{"id":13424,"date":"2021-02-04T13:36:49","date_gmt":"2021-02-04T10:36:49","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=13424"},"modified":"2021-02-04T13:36:49","modified_gmt":"2021-02-04T10:36:49","slug":"literadura-nr-5-8","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=13424","title":{"rendered":"Literadura nr. 5 (8)"},"content":{"rendered":"

Mihai VINTIL\u0102<\/strong>
\n\"\"

Omul cu dou\u0103 neveste<\/strong><\/p>\n

Momentele de via\u021b\u0103 c\u0103rora le ofer\u0103
\nnemurire scriitorul Jenic\u0103 Chiriac
\nse \u00eembog\u0103\u021besc cu un nou material
\n\u2013 Dan, pricopsitul ap\u0103rut la editura Lucas din
\nBr\u0103ila la \u00eenceputul de an 2017. Reg\u0103sim \u00een
\naceast\u0103 carte tematica drag\u0103 autorului aceea a
\nlumii de dinainte de anul 1989, stilul s\u0103u
\nsf\u0103tos, dar \u0219i caren\u021bele din ultimele sale
\napari\u021bii.
\nAvem descris\u0103 via\u021ba lui Dan Belciug
\nplutonier de intenden\u021b\u0103 \u00eentr-o unitate militar\u0103
\ndin capital\u0103…\u00eenalt, drept, milit\u0103ros, poart\u0103
\nmusta\u021b\u0103 falnic\u0103 \u00een toat\u0103 vremea ajustat\u0103
\nfrumos din foarfece, ochi negri p\u0103cur\u0103, nas
\nvulturesc, r\u0103s\u0103turi faciale t\u0103iate \u00een cremene,
\np\u0103r negru tuns scurt.
\nPovestea nu este cursiv\u0103, ci are din c\u00e2nd \u00een
\nc\u00e2nd hopuri. Jenic\u0103 Chiriac \u00eencepe de la
\nmijlocul vie\u021bii personajului pentru a ne plimba
\n\u00eenainte \u0219i \u00eenapoi \u0219i iar\u0103 \u00eenainte. Ca metod\u0103 de
\nscriere ea ar fi putut fi m\u0103iastr\u0103 numai c\u0103
\nscriitorului \u00eei cam scap\u0103 povestea la final
\nprintre degete \u0219i cu unele confuzii ajungem s\u0103
\n\u00een\u021belegem totu\u0219i destinul personajului.
\nSf\u00e2r\u0219itul este cel prev\u0103zut pentru toate fiin\u021bele
\nvii dar, inedit pentru noi este faptul c\u0103 mare
\nnorocos a fost Dan, plutonierul de a\u021b\u0103, la
\nvia\u021ba lui: l-au iubit \u00een egal\u0103 m\u0103sur\u0103 dou\u0103
\nfemei. Omul cu dou\u0103 neveste odihne\u0219te acum,
\nnu-l mai sup\u0103r\u0103 inima, nici sufletul, nici
\nhemoglobina!
\nTrecut prin tumultul vie\u021bii autorul, nu ezit\u0103 a
\ninterveni pe parcursul ac\u021biunii d\u00e2nd indica\u021bii,
\nf\u0103c\u00e2nd comentarii \u0219i uneori chiar anticip\u00e2nd
\nceea ce va urma. Acest mod de interven\u021bie din
\npozi\u021bia unui \u00eenalt povestitor este sup\u0103r\u0103tor
\npentru cititor \u0219i \u00eel sf\u0103tuim prietene\u0219te al p\u0103r\u0103si
\n\u00een viitoarele c\u0103r\u021bi. Nu de alta dar omoar\u0103
\nfarmecul povestirii \u0219i ne scoate din magia
\nscriiturii sale.
\nPersonajul Dan Belciug ajunge s\u0103 tr\u0103iasc\u0103
\ndou\u0103 mari pove\u0219ti de dragoste ambele
\n\u00eencununate de c\u00e2te un fiu. Via\u021ba sa penduleaz\u0103
\n\u00eentre Bucure\u0219ti \u0219i Turnu M\u0103gurele, \u00eentre
\narmat\u0103 \u0219i pescuit.
\nUn alt neajuns de semnalat al volumului ar fi
\ninsisten\u021ba cu care Jenic\u0103 Chiriac adaug\u0103 zgur\u0103
\npove\u0219tii. M\u0103 refer aici de exemplu, la
\nmomentul intern\u0103rii personajului principal \u00een
\nspital \u0219i l-a schimburile de bancuri cu ceilal\u021bi
\npacien\u021bi. Acest procedeu este vizibil \u0219i
\ncontrastant cu ceea ce s-a \u00eent\u00e2mplat p\u00e2n\u0103
\natunci. Momentele de umplutur\u0103 nu vin a
\ndezv\u0103lui nimic, sunt doar o parantez\u0103 care
\nzg\u00e2rie obrazul curat al pove\u0219tii.
\n\u00cen rest, avem o construc\u021bie aparent clasic\u0103
\nformat\u0103 din cincisprezece capitole de c\u00e2teva
\npagini fiecare plus un trist epilog cum \u00eel
\ndefine\u0219te autorul. Nici nu \u0219tiu dac\u0103 s\u0103
\n\u00eencadrez cartea la nuvel\u0103 sau la roman. Dup\u0103
\n\u00eentindere, ac\u021biune \u0219i num\u0103rul de personaje este
\nclar o nuvel\u0103 dar divaga\u021biile autorului \u00eei dau
\ncomplexitatea unui roman de mic\u0103 \u00eentindere.
\nVolumul se cite\u0219te u\u0219or, nu este preten\u021bios dar
\nnici nu \u00ee\u021bi las\u0103 vreo impresie deosebit\u0103. Poate
\nfi citit cu satisfac\u021bie \u00een tren, \u00een ma\u0219in\u0103 sau ca
\nlectur\u0103 de vacan\u021b\u0103 \u0219i nu este o lectur\u0103 rea. Este
\ndoar o poveste de via\u021b\u0103!
\nJenic\u0103 Chiriac, Dan, pricopsitul, Br\u0103ila,
\neditura Lucas, 2017, 96 pagini.<\/p>\n


\nCarmen Tania GRIGORE<\/strong><\/p>\n

evanescen\u021b\u0103<\/strong><\/p>\n

te-am \u00eengropat \u00een z\u0103pad\u0103
\nnu mai exi\u0219ti
\natot\u0219tiutoare
\nlini\u0219tea te caut\u0103
\n\u00een memorie
\ncu migala aceea
\nde anticariat
\nc\u00e2nd g\u0103se\u0219ti ce nu cau\u021bi
\n\u00eemi preg\u0103tesc plecarea
\nspre o alt\u0103 v\u00e2rst\u0103
\n\u00eentr-o prim\u0103var\u0103
\nm\u0103 voi \u00eentoarce
\nde m\u00e2n\u0103 cu nepo\u021bii
\ns\u0103 culeg ghiocei
\nie\u0219i\u021bi la lumin\u0103
\ndin pulpa din\u021bilor<\/p>\n


\n\u00een numele clipei<\/strong><\/p>\n

vor veni anii
\ncu spr\u00e2ncene de cear\u0103
\nne vor schimba t\u0103cerea
\n\u00een nelini\u0219ti impetuoase
\nse vor umple din nou
\nod\u0103ile mari
\ncu pietate
\np\u00e2n\u0103 la refuz
\nse vor umple
\n\u00een timp ce clopotul
\nsabotat de \u00eentuneric
\nse va fr\u00e2nge
\nchiar mai cur\u00e2nd
\ndec\u00e2t ne a\u0219tept\u0103m
\np\u00e2nza alb\u0103
\nva flutura
\ndeasupra unui mar\u0219 funebru<\/p>\n

\u00een pusee t\u00e2nguitoare
\nsentimentele cer
\nreferendum <\/p>\n


\nGenovel-Florentin
\nFR\u0102\u021aIL\u0102<\/strong><\/p>\n

cerbul \u00eensetat –
\ndin iezerul alb\u0103striu
\nsorbind doar norii
\n#
\ncultur\u0103 eco \u2013
\ndin loc \u00een loc plantate
\neoliene
\n#
\nrafale de v\u00e2nt \u2013
\ndin magnolia-n floare
\nroiesc petale
\n#
\n\u00eenseninare \u2013
\nalbastru de Vorone\u021b
\n\u00een privirea ta
\n#
\noglind\u0103 ad-hoc \u2013
\ncicoarea \u00eenflorit\u0103
\nreflect\u0103 cerul
\n#
\nTransf\u0103g\u0103r\u0103\u0219an \u2013
\n\u0219oseaua \u0219erpuit\u0103
\ntrece printre nori<\/p>\n


\nLouis ARAGON (1897-1982)<\/strong>
\n\"\"

Ghazel \u00een toiul nop\u0163ii<\/strong><\/p>\n

Precum un ho\u0163 am revenit acas\u0103.
\nCa florile din glastre erai de somnoroas\u0103 \u00een toiul nop\u0163ii.<\/p>\n

Mi-am luat hainele c\u0103zute pe jos.
\n\u015ei inima s\u0103 tac\u0103 am implorat-o frumos \u00een toiul nop\u0163ii.<\/p>\n

Nu m\u0103 vedeam \u015fi v\u00e2rsta mi-o pierdusem.
\nGol eram \u015fi-n lumea neagr\u0103 disp\u0103rusem \u00een toiul nop\u0163ii.<\/p>\n

Despuiat complet de zile \u015fi de mine
\n\u00cemi aduceam aminte \u00eenfrigurat doar de tine \u00een toiul nop\u0163ii.<\/p>\n

Taina frem\u0103t\u00e2nd c\u0103 atinge ca un orb
\nMemoria m\u00e2inilor \u015fi a gurii cu care te sorb \u00een toiul nop\u0163ii.<\/p>\n

Parfumul lung reg\u0103sit al vie\u0163ii \u00een doi
\nTremur la g\u00e2ndul c\u0103 respir\u0103m am\u00e2ndoi \u00een toiul nop\u0163ii<\/p>\n

Iat\u0103-te iar tuberoz\u0103 captiv\u0103 \u00een bra\u0163ele mele
\nFo\u015fnind c\u00e2nd m\u0103 apropii de patul cu dantele \u00een toiul nop\u0163ii<\/p>\n

Ca \u015fi cum \u00eemi faci un loc la tine-n vis
\nDoar Dumnezeu \u015ftie ce se-nt\u00e2mpl\u0103 precis \u00een toiul nop\u0163ii.<\/p>\n

C\u00e2nd dormi \u00ee\u0163i stau de veghe ne-ncetat
\n\u015ei mi-i nespus de fric\u0103 s\u0103 fiu de somn furat \u00een toiul nop\u0163ii.<\/p>\n

Pe apele oglinzii se las\u0103 cea\u0163\u0103 grea
\nFragil\u0103-i fericirea z\u0103rit\u0103 vag de tot \u00een ea \u00een toiul nop\u0163ii<\/p>\n

De lini\u015fte mi-e fric\u0103 \u015fi totu\u015fi tu respiri
\nTe str\u00e2ng la piept imperiu at\u00e2tor amintiri \u00een toiul nop\u0163ii<\/p>\n

Mereu \u00een preajm\u0103 p\u00e2ndesc tulburat
\nLa orice pas ce-l face \u015fi-i de ecou dublat \u00een toiul nop\u0163ii<\/p>\n

Al\u0103turi sunt de tine cum straja e pe zid
\n\u015ei suf\u0103r pentru-o frunz\u0103, de murmure-s avid \u00een toiul nop\u0163ii<\/p>\n

Tr\u0103iesc pentru triste\u0163ea c\u00e2nd tu te odihne\u015fti
\nCuprins febril de teama pe care mi-o treze\u015fti \u00een toiul nop\u0163ii<\/p>\n

Frumos ghazel, celor ce vin le spun
\nC\u0103 numele de Elsa drept semn\u0103tur\u0103-l pun \u00een toiul nop\u0163ii!<\/p>\n

(Din volumul Le Fou d\u2019Elsa, 1963)
\nTraducere de Ion RO\u015eIORU<\/em><\/p>\n


\nElisabeta DRAGHICI<\/strong><\/p>\n

G\u00e2nduri despre copii<\/strong><\/p>\n

Apare deodat\u0103 un copil
\n\u00een gr\u0103dina timpului.
\nPe aripi de v\u00e2nt ludic
\n\u00eei cresc vise z\u0103mislite din eternul de ce?
\nEl planteaz\u0103 o s\u0103m\u00e2n\u021b\u0103 a iubirii \u00een p\u0103m\u00e2nt
\n\u0219i-o desc\u00e2nt\u0103 naiv.
\nCu pa\u0219ii mici acoper\u0103 lumea
\niar r\u00e2sul lui cutremur\u0103 inimi.
\nE un copil ce-\u0219i construie\u0219te
\nmicul palat al \u00eemp\u0103r\u0103\u021biei sale.<\/p>\n


\n\u00cent\u00e2lniri accidentale<\/strong><\/p>\n

M\u0103 \u00eenfioar\u0103 povestea ei!
\nO spune cu glas bl\u00e2d ca o resemnare
\n\u00een fa\u021ba tuturor \u00eencerc\u0103rilor sortite
\nunor finaluri cu multe semne de \u00eentrebare.
\nPrivirea \u00eei completeaz\u0103 vorbele
\nrul\u00e2nd un film cu scene incredibile,
\nunele \u00een alb-negru, altele color.
\nCol\u021bul de strad\u0103 \u2013 martorul m\u0103rturisilor ei –
\npromite t\u0103cerea \u0219i o nema\u00eent\u00e2lnit\u0103 fidelitate.
\nCa o garan\u021bie a statorniciei,
\nuruitul ma\u0219inilor acoper\u0103 cuvintele,
\np\u0103str\u00e2ndu-le ferecate \u00een urechile mele.<\/p>\n


\nDespre anumi\u021bi oameni<\/strong><\/p>\n

Oamenii ace\u0219tia au ie\u0219it pe strad\u0103 \u00een pas vioi
\nsoarele e \u00eembl\u00e2nzit \u0219i v\u00e2ntul m\u00e2ng\u00e2ietor.
\nEi nu vor filosofii, nici teorii \u0219i teoreme
\nnu mai vor legi \u0219i nici politicieni.
\nS-au desprins de lume ca dup\u0103 o teribil\u0103 lupt\u0103
\n\u00eentre dou\u0103 armate ce-au uitat
\nce anume le-a pus fa\u021b\u0103 \u00een fa\u021b\u0103.
\nAu pornit pentru c\u00e2teva clipe
\npe un drum al uit\u0103rilor de sine
\nal lep\u0103d\u0103rilor poftelor \u0219i dorin\u021belor.
\nAu vrut s\u0103 fie altfel!
\nOamenii ace\u0219tia \u00eemi par a fi departe
\n\u0218i-o t\u0103cere istovitoare se a\u0219terne-ntre noi.<\/p>\n


\nCostel SUDITU<\/strong><\/p>\n

Iat\u0103-ne \u015fi pe noi la v\u00eersta
\nla care ne preocup\u0103 sfir\u015fitul lumii
\niubirea \u00eent\u00eerziat\u0103 curele de sl\u0103bire bolile
\nde tot felul iat\u0103-ne \u00eengenunchea\u021bi \u015fi noi
\ncum fulger\u0103m cu privirea c\u00eete-un r\u0103spuns
\ncare ne leag\u0103 palmele \u015fi ochii \u00eenchisi
\npentru \u00eenc\u0103 20 de ani<\/p>\n

certitudinea c\u0103 exi\u015fti \u00eentr-o umbr\u0103 a altei
\numbre
\na altei umbre \u015fi tot a\u015fa p\u00een\u0103 \u00eentr-o lume a
\numbrelor
\ndin care ie\u015fi la sf\u00eer\u015fit ca dintr-un ou personal
\npe care l-ai dus peste tot cu drag cu sil\u0103 cu
\nindiferen\u021b\u0103<\/p>\n

l-ai rostogolit \u00een sus \u00een jos
\nmai \u00eencet mai repede
\ncu tine \u00een el ai sperat \u00eentr-un prag o piatr\u0103
\nmai r\u0103s\u0103rit\u0103 sau c\u0103utat\u0103 s\u0103 crape s\u0103 animi
\nun deget m\u0103car ce-i dincolo s\u0103 pip\u0103i s\u0103 \u015ftii<\/p>\n

\u00een zadar p\u00een\u0103 la v\u00eersta la care ne preocup\u0103
\n\u015fi pe noi sfir\u015fitul lumii iubirea imposibil\u0103
\ninfinitul mor\u021bii
\nne catapult\u0103m cu bra\u021bele alipite de corp
\n\u00een propriul ou ca-ntr-o piscin\u0103 ve\u015fnic\u0103
\npentru \u00eenc\u0103 20 de ani cu ochii \u00eenal\u021bi<\/p>\n

poate vor izbuti cei r\u0103ma\u015fi dup\u0103 \u00eenc\u0103 20 de ani
\naceia care nu \u00eenceteaz\u0103 cu-n deget m\u0103car
\ns\u0103 vrea s\u0103 pip\u0103ie s\u0103 \u015ftie ce fel de pas\u0103re
\ni-a ouat ce fel de soare nu-i \u00eenc\u0103lze\u0219te.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mihai VINTIL\u0102 Omul cu dou\u0103 neveste Momentele de via\u021b\u0103 c\u0103rora le ofer\u0103 nemurire scriitorul Jenic\u0103 Chiriac se \u00eembog\u0103\u021besc cu un<\/p>\n","protected":false},"author":17,"featured_media":13290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13424"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13424"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13424\/revisions"}],"predecessor-version":[{"id":13427,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13424\/revisions\/13427"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/13290"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}