{"id":13522,"date":"2021-02-11T10:06:52","date_gmt":"2021-02-11T07:06:52","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=13522"},"modified":"2021-02-11T10:16:16","modified_gmt":"2021-02-11T07:16:16","slug":"literadura-nr-4-5","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=13522","title":{"rendered":"Literadura nr. 4 (5)"},"content":{"rendered":"

Codru\u021ba VANCEA (Oradea)<\/strong><\/p>\n

Licen\u021biat\u0103 \u00een Informatic\u0103
\nDoctorat \u00een Matematic\u0103<\/p>\n

Pas\u0103rea m\u0103 privea.<\/strong><\/p>\n

pas\u0103rea m\u0103 privea
\n\u00een timp ce \u00ee\u0219i ascu\u021bea ghearele
\ncu ciocul ei aspru.
\ns\u00e2ngele picioarelor ei se prelingea pe
\nfereastra casei mele.
\npl\u00e2ngea undeva \u00een zare o cioar\u0103,
\nbolnav\u0103,
\ncu glas r\u0103gu\u0219it.
\nsim\u021beam cum m\u0103 ustur\u0103 pieptul.
\ngheara ei
\nsta \u00eenfipt\u0103 \u00een pielea mea alb\u0103.
\ntoate ciorile venite \u00een zbor,
\nse \u00eenv\u0103rteau, se agitau,
\n\u00eemi loveau lini\u0219tea.
\nf\u0103r\u0103 team\u0103,
\nam m\u00e2ng\u00e2iat pas\u0103rea
\ncu am\u00e2ndou\u0103 m\u00e2inile.
\ni-am atins aripile triste
\ndin trupul obosit.
\nt\u00e2rziu,
\nam eliberat gheara din pieptul meu.
\n\u00eenc\u0103 mai era vie,
\nchinuit\u0103 de-o ne\u00eemp\u0103cat\u0103 furie .
\nam iertat-o
\npe loc.<\/p>\n


\n\u00cemi beau cafeaua cu tine<\/strong><\/p>\n

sunt treaz\u0103 de mult\u0103 vreme.
\npentru tine e prima cafea,
\npentru mine a treia
\n\u00eemi ard t\u00e2mplele,
\ns\u00e2ngele circul\u0103 iute.
\nsimt o str\u00e2nsoare \u00een spatele oaselor capului
\nacolo unde fierb g\u00e2ndurile.
\ntu cu ochii t\u0103i \u00eentuneca\u021bi
\nvrei s\u0103 p\u0103trunzi dincolo,
\nde ochii mei.
\ncau\u021bi.
\ngr\u0103bit\u0103 \u00eemi arunc g\u00e2nduri
\npe fereastr\u0103,
\nrespir\u00e2nd tot mai mult aburul de cafea.
\nlas loc gol \u00een mine.
\ne lini\u0219te.
\ntu \u0219i cu mine bem o cafea.
\nfoarte neagr\u0103,
\nf\u0103r\u0103 dulceg\u0103rii.<\/p>\n


\nIoana AGHIANA<\/strong><\/p>\n

Colegiul \u201eAlexandru Vlahu\u021b\u0103\u201d, R\u00eemnicu
\nS\u0103rat, clasa a IX-a<\/em><\/p>\n

Migrena ia forma unui bolovan pulsatoriu,
\nlocalizat \u00een emisfera cerebral\u0103 st\u00e2ng\u0103,
\ncople\u0219indu-mi ca smoala incandescent\u0103
\ndeopotriv\u0103 arcada, ochiul \u0219i obrazul. Durerea
\norbe\u0219te. Suferin\u021ba \u00eemi distorsioneaz\u0103 optica. Tot
\nce pot s\u0103 fac acum e s\u0103 stau locului \u0219i s\u0103 suf\u0103r.
\nS\u0103 las ocna s\u0103 curg\u0103, s\u0103 execut pedeapsa \u00een
\nrecluziune. S\u0103 car \u00een spinarea mea cea \u0219erpuit\u0103
\ncrucea plumburie, sub orice form\u0103 s-ar \u00eenf\u0103\u021bi\u0219a
\n\u0219i oric\u00e2t de grea mi s-ar p\u0103rea. S\u0103 accept
\ninacceptabilul, precum tot ceea ce se manifest\u0103
\naici, acum. S\u0103 m\u0103 \u00eencred c\u0103 toat\u0103 t\u0103r\u0103\u0219enia
\ncon\u021bine \u0219i alc\u0103tuie\u0219te un scop intrinsec, c\u0103 nici
\nm\u0103car bocetul hain nu e \u00een van. C\u0103 nici cefaleea
\nnu e de lep\u0103dat, c\u0103-\u0219i are propria surs\u0103 de iertat
\n\u0219i un rol de impiegat. \u0218i s\u0103 m\u0103 l\u0103muresc \u00eendat\u0103,
\nc\u0103 existen\u021ba unui asemenea \u021bel\/scop nu
\n\u00eenseamn\u0103 neap\u0103rat c\u0103-i abscons \u00eentre\u021besut de
\nvreo for\u021b\u0103 suprem\u0103 care-\u021bi scrijele\u0219te \u00een prealabil
\ntraiectoria sor\u021bii, ci c\u0103 pur \u0219i simplu \u00ee\u021bi va fi de
\nfolos \u00een acest sinuos periplu al vie\u021bii, c\u0103 aduce
\ncu el o finalitate, e \u021binta unei destina\u021bii. \u00cen timp
\nce reverbereaz\u0103 acoperi\u0219ul boltit al g\u00e2ndurilor
\nmele, pietroiul se crap\u0103, simt u\u0219oare fisuri care
\nelibereaz\u0103 tensiunea. M\u0103 cotropesc alte filozofii.
\nCum poate omul s\u0103 se elibereze de presiunea
\nexisten\u021bial\u0103 a formelor-g\u00e2nd, a celorlal\u021bi
\nindivizi, a naturii umane cu diversele ei
\nimpoten\u021be, a captivit\u0103\u021bii imanente firii? Un
\nspirit, care-n s\u0103la\u0219ul lui netulburat, t\u00e2nje\u0219te dup\u0103
\nlibertate absolut\u0103, \u00eens\u0103 se reg\u0103se\u0219te perpetuu
\n\u00eentemni\u021bat \u00een lan\u021burile, mrejele sau p\u00e2nzele
\nobscure ale circumstan\u021belor incontrolabil
\nagravante, cum poate supravie\u021bui, cum poate
\nr\u0103zbate?
\nC\u00e2nd nu se reg\u0103se\u0219te \u00een nimic din ceea ce face,
\ncum s\u0103-\u0219i mai f\u0103ureasc\u0103 l\u0103untric un strop de
\npace? Iar existen\u021ba, asuprit\u0103 sub egida actualelor
\nconven\u021bii sociale, cum o po\u021bi desface? C\u00e2nd
\ntimpul vital, care e tr\u0103it sub forma unei datorii
\nfiscale, v\u00e2ndut pe bani pu\u021bini \u0219i taxe colosale, te
\nstoarce de expresie, de energie \u0219i culoare, cum
\nte mai salvezi de autoflagelare? Cum mai ca\u0219ti
\nochii mari, nemutila\u021bi \u00eenc\u0103 de implacabilele
\necrane, \u0219i-i mai \u00eendrep\u021bi c\u0103lduros spre viitorul
\ndin zare? Cum s\u0103 te tot \u00eengropi \u00een fel \u0219i fel de
\nescapade, c\u00e2nd \u0219i fuga-n incon\u0219tien\u021b\u0103 \u021bi se pare
\nsufocant\u0103, atunci c\u00e2nd \u00ee\u021bi r\u0103sare din nou \u00een vizor
\nca o paia\u021b\u0103 rudimentar\u0103? Cum mai t\u00e2nje\u0219ti s\u0103 \u00ee\u021bi
\ndistragi aten\u021bia, dar c\u00e2t te ustur\u0103 c\u00e2nd te
\nsurprinzi c\u0103 nu mai e\u0219ti lucid\u0103, c\u00e2nd \u00ee\u021bi consta\u021bi
\nabsen\u021ba\u2026<\/p>\n


\nAndreea CIUC\u0102<\/strong><\/p>\n

(elev\u0103 \u00een clasa a XI-a la Colegiul Na\u0163ional „George
\nCo\u015fbuc” din Motru)<\/em><\/p>\n

te-ai g\u00e2ndit<\/strong><\/p>\n

cum ar fi seara c\u00e2nd preg\u0103te\u015fti cina
\n\u00een loc s\u0103 tai legumele a\u015fa cum ai fost \u00eenv\u0103\u0163at
\ns\u0103-\u0163i tai degetele
\ng\u00e2nde\u015fte-te la puiul de g\u0103in\u0103 m\u00e2ncat de viu de
\nciori
\nla c\u00e2inele care \u0163inea \u00eentre col\u0163ii lui un alt c\u00e2ine
\nla p\u0103r\u0163ile din tine pe care nu po\u0163i s\u0103 le vezi \u00een
\noglind\u0103
\ncum ar fi ca cineva s\u0103 te taie pe jum\u0103tate
\ns\u0103-\u0163i auzi numele rostit doar pe jum\u0103tate s\u0103
\nobose\u015fti dup\u0103 ce urci
\nprima jum\u0103tate din sc\u0103ri
\nte-ai g\u00e2ndit vreodat\u0103 la sunetul capacului
\ntr\u00e2ntit deasupra ta
\nla m\u00e2inile \u00eempreunate \u015fi reci de pe pieptul t\u0103u
\nla gustul p\u0103m\u00e2ntului ud la r\u0103nile nelinse
\nacoper\u0103-m\u0103 cu pietre \u015fi flori am \u00eenghe\u0163at deja
\nnu voi sim\u0163i durerea<\/p>\n


\npietrele au gust mai bun dec\u00e2t iedera<\/strong><\/p>\n

\u00ee\u0163i e dor s\u0103 joci minecraft \u00eenainte de culcare
\n\u00ee\u0163i e dor s\u0103-\u0163i prive\u015fti mama \u00een timp ce spal\u0103
\nvasele \u00een fustele ei lungi p\u00e2n\u0103-n p\u0103m\u00e2nt ai
\nvrea s\u0103 \u00eenve\u0163i din nou s\u0103 cro\u015fetezi doi pe fa\u0163\u0103
\ndoi pe dos \u00ee\u0163i e dor de plimb\u0103rile lungi p\u00e2n\u0103
\nla kaufland & de fratele t\u0103u bolnav ai t\u0103i
\nl-au internat \u0163i se face mil\u0103 \u015ftii c\u0103 \u0103\u015ftia \u00eel \u0163in
\nlegat de pat & nu-i dau niciodat\u0103 m\u00e2ncare
\ntu m\u0103n\u00e2nci lui i se lipe\u015fte stomacul de spate
\npietrele au gust mai bun dec\u00e2t iedera spunea
\nel c\u00e2nd l-ai vizitat prima oar\u0103 la ospiciu<\/p>\n


\nCostel SUDITU<\/strong><\/p>\n

Gesturi \u0219i acte<\/strong><\/p>\n

Ca gest de noble\u021be \u00ee\u021bi las deschis\u0103 u\u0219a
\ndac\u0103 nu intri
\ndeschid \u0219i fereastra s\u0103 pleci<\/p>\n

ca act de magie te voi deposeda de culori gura
\n\u00ee\u021bi voi s\u0103ruta-o \u0219i doamn\u0103 Pee
\nanimal cu acr\u0103 poveste
\nmu\u0219ca-voi miezul p\u00eeinii din ochii t\u0103i<\/p>\n

s\u0103 vezi c\u00eet sunt de generos \u00ee\u021bi voi ar\u0103ta
\no mie \u0219i una de c\u0103i \u00eenspre dulcele zid
\nal melancoliei aproape inexistent<\/p>\n

pierdut\u0103 \u0219opte\u0219te-mi numele
\nvoi ap\u0103rea \u0219i din morm\u00eent<\/p>\n


\nBoaba de strugure<\/strong><\/p>\n

ast\u0103zi sunt mai grea dec\u00eet ieri mi-a zis
\nam \u00eenghi\u021bit o boab\u0103 de strugure
\nera c\u00eet un pepene m\u0103 lovea \u00een gur\u0103 cu
\npicioarele
\ndup\u0103 ce am \u00eenvins a \u00eenceput s\u0103 umble
\nacum trebuie s\u0103 nasc<\/p>\n

am plecat m-am \u00eentors cu o sticl\u0103 de vin
\ndup\u0103 ce am b\u0103ut-o ne-am trezit
\ndoamna Pee m\u00eeng\u00eeia o boab\u0103 de strugure
\ncu buzele \u0219i cu limba<\/p>\n


\nLiviu OFILEANU<\/strong><\/p>\n

Elegan\u021ba exprim\u0103rii<\/strong>
\n\"\"

Rita Chirian este o poet\u0103 aparte din valul
\nmilenarist, prezen\u021b\u0103 activ\u0103 \u00een spa\u021biul literar de
\npeste un deceniu. A publicat volumele
\n\u201eSevraj\u201d (2006), \u201epoker face\u201d (2010),
\n\u201eAsperger\u201d (2012) \u0219i \u201eCasa fleacurilor\u201d (Ed.
\nMax Blecher, 2016), a\u0219adar un careu de a\u0219i, o
\npoezie a inteligen\u021bei \u0219i o rediscutare a
\nconceptelor, a condi\u021biei umane pe canavaua
\nunui cotidian alienant. Se poate observa c\u0103
\nautoarea \u00ee\u0219i alege titluri percutante pentru
\nc\u0103r\u021bile sale, u\u0219or memorabile \u0219i cu priz\u0103 la
\nraft. Nu doar c\u0103 sunt bine alese, avem de-a
\nface cu o poet\u0103 atent\u0103 la tot ce mi\u0219c\u0103 \u00een
\nliteratura de ast\u0103zi \u0219i cu o poezie legat\u0103 la to\u021bi
\nnasturii. C\u00e2nd al\u021bi colegi folosesc \u201ecuvinte din
\npopor\u201d, ea inventeaz\u0103 eufemisme pentru
\nacestea disting\u00e2ndu-se u\u0219or de alte scriituri
\nu\u0219or confundabile una cu alta, mai ales c\u0103 nu
\nscriu to\u021bi precum Charles Bukovski. Mai
\nclarificatoare este sublinierea critic\u0103 efectuat\u0103
\nde Al. Cistelecan acum cinci ani pe coperta
\nvolumului Asperger: \u201eRita Chirian nu
\nmenajeaz\u0103 miracolele, nu protege carisma
\nfeminit\u0103\u021bii \u0219i cu at\u00e2t mai pu\u021bin \u0219ansa de
\neflorescen\u021b\u0103 a realului; dimpotriv\u0103, ea le
\naplic\u0103 o sanc\u021biune grotesc\u0103, le terifiaz\u0103 printr-o
\nimagina\u021bie cinic\u0103 \u0219i le difameaz\u0103 cu nerv.\u201d.
\nCeea ce izbe\u0219te \u00eenc\u0103 de la prima vedere sunt
\nexerci\u021biile de virtuozitate combinatorie \u0219i
\nsurp\u0103rile imagistice, o c\u0103utare a echilibrului,
\nca \u0219i la Iustin Pan\u021ba. D\u0103m \u00een aceste poeme
\npeste un teritoriu al profunzimilor desfoliate
\ncentimetru cu centimetru, este aici o prezen\u021b\u0103
\nfascinat\u0103 \u0219i sastisit\u0103 \u00een acela\u0219i timp de rela\u021bii
\numane \u0219i obiecte familiare. Totul asezonat cu
\ndescrieri de interioare \u0219i secven\u021be de
\nautoscopie, o sum\u0103 de st\u0103ri descinse din
\ncon\u0219tiin\u021ba datoriei de scrib. Aceast\u0103
\ncombustie d\u0103 na\u0219tere unei mizantropii care se
\ncl\u0103de\u0219te prin rela\u021bii \u00een\u0219elate, obiecte inutile \u0219i
\n\u201efleacuri\u201d at\u00e2t de incomode \u00eenc\u00e2t trebuie s\u0103
\naib\u0103 o cas\u0103 numai a lor. Aceast\u0103 \u201ecas\u0103\u201d
\nr\u0103m\u00e2ne textul, cadru expiator pe c\u00e2t de
\ndureroas\u0103 e nevoia de \u00eensingurare \u0219i refacere.
\nPoeta refuz\u0103 din start vreo concesie
\nspontaneit\u0103\u021bii jemanfi\u0219iste, specific\u0103 altor
\ncondeie contemporane, aici elanul apar\u021bine
\nunui construct rev\u0103zut \u0219i adnotat, linia
\ndiscursului se ini\u021biaz\u0103 prompt, tropii sunt pu\u0219i
\nla treab\u0103 tocmai cu scopul de a li se sublinia
\nvolatilitatea. Iar aici, Rita Chirian e o fin\u0103
\nironist\u0103 d\u00e2nd cu tifla conformismului
\nautohton, replierii \u00een front a cumin\u021beniei: \u201es\u0103
\nfii bun \u0219i curat, s\u0103 sco\u021bi tr\u0103istu\u021ba doldora de
\nbl\u00e2nde\u021be, s\u0103-mpingi leag\u0103ne pentru fluturi, s\u0103
\nnu spui, ingeborg, ochii t\u0103i sunt at\u00e2t de verzi
\n\u00een toamna asta, s\u0103 \u00eenve\u021bi repede st\u00e2nga \u0219i
\ndreapta, s\u0103 m\u00e2ni cabriolete pe deasupra
\nobiectelor \u2013 c\u00e2nd totul e frumos & amar (\u2026)\u201d
\n(kitsch & porn, p. 11). O crispare tentacular\u0103
\nmen\u021bine statusul volumelor precedente, liniile
\ndemarca\u021biei sunt foarte sub\u021biri \u0219i episoadele
\nsindromului anun\u021bat ini\u021bial continu\u0103
\nprocedeele interioriz\u0103rii \u2013 subiectul se
\n\u00eenstr\u0103ineaz\u0103 de sine \u0219i ceilal\u021bi, forfecat de
\nlimitele \u00eengustimilor gregare: \u201eai f\u0103cut tot ce
\nse putea mai bun, toat\u0103 lumea a trebuit s\u0103 se
\nascund\u0103, ca \u0219i cum ai fi ademenit un animal
\ns\u0103lbatic, sau pe cineva cu o memorie
\ncomplet\u0103, sau ca \u0219i cum o femeie \u0219i un b\u0103rbat
\n\u0219i-ar odihni capul pe cadavrul unui copil
\nfrumos. Marea aduce acum spume murdare,
\nploaia cald\u0103, acid\u0103, spal\u0103 furnicile de pe zid.\u201d
\n(ceva a\u0219teapt\u0103, p. 46). Asemenea regretatului
\npoet Virgil Mazilescu (care afirmase c\u0103
\ninventeaz\u0103 poezia \u0219i a c\u0103rui retoric\u0103 se
\nsprijinea pe contrac\u021bia eului \u0219i am\u00e2narea
\nexplica\u021biilor finale), Rita Chirian inventeaz\u0103
\n\u201eam\u00e2narea\u201d, procedeu de evaluare a limitelor,
\n\u00een fond, un sistem defensiv ridicat \u00eempotriva
\niminen\u021bei cu ajutorul imagina\u021biei: \u201eam\/
\ninventat\/ am\u00e2narea, partea\/ decupat\u0103 a
\nfotografiei \u2013 \/ c\u00e2nd lucrurile singure devin
\nalte lucruri\u201d (#3, p. 49). Lan\u021bul cauzalit\u0103\u021bilor
\nare c\u00e2teva verigi vulnerabile \u0219i poeta e \u00een
\nm\u0103sur\u0103 s\u0103 le fisureze \u0219i mai mult. Conceptul
\nde fericire e luat la bani m\u0103run\u021bi, apropierea
\nde cel\u0103lalt devine un automatism \u00een virtutea
\nspeciei \u0219i \u00een absen\u021ba schimbului reciproc de
\ninteligen\u021b\u0103. \u00centotdeauna se va g\u0103si un element
\ncare s\u0103 trezeasc\u0103 subiectul din letargie, aici se
\nafl\u0103 \u0219i o posibil\u0103 cheie a poemelor de fa\u021b\u0103,
\npresiunea lucidit\u0103\u021bii pe zonele aride, gesturile
\nchirurgicale derulate pe vagul elementelor
\nconsiderate de al\u021bii esen\u021biale. Mai mult,
\nautoarea \u00ee\u0219i inventeaz\u0103 propriul miracol, acolo
\nperplexitatea cedeaz\u0103 spa\u021bii largi vitalismului.
\nE vorba de \u201eomul imaginar\u201d, propria crea\u021bie,
\ncea mai bun\u0103 \u0219i cea mai adev\u0103rat\u0103, apt\u0103 ca s\u0103
\ndep\u0103\u0219easc\u0103 suferin\u021ba \u0219i oprobiul la care este
\nsupus omul-de-toate-zilele. Cu aceast\u0103
\nsiguran\u021b\u0103 \u00ee\u0219i fac apari\u021bia calmul \u0219i starea de
\nbine \u2013 totul a fost spus, a fost scris, totul s-a
\nterminat \u0219i via\u021ba imaginarului continu\u0103 \u00een alt\u0103
\ndimensiune: \u201ep\u0103cat c\u0103 am fost \u00een \u00eentuneric
\npeste tot, m\u0103 simt bine, m\u0103 simt mai bine.\u201d
\n(origo, p. 48). Senza\u021bia de sufocare pe care o
\npot l\u0103sa unele texte face parte din planul
\nini\u021bial, este cu adev\u0103rat o cas\u0103-\u00een-fl\u0103c\u0103ri \u0219i
\ntextul curge mitraliind pasaje dup\u0103 pasaje, de
\ncealalt\u0103 parte afl\u00e2ndu-se poemele t\u0103iate \u00een
\nmod tradi\u021bional, rolul acestora fiind de
\nfavorizare a odihnei vizuale. O permanent\u0103
\nculisare \u00eentre observa\u021bie \u0219i descriere, \u00eentre
\namintire \u0219i aducerea ei \u00een actualitate \u021bine de
\navatarurile metodei Marcel Proust. Ceva ne
\ntrimite spre altceva, schema baroc\u0103
\ntraverseaz\u0103 poemul centrifug\u00e2nd aten\u021bia \u00een
\nmai multe direc\u021bii. Apare pe scen\u0103 un grup
\nrestr\u00e2ns de personaje (majoritatea nenumite
\npentru a ob\u021bine maximum de efect) \u0219i resturile
\nunor dialoguri (sau monologuri) r\u0103m\u00e2n \u00een
\nmemorie ca ni\u0219te borne pentru textul urm\u0103tor.
\n\u0218i nu degeaba se vorbe\u0219te despre \u201eo lume
\nmutilat\u0103\u201d, \u201ejum\u0103t\u0103\u021bi de oameni\u201d, \u201efrumuse\u021be e
\ndisperarea noastr\u0103 umil\u0103\u201d \u0219i alte eufemisme
\nbine croite pentru a echivala vidul r\u0103coros al
\ncogita\u021biei, spa\u021biu predestinat \u00eensingur\u0103rii chiar
\n\u0219i al\u0103turi de jum\u0103tatea constituit\u0103 de cel\u0103lalt.
\nEste, aici, o sf\u00e2\u0219iere temperat\u0103 numai de
\ncalmul emisiei, parc\u0103 venit dintr-o art\u0103 a
\nresemn\u0103rii: \u201e(\u2026) \u0219i cur\u00e2nd o s\u0103 \u0219fichiuiasc\u0103
\naerul, aici n-o s\u0103 aud\u0103 nimeni fo\u0219g\u0103iala, n-o s\u0103
\nvad\u0103 nimeni degete care vor s\u0103 apuce, \u0219i
\ndespre inflama\u021bie, remembering is not equal
\nto politeness strategy, aceea\u0219i, de fiecare dat\u0103
\nc\u00e2nd el \u2013, ma\u0219in\u0103ria avertizeaz\u0103 \u0219i interzice \u0219i
\npedepse\u0219te, \u0219i despre un index tenace,
\npapagalilor, pro\u0219tilor, spune, ce \u00een\u021belegem noi
\ndin tot desfr\u00e2ul \u0103sta, \u0219i despre mirosul
\ncamerelor f\u0103r\u0103 lumin\u0103 natural\u0103, despre saltele
\nstacojii \u0219i pufoase, \u0219i despre chinez\u0103riile de pe
\npere\u021bi, \u021bestoase \u0219i elefan\u021bi \u00een\u021belep\u021bi, despre
\ndragostea ca scamatorie, baby, despre pic\u0103turi
\ncarmin sp\u0103late cu \u00een\u0103lbitor, \u0219i despre
\nviermi\u0219ori \u0219i bobi\u021ba lor neuronal\u0103 \u00een care s-a
\nalc\u0103tuit deja \u0219treangul sentimental, dar acolo
\nnimeni n-o s\u0103-\u0219i a\u0219eze g\u00e2tul, nici tu, asasinul
\nuituc \u2013 \u0219i despre cum un b\u0103rbat face toat\u0103
\ntreaba murdar\u0103, \u0219i despre canaliz\u0103ri care
\ng\u00e2lg\u00e2ie grea\u021ba \u0219i copiii mor\u021bi, \u0219i \u021bi-aminte\u0219ti: o
\nistorioar\u0103 \u00eencurcat\u0103 despre vr\u0103bii izbite de
\ngrilajul radiatorului \u0219i despre ghidu\u0219ele b\u0103i de
\npraf cu care tot mai des seam\u0103n\u0103 durerea,
\ndespre autostrada lins\u0103 de rafale \u0219i despre o
\ntreime de cer albastru care e \u00een sf\u00e2r\u0219it de
\najuns, \u0219i despre \u00eembr\u0103\u021bi\u0219\u0103rile pe din\u0103untru,
\ndespre substan\u021be cu nume complicate, pe care
\najut\u0103 s\u0103 le \u00eendulce\u0219ti \u0219i s\u0103 le min\u021bi, frunzuli\u021b\u0103
\n\u0219i flutura\u0219, \u0219i feti\u021b\u0103 \u0219i despre cum se
\nrostogolesc covoarele ro\u0219ii, \u0219i despre obrazul
\nlipit de gresie \u0219i despre recele mai adev\u0103rat
\ndec\u00e2t orice celul\u0103, o istorioar\u0103 \u00eencurcat\u0103 \u00een
\ncare noi am fost chema\u021bi prea t\u00e2rziu s\u0103 ne
\nsp\u0103l\u0103m m\u00e2inile.\u201d (\u00eemp\u0103r\u021bire, p. 53). Se pot
\nreg\u0103si, c\u00e2nd \u00eentr-un text mai aerisit, c\u00e2nd \u00eentr-unul
\nprozastic acele cli\u0219ee conceptuale menite
\ns\u0103 desfac\u0103 un evantai de registre specifice
\ncameleonismului autentic \u2013 singur\u0103tatea \u0219i
\ndisperarea, interesul \u0219i dezgustul, tensiunea \u0219i
\napatia \u2013 sunt jucate precum c\u0103r\u021bile de poker cu
\nemo\u021bia a\u0219tept\u0103rii quintei royale, o stare de
\numilitate e urmat\u0103 alteori de sarcasm, sau un
\ntext venit din senin poate fi revela\u021bia unei
\n\u201esporov\u0103ieli\u201d ulterioare cu stil despre
\n\u201efleacuri\u201d \u2013 lucruri importante din via\u021ba
\nindividului \u0219i peiorativizate pro domo. A\u0219adar
\nnu este doar o poezie de citit, ci una de recitit,
\n\u00eentruc\u00e2t autoarea cunoa\u0219te bine actul
\ninterpret\u0103rii critice \u0219i \u0219tie cum se vede textul
\ndinafara lui; atmosfera creat\u0103 din fine tu\u0219e
\nexpresioniste armate cu zv\u00e2cnete ironice,
\nlaconismul unor piese \u0219i dezl\u0103n\u021buirea
\nscriptural\u0103 a altora, totul \u021bine de furcile
\ncaudine ale orizontului de a\u0219teptare. Astfel,
\nechilibrul \u0219i concentrarea, majoritatea
\ndemoniilor cogita\u021biei \u0219i frumuse\u021bii poetice au
\n\u00eenc\u0103 un nume: Rita Chirian.<\/p>\n","protected":false},"excerpt":{"rendered":"

Codru\u021ba VANCEA (Oradea) Licen\u021biat\u0103 \u00een Informatic\u0103 Doctorat \u00een Matematic\u0103 Pas\u0103rea m\u0103 privea. pas\u0103rea m\u0103 privea \u00een timp ce \u00ee\u0219i ascu\u021bea<\/p>\n","protected":false},"author":17,"featured_media":13482,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13522"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13522"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13522\/revisions"}],"predecessor-version":[{"id":13525,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13522\/revisions\/13525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/13482"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}