{"id":12932,"date":"2021-01-08T22:18:34","date_gmt":"2021-01-08T19:18:34","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=12932"},"modified":"2021-01-08T22:20:03","modified_gmt":"2021-01-08T19:20:03","slug":"spatii-culturale-nr-64-5","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=12932","title":{"rendered":"Spa\u021bii culturale nr. 64 (5)"},"content":{"rendered":"<p><strong>DIN MINIATURA POETIC\u0102 RUS\u0102<\/strong><\/p>\n<p>Nu ar fi ne\u00eentemeiat\u0103 p\u0103rerea c\u0103 \u2013 \u00een urma sintezelor, nucleiz\u0103rilor \u2013 cel mai evident esen\u021bele idea\u021biei existen\u021bial-filosofice sunt prezente \u00een focaliz\u0103rile prozodice de minime dimensiuni \u201evizibile\u201d \u0219i imense spa\u021bialit\u0103\u021bi imaginative, mentale, cosmospirituale umane. Dintre multele referin\u021be sugestive la chintesen\u021ba de acest gen mi se pare relevant\u0103 \u0219i cea a poetului Lorens Blinov care, \u00eencerc\u00e2nd a se dumeri \u00een problema raportului art\u0103-filosofie, ajunge de fapt la formula unit\u0103\u021bii artofilosofiei: \u201eCum s\u0103 surprinzi esen\u021ba fenomenelor?\/\/ Foarte simplu:\/ Ia un ou obi\u0219nuit\/ \u0218i imagineaz\u0103-\u021bi c\u0103 el ar fi chiar\/ Dumnezeu\/ (aproape dizolv\u00e2ndu-te \u00een el)\u201d. Iar un alt autor, Arsen Mirzaev, parc\u0103 s-ar referi \u0219i el la concep\u021bia conform c\u0103reia mi-am propus s\u0103 elaborez o ampl\u0103 selec\u021bie panoramic\u0103 din poezia rus\u0103 de propor\u021bii c\u00e2t mai restr\u00e2nse: \u201eMotiv de miniatur\u0103.\/ Tot ce e mic\/ uria\u0219 e&#8230;\/ precum\/ VIA\u021aA\u201d.<\/p>\n<p><strong>Leo BUTNARU<\/strong><\/p>\n<p><strong>Andrei DEMENTEV<\/strong> <em>(1928-2018)<\/em><\/p>\n<p>***<\/p>\n<p>Viitorul nu-l \u00eempaci cu ce-a trecut deja.<br \/>\nNu iese amici\u021bie \u00eentre \u201east\u0103zi\u201d<br \/>\n\u0218i \u201eieri\u201d \u2013 nu-\u0219i dau m\u00e2na.<br \/>\nEu am r\u0103mas corabie-necat\u0103<br \/>\n\u00cen via\u021ba care<br \/>\nTrecu, precum furtuna.<br \/>\nDar corabiei i-a revenit memoria lucid\u0103,<br \/>\nRiscant\u0103, ca un scafandru neap\u0103rat.<br \/>\nEa ap\u0103ru \u00een fosta-mi tinere\u021be<br \/>\n\u0218i eu din nou sunt cel naiv,<br \/>\nBun \u0219i curat&#8230;<\/p>\n<p>***<\/p>\n<p>Din nou pe cer alunec\u0103 o stea.<br \/>\nE trist s\u0103 vezi cum cad \u00eenalte stele.<br \/>\n\u00cemi petrec prietenii \u2013<br \/>\n\u00cen neunde, \u00een nic\u0103ieri.<br \/>\n\u00cen nevenite ierni \u0219i-n<br \/>\nNe-mprim\u0103v\u0103rate prim\u0103veri.<\/p>\n<p>\u00cemi petrec prietenii \u00een inexistente pove\u0219ti.<br \/>\nSlav\u0103 Domnului, tu t\u00e2n\u0103r\u0103 \u00eenc\u0103 mai e\u0219ti.<\/p>\n<p>***<br \/>\n<em>Lui R. Rojdestvenski<\/em><\/p>\n<p>Totu-i de\u0219ert\u0103ciune&#8230;<br \/>\n\u0218i eterna c\u00e2ntare de bani<br \/>\n\u0218i cheltuirea lor, \u0219i scrierea de c\u0103r\u021bi.<br \/>\nTotu-i de\u0219ert\u0103ciune.<br \/>\nDar niciunde n-ai putea ascunde<br \/>\nTriste\u021bea, t\u00e2njirea ta,<br \/>\nPrelung\u0103, precum strig\u0103tul spre zori.<br \/>\nNu-s singur tr\u0103ind \u00een atare prinsoare,<br \/>\nSper\u00e2nd mereu la oarece lumini\u0219.<br \/>\nNoi suntem n\u0103scu\u021bi ca basmul s\u0103-l<br \/>\nPrefacem \u00een durere.<br \/>\nDar c\u0103 nici basmul nu mai e, se dovedi.<\/p>\n<p>***<\/p>\n<p>Prin sita de aur a<br \/>\nFrunzi\u0219ului t\u00e2rziu<br \/>\nSe cerne tihnita lumin\u0103 a zilei.<br \/>\n\u0218i tot ce este \u2013 TU,<br \/>\nPentru mine \u00eenseamn\u0103 unitate.<br \/>\nPentru-aceast\u0103 \u00eent\u00e2lnire \u0219i anii ce vor veni.<br \/>\nO, ast\u0103 privire!<br \/>\nDin m\u0103rturisiri molitve pl\u0103smuiesc.<br \/>\nEu pentru totdeauna cu sufletul<br \/>\n\u0218i trupul sunt credincios<br \/>\n\u00centru iubirea<br \/>\n\u0218i frumuse\u021bea ta.<\/p>\n<p><strong><br \/>\n\u00cen gr\u0103din\u0103<\/strong><\/p>\n<p>A doua zi,<br \/>\nA doua noapte \u2013 plou\u0103.<br \/>\n\u0218i p\u0103s\u0103rile parc\u0103-ar fi fost<br \/>\nM\u0103turate de v\u00e2nt.<br \/>\n\u00cens\u0103 tu \u2013 c\u00e2n\u021bi, ca \u0219i mai \u00eenainte, \u2013<br \/>\nNici nu \u0219tiu cum te nume\u0219ti,<br \/>\nCum \u021bi-a\u0219 spune.<\/p>\n<p>E\u0219ti de nev\u0103zut \u2013 at\u00e2t de mic fiind.<br \/>\nDoar ramul<br \/>\nTresare-abia-abia&#8230;<br \/>\n\u0218i ce te-a apucat<br \/>\n\u00cen at\u00e2ta triste\u021be, at\u00e2ta cea\u021b\u0103<br \/>\nS\u0103 c\u00e2n\u021bi at\u00e2t de vesel?<\/p>\n<p>***<\/p>\n<p>Eu te pierd \u2013<br \/>\nCum codrul muzica o pierde,<br \/>\nC\u00e2nd peste el se-nst\u0103p\u00e2ne\u0219te frigul.<br \/>\nSufletul meu \u2013<br \/>\nPrizonier pe via\u021b\u0103 \u2013<br \/>\nDin memorie nu are cum ie\u0219i.<\/p>\n<p>Eu te pierd \u2013<br \/>\nCum casa pierde cerul,<br \/>\nC\u00e2nd ploaia perdeluie\u0219te geamul.<br \/>\n\u0218i viitorul nostru-i ca rebusul:<br \/>\nNu-l voi dezlega.<br \/>\nNici tu nu-l vei citi.<\/p>\n<p><strong>Mihail ERIOMIN<\/strong> <em>(n. 1936)<\/em><\/p>\n<p>***<\/p>\n<p>Cum \u0219arpele \u00ee\u0219i las\u0103 pielea, tu<br \/>\n\u00ce\u021bi p\u0103r\u0103se\u0219ti ciorapul.<br \/>\nFrigurosul ornament al \u021bes\u0103turii<br \/>\nVeiozei \u00eei insufl\u0103-o fric\u0103 p\u0103s\u0103reasc\u0103.<br \/>\nPicioarele ce dorm de-ar p\u0103stra \u00een timp<br \/>\nForma ciorapilor pe care-au pierdut<br \/>\n\u0218i mu\u0219chii \u0219i scheletul,<br \/>\nSulului \u0219oldurilor \u00eencredin\u021b\u00e2ndu-i<br \/>\nTaina creapari\u021biei* genunchilor.<\/p>\n<p>_____<br \/>\n*Creapari\u021bie \u2013 de la contaminarea crea\u021bie+apari\u021bie, \u00een spiritul originalului: proizzojdenie.<\/p>\n<p>***<\/p>\n<p>Croitoreasa coas\u0103 la ma\u0219in\u0103<br \/>\nAsemeni ploii, albastru \u0219i verde,<br \/>\nPloii fr\u00e2nte de sticla ferestrei,<br \/>\nCum luntrea fr\u00e2nge firele de stuf.<br \/>\nDup\u0103 geam detunetul tu\u0219e\u0219te,<br \/>\nStropii ploii se lipesc de sticl\u0103,<br \/>\nFiecare \u2013 jum\u0103tate verde<br \/>\n\u0218i albastr\u0103 \u2013 alt\u0103 micro-jum\u0103tate.<\/p>\n<p>***<\/p>\n<p>Ro\u0219catul alchimist al z\u0103pezii<br \/>\nRetopi metalul \u00een nichel, nu \u00een aur.<br \/>\n\u00cen ceruri, ca \u00een Cartea porumbeilor, \u2013<br \/>\nAlfabetul ebraic al scoar\u021bei de mesteac\u0103n.<br \/>\nR\u00e2urile-s pline de a\u0219chii de v\u00e2sle,<br \/>\n\u00cen ochii oblici, de cucuvaie, ai ovinelor<br \/>\nPrim\u0103vara fo\u0219ni sec ca un \u0219oarece.<\/p>\n<p>***<\/p>\n<p>Zemo\u0219ii, ca \u0219i pe\u0219tii din ad\u00e2nc,<br \/>\nAu culoare adecvat\u0103, form\u0103 alungit\u0103,<br \/>\nP\u00e2r\u00e2ul care-\u0219i joac\u0103 \u00een oglinzi zemo\u0219ii<br \/>\nLe-adap\u0103 r\u0103d\u0103cina cu vlag\u0103 monoton\u0103.<br \/>\nPrecum greimea merelor, gutuilor,<br \/>\nSoarele pornit ca \u00een inspec\u021bii<br \/>\nPrin asiatele bost\u0103n\u0103rii<br \/>\nSe arat\u0103 extrem de uimit.<\/p>\n<p>***<\/p>\n<p>Cu n\u0103rile vi\u021belul speria fricosul,<br \/>\nAplec\u00e2ndu-se, \u00eencord\u00e2nd arcanul,<br \/>\nCu maxilarul unui marinar chefliu<br \/>\nCl\u0103tin\u00e2nd gherghina purpurie.<br \/>\nTrupul costeliv seam\u0103n\u0103 armonicii,<br \/>\n\u00cen dormitorul fizicianului Infeld*<br \/>\nPartituri cu note uria\u0219e<br \/>\n\u00cen buzunarele pielii \u00eentinse<br \/>\n\u0218i pi\u0219c\u0103turi ca de la \u021b\u00e2n\u021bari \u00een<br \/>\nC\u00e2mpul magnetic.<br \/>\n_____<br \/>\n*Leopold Infeld (1898\u20131968) \u2013 celebru fizician polonez.<\/p>\n<p>***<\/p>\n<p>Arcuita cruce-a coarnelor<br \/>\nPrecum un idol o ridic\u0103 peste r\u0103muri\u0219ul scund.<br \/>\nVaca nu se c\u00e2\u0219tig\u0103, ci se extrage<br \/>\nDin cei mai fragezi mu\u0219chi ai protivnicului.<br \/>\nVuie\u0219te-n defileul cornu\u00eentrompetat<br \/>\nR\u0103nind auzitorii p\u00e2n\u0103-la sare!<br \/>\nRespir\u0103 logodnicele \u00eemprejurimilor<br \/>\nCrunt miros transmis din tat\u0103-n fiu.<\/p>\n<p><strong><br \/>\nBaloane<\/strong><\/p>\n<p><em>Lui L. Vinogradov<\/em><\/p>\n<p>Sunetul e-ntemni\u021bat \u00een scoica m\u0103rii.<br \/>\nCornul de taur c\u0103zu ca un fruct la r\u0103d\u0103cina c\u0103zii.<br \/>\nPeste mare, urechea ca un cercel de coral<br \/>\nClatin\u0103 felinarul fatal pe-o sub\u021bire stinghie, fr\u00e2nghie.<br \/>\nBalonul aerului e complice c\u0103derii<br \/>\nSoarelui \u00een cuprinsul femeii<br \/>\nClopotul c\u0103reia nu e clopot, ci z\u0103gaz<br \/>\nCe d\u0103d\u0103ce\u0219te-un mare naufragiu.<\/p>\n<p>***<\/p>\n<p>Trist sezon al idolilor mul\u021bi,<br \/>\nFr\u00e2ngerea umbeliferelor peste iarba c\u0103zut\u0103,<br \/>\nPl\u00e2nsul p\u0103g\u00e2n al mla\u0219tinilor alb-negre,<br \/>\nCastele ridicate din arbori str\u0103vezii,<br \/>\nPsalmodierea matinal\u0103, de dup\u0103 geam, a bisericii,<br \/>\nUn pahar de ceai auriu de peste ocean,<br \/>\nLum\u00e2narea, dezgolit\u0103 de lumina cereasc\u0103<br \/>\n\u0218i domni\u021ba presim\u021bindu-\u0219i um\u0103rul de sprijin.<\/p>\n<p>***<\/p>\n<p>Elicopterul hotelului altisim<br \/>\nCa un cer \u00eemp\u0103nat, peste palidul<br \/>\nScuar din preajma \u0219colii.<br \/>\nProprietarele ghiozdanelor de toamn\u0103<br \/>\nTreb\u0103luiesc frem\u0103t\u0103tor peste plasele \u201eclaselor\u201d.<br \/>\nZbur\u0103t\u0103cirile ar\u021barilor duc departe<br \/>\nTorentul asfaltului, ocolind scuarul.<\/p>\n<p>***<\/p>\n<p>De ce crabii sunt ici-colo bomba\u021bi<br \/>\n\u0218i \u00een ad\u00e2ncul m\u0103rii arunca\u021bi?<br \/>\nDin ce fel de aluat a fost copt<br \/>\nCorpul lor de biscuit<br \/>\nCare nu ajunse tort?<br \/>\nCrabii de cine fost-au or\u00e2ndui\u021bi<br \/>\nS\u0103-\u0219i adune hran\u0103 din ad\u00e2nc?<br \/>\nAcolo actinii fastuoase<br \/>\nV\u00e2neaz\u0103 via\u021ba cea f\u0103r\u0103 de griji.<br \/>\nUnde fost-au crabii m\u0103rilor crea\u021bi<br \/>\nPentru-a \u00eentunde alge \u0219i-aripioare \u00eenot\u0103toare<br \/>\nCu necru\u021b\u0103toarele lor cle\u0219te?<\/p>\n<p>***<\/p>\n<p>&#8230;Astfel c\u0103utau iudeii barem o palm\u0103 de p\u0103m\u00e2nt;<br \/>\nC\u0103lc\u00e2nd c\u00e2mpii pierdute-n nori de praf;<br \/>\nMerg\u0103torii se r\u0103reau ca b\u0103rbile,<br \/>\nC\u0103z\u00e2nd, \u00eencovriga\u021bi, \u00een nisip, cu picioarele la gur\u0103.<br \/>\nCeilal\u021bi, spre a-i \u00eenmuia lui Moise inima,<br \/>\nSpre-a gusta din p\u00e2inea tuciurie,<br \/>\nSem\u0103nau meiul \u2013 mielul pustiei \u2013<br \/>\n\u00centru s\u0103r\u0103c\u0103cioas\u0103 supravie\u021buire r\u0103t\u0103citoare<br \/>\nPentru-a d\u0103d\u0103ci fluierul lui David<br \/>\n\u0218i s\u0103 populeze p\u0103m\u00e2ntul, ca pe o carte,<br \/>\nPlaneta proprie de-a-\u0219i boteza, chiar dac\u0103 \u00eenc\u0103<br \/>\nN-o putem l\u0103sa, n-o putem \u00eenc\u0103 p\u0103r\u0103si&#8230;<\/p>\n<p>***<\/p>\n<p>Copil al \u00eempov\u0103r\u0103toarelor timpuri<br \/>\nDe revolu\u021bie francez\u0103<br \/>\nSe covrigi coco\u0219at pe spatele regelui.<br \/>\nBra\u021bele suveranului \u2013 ca exclama\u021bia,<br \/>\nCa strig\u0103tul furchetului de barc\u0103,<br \/>\nPe c\u00e2nd trupul ml\u0103diu al v\u00e2slei e-arcuit p\u00e2n\u0103 la s\u00e2nge.<br \/>\nDin tulpina genealogiei regale, \u00een inel\u0103rile<br \/>\nMiezului arborelui, nu se g\u0103se\u0219te<br \/>\nNici sc\u00e2ndur\u0103 de co\u0219ciug, nici pl\u0103cinte<br \/>\nPentru furtul miresei<br \/>\nDe pe \u021b\u0103rmul cel\u0103lalt.<\/p>\n<p><strong><br \/>\nIonel ZAHARIA<\/strong><\/p>\n<p><strong>Reverie<\/strong><\/p>\n<p>Iar m\u0103 \u00eencearc\u0103 nostalgia<br \/>\n\u0218i-a\u0219 vrea, \u00een nop\u021bile rebele,<br \/>\nS\u0103-mi fii aproape, carra mia,<br \/>\nNu pl\u0103smuire-a min\u021bii mele.<br \/>\nAcum, c\u00e2nd iarna este, iat\u0103,<br \/>\nA pune ger peste cuvinte<br \/>\n\u0218i ochiul z\u0103rii se dilat\u0103<br \/>\nPrecum c\u0103tarea unei flinte,<br \/>\nT\u00e2nje\u0219te dup\u0103 tine patul<br \/>\n\u0218i m\u00e2inile, c\u00e2ndva gonace,<br \/>\nC\u00e2nd v\u00e2n\u0103torul \u0219i v\u00e2natul<br \/>\nC\u0103deau, mai c\u0103tre zori, la pace.<\/p>\n<p><strong><br \/>\nAmintire<\/strong><br \/>\nSunt clipe-n care re\u00eenvie \u2013<br \/>\nCa scurte fulgere de var\u0103-<br \/>\nMomente din copil\u0103rie<br \/>\nSau clase mici de la \u201eprimar\u0103\u201d.<br \/>\nMama, pe prag de \u00eenserare,<br \/>\nPreg\u0103tea fr\u00e2ngerea de p\u00e2ine,<br \/>\nC\u00e2nd tata se ivea din zare,<br \/>\n\u0218i azi ca ieri, \u0219i ieri ca m\u00e2ine<br \/>\nIar noi, \u021b\u00e2ncii de dou\u0103 \u0219chioape,<br \/>\nRosteam mici rug\u0103ciuni \u0219i ambre<br \/>\nVesteau c\u0103 \u00eengerii-s pe-aproape<br \/>\n\u0218i, poate, ne z\u0103resc prin \u021bambre.<\/p>\n<p><strong><br \/>\nInvoca\u021bie<\/strong><\/p>\n<p>Pomi ruginii \u0219i p\u0103lmui\u021bi de v\u00e2nt,<br \/>\nC\u0103r\u0103ri astupate de fruzele moarte,<br \/>\nA\u0219 vrea s\u0103 \u00eemi imaginez c\u0103 sunt,<br \/>\nPrin un cuv\u00e2nt, un pas spre departe,<br \/>\nOri, ca \u00een jocuri de orientare,<br \/>\nMarcajele iubirii nu s-au \u0219ters<br \/>\n\u0218i mai r\u0103m\u00e2n \u2013 faruri la \u021b\u0103rm de mare \u2013<br \/>\nPerechi vestite care ne-au premers.<br \/>\nNop\u021bi, pensiuni de patru insomnii,<br \/>\nVacante, tot mai sper\u0103 c-o s\u0103 vii.<\/p>\n<p><strong><br \/>\nAnotimp<\/strong><\/p>\n<p>Ne mai \u00eentoarce o dat\u0103, ast\u0103zi, prim\u0103vara<br \/>\nCeasul cu sonerie tandr\u0103 de ghiocei,<br \/>\nCare se-aude parc\u0103 ceva mai bine seara,<br \/>\nVestind chiar \u00cenvierea cu clopotele ei.<br \/>\nSpre echinoc\u021biu, paji\u0219tea stelar\u0103<br \/>\nCu astre-aduc\u0103toare de noroc<br \/>\nCoboar\u0103-n noi \u0219i otr\u0103ve\u0219te iar\u0103.<br \/>\nVor veni berze \u0219i vor duce-n cioc<br \/>\nR\u0103ceala dintre noi cea mult amar\u0103,<br \/>\nTrecuta iarn\u0103 surd\u0103 la talcioc.<\/p>\n<p><strong><br \/>\nAdrian MUNTEANU <\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/11-1-e1597947099511.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10168 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/11-1-284x300.jpg\" alt=\"\" width=\"284\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 284px; --smush-placeholder-aspect-ratio: 284\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10168\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/11-1-284x300.jpg\" alt=\"\" width=\"284\" height=\"300\" \/><\/noscript><\/a><\/p>\n<p><strong>LECTURI REG\u0102SITE<\/strong><\/p>\n<p><strong>Episodul 10<\/strong><\/p>\n<p>9 februarie 1988<\/p>\n<p>Grecii \u2013 o singur\u0103 realitate (cu trei fe\u021be): Adev\u0103rul \u2013 Binele &#8211; Frumosul<\/p>\n<p>Henri Poincar\u00e9: \u201e\u0218tiin\u021ba este la indicativ, morala la imperativ \u0219i niciodat\u0103 nu se va putea deduce un imperativ dintr-un indicativ.\u201d<br \/>\nAnaxagoras &#8211; (m-am n\u0103scut) \u201epentru a contempla soarele, luna \u0219i cerul.\u201d (contempla\u021bia \u00een\u0103l\u021bimilor &#8211; fondul existen\u021bei umane).<\/p>\n<p>10 februarie 1988<\/p>\n<p>Ultimul Proust continu\u0103 printr-o reconsiderare a personajelor sub prisma noii lor fe\u021be mult \u00eemb\u0103tr\u00e2nite.<\/p>\n<p>Dar dac\u0103&#8230; Xerografiere \/ Dactilografiere \/ Atelier crea\u021bie texte \/ Montaj literar \/ Grup de satir\u0103 \u0219i umor \/ Scenarii pentru spectacole \/ Spectacol de estrad\u0103 \/ Scenarii film \/ Recitaluri de poezie&#8230;..<br \/>\nDar dac\u0103&#8230;<br \/>\nEste, probabil, momentul reducerii preten\u021biilor \u00een privin\u021ba pozi\u021biei sociale, \u00een favoarea unor mai mari avantaje materiale. Din p\u0103cate.<\/p>\n<p>11 februarie 1988<\/p>\n<p>&#8211; metamorfozele timpului<br \/>\n&#8211; efectul timpului<br \/>\n&#8211; formele ultime \u0219i de neinvidiat ale supravie\u021buirii<\/p>\n<p>Proust: \u201eacest scriitor care va avea, de altfel, de ar\u0103tat aspectele cele mai contradictorii ale fiec\u0103rui caracter, pentru a i se sim\u021bi volumul, trebuie s\u0103-\u0219i prepare cartea cu migal\u0103, cu perpetue regrup\u0103ri de for\u021be, ca pe o ofensiv\u0103, s\u0103 o zideasc\u0103 \u00eentocmai ca pe o biseric\u0103, s\u0103 i se conformeze ca unei diete, s\u0103 o \u00eenving\u0103 ca pe un obstacol, s\u0103 o c\u00e2\u0219tige ca pe o prietenie, s\u0103 o supraalimenteze ca pe un copil, s\u0103 o creeze ca pe o lume, f\u0103r\u0103 s\u0103 lase deoparte acele taine ce-\u0219i au, probabil, explica\u021bia numai \u00een alte lumi, \u0219i a c\u0103ror presim\u021bire ne emo\u021bioneaz\u0103 cel mai mult \u00een via\u021b\u0103 \u0219i \u00een art\u0103. \u0218i \u00een astfel de c\u0103r\u021bi grandioase exist\u0103 p\u0103r\u021bi ce n-au avut dec\u00e2t timpul de a fi schi\u021bate \u0219i care nu vor fi, desigur, niciodate terminate, din pricina chiar a vastit\u0103\u021bii planului arhitectului.\u201d<\/p>\n<p>12 februarie 1988<\/p>\n<p>A scrie a\u0219a cum se \u00eens\u0103ileaz\u0103 o rochie.<\/p>\n<p>Proust: \u201eAme\u021beam privind sub mine, \u00een mine, totu\u0219i, ca \u0219i cum a\u0219 fi avut o \u00een\u0103l\u021bime kilometric\u0103.\u201d<br \/>\nFantastica viziune ciclic\u0103 a omului \u00een timp, a timpului \u00een om.<\/p>\n<p>DE REVENIT ZILNIC LA PAGINILE CITATE.<\/p>\n<p>13 februarie 1988<\/p>\n<p>Petru cel Mare: \u201edac\u0103 nu gu\u0219ti amarul, nu cuno\u0219ti nici dulcele\u201d;<br \/>\n\u201etimpul e aidoma fierului fierbinte care dac\u0103 se r\u0103ce\u0219te, nu mai poate fi lucrat\u201d;<br \/>\n\u201etimpul pierdut e ca \u0219i moartea, f\u0103r\u0103 \u00eentoarcere\u201d.<br \/>\nPetru are aptitudini de chirurg; rudele disecate de el dup\u0103 moarte. Scoate din\u021bi, ocna\u0219ilor le t\u0103ia n\u0103rile p\u00e2n\u0103 la os pentru a fi lesne prin\u0219i \u00een caz de recidiv\u0103.<br \/>\n\u201eEroul nu poate fi crud\u201d.<\/p>\n<p>Dimitri Merejkovski \u2013 \u201ePetru \u0219i Alexei\u201d.<\/p>\n<p>14 februarie 1988<\/p>\n<p>Dante:<\/p>\n<p>Caron \u2013 luntra\u0219ul<br \/>\nAheron \u2013 apa ce duce \u00een infern<br \/>\nPrimul cerc: Limbul \u2013 locul poe\u021bilor antici (Homer, Ovidiu, Hora\u021biu, Lucan, Vergiliu, Dante)<br \/>\nCercul al doilea: Minos &#8211; judec\u0103torul infernului<br \/>\n&#8211; p\u0103c\u0103to\u0219ii din dragoste (Semiramida, Didona, Cleopatra, Elena, Paris, Tristan, Francesca da Rimini)<br \/>\nCercul al treilea: Lacomii p\u0103zi\u021bi de Cerber.<br \/>\nCercul al patrulea: Zg\u00e2rci\u021bii \u0219i risipitorii.<br \/>\nCercul al cincilea: M\u00e2nio\u0219ii.<br \/>\nCercul al \u0219aselea: Ereticii.<br \/>\nCercul al \u0219aptelea: Br\u00e2ul \u00eent\u00e2i: Violen\u021bii<br \/>\nBr\u00e2ul al doilea: Risipitorii<br \/>\nBr\u00e2ul al treilea:<br \/>\nViolen\u021bii \u00eempotriva lui Dumnezeu,<br \/>\nViolen\u021bii \u00eempotriva firii (sodomi\u021bii),<br \/>\nViolen\u021bii \u00eempotriva artei. C\u0103m\u0103tarii.<\/p>\n<p>\u201eCe mult \u00eemi place c\u0103 \u0219tiu s\u0103 m\u0103 \u00eendoiesc\u201d.<br \/>\n(reluat \u0219i de Montaigne)<\/p>\n<p>15 februarie 1988<\/p>\n<p>Continuat Dante:<br \/>\nCercul al optulea:<br \/>\nBolgia 1 \u0219i 2 &#8211; Codo\u0219ii, seduc\u0103torii de femei \u0219i \u00een\u0219el\u0103torii. Lingu\u0219itorii<br \/>\nBolgia 3 &#8211; Simoniacii (cei ce fac t\u00e2rguri cu bunurile sfinte)<\/p>\n<p>C\u0103tre papi: \u201eVoi v-a\u021bi f\u0103cut din aur Dumnezeu\/ \u0219i-o sut\u0103 adora\u021bi f\u0103r\u0103 ru\u0219ine\/ c\u00e2nd nici p\u0103g\u00e2nii n-au mai mult de-un zeu\u201d.<br \/>\nBolgia 4 &#8211; Ghicitorii<br \/>\nBolgia 5 &#8211; Cei care \u00ee\u0219i \u00eensu\u0219esc bunul ob\u0219tesc &#8211; stil de p\u0103stoas\u0103 fars\u0103 popular\u0103: \u201eCotir-atunci la st\u00e2nga dracii roat\u0103\/ \u0219i spre frunta\u0219 v\u0103zui c\u0103 to\u021bi se-ntoarn\u0103\/ \u0219i-un sf\u00e2rc de limb\u0103 printre din\u021bi i-arat\u0103,\/ drept pentru care el f\u0103cu din curu-i goarn\u0103\u201d.<\/p>\n<p>16 februarie 1988<\/p>\n<p>Continuat Dante:<br \/>\nBolgia 6 &#8211; Ipocri\u021bii<br \/>\nBolgia 7 &#8211; Ho\u021bii<\/p>\n<p>\u201est\u00e2nd \u00een puf, sub gros \u0219i cald ve\u0219m\u00e2nt,\/ de glorie-n lume n-are nimeni parte\/ \u0219i via\u021ba e degeaba pe p\u0103m\u00e2nt\/ c\u0103ci \u021bi se stinge urma din trecut\/ ca spuma-n ap\u0103 \u0219i ca fumu-n v\u00e2nt\u201d.<\/p>\n<p>Bolgia 8 &#8211; R\u0103ii sf\u0103tuitori<br \/>\nBolgia 9 &#8211; Sem\u0103n\u0103torii de dezbin\u0103ri<br \/>\nBolgia 10 &#8211; Falsificatorii<\/p>\n<p>&#8211; Pu\u021bul gigan\u021bilor<\/p>\n<p>Cercul al nou\u0103lea: Tr\u0103d\u0103torii<br \/>\nZona I: Tr\u0103d\u0103torii de rude<br \/>\nZona II: Tr\u0103d\u0103torii de patrie sau de partid<br \/>\nZona IV (\u0219i ultima): Tr\u0103d\u0103torii de binef\u0103c\u0103tori.<\/p>\n<p>17 februarie 1988<\/p>\n<p>Dante, final: \u201ePornir\u0103m dar pe c\u0103r\u0103ruia sumbr\u0103\/ spre lumea alb\u0103 de lumini, prin prund\/ \u0219i f\u0103r\u0103 g\u00e2nd de-a p\u0103r\u0103si la umbr\u0103\/ urcar\u0103m sus \u0219i printr-un ochi rotund\/ z\u0103rii la capul c\u0103ii lungi \u0219i grele\/ podoaba bol\u021bii-n cer, \u0219i din str\u0103fund\/ ie\u0219ir\u0103m iar c\u0103tre lumini \u0219i stele\u201d.<\/p>\n<p>18 februarie 1988<\/p>\n<p>Montaigne: \u201ede obicei, \u00een locurile de frunte stau oameni mai pu\u021bin pricepu\u021bi, iar ursita m\u0103ririlor nu prea \u00eencape cu \u00eenvrednicirea min\u021bii\u201d.<\/p>\n<p>Ieri am terminat \u201eInfernul\u201d. Ce este de recunoscut se recunoa\u0219te. Este momentul, \u00eens\u0103, c\u00e2nd nu m\u0103 mai satisface \u2013 nici artistic, nici moral \u2013 o viziune unificatoare, integratoare care, evident, poart\u0103 mesajul pe deasupra evenimentelor, privindu-le exterior, tezist.<\/p>\n<p>Din Vasile Moisescu, \u201eLectura artistic\u0103 \u0219i recitarea\u201d:<br \/>\n&#8211; modul \u00een care trebuie s\u0103 fie interpretat\u0103 o poezie e o problem\u0103 a fiec\u0103rei personalit\u0103\u021bi artistice creatoare.<br \/>\n&#8211; poezia trebuie s\u0103 ne desc\u0103tu\u0219eze for\u021bele creatoare personale.<\/p>\n<p>19 februarie 1988<\/p>\n<p>Din nou din Montaigne:<br \/>\n&#8211; \u201esau tr\u0103im f\u0103r\u0103 sup\u0103r\u0103ri sau este o fericire s\u0103 mori\u201d (sentin\u021be grece\u0219ti).<br \/>\n&#8211; \u201enorocul adesea se \u00eent\u00e2lne\u0219te pe calea ra\u021biunii\u201d.<br \/>\n&#8211; \u201esunt oameni care nu laud\u0103 dec\u00e2t ceea ce pot imita\u201d. (Cicero)<br \/>\n&#8211; \u201ede ajuns tr\u0103it-am pentru al\u021bii. S\u0103 tr\u0103im pentru noi cel pu\u021bin acest cap\u0103t de via\u021b\u0103 (&#8230;) Cel mai important lucru este pe lume s\u0103 \u0219tii s\u0103 fii al t\u0103u \u00eensu\u021bi\u201d.<br \/>\n&#8211; \u201efericirea \u00een\u021beleptului este \u00een el \u00eensu\u0219i; cel\u0103lalt nu are dec\u00e2t o fericire aparent\u0103\u201d. (Seneca)<br \/>\n&#8211; \u201elucrul dorit ne lipse\u0219te; t\u00e2njim dup\u0103 el mai mult dec\u00e2t dup\u0103 oricare altul. Ne cade \u00een m\u00e2n\u0103; vrem un altul. \u0218i setea noastr\u0103 este mereu aceea\u0219i\u201d. (Lucre\u021biu)<\/p>\n<p>20 februarie 1988<\/p>\n<p>Ieri am \u00eenceput Ana Comnena, Alexiada, dup\u0103 ce am \u00eencheiat Eseurile.<br \/>\nNumai munci de pionierat<\/p>\n<p>De re\u021binut profilul unui pap\u0103 care s-a m\u00e2niat pe solii germani pentru mesajul pe care l-au adus. Le taie acestora p\u0103rul, \u00eei rade \u00een cap \u0219i, probabil, le extirp\u0103 testiculele (episod pe care autoarea doar \u00eel enun\u021b\u0103 f\u0103r\u0103 s\u0103 fac\u0103 preciz\u0103ri din \u201epudoare de femeie \u0219i prin\u021bes\u0103\u201d)<\/p>\n<p>Tot de aici:<br \/>\nManiheism &#8211; erezie dualist\u0103 potrivit c\u0103reia la baza universului stau dou\u0103 principii opuse, ale binelui \u0219i r\u0103ului, ve\u0219nice, necreate, \u00een lupt\u0103 permanent\u0103.<br \/>\nM\u00e2ntuirea se face prin gnoz\u0103 cristic\u0103.<\/p>\n<p>21 februarie 1988<\/p>\n<p>Am continuat \u201eAlexiada\u201d:<br \/>\n\u201esupu\u0219ii nu-\u0219i iubesc st\u0103p\u00e2nii, dar de cele mai multe ori se prefac \u0219i se apropie de ei, manifest\u00e2nd lingu\u0219ire\u201d.<\/p>\n<p>Deci a\u0219a e de c\u00e2nd lumea.<br \/>\nO stare f\u0103r\u0103 limit\u0103 \u00eentr-un timp limitat.<\/p>\n<p>22 februarie 1988<\/p>\n<p>Pe la mijlocul volumului II din \u201eAlexiada\u201d.<br \/>\n\u00cen paralel am \u00eenceput actul II din muzicalul dup\u0103 Mihail Sebastian, \u201eSteaua f\u0103r\u0103 nume\u201d.<br \/>\nVoi \u00eencepe emisiunile locale. Poate de aici s\u0103 porneasc\u0103 vreo schimbare. Oricum voi pune problema \u00een cur\u00e2nd.<\/p>\n<p>Am v\u0103zut expozi\u021bia de podoabe \u0219i costume tradi\u021bionale chineze\u0219ti, f\u0103r\u0103 s\u0103-mi lase vreo impresie deosebit\u0103. Explozia formelor, culorilor, desenelor, fine\u021bea lucr\u0103turii chiar, varietatea modelelor, semnifica\u021bia formelor geometrice din costumul popular rom\u00e2nesc sunt net superioare.<\/p>\n<p>\u00cenc\u0103 cinci pe\u0219ti \u00een acvariul copiilor (doi sanitari, doi scalari \u0219i un mic pe\u0219ti\u0219or necunoscut ca specie).<\/p>\n<p>23 februarie 1988<\/p>\n<p>Boris Uspenski \u2013 \u201eProblema cadrului \u00een diferite sfere semiotice\u201d \u2013 \u00eencerc\u0103rile de a discuta eroii literari ca pe ni\u0219te fiin\u021be reale sunt caracteristice interpret\u0103rilor cititorului naiv, ca \u0219i ale criticii tradi\u021bionale. Aceste \u00eencerc\u0103ri pot fi ocolite, p\u00e2n\u0103 la un punct, consider\u00e2ndu-le o violare a ramei \u0219i o intruziune a vie\u021bii \u00een art\u0103.<\/p>\n<p>Lumea operei de\u021bine o semnifica\u021bie semantic\u0103 aparte.<br \/>\nTot aici, ce zice Florenski: \u201eorice substituire a artei printr-o copie a vie\u021bii reprezint\u0103 o ofens\u0103 adus\u0103 artei, c\u00e2t \u0219i vie\u021bii\u201d.<\/p>\n<p>&#8211; oprirea timpului<\/p>\n<p>24 februarie 1988<\/p>\n<p>Am reu\u0219it, \u00een sf\u00e2r\u0219it, s\u0103 continui \u201eAlexiada\u201d. De aici spicuiesc:<br \/>\n\u201eatunci c\u00e2nd \u021bii la dou\u0103 lucruri, cel mai bine este s\u0103 alegi adev\u0103rul\u201d (Aristotel, Etica nicomahic\u0103).<br \/>\nTot aici: \u201eto\u021bi \u00eel laud\u0103 pe cel ce se afl\u0103 pe tron, dar, fa\u021b\u0103 de cel ce nu mai este, nimeni nu d\u0103 nici cel mai mic semn de \u00eenchinare\u201d.<br \/>\nTot aici: \u201eNu vei fi atins, vei privi numai cu ochii\u201d (David, Psalmul).<\/p>\n<p>(Va urma)<\/p>\n<p><strong><br \/>\nNicolai T\u0102ICU\u021aU<\/strong><\/p>\n<p><strong>o pierdere temporar\u0103<br \/>\na orient\u0103rii<\/strong><\/p>\n<p>el este omul<br \/>\ncare trebuia s\u0103 fie<br \/>\n\u00een dreapta mea \u2013<br \/>\ncel cu ini\u021biativa<br \/>\ncel cu \u00eenfigerea \u021b\u0103ru\u0219ilor<br \/>\ncel cu ridicarea cortului \u2013<\/p>\n<p>dar n-a fost s\u0103 fie<br \/>\n\u0219i mi s-a repro\u0219at:<br \/>\nm\u00e2na lui dreapt\u0103<br \/>\nnu are, simetric, \u0219i m\u00e2n\u0103 st\u00e2ng\u0103<br \/>\nnu are picioare predestinate<br \/>\nnu are rota\u021bia complet\u0103<br \/>\na acelor de ceasornic<\/p>\n<p>pe partea dreapt\u0103 a corpului<br \/>\nnu are o \u00een\u021belegere just\u0103 a rolului s\u0103u<br \/>\naceea<br \/>\nprin care nicolai t<br \/>\ns\u0103 accepte starea aceasta<br \/>\nde fapt\u2026<\/p>\n<p><strong><br \/>\nzbor prins \u00een ching\u0103 logic\u0103<\/strong><\/p>\n<p>la ceas de cump\u0103n\u0103<br \/>\n\u00eentre dou\u0103 zbateri de arip\u0103<br \/>\np\u0103s\u0103rii<br \/>\ni se d\u0103 \u0219ansa alegerii:<\/p>\n<p>s\u0103 redevin\u0103, a\u0219a cum s-a mai \u00eent\u00e2mplat<br \/>\ndin propria cenu\u0219\u0103, s\u0103 o ia de la cap\u0103t \u2013<br \/>\npui \u00een cre\u0219tere, care treptat<br \/>\ns\u0103 adauge zv\u00e2cnirea aripii<br \/>\n\u00een zbor liber<br \/>\nsau<\/p>\n<p>s\u0103 r\u0103m\u00e2n\u0103, \u00een timp, datoare aripii fr\u00e2nte<br \/>\ncu picioarele pe p\u0103m\u00e2nt\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DIN MINIATURA POETIC\u0102 RUS\u0102 Nu ar fi ne\u00eentemeiat\u0103 p\u0103rerea c\u0103 \u2013 \u00een urma sintezelor, nucleiz\u0103rilor \u2013 cel mai evident esen\u021bele<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/12932"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12932"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/12932\/revisions"}],"predecessor-version":[{"id":12935,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/12932\/revisions\/12935"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}