{"id":12434,"date":"2020-11-29T22:43:24","date_gmt":"2020-11-29T19:43:24","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=12434"},"modified":"2020-11-29T22:43:24","modified_gmt":"2020-11-29T19:43:24","slug":"spatii-culturale-nr-65-7","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=12434","title":{"rendered":"Spa\u021bii culturale nr. 65 (7)"},"content":{"rendered":"<p><strong>Mihai MERTICARU<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/merticaru.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12435 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/merticaru.jpg\" alt=\"\" width=\"198\" height=\"254\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 198px; --smush-placeholder-aspect-ratio: 198\/254;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12435\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/merticaru.jpg\" alt=\"\" width=\"198\" height=\"254\" \/><\/noscript><\/a><\/p>\n<p><strong>RONDELUL ILUZIEI OPTICE<\/strong><\/p>\n<p>Tot ce vezi \u00een preajm\u0103 e p\u0103rere<br \/>\nCum e-ntreaga via\u021b-amanetat\u0103,<br \/>\nIncomensurabila avere,<br \/>\nCon\u0219tiin\u021ba pu\u021bintel p\u0103tat\u0103.<\/p>\n<p>Realitatea dur\u0103 e durere<br \/>\n\u0218i o ad\u00e2nc\u0103 ran\u0103 supurat\u0103,<br \/>\nTot ce vezi \u00een preajm\u0103 e p\u0103rere<br \/>\nCum e-ntreaga via\u021b-amanetat\u0103.<\/p>\n<p>Tot ce nu este \u00eenc\u0103 la vedere,<br \/>\nTot ce-ai visat sau n-ai visat vreodat\u0103,<br \/>\nTot ce e acoperit de t\u0103cere,<br \/>\nTot ce-a fost ori n-a fost niciodat\u0103,<\/p>\n<p>Tot ce vezi \u00een preajm\u0103 e p\u0103rere.<\/p>\n<p><strong><br \/>\nRONDELUL Z\u0102D\u0102RNICIEI<\/strong><\/p>\n<p>Degeaba \u0219tii, dac\u0103 nu \u00een\u021belegi,<br \/>\nDegeaba \u00een\u021belegi, dac\u0103 nu vezi<br \/>\nNev\u0103zutul \u0219i nu te luminezi<br \/>\nCu ne\u00een\u021belesul lumii \u00eentregi.<\/p>\n<p>Degeaba ai aflat, dac\u0103 nu crezi<br \/>\n\u00cen axioma divinelor legi,<br \/>\nDegeaba \u0219tii, dac\u0103 nu \u00een\u021belegi,<br \/>\nDegeaba \u00een\u021belegi, dac\u0103 nu vezi.<\/p>\n<p>Degeaba ai dreptate, dar n-ai dovezi,<br \/>\nDegeaba semeni, dac\u0103 nu culegi<br \/>\n\u0218i fructele putrezesc prin livezi,<br \/>\nDegeaba co\u0219i, dac\u0103 nodul nu-l legi,<\/p>\n<p>Degeaba \u0219tii, dac\u0103 nu \u00een\u021belegi<\/p>\n<p><strong><br \/>\nRONDELUL TAINELOR<\/strong><\/p>\n<p>Lumina lunii tainele ascunde,<br \/>\nR\u0103sun\u0103-n suflet tact de castaniete,<br \/>\nIspitele \u00eencep s\u0103 te inunde,<br \/>\nC\u0103-n juru-\u021bi , hor\u0103 se-nv\u00e2rte, cu fete.<\/p>\n<p>U\u0219or nedumerirea te p\u0103trunde<br \/>\nC\u00e2nd demonii umbrelor vin \u00een cete,<br \/>\nLumina lunii tainele ascunde<br \/>\n\u0218i-n suflet sun\u0103 tact de castaniete.<\/p>\n<p>Ml\u0103dioase, misterioase unde,<br \/>\nMirajele \u00eenc\u00e2lcite \u00een plete,<br \/>\nHimere r\u0103s\u0103rite de niciunde,<br \/>\nPriviri insidioase, indiscrete,<\/p>\n<p>Lumina lunii pe toate le ascunde.<\/p>\n<p><strong><br \/>\nRONDELUL UNUI COPAC<\/strong><\/p>\n<p>Copac f\u0103r\u0103 frunze pe malul m\u0103rii,<br \/>\nDespuiat de v\u00e2nturi \u0219i b\u0103tut de ploi,<br \/>\nIubit de furnici, ciop\u00e2r\u021bit de strigoi,<br \/>\nAlintat de-mbr\u0103\u021bi\u0219area disper\u0103rii.<\/p>\n<p>P\u00e2ndit de secure, viseaz\u0103 altoi<br \/>\n\u0218i-o \u00eenf\u0103\u021bi\u0219are mai ac\u0103t\u0103rii,<br \/>\nCopac f\u0103r\u0103 frunze pe malul m\u0103rii,<br \/>\nDespuiat de v\u00e2nturi \u0219i b\u0103tut de ploi.<\/p>\n<p>Nu vezi cum te pasc umbrele-nser\u0103rii<br \/>\n\u0218i \u00ee\u021bi dau t\u00e2rcoale c\u00e2rduri de moroi?<br \/>\nNu te-nsp\u0103im\u00e2nt\u0103-ntunecimea z\u0103rii<br \/>\n\u0218i frigul ce ne cuprinde pe am\u00e2ndoi,<\/p>\n<p>Copac f\u0103r\u0103 frunze pe malul m\u0103rii?<\/p>\n<p><strong><br \/>\nRONDELUL UNEI DEVIZE<\/strong><\/p>\n<p>\u00cenv\u00e2rteal\u0103 \u0219i tr\u00e2nd\u0103vie,<br \/>\nDestr\u0103b\u0103lare, lux \u0219i minciun\u0103,<br \/>\nTun\u0103, pe to\u021bi \u00eei adun\u0103,<br \/>\nBanul, suprema entelehie.<\/p>\n<p>Vorbele, nimic, nu pot s\u0103 spun\u0103,<br \/>\nSe adun\u0103, pentru ca s\u0103 fie<br \/>\n\u00cenv\u00e2rteal\u0103 \u0219i tr\u00e2nd\u0103vie,<br \/>\nDestr\u0103b\u0103lare, lux \u0219i minciun\u0103.<\/p>\n<p>Intelect, \u00een mare penurie,<br \/>\nRepere din lacun\u0103-n lacun\u0103,<br \/>\nAranjamente noaptea pe lun\u0103,<br \/>\nDeviz\u0103 sete \u0219i bulimie,<\/p>\n<p>\u00cenv\u00e2rteal\u0103 \u0219i tr\u00e2nd\u0103vie.<\/p>\n<p><strong><br \/>\nAdrian MUNTEANU<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/11-1-e1597947099511.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10168 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/11-1-284x300.jpg\" alt=\"\" width=\"284\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 284px; --smush-placeholder-aspect-ratio: 284\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10168\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/11-1-284x300.jpg\" alt=\"\" width=\"284\" height=\"300\" \/><\/noscript><\/a><\/p>\n<p><strong>LECTURI REG\u0102SITE<\/strong><\/p>\n<p><strong>Episodul 11<\/strong><\/p>\n<p>25 februarie 1988<\/p>\n<p>de ce n-am mai avut timp?<br \/>\nDe ce?<br \/>\n&#8211; duminic\u0103 la Jiberet. Totu\u0219i cadrele didactice de aici se v\u0103d, fac treab\u0103 \u0219i nu rea. De laud\u0103.<br \/>\n&#8211; luni, de serviciu cu copiii (ca un fel de recuperare).<br \/>\n&#8211; mar\u021bi \u2013 azi deci \u2013 am \u00eenceput, \u00een sf\u00e2r\u0219it, emisiunile locale. Am ref\u0103cut \u0219i genericul. Mul\u021bumit ca ton, ca ambian\u021b\u0103 exterioar\u0103. Con\u021binutul&#8230;..<br \/>\nSunt totu\u0219i la confluen\u021ba unei cerin\u021be cu acceptabilul valoric. Echilibru fragil.<br \/>\nZ\u0103pad\u0103, z\u0103pad\u0103 de final, z\u0103pad\u0103 c\u00e2t s\u0103 nu uit\u0103m albul, s\u0103 nu-l uit\u0103m!<\/p>\n<p>26 februarie 1988<\/p>\n<p>C\u0103ci se recunoa\u0219te deteriorarea \u00een toate.<br \/>\nRepercutarea \u0219i asupra rela\u021biilor familiale este fireasc\u0103, a\u0219 zice inevitabil\u0103.<br \/>\nCopiii.<\/p>\n<p>27 februarie 1988<\/p>\n<p>G\u00e2ndul de a realiza un articol (pentru ziar \u0219i pentru emisiunea local\u0103) cu copiii Vioric\u0103i (compunere despre prim\u0103var\u0103, g\u00e2nduri despre mam\u0103, poeziile lor, pian, vioar\u0103)<\/p>\n<p>Am \u00eenceput ieri \u201eProcopius din Cesarea\u201d (\u201eIstoria secret\u0103\u201d).<\/p>\n<p>9 martie 1988<\/p>\n<p>La cuv\u00e2ntarea primului Congres interna\u021bional de studii bizantine, Iorga spunea c\u0103 avem o discre\u021bie ancestral\u0103.<br \/>\nDar s-ar putea trece peste?<br \/>\nNicolae \u2013 \u201eLaonikos (&#8230;) uit\u0103 chiar c\u0103 exist\u0103 un imperiu care moare \u0219i c\u0103 el \u00eensu\u0219i apar\u021bine acestui imperiu. De la aceast\u0103 concep\u021bie nu mai este dec\u00e2t un pas spre aceea care const\u0103 \u00een a spune c\u0103 acela care are tezaurul \u0219i armata, acela care ocup\u0103 tronul, acela merit\u0103 omagiul literaturii. Or, c\u00e2nd o literatur\u0103 ajunge acolo, c\u00e2nd ea nu mai reprezint\u0103 o na\u021biune (&#8230;) ea poate muri (&#8230;)\u201d Poate merit\u0103 o am\u00e2nare.<\/p>\n<p>11 martie 1988<\/p>\n<p>Procopius: (despre perioada Justinian \u2013 Teodora)<\/p>\n<p>\u201epretutindeni o slug\u0103rnicie des\u0103v\u00e2r\u0219it\u0103\u201d sau: \u201eoamenii cu bune n\u0103dejdi de viitor rabd\u0103 mai u\u0219or \u0219i cu mai pu\u021bin\u0103 durere nenorocirile din timpul lor; dar c\u00e2nd sunt silui\u021bi de st\u0103p\u00e2nirea pus\u0103 \u00een fruntea statului, fire\u0219te c\u0103 se umplu de nespus\u0103 am\u0103r\u0103ciune pentru cele \u00eent\u00e2mplate \u0219i cad \u00eentr-o dezn\u0103dejde f\u0103r\u0103 sf\u00e2r\u0219it, deoarece nu mai au \u00eencredere \u00eentr-o \u00eendreptare.\u201d<\/p>\n<p>14 martie 1988<\/p>\n<p>\u0218i acum Diogene Laertios.<br \/>\nInteres mai ales pentru sistematiz\u0103ri necesare.<br \/>\nTracul Orfeu. \u00cen cadrul doctrinei sale omul este o fiin\u021b\u0103 cu natur\u0103 dubl\u0103: divin\u0103 (sufletul) \u0219i titanic\u0103 (corpul).<\/p>\n<p>Filozofia egiptenilor: materia este \u00eenceputul lucrurilor. Soarele \u2013 Osiris.<br \/>\nLuna \u2013 Isis<\/p>\n<p>Pitagora \u2013 cel dint\u00e2i care a \u00eentrebuin\u021bat termenul de filozofie.<br \/>\nThales \u2013 apa este \u00eenceputul tuturor lucrurilor.<br \/>\nTot el: cea mai str\u0103veche \u2013 divinitatea<br \/>\ncel mai frumos lucru \u2013 universul<br \/>\ncel mai mare \u2013 spa\u021biul<br \/>\ncel mai tare &#8211; necesitatea<br \/>\ncel mai \u00een\u021belept \u2013 timpul<br \/>\nTot el: ce-i greu? \u2013 a se cunoa\u0219te pe sine<br \/>\nce-i u\u0219or? \u2013 a da sfat altuia<br \/>\n\u00centrebat ce lucru extraordinar a v\u0103zut, a r\u0103spuns: \u201eun tiran b\u0103tr\u00e2n.\u201d<br \/>\nSolon: \u201evorba s\u0103 fie pecetluit\u0103 de t\u0103cere, iar t\u0103cerea de timpul potrivit.\u201d<br \/>\nSau: \u201ecei cu trecere pe l\u00e2ng\u0103 tirani seam\u0103n\u0103 cu pietricelele \u00eentrebuin\u021bate la socoteli: fiecare din ele \u00eenseamn\u0103 c\u00e2nd un lucru de valoare mare, c\u00e2nd unul mic; tot a\u0219a \u0219i tiranii fac din fiecare din jurul lor c\u00e2nd om mare \u0219i cu vaz\u0103, c\u00e2nd om f\u0103r\u0103 nicio considera\u021bie.\u201d<br \/>\nChilon: \u00eentrebat ce e greu?. \u201eS\u0103 \u00eentrebuin\u021bezi bine timpul liber.\u201d<br \/>\n\u0219i: \u201ec\u00e2nd vorbe\u0219ti, s\u0103 nu faci gesturi cu m\u00e2na, c\u0103ci aceasta e un semn de sminteal\u0103.\u201d<br \/>\nAnaxagora: \u201etoate lucrurile erau amestecate la un loc; pe urm\u0103 a venit ra\u021biunea \u0219i le-a pus \u00een r\u00e2nduial\u0103.\u201d<\/p>\n<p>15 martie 1988<\/p>\n<p>Socrate: timpul liber &#8211; cel mai pre\u021bios dintre bunuri.<br \/>\nXenofon: scrie \u0219i \u201eAnabasis\u201d(= mersul \u00een sus).<br \/>\nAristip: \u201enu cei ce citesc mult, ci cei ce citesc cu folos sunt cei de seam\u0103.\u201d<br \/>\nMenedem (ambii sunt urma\u0219ii lui Socrate): probabil unul dintre primii scenografi;<br \/>\n\u201eo fericire suprem\u0103 este s\u0103 dore\u0219ti cele ce trebuie dorite.\u201d<\/p>\n<p>16 martie 1988<\/p>\n<p>Judec\u0103\u021bile stoicilor:<\/p>\n<p>* simple: \u201ee zi\u201d, \u201ee lumin\u0103\u201d.<br \/>\n*compuse: \u201edac\u0103 este zi este lumin\u0103\u201d.<br \/>\n* ipotetice: \u201edac\u0103 cineva a fost r\u0103nit la inim\u0103, va muri\u201d.<br \/>\n* conjunctive: \u201eeste \u0219i ziu\u0103 \u0219i lumin\u0103\u201d.<\/p>\n<p>Platon &#8211; este un dogmatic. \u00censeamn\u0103 a stabili p\u0103reri<br \/>\nDogma \u2013 obiectul p\u0103rerii (o premis\u0103).<br \/>\n&#8211; p\u0103rerea \u00eens\u0103\u0219i ( o presupunere).<br \/>\n&#8211; folose\u0219te induc\u021bia -&gt; prin contradic\u021bie<br \/>\n-&gt; prin concluzie nemijlocit\u0103<br \/>\nExemplu: dac\u0103 omul nu-i un animal, este sau o bucat\u0103 de lemn sau o piatr\u0103; dar nu-i nici lemn, nici piatr\u0103, pentru c\u0103 e \u00eensufle\u021bit \u0219i se mi\u0219c\u0103 singur. De aceea el este un animal. Dar dac\u0103-i un animal \u0219i dac\u0103 un c\u00e2ine sau un bou sunt tot animale, atunci omul, fiind un animal, va fi \u0219i c\u00e2ine, \u0219i bou.<\/p>\n<p>26 martie 1988<\/p>\n<p>\u00eentrerup un pic: (poate mai mult)<\/p>\n<p>Un desen, o schi\u021b\u0103 scenografic\u0103 \u00eenchipuit\u0103 de mine \u2013 \u00een plan \u00eendep\u0103rtat, o fereastr\u0103 suspendat\u0103, ancorat\u0103 cu dou\u0103 fire de o \u0219tang\u0103. \u00cen plan mai apropiat, \u00een st\u00e2nga, o etajer\u0103 cu c\u0103r\u021bi, iar \u00een dreapta un \u0219evalet.<br \/>\nAcesta ar fi cadrul scenic al scenariului pe care m\u0103 g\u00e2ndesc s\u0103-l creez dup\u0103 primele dou\u0103 romane ale lui Gheorghe Cr\u0103ciun, \u201eCompunere cu paralele inegale\u201d \u0219i \u201eActe originale, copii legalizate\u201d. Ideea m\u0103 prinde tot mai tare, prin originalitatea ei \u0219i aplecarea mea pasionat\u0103 spre teatrul modern, de idee \u0219i concep\u021bie. Ori de c\u00e2te ori mi-am dorit ceva cu pasiune, mi-a ie\u0219it.<br \/>\nPoate titlul va fi \u201eOrbul meu p\u0103ienjeni\u0219 de vorbe\u201d<br \/>\n&#8211; eventual, \u00een final, celelalte elemente dispar \u0219i r\u0103m\u00e2ne doar fereastra (scena deschiderii).<\/p>\n<p>28 martie 1988<\/p>\n<p>Secven\u021be din romanele lui Cr\u0103ciun de introdus \u00een scenariu:<br \/>\n\u201eTextul a devenit un spa\u021biu cosmic. Mul\u021bimi de corpuri de provenien\u021b\u0103 str\u0103in\u0103, de origine necunoscut\u0103 \u00eel populeaz\u0103, m\u00e2na mea ce asigur\u0103 pacea c\u0103 orice obiect este ipotezabil.\u201d<\/p>\n<p>\u201eF\u0103 un efort \u0219i imagineaz\u0103-\u021bi traiectoria ultimei expresii prin acest conglomerat de senza\u021bii pe care \u00eel anuleaz\u0103 declamativul.\u201d<\/p>\n<p>\u201eV\u0103 lini\u0219te\u0219te cu ceva respira\u021bia voastr\u0103 g\u00e2f\u00e2itoare, \u0219ov\u0103itoare \u0219i oare mai cum? Aceast\u0103 punere la punct a oric\u0103rui fior de nobil\u0103 demnitate uman\u0103? Pe mine nu. Sau poate c\u0103 pe ei cumva \u00eei. Lor oare ce le? \u0218i nou\u0103 unde \u0219i de c\u00e2nd ni se? \u0218i vi se ce? Cum \u00ee\u021bi c\u00e2\u0219tigi zilele? Sau ce mai faci? Sunt multe lucrurile acelea nef\u0103cute care te fac s\u0103 zici c\u0103 faci ceva? Nu mai pun \u00eentreb\u0103ri, nu mai pun \u00eentre bare nimic. S\u0103-\u0219i imagineze fiecare un spa\u021biu cosmic uzual dup\u0103 poft\u0103, domestic \u00een incinta aceasta, \u00een odaia aceea unde izmenele sale pe un col\u021b de scaun acord\u0103 peisajului \u0219i acea not\u0103 de interes \u0219i pitoresc ce s-ar putea s\u0103 lipseasc\u0103.\u201d<\/p>\n<p>\u201eFocul trosne\u0219te vesel \u00een c\u0103min, ar spune cineva. Ar spune sincer c\u0103 atmosfera e pl\u0103cut\u0103, \u00eens\u0103 de unde un at\u00e2t de c\u00e2t de c\u00e2t entuziasm. De unde s\u0103 trosneasc\u0103 \u0219i din ce? Trei vreascuri rupte dintr-un gard, asta desigur, \u00eens\u0103 \u00een poezie. Lumini cu umbre amestec\u00e2nd prin col\u021buri de odaie, iat\u0103 luna! E lucitoare ca o frunte de poet. Un vis de tinere\u021be. \u0218i anii trec\u0103tori sunt lungi, se duc ca norii. Sau poate nu se duc.\u201d<\/p>\n<p>\u201eO limb\u0103 care a cunoscut at\u00e2tea mizerii (a se \u00eencerca \u021big\u0103rile \u201eCarpa\u021bi\u201d de R\u00e2mnicu S\u0103rat).\u201d<\/p>\n<p>* final de spectacol (?): r\u00e2sul de copil pe band\u0103, pe imaginea deschiderii ferestrei.<\/p>\n<p>\u201e(la ce te g\u00e2nde\u0219ti?) M\u0103 g\u00e2ndeam la aer, la ce descoperisem c\u0103 afli despre lume doar citindu-\u021bi auzul, exploat\u00e2ndu-i durata. Aerul gros din urechi \u00eemp\u00e2nzindu-mi aten\u021bia, mintea.\u201d<\/p>\n<p>\u201eMarcat de un sentiment c\u0103 am sf\u00e2r\u0219it ceva ce zilnic se \u00eent\u00e2mpl\u0103 \u0219i c\u0103, iat\u0103, sunt liber s\u0103 nu dau socoteal\u0103 de ce fac mai departe.\u201d<\/p>\n<p>\u201eDescopeream acolo (\u00een p\u0103dure) privilegiul c\u0103 sunt un simplu om ce \u0219tie \u0219i trebuie s\u0103 spun\u0103.\u201d<\/p>\n<p>\u201elumea e \u0219i \u00een mine \u0219i afar\u0103 \u0219i m\u0103 ag\u0103\u021b de ea.\u201d<br \/>\n\u201elumea acestui secol exceleaz\u0103 printr-un exces de adjective.\u201d<\/p>\n<p>\u201evezi, m\u0103 a\u0219teptam ca desp\u0103r\u021birea asta s\u0103 m\u0103 elibereze. Credeam c\u0103 principala vinovat\u0103 e ea. \u0218i c\u00e2nd colo, \u00een tot ceea ce fac, descop\u0103r firea mea suspicioas\u0103, nehot\u0103r\u00e2t\u0103.\u201d<br \/>\n\u201esigur c\u0103 \u0219i pe mine m\u0103 intereseaz\u0103 esen\u021bialul. \u0218i pe mine m\u0103 intereseaz\u0103 via\u021ba adev\u0103rat\u0103, munca, av\u00e2ntul, bucuria, omul, existen\u021ba, individul, activitatea intens\u0103, via\u021ba mea, bucuriile \u0219i necazurile mele. \u0218i pe mine m\u0103 intereseaz\u0103 via\u021ba mea care se leag\u0103, clip\u0103 de clip\u0103, de via\u021ba celorlal\u021bi. Dar cel mai mult m\u0103 intereseaz\u0103 ce g\u00e2ndesc \u0219i ce fac.\u201d<\/p>\n<p>\u201ecele mai multe lucruri se \u00eent\u00e2mpl\u0103 atunci c\u00e2nd \u021bi se pare c\u0103 nu se \u00eent\u00e2mpl\u0103 nimic. Cele mai serioase \u0219i fundamentale lucruri se \u00eent\u00e2mpl\u0103 a\u0219tept\u00e2nd. \u201d<\/p>\n<p>De v\u0103zut: \u201eBlochez aici senza\u021biile mele. Blochez, pun piatra de temelie a blocului acestei lini\u0219ti, simplicit\u0103\u021bi, pl\u0103ceri \u0219i bucuria de a tr\u0103i, a exista, a vie\u021bui, a contesta triste\u021bea, a fiin\u021ba, a fi \u00een \u021bara de pace a con\u0219tiin\u021bei mele ca un obturator, ca un sp\u0103rg\u0103tor de grev\u0103 al aten\u021biei distribuite \u00een compartimente.\u201d<\/p>\n<p>Vlad \u0218tefan \u2013 vorbe\u0219te la persoana a III-a despre ce face Octavian Octavian Costin \u2013 idem despre Vlad<\/p>\n<p>Poate acesta trebuie s\u0103 fie stilul: un \u0219ir de medita\u021bii interioare, chiar c\u00e2nd dou\u0103 personaje stau fa\u021b\u0103 \u00een fa\u021b\u0103 \u0219i ai impresia dialogului. Ele nu-\u0219i r\u0103spund, ci \u00ee\u0219i continu\u0103 propria medita\u021bie (sau poate doar par\u021bial).<\/p>\n<p>Alt posibil \u00eenceput: El, singur \u00een scen\u0103, recite\u0219te din carnet. Aceste fragmente recitite ar putea interveni din loc \u00een loc. Deci, cam a\u0219a ar putea fi \u00eenceputul:<\/p>\n<p>\u00centuneric. Muzic\u0103 stranie, nemaipomenit de evocatoare, a lui Vanghelis. Lumina cre\u0219te foarte \u00eencet. El, singur \u00een scen\u0103, r\u0103sfoie\u0219te un carnet, cu gesturi lente. Se vede c\u0103 n-are de ce s\u0103 se gr\u0103beasc\u0103. Muzica filat\u0103 u\u0219or, imperceptibil aproape. Momente de pauz\u0103.<br \/>\nApoi El cite\u0219te:<br \/>\nVlad: 19 noiembrie. \u201ePielea este organul de sim\u021b cu cea mai mare suprafa\u021b\u0103. Trupul e \u00eembr\u0103cat de piele. Celelalte organe de sim\u021b sunt acoperite de piele. Pielea e, \u00een anumite situa\u021bii, \u00eensu\u0219i trupul. Trupul e principala unitate de m\u0103sur\u0103 a universului nostru. Prezen\u021ba \u00een expresiile limbii vorbite a unor cuvinte referitoare la trup, care denumesc p\u0103r\u021bi ale lui, este semnul unei viziuni despre lume care a fost prea pu\u021bin studiat\u0103. Trupul m\u0103soar\u0103, converte\u0219te, apreciaz\u0103, explic\u0103. El este numitorul comun al g\u00e2ndirii. Raport\u00e2ndu-se la eu, lumea se raporteaz\u0103 \u00een primul r\u00e2nd la existen\u021ba lui fizic\u0103 ( de revenit asupra acestor observa\u021bii).<\/p>\n<p>Ridic\u0103 privirea. Declan\u0219are de band\u0103 cu vocea lui:<br \/>\n\u201eM-am decis s\u0103-mi recitesc carnetul, de la un cap\u0103t la altul. \u00cen a\u0219teptare. Poate e cel mai bun lucru! E un carnet simplu, de buzunar, N.I.C 298\/76-K 54, lei 2,50. Asta e tot ce scrie pe coperta lui. \u00cen\u0103untru e scrisul meu, sunt \u00eensemn\u0103rile mele. Am scris despre ce m-a impresionat pe moment. Mai t\u00e2rziu \u00eemi dau de multe ori seama c\u0103 impresiile mele n-au fost \u00eentotdeauna de cea mai bun\u0103 calitate. Dar asta nu schimb\u0103 nimic. Eu scriu \u00een continuare.\u201d<\/p>\n<p>Vezi \u0219i alte citate din carnet \u2013 B 174 \u0219.a. (mai ales 178) \u201eN-am \u00een\u021beles niciodat\u0103&#8230;\u201d Apoi B 205.<\/p>\n<p><em> (Va urma)<\/em><\/p>\n<p><strong><br \/>\nNicolai T\u0102ICU\u021aU<\/strong><\/p>\n<p><strong>de diminea\u021b\u0103 <\/strong><\/p>\n<p>deschid poarta dimine\u021bii<br \/>\n\u0219i-mi caut o form\u0103 de-a fi<\/p>\n<p>e prea devreme acum<br \/>\nmi se spune<br \/>\nauzi cum toate fiin\u021bele<br \/>\ncum toate lucrurile<br \/>\ndar mai ales<br \/>\ncum toate spiritele<br \/>\nse \u00eentind<br \/>\nde le trosnesc oasele<\/p>\n<p>ai r\u0103bdare, \u0219tii bine c\u0103<br \/>\naceste trosnete \u0219i u\u0219oarele pocniri<br \/>\nprecum clinchetele de clopo\u021bei<br \/>\nla vestirea na\u0219terii Domnului<br \/>\nprind forme pentru tine<br \/>\ndin care s\u0103 alegi<\/p>\n<p>cum s\u0103 nu m\u0103 v\u0103d?<\/p>\n<p>nicolai t alerg\u0103 pe coama dimine\u021bii<br \/>\n\u0219i pe chip nu i se cite\u0219te nimic<\/p>\n<p>\u2026asta<br \/>\ndatorit\u0103 rutinei<br \/>\n\u00ee\u0219i zice sie\u0219i\u2026<\/p>\n<p>\u00ee\u0219i dezleag\u0103 \u0219ireturile<br \/>\n\u00ee\u0219i scoate pantofii sport<br \/>\n\u0219i-i a\u0219az\u0103 cu grij\u0103 pe malul r\u00e2ului<\/p>\n<p>\u00ee\u0219i continu\u0103, apoi, alergarea descul\u021b<br \/>\npe aceea\u0219i coam\u0103 a dimine\u021bii<br \/>\np\u00e2n\u0103 c\u00e2nd pe chip i-apare lumina<br \/>\n\u00een r\u00e2nduri din ce \u00een ce mai clare<br \/>\ncite\u021be<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mihai MERTICARU RONDELUL ILUZIEI OPTICE Tot ce vezi \u00een preajm\u0103 e p\u0103rere Cum e-ntreaga via\u021b-amanetat\u0103, Incomensurabila avere, Con\u0219tiin\u021ba pu\u021bintel p\u0103tat\u0103.<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/12434"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12434"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/12434\/revisions"}],"predecessor-version":[{"id":12436,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/12434\/revisions\/12436"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}