Eugenia Car\u00e2p, Marin Ifrim, Constantin Carbar\u0103u, Virgil Diaconu, Virgil Diaconu, Mihai Stan, Alexandru De\u0219liu, Victoria Milescu, Monica Mure\u0219an, Culi\u021b\u0103 Ioan U\u0219urelu, Valeria Manta T\u0103icu\u021bu, George Corbu, Lucia Negoi\u021b\u0103, Raia Rogac, Teo Cabel, Ioana-Maria Ursanu, Dana-Irina St\u0103nculea, Romani\u021ba-Maria \u0218ten\u021bel. \u00cen completare g\u0103sim o <em>Fi\u0219\u0103 biobibliografic\u0103, Referin\u021be critice<\/em> (\u00een reviste \u0219i volume, 1970-2018), <em>Recunoa\u0219teri, onoruri, prezen\u021be de-a lungul anilor<\/em> \u0219i 63 de <em>file de album<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/12-1.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13548 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/12-1-181x300.jpg\" alt=\"\" width=\"181\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/12-1-181x300.jpg 181w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/12-1.jpg 192w\" data-sizes=\"(max-width: 181px) 100vw, 181px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 181px; --smush-placeholder-aspect-ratio: 181\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13548\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/12-1-181x300.jpg\" alt=\"\" width=\"181\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/12-1-181x300.jpg 181w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/12-1.jpg 192w\" sizes=\"(max-width: 181px) 100vw, 181px\" \/><\/noscript><\/a><br \/>\n<strong>Valentin Talpalaru<\/strong>, <em>Scara lui Rodion, Editura Junimea, Ia\u0219i, 2017<\/em>, 115 p. <em>Parabola poemelor lui Valentin Talpalaru adun\u0103 mai multe simboluri din Vechiul \u0219i Noul Testament pescuitorului de oameni \u0219i pildei fericitului Ieronim, poetul le arat\u0103 scara lui Rodion, care este o alt\u0103 scar\u0103 a lui Iacob; alc\u0103tuit\u0103, uneori, din lacrimile femeilor, pe scara lui Rodion urc\u0103 nu \u00eengeri, ci suflete: despre fra\u021bii mei pescarii, despre satul, lotca, n\u0103vodul \u0219i votca lor scrie Valentin Talpalaru o carte cu totul remarcabil\u0103, oferind o nou\u0103 valoare biografiei sale de p\u00e2n\u0103 acum<\/em>, a declarat criticul literar Ioan Holban.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/13-1.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13549 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/13-1-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/13-1-215x300.jpg 215w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/13-1.jpg 229w\" data-sizes=\"(max-width: 215px) 100vw, 215px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13549\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/13-1-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/13-1-215x300.jpg 215w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/13-1.jpg 229w\" sizes=\"(max-width: 215px) 100vw, 215px\" \/><\/noscript><\/a><br \/>\n<strong>Radu Ulmeanu<\/strong>, <em>Sonete, Editura Grinta, Cluj-Napoca, 2018<\/em>, 147 p. \u00cen prefa\u021ba la acest volum, S<em>pre \u00een\u0103l\u021bimile alpine ale sonetului<\/em>, C. D. Zeletin apreciaz\u0103: <em>Ast\u0103zi, Radu Ulmeanu ne ofer\u0103 un volum de Sonete. Volum de substan\u021b\u0103, dinamism \u0219i frumuse\u021be, o frumuse\u021be plin\u0103 de surprize \u0219i de rezolv\u0103ri rare de cele mai multe ori, fericite. (\u2026) Cu virilitatea sa nelini\u0219tit\u0103, cu talentul s\u0103u mereu proasp\u0103t, cu o efervescen\u021b\u0103 de\u021bin\u0103toare a inteligen\u021bei de a \u0219ti s\u0103-\u0219i exprime ad\u00e2ncimile \u00een forme artistice restrictive, Radu Ulmeanu joac\u0103 liber \u0219i \u00een splendoare pe un teren ticsit. El respir\u0103 ad\u00e2nc \u0219i fericit pe \u00een\u0103l\u021bimile alpine pe care i le ofer\u0103 gustul artistic \u0219i voca\u021bia.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/14-1.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13550 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/14-1-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/14-1-197x300.jpg 197w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/14-1.jpg 210w\" data-sizes=\"(max-width: 197px) 100vw, 197px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 197px; --smush-placeholder-aspect-ratio: 197\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13550\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/14-1-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/14-1-197x300.jpg 197w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/14-1.jpg 210w\" sizes=\"(max-width: 197px) 100vw, 197px\" \/><\/noscript><\/a><br \/>\n<strong>Cristina \u0218tefan<\/strong>, <em>O c\u0103l\u0103torie la Salzburg, Art Book, Bac\u0103u, 2018<\/em>, 178 p. Despre romanul unei poete scrie prefa\u021b\u0103, <em>\u00centre lumi<\/em>, prozatorul de for\u021b\u0103, Dan Per\u0219a. Iat\u0103 c\u00e2teva referin\u021be: <em>\u2026Per ansamblu, a\u0219 spune c\u0103 O c\u0103l\u0103torie la Salzburg este romanul unui vis\u0103tor ce sufer\u0103 agresiunile realului, dar cucere\u0219te p\u0103r\u021bi din el \u00eencetul cu \u00eencetul. Nu \u00eentr-o lupt\u0103, pentru c\u0103 nu-\u0219i dore\u0219te dobor\u00e2rea redutelor, ci din nevoie. \u00cel cucere\u0219te supun\u00e2ndu-se, dar f\u0103r\u0103 s\u0103 piard\u0103 nimic, niciodat\u0103, din cealalt\u0103 lume a l\u0103untrului\u2026 O spun cu toat\u0103 sinceritatea: este ca ambrozia romanul Cristinei \u0218tefan. \u00ce\u021bi d\u0103 toate acele pl\u0103ceri \u0219i bucurii pe care literatura \u021bi le poate da!<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-1.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13551 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-1-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-1-217x300.jpg 217w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-1.jpg 229w\" data-sizes=\"(max-width: 217px) 100vw, 217px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13551\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-1-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-1-217x300.jpg 217w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/15-1.jpg 229w\" sizes=\"(max-width: 217px) 100vw, 217px\" \/><\/noscript><\/a><br \/>\n<strong>Viorel Dinescu<\/strong>, <em>Poeme alese, Editura Detectiv literar, Bucure\u0219ti, 2017<\/em>, 140 p. Eugen Barbu spunea: \u0103rturisesc c\u0103 mi s-a \u00eent\u00e2mplat rar \u00een ultima vreme s\u0103 m\u0103 s\u0103rb\u0103toresc cu astfel de versuri nobile \u0219i o fac cu mare bucurie, sper\u00e2nd c\u0103 poezia lui Viorel Dinescu \u201ese va lua\u201d, infirm\u00e2nd morbidele aplec\u0103ri spre specula\u021bii oarbe \u0219i producerea de \u0219oltic\u0103rii reprobabile. Ne afl\u0103m cu acest poet \u00eentr-un Rai cu por\u021bile foarte str\u00e2mte\u2026 La sf\u00e2r\u0219itul c\u0103r\u021bii sunt selectate \u0219i alte referin\u021be critice, semnate de Nicolae-Paul Mihail, Mihai Cimpoi, Marian Popa, F\u0103nu\u0219 Neagu, George Alboiu, Marian Barbu, Theodor Codreanu, Daniel Corbu, Mariana Cri\u0219, Nicolae Dabija, Nicolae Manolescu, Andrei Milca, Adrian Dinu Rachieru, Ion Ro\u0219ioru, Ion Rotaru, Vasile T\u0103r\u00e2\u021beanu, Constantin Trandafir, Grigore Vieru.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-1.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13552 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-1-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-1-210x300.jpg 210w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-1.jpg 223w\" data-sizes=\"(max-width: 210px) 100vw, 210px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13552\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-1-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-1-210x300.jpg 210w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/16-1.jpg 223w\" sizes=\"(max-width: 210px) 100vw, 210px\" \/><\/noscript><\/a><br \/>\n<strong>Nicolae Pogonaru<\/strong>, <em>cartea cu femei, Editgraph, Buz\u0103u, 2018<\/em>, 94 p. \u00cen prefa\u021ba intitulat\u0103 <em>Ipostaze ale eternului feminin<\/em>, Valeria Manta T\u0103icu\u021bu men\u021bioneaz\u0103: <em>Cu noul s\u0103u volum, Nicolae Pogonaru d\u0103 un sens modern str\u0103vechiului sentiment de iubire \u0219i reconstituie, cu mijloacele artistice contemporane, o viziune plastic\u0103, ironic\u0103 p\u00e2n\u0103 la cinism, a erosului. Versurile din volum m-au dus de multe ori cu g\u00e2ndul la Miron Radu Paraschivescu, nu numai datorit\u0103 violen\u021bei limbajului \u0219i demitiz\u0103rii imaginilor \u00eendeob\u0219te acceptate ca tabuuri, ci \u0219i datorit\u0103 unei anumite inocen\u021be\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-1.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13553 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-1-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-1-182x300.jpg 182w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-1.jpg 192w\" data-sizes=\"(max-width: 182px) 100vw, 182px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 182px; --smush-placeholder-aspect-ratio: 182\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13553\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-1-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-1-182x300.jpg 182w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/17-1.jpg 192w\" sizes=\"(max-width: 182px) 100vw, 182px\" \/><\/noscript><\/a><br \/>\n<strong>Tudor Cicu<\/strong>, <em>Enigmatica Ema, Editgraph, Buz\u0103u, 2018<\/em>, 192 p. Pe coperta a patra a c\u0103r\u021bii, Ion Lazu apreciaz\u0103: <em>De acolo-departe, dup\u0103 jum\u0103tate de secol de la lectura celor \u201eO mie \u0219i una de nop\u021bi\u201d, nu-mi mai amintesc dec\u00e2t senza\u021bia c\u0103 lumea \u00een totalitate este o poveste fermecat\u0103 de nu cumva chiar aiuritoare care d\u0103 peste r\u0103scol\u2026 Dar de unde, totu\u0219i aluzia la pove\u0219tile \u0218eherezadei? Din frumuse\u021bea intrinsec\u0103 a descrierii celor dou\u0103 personaje feminine ale pove\u0219tii de fa\u021b\u0103. Brusc, o poveste \u201eca-n basme\u201d, devine o dram\u0103 ca-n via\u021b\u0103, sub ochii cititorului, care ia parte, cu inima b\u0103t\u00e2ndu-i, la multele peripe\u021bii rocambole\u0219ti ale celor dou\u0103 ingenue\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-1.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13554 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-1-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-1-219x300.jpg 219w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-1.jpg 231w\" data-sizes=\"(max-width: 219px) 100vw, 219px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 219px; --smush-placeholder-aspect-ratio: 219\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13554\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-1-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-1-219x300.jpg 219w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/18-1.jpg 231w\" sizes=\"(max-width: 219px) 100vw, 219px\" \/><\/noscript><\/a><br \/>\n<strong>Vasile Ghica<\/strong>, <em>Ecaterina\/ Cocu\u021ba Conachi-Vogoride (Ioana d&#8217;Arc a Rom\u00e2niei) 1828-1870, Editura Studis, Ia\u0219i, 2018<\/em>, 124 p. \u00centr-o cronic\u0103 pertinent\u0103, Stan Brebenel apreciaz\u0103: <em>\u2026Ce s-ar fi \u00eent\u00e2mplat cu Unirea cea Mare dac\u0103 n-ar fi existat Unirea cea Mic\u0103? Iar Unirea cea Mic\u0103 nu ar fi fost posibil\u0103 f\u0103r\u0103 ac\u0163iunea sinuciga\u015f\u0103 a Cocu\u0163ei Conachi-Vogoride, cea care \u015fi-a sacrificat familia. Acestea sunt \u00eentreb\u0103rile pe care \u015fi le pune \u015fi ni le pune scriitorul Vasile Ghica \u00een excep\u0163ionala sa monografie, unde o nume\u015fte pe Cocu\u0163a Ioana d&#8217;Arc a Rom\u00e2niei. Scris\u0103 alert \u015fi documentat, cu certe date istorice, cartea atrage \u015fi prin elementele de noutate despre via\u0163a eroilor, negativi sau pozitivi, ai c\u0103r\u0163ii.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-1.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13555 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-1-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-1-203x300.jpg 203w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-1.jpg 216w\" data-sizes=\"(max-width: 203px) 100vw, 203px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 203px; --smush-placeholder-aspect-ratio: 203\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13555\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-1-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-1-203x300.jpg 203w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/19-1.jpg 216w\" sizes=\"(max-width: 203px) 100vw, 203px\" \/><\/noscript><\/a><br \/>\n<strong>Tincu\u021ba Horonceanu Bernevic<\/strong>, <em>Anotimpul p\u0103pu\u0219ilor, Editura Singur, T\u00e2rgovi\u0219te, 2017<\/em>, 109 p. Pentru prezentarea acestui volum apel\u0103m la scurtele aprecieri critice ale lui \u0218tefan Doru D\u0103ncu\u0219: <em>Tincu\u021ba Horonceanu Bernevic ni se descoper\u0103 ca o poet\u0103 preocupat\u0103 de sine, acord\u00e2nd priviri ample zonei copil\u0103riei, unde acesta s-a p\u0103strat nealterat. Nu putem s\u0103 nu remarc\u0103m dezinvoltura scriiturii ce nu acoper\u0103 (\u0219i nici nu se vrea asta) interven\u021biile de tip modernist care apar firesc \u00een construc\u021bia poemelor; nimic nu este for\u021bat \u2013 ceea ce face din cititor o fiin\u021b\u0103 curioas\u0103 \u0219i interesat\u0103, aceast\u0103 implicare realiz\u00e2nd punctul de \u00eent\u00e2lnire al operei cu umanul, at\u00e2t de greu de \u00eenf\u0103ptuit \u00een lumea de azi.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-1.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13556 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-1-220x300.jpg\" alt=\"\" width=\"220\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-1-220x300.jpg 220w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-1.jpg 236w\" data-sizes=\"(max-width: 220px) 100vw, 220px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 220px; --smush-placeholder-aspect-ratio: 220\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13556\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-1-220x300.jpg\" alt=\"\" width=\"220\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-1-220x300.jpg 220w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/20-1.jpg 236w\" sizes=\"(max-width: 220px) 100vw, 220px\" \/><\/noscript><\/a><br \/>\n<strong>Oana Mihaela Savin<\/strong>, <em>Timpul meu de singur\u0103tate, Ateneul scriitorilor, Bac\u0103u 20187<\/em>, 144 p. Nou\u0103 nuvele, recitite \u0219i revizuite de Oana Mihaela Savin, integrate \u00een structura unei lucr\u0103ri moderne, de ce nu, chiar roman. Vine \u00een ajutorul acestei constat\u0103ri criticul literar Petre Isachi: <em>Gra\u021bie scriiturii, fic\u021biunea tr\u0103ie\u0219te autonom, se desprinde de autor\/ de narator, de Lumea transfigurat\u0103 \u0219i se impune lectorului ca o realitate suveran\u0103 \u201epeste Olimp, mode \u0219i timp\u201d\u2026 Autenticitatea, for\u021ba de persuasiune, densitatea ideatic\u0103, ambiguitatea, verosimilitatea, proiec\u021bia multipl\u0103 \u0219i poliedric\u0103 a st\u0103rilor, simbolistica aparent banal\u0103, sinceritatea (care nu este \u00een literatur\u0103 o chestiune etic\u0103, ci una estetic\u0103) relev\u0103 voca\u021bia cert\u0103 de romancier a scriitoarei rom\u00e2no-canadiene, Oana Mihaela Savin. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13557 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21-215x300.jpg 215w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21.jpg 229w\" data-sizes=\"(max-width: 215px) 100vw, 215px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13557\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21-215x300.jpg 215w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/21.jpg 229w\" sizes=\"(max-width: 215px) 100vw, 215px\" \/><\/noscript><\/a><br \/>\n<strong>Fevronia Spirescu<\/strong>, <em>Crochiuri f\u0103r\u0103 frunze, Editura Rafet, R\u00e2mnicu S\u0103rat, 2018<\/em>, 75 p. \u00cen graba-i caracteristic\u0103, Fevronia Spirescu \u0219tie s\u0103 redea \u00een c\u00e2teva linii tr\u0103s\u0103turile principale ale poemului, are talentul de a te atrage \u00een starea ei poetic\u0103 \u0219i te face s\u0103 tr\u0103ie\u0219ti, al\u0103turi de ea, poezia: <em>La marginea timpanelor\/ se aud zurg\u0103l\u0103i.\/ La marginea v\u0103zului\/ flutur\u0103 curcubeie.\/ Dincolo de \u00een\u021belegere\/ se \u00eentinde\/ curioas\u0103, vijelioas\u0103, tumultoas\u0103,\/ obosit\u0103, vl\u0103guit\u0103, sf\u00e2r\u0219it\u0103,\/Via\u021ba.\/ P\u00e2n\u0103 c\u00e2nd?\/ P\u00e2n\u0103 \u00een Delt\u0103,\/ p\u00e2n\u0103 la \u00eembr\u0103\u021bi\u0219area cu Marea. (La o margine)<\/em>. Dac\u0103 aceste crochiuri sunt cu sau f\u0103r\u0103 frunze, \u00ee\u021bi recomand s\u0103 consta\u021bi tu, cititorule! Merit\u0103!<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13558 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22-196x300.jpg 196w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22.jpg 208w\" data-sizes=\"(max-width: 196px) 100vw, 196px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 196px; --smush-placeholder-aspect-ratio: 196\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13558\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22-196x300.jpg 196w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/22.jpg 208w\" sizes=\"(max-width: 196px) 100vw, 196px\" \/><\/noscript><\/a><br \/>\n<strong>Diana Corcan<\/strong>, <em>Un fel de c\u00e2ine al orizontului mic, BRUMAR, Timi\u0219oara, 2013<\/em>, 111 p. Pe coperta a patra a volumului Mircea B\u00e2rsil\u0103 remarc\u0103: <em>\u2026 Inedit \u0219i iconoclast, imaginarul propus de Diana Corcan ilustreaz\u0103 tensiunea l\u0103untric\u0103 a eului, o subiectivitate agitat\u0103, tulbure, convulsiv\u0103 \u0219i sus\u021bine pariul autoarei, una dintre cele mai importante din promo\u021bia nou\u0103zecist\u0103-dou\u0103miist\u0103, \u00een ceea ce prive\u0219te \u201ecompromiterea\u201d grani\u021bei dintre real \u0219i imaginar, \u00een numele unei autentice insurgen\u021be feminine. (\u2026) Viziunile sale \u2013 \u00eenscrise \u00een tradi\u021bia revoltei \u0219i nonconformismului \u2013 fac dovada unor autentice fr\u0103m\u00e2nt\u0103ri l\u0103untrice \u0219i a unui talent de excep\u021bie.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13559 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23-211x300.jpg 211w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23.jpg 223w\" data-sizes=\"(max-width: 211px) 100vw, 211px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13559\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23-211x300.jpg 211w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/23.jpg 223w\" sizes=\"(max-width: 211px) 100vw, 211px\" \/><\/noscript><\/a><br \/>\n<strong>Mihaela Meravei<\/strong>, <em>Anamneze poetice \u2013 Cronici de carte, Editura Rafet, R\u00e2mnicu S\u0103rat, 2018<\/em>, 116 p. Petre Isachi men\u021bioneaz\u0103: <em>\u2026Aspira\u021bia spre absolut face ca libertatea Mihaelei Meravei s\u0103 par\u0103 infinit\u0103, \u00een fapt, ea r\u0103m\u00e2ne o permanent\u0103 virtualitate \u0219i deschidere spre Opera interpretat\u0103. Liberul arbitru, spontaneitatea \u0219i imprevizibilul demersului critic reu\u0219esc, uneori, un poetic dans al secantelor, seduc\u0103tor pentru cititorul capabil s\u0103 combine principiul ter\u021bului exclus &#8211; \u201esau\u2026 sau\u201d- cu principiul contradic\u021biei excluse: \u201eunul \u0219i acela\u0219i lucru este \u0219i totodat\u0103 nu este\u201d! \u0218apte buzoieni se bucur\u0103 aici de aprecieri critice. Ace\u0219tia sunt: Lauren\u021biu Belizan (selfie cu Dumnezeu), Mihaela Roxana Boboc (Spovedania oaselor), Teo Cabel (Labirintul), Carmen Tania Grigore (Secven\u021bial), Mihai Marian (negru opac), Nicolai T\u0103icu\u021bu (\u0219i cum v\u0103 spuneam\u2026), Gina Zaharia (Perseide).<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13560 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24-206x300.jpg 206w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24.jpg 218w\" data-sizes=\"(max-width: 206px) 100vw, 206px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 206px; --smush-placeholder-aspect-ratio: 206\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13560\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24-206x300.jpg 206w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/24.jpg 218w\" sizes=\"(max-width: 206px) 100vw, 206px\" \/><\/noscript><\/a><br \/>\n<strong>Traian Gh. Cristea<\/strong>, <em>Supliciile fiin\u021bei l\u0103untrice, Editura Rafet, R\u00e2mnicu S\u0103rat, 2018<\/em>, 114 p. \u00cen prefa\u021ba intitulat\u0103 Drume\u021b pe calea \u00eentortocheat\u0103 a sufletului, Dumitru D\u0103n\u0103il\u0103 men\u021bioneaz\u0103: <em>\u2026 Crezul slujitorului de cuv\u00e2nt se reg\u0103se\u0219te \u0219i \u00een Supliciile fiin\u021bei l\u0103untrice, care aduce \u00een fa\u021ba cititorului \u201eo sam\u0103\u201d de esen\u021be ale g\u00e2ndirii despre credin\u021b\u0103, adev\u0103r, bine, frumos, dar \u0219i despre relele care b\u00e2ntuie azi via\u021ba noastr\u0103 \u0219i despre modalit\u0103\u021bile de a le pre\u00eent\u00e2mpina sau de a lupta cu toate mijloacele pentru \u00eenl\u0103turarea lor. \u00cen concep\u021bia lui Traian Gh. Cristea, fiin\u021ba l\u0103untric\u0103 este cea care s\u0103l\u0103\u0219luie\u0219te \u00een suflet \u0219i, de multe ori, g\u00e2nde\u0219te \u0219i se comport\u0103 altfel dec\u00e2t o facem noi \u00een raport cu semenii \u00een via\u021ba de toate zilele\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25.jpg\" data-rel=\"lightbox-image-14\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13561 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25-214x300.jpg 214w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25.jpg 226w\" data-sizes=\"(max-width: 214px) 100vw, 214px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13561\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25-214x300.jpg 214w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/25.jpg 226w\" sizes=\"(max-width: 214px) 100vw, 214px\" \/><\/noscript><\/a><br \/>\n<strong>Toader Titi Roznovanu<\/strong>, <em>Popasuri \u00een memorie, Editura Ateneul scriitorilor, Bac\u0103u, 2017<\/em>, 147 p. Criticul literar Grigore Codrescu, \u00een prefa\u021ba la acest volum, remarc\u0103: <em>Toader Titi Roznovanu are franche\u021bea \u0219i sinceritatea ne\u0219tirbit\u0103 a povestitorului, r\u0103mas \u00een scen\u0103 doar pentru c\u00e2t\u0103 vreme el capteaz\u0103 aten\u021bia cititorului, precum \u0219i \u00een lumea oriental\u0103 \u0218eherezada. Adopt\u00e2nd limbajul denotativ \u0219i perspectiva naratorului obiectiv, el intr\u0103 \u0219i iese totu\u0219i alternativ din scen\u0103\u2026 Sigur, T.T.R. este un prozator \u00een formare. El are o experien\u021b\u0103 de via\u021b\u0103, iar \u00eentr-un anume limbaj se mi\u0219c\u0103 dezinvolt\u2026<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU Raftul cu c\u0103r\u021bi Florentin Popescu, G\u00e2nduri de scriitor, Rawex Coms, Bucure\u0219ti, 2018, 326 p. Subintitulat\u0103 Autoportret \u00een interviuri,<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13546"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13546"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13546\/revisions"}],"predecessor-version":[{"id":13562,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13546\/revisions\/13562"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}