{"id":13323,"date":"2021-01-30T12:09:14","date_gmt":"2021-01-30T09:09:14","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=13323"},"modified":"2021-01-30T12:10:43","modified_gmt":"2021-01-30T09:10:43","slug":"spatii-culturale-nr-63-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=13323","title":{"rendered":"Spa\u021bii culturale nr. 63 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/18-5-e1611997155631.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13324 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/18-5-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 207px; --smush-placeholder-aspect-ratio: 207\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13324\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/18-5-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Petre Isachi<\/strong>, <em>Docufic\u021biuni critice, Exerci\u021bii de lectur\u0103 hermeneutic\u0103<\/em>. <em>Critica Poeziei <\/em>(<em>\u00cen c\u0103utarea lirismului reflexiv<\/em>), <em>Editura Rovimed Publishers, Bac\u0103u, 2018<\/em>, 452 p. Sunt trecu\u021bi prin furcile caudine: Vasile Ghica, Adrian Voica, Dan Sandu, Gheorghe Izb\u0103\u0219escu, Calistrat Costin, Virgil Nistru \u021aig\u0103nu\u0219, Daniel \u00centuneric, Theodor George Calcan, Traian Vasilc\u0103u, Radu C\u00e2rneci, Victor Stan, Armina Flavia Adam, Mircea Constantin Jurebie, Mirela B\u0103lan, Geta Stan Palade Ligia Stan, Ana-Maria Moraru, Vasile Checheri\u021b\u0103, Mihaela B\u0103bu\u0219anu, Atena Ivanovici, Mioara B\u0103lu\u021b\u0103, Horia Zilieru.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/19-5-e1611997176423.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13325 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/19-5-167x300.jpg\" alt=\"\" width=\"167\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 167px; --smush-placeholder-aspect-ratio: 167\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13325\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/19-5-167x300.jpg\" alt=\"\" width=\"167\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florentin Popescu<\/strong>, <em>\u0102\u0219tia suntem! Editura Rowex Coms, Bucure\u0219ti, 2018<\/em>, 176 p. Se constituie din editorialele autorului publicate \u00een revista \u201eBucure\u0219tiul literar \u0219i artistic\u201d, \u00een intervalul februarie 2015 \u2013 decembrie 2018. Despre importan\u021ba revistei, R\u0103zvan Voncu scria: <em>\u201eBucure\u0219tiul literar \u0219i artistic\u201d \u2026un proiect unic p\u00e2n\u0103 la urm\u0103, cu at\u00e2t mai interesant, cu c\u00e2t acoper\u0103 o \u201eni\u0219\u0103\u201d \u00een publicistica noastr\u0103, proiect\u00e2nd asupra spa\u021biului culturii na\u021bionale \u0219i universale o perspectiv\u0103 impregnat\u0103 de spiritul sudic\u2026 Un traseu exemplar \u00een publicistica noastr\u0103 literar\u0103, o amprent\u0103 indelebil\u0103 asupra unei epoci a presei noastre rom\u00e2ne\u0219ti, cum pu\u021bine mai avem azi.\u201d<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/20-5-e1611997196486.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13326 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/20-5-222x300.jpg\" alt=\"\" width=\"222\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 222px; --smush-placeholder-aspect-ratio: 222\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13326\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/20-5-222x300.jpg\" alt=\"\" width=\"222\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Victoria Milescu<\/strong>, <em>Por\u021bia de existen\u021b\u0103, eLiteratura, Bucure\u0219ti, 2018<\/em>, 98 p. \u00cen prefa\u021ba la acest nou volum de poezie al Victoriei Milescu, Lucian Gruia apreciaz\u0103: <em> De la volum la volum, poeta Victoria Milescu ne surprinde prin noutatea unghiului de abordare. De aceast\u0103 dat\u0103, \u00een volumul Por\u021bia de existen\u021b\u0103, perspectiva este existen\u021bialist\u0103.(\u2026) \u00cen aceast\u0103 doctrin\u0103, de\u0219i e de esen\u021b\u0103 divin\u0103, omul exist\u0103 pur \u0219i simplu, existen\u021ba sa nefiind necesar\u0103. (\u2026) Poetul poate fi asemuit lui Sisif. St\u00e2nca sa pe care o urc\u0103 \u00een pisc este poemul. Dup\u0103 fiecare poem terminat el jubileaz\u0103 \u0219i coboar\u0103 \u00een lume c\u0103ut\u00e2nd subiectul altui poem (aceea\u0219i st\u00e2nc\u0103, aceea\u0219i poezie,, cu alt\u0103 variant\u0103)\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/21-5-e1611997214395.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13327 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/21-5-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 221px; --smush-placeholder-aspect-ratio: 221\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13327\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/21-5-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihaela Malea Stroe<\/strong>,<em> Eseuri, Editura Kron-Art, Bra\u0219ov, 2018<\/em>, 100 p. \u00cen Postfa\u021ba la aceast\u0103 lucrare, despre drumul Mihaelei Malea Stroe, A. I. Brumaru spune:<em> \u2026 Ea concepe, am impresia, opera la care se raporteaz\u0103, ca execu\u021bia progresiv\u0103 (cum ar spune francezul Gaetan Picon) a unui proiect. Analizele pleac\u0103, a\u0219adar, \u00een chip firesc, de la o oper\u0103 \u00eemplinit\u0103 \u2013 asemuind, dac\u0103 nu confund\u00e2nd, puterea ei cu perfec\u021biunea, exerci\u021biul critic realizeaz\u0103, a\u0219a, un lumini\u0219 spre necunoscut, cine oare s\u0103-l cunoasc\u0103, autorul operei, comentatorul? Critica, ochiul comentatorului, g\u00e2ndul ce interpreteaz\u0103 \u00eenlocuiesc \u201erealitatea operei\u201d cu un adev\u0103r ce e deja fascina\u021bia propriei sale lucr\u0103ri\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/22-4-e1611997234348.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13328 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/22-4-187x300.jpg\" alt=\"\" width=\"187\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 187px; --smush-placeholder-aspect-ratio: 187\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13328\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/22-4-187x300.jpg\" alt=\"\" width=\"187\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Passionaria Stoicescu<\/strong>, <em>Pe uli\u021ba\u2026 mijlocie, eLiteratura, Bucure\u0219ti, 2018<\/em>, 234 p. Pe una dintre clapetele c\u0103r\u021bii, Radu Voinescu men\u021bioneaz\u0103: <em>P\u00e2n\u0103 la urm\u0103, e o arm\u0103, epigrami\u0219tii se dueleaz\u0103 adesea \u2013 multe epigrame celebre s-au n\u0103scut \u00een urma unor astfel de \u00eencruci\u0219\u0103ri de condeie -, iar umorul ei e numai bun s\u0103 ve\u0219teje\u0219ti pe cineva, un inamic mai precis. Au ceva, mutatis mutandis, de r\u0103zboinici epigrami\u0219tii, chiar c\u00e2nd se joac\u0103 \u00een rime de\u0219ucheate. Sau poate tocmai atunci sunt mai periculo\u0219i, c\u00e2nd nu-\u0219i \u021bin cuvintele \u00een fr\u00e2u.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/23-4-e1611997250537.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13329 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/23-4-222x300.jpg\" alt=\"\" width=\"222\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 222px; --smush-placeholder-aspect-ratio: 222\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13329\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/23-4-222x300.jpg\" alt=\"\" width=\"222\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Petru Solonaru<\/strong>, <em>Spre simfonia br\u00e2ncu\u0219ian\u0103, Editura Sigma, Bucure\u0219ti, 2018<\/em>, 87 p. \u0218i spune dintru \u00eenceput autorul: <em>Avem a ne dumiri c\u0103 farmecul \u00eemp\u0103c\u0103rii noastre cu Br\u00e2ncu\u0219i st\u0103ruie \u00een descoperirea, mai cur\u00e2nd sau mai t\u00e2rziu a transl\u0103rii cunoa\u0219terii sale de la speculative agreg\u0103ri de vocabule la un ierarhizat theometric ceremonial hermeneic, vas\u0103zic\u0103, de la reflect\u0103ri la \u201eOglind\u0103\u201d, de la semiotic\u0103 spre semantic\u0103 de la \u201ecum\u201d este c\u0103tre \u201ece\u201d este (elinescul \u201etu e\u0219ti\u201d, \u201ecetatea\u201d noastr\u0103, \u201esat\u201d-ul divin) \u0219i \u00eenspre \u201ede ce\u201d este Opera (sensul, pricina, Calea sa)\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/24-4-e1611997264656.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13330 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/24-4-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 207px; --smush-placeholder-aspect-ratio: 207\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13330\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/24-4-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Corneliu, Vasile<\/strong>, <em>\u0218coala, educa\u021bia, literatura \u0219i societatea \u2013 articole \u0219i comunic\u0103ri, Editgraph, Buz\u0103u, 2018<\/em>, 110 p. Din sumarul c\u0103r\u021bii amintim: <em>Educa\u021bia f\u0103r\u0103 selec\u021bie, Cartea \u2013 \u00eensemn esen\u021bial al culturii \u0219i educa\u021biei, \u0218coala de azi \u2013 puncte tari \u0219i puncte slabe, Atractivitatea disciplinei \u0219colare, Cunoa\u0219terea valorilor culturii rom\u00e2ne prin activit\u0103\u021bile extra\u0219colare, Marea Unire \u00een viziunea poe\u021bilor clasici rom\u00e2ni, Cultivarea creativit\u0103\u021bii \u0219i \u00eencurajarea cercet\u0103rii independente a limbii \u0219i literaturii rom\u00e2ne.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/25-4-e1611997304152.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13331 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/25-4-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 195px; --smush-placeholder-aspect-ratio: 195\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13331\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/25-4-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>\u0218tefan Negri\u0219an<\/strong>, <em>R\u0103t\u0103ci\u021bii &#8211; nuvele, Editura Ex Ponro, Constan\u021ba, 2018<\/em>, 179 p. De pe coperta a patra a c\u0103r\u021bii, cit\u0103m dou\u0103 aprecieri critice: <em>Arta narativ\u0103 a lui \u0218tefan Negri\u0219an deriv\u0103 din capacitatea de a povesti \u00een dimensiunea unei oralit\u0103\u021bi vii, ca \u0219i din adaptarea tehnicii narative, a gramaticii nara\u021biunii la fragran\u021ba unui subiect contemporan. (Ana Dobre) At\u00e2t romanele, c\u00e2t \u0219i povestirile lui \u0218tefan Negri\u0219an impun un prozator matur, viguros, profund, cu un remarcabil sim\u021b al construc\u021biei epice, al observa\u021biei, analizei \u0219i portretisticii. (Ovidiu Dun\u0103reanu).<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/26-3-e1611997321210.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13332 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/26-3-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 194px; --smush-placeholder-aspect-ratio: 194\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13332\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/26-3-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Rodica Dasc\u0103lu<\/strong>, <em>Nervuri, Editura Ateneul scriitorilor, Bac\u0103u, 2018<\/em>, 93 p. \u00cen prefa\u021ba la acest volum, B\u0103t\u0103ile inimii, t\u0103cerile, cuvintele, Valeria Manta T\u0103icu\u021bu spune: P<em>oeta b\u0103c\u0103uan\u0103 Rodica Dasc\u0103lu este o fire sensibil\u0103, \u00een general introvertit\u0103, care tr\u0103ie\u0219te acut starea de poezie \u0219i exprim\u0103 doar par\u021bial, \u00eentr-un discurs liric de bun\u0103 calitate, profunzimea \u0219i intensitatea sentimentelor. Poezia pare mai mult tr\u0103ire \u0219i mai pu\u021bin form\u0103 de cunoa\u0219tere. (\u2026) Universul creat este unul bazat pe frumuse\u021bea lucrurilor m\u0103runte (\u2026), dar \u0219i pe o anumit\u0103 simbolistic\u0103 de tip cre\u0219tin, \u00een care iubirea apare ca punte\/ liant \u00eentre suflete, iar iertarea \u0219i curajul \u2013 calit\u0103\u021bi necesare pentru a putea urca pe treptele con\u0219tiin\u021bei p\u00e2n\u0103 la iluminarea deplin\u0103\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/27-3-e1611997338960.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13333 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/27-3-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13333\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/27-3-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Emilia Amariei<\/strong>, <em>Moire \u0219i \u00eengeri, Poeme, Editura Vatra veche, T\u00e2rgu-Mure\u0219, 2018<\/em>, 102 p. \u00cen prefa\u021ba la acest volum, Poezia ca destin, Nicolae B\u0103ciu\u021b remarc\u0103: <em>\u2026 Prin Emilia Amariei, patriotismul, ca dimensiune liric\u0103, dar \u0219i existen\u021bial\u0103, \u00eenregistreaz\u0103 o abordare nou\u0103 \u00een semnifica\u021biile sale, \u00eentr-un discurs patetic, ardent, ca un strig\u0103t disperat al riscului pierderii identit\u0103\u021bii na\u021bionale. Rezum\u00e2nd un cuprins substan\u021bial \u00een diversitatea sa, Moire \u0219i \u00eengeri \u00eencearc\u0103 s\u0103 conving\u0103 c\u0103 \u201edac\u0103 iubire de patrie nu e, nimic nu e\u201d.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/28-3-e1611997351773.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13334 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/28-3-178x300.jpg\" alt=\"\" width=\"178\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 178px; --smush-placeholder-aspect-ratio: 178\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13334\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/28-3-178x300.jpg\" alt=\"\" width=\"178\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Nina Elena Plopeanu<\/strong>, <em>Moirele \u0219i alte povestiri, Editura PIM, Ia\u0219i, 2018<\/em>, 155 p.. 16 povestiri, de bun\u0103 calitate, cu ac\u021biuni \u0219i personaje bine conturate, cu nuan\u021b\u0103ri venite din literatura clasic\u0103 rom\u00e2neasc\u0103, (Zaharia Stancu, Eugen Ionescu, Mircea Eliade \u0219i nu numai), unde coexist\u0103 \u00een armonie creativ\u0103 original\u0103: realul, absurdul \u0219i fantasticul. Spune autoarea, aflat\u0103 \u00een fa\u021ba vitrinei unui chio\u0219c de ziare: <em>&#8230; am v\u0103zut un soldat \u00eenvins f\u0103r\u0103 s\u0103 fi fost vreodat\u0103 pe c\u00e2mpul de lupt\u0103\u2026 (Parcul cu orhidee). \u00cen ansamblu, este o proz\u0103 scurt\u0103 interesant\u0103, atractiv\u0103, bine scris\u0103.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/29-3-e1611997364996.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13335 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/29-3-186x300.jpg\" alt=\"\" width=\"186\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 186px; --smush-placeholder-aspect-ratio: 186\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13335\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/29-3-186x300.jpg\" alt=\"\" width=\"186\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Constan\u021ba Popescu<\/strong>, <em>Fericirea dintre gene, Editura Bibliotheca, T\u00e2rgovi\u0219te, 2018<\/em>, 86 p. Pe coperta a patra a volumului, Ana Dobre apreciaz\u0103: <em>\u2026 \u00cen toamna timpului \u0219i a vie\u021bii, medita\u021bia Constan\u021bei Popescu are aura unui dramatism con\u0219tient \u0219i con\u0219tientizat, care nu o conduce \u00een lamenta\u021bie. E o \u00een\u021belepciune a accept\u0103rii \u00een aceast\u0103 poezie ce vibreaz\u0103 de sensuri pun\u00e2nd \u00een mi\u0219care a\u0219trii \u0219i stelele proprii\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/30-2-e1611997379177.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13336 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/30-2-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13336\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/30-2-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Spa\u021bii culturale<\/strong>, <em>Dimine\u021bi literare, Antologie editat\u0103 sub egida revistei SPA\u021aII CULTURALE, Editgraph, Buz\u0103u, 2018<\/em>, 210 p. \u00cen argumentul \u201eSpa\u021bii culturale\u201d deschise, Valeria Manta T\u0103icu\u021bu, moderatorul celor trei \u00eent\u00e2lniri, men\u021bioneaz\u0103: <em>\u2026 \u00cent\u00e2lnirile literare ilustrate \u00een acest volum s-au desf\u0103\u0219urat \u00eentr-un loc atipic, o cafenea\/ restaurant (\u2026) cu rafturi de c\u0103r\u021bi pe pere\u021bi, cu tablouri, pian \u0219i citate scrise de m\u00e2n\u0103 \u0219i \u00eenviorate de lumina filtrat\u0103 prin vitralii (\u2026) \u0219i cu invita\u021bi care fac cinste literaturii contemporane: Corneliu Antoniu (Gala\u021bi), Ovidiu Bufnil\u0103 (Bac\u0103u), &#8211; la ceas de iarn\u0103; Florentin Popescu, Iuliana Paloda Popescu (Bucure\u0219ti), Viorel Savin, Petre Isachi, Dumitru Br\u0103neanu (Bac\u0103u) la cel de prim\u0103var\u0103; Camelia Iuliana Radu (Ploie\u0219ti), \u00een ar\u0219i\u021ba lui august. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU Raftul cu c\u0103r\u021bi Petre Isachi, Docufic\u021biuni critice, Exerci\u021bii de lectur\u0103 hermeneutic\u0103. Critica Poeziei (\u00cen c\u0103utarea lirismului reflexiv), Editura<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13323"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13323"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13323\/revisions"}],"predecessor-version":[{"id":13339,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/13323\/revisions\/13339"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}