{"id":11573,"date":"2020-10-24T21:20:16","date_gmt":"2020-10-24T18:20:16","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=11573"},"modified":"2020-10-24T21:20:16","modified_gmt":"2020-10-24T18:20:16","slug":"spatii-culturale-nr-72-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=11573","title":{"rendered":"Spa\u021bii culturale nr. 72 (13)"},"content":{"rendered":"<p><strong>REVISTE LITERARE<\/strong><\/p>\n<p><strong>A c o l a d a<\/strong>, <em>anul XIV, nr. 7-8 (152-153), iulie-august,<br \/>\n2020, Satu Mare<\/em>. Eseurile \u0219i comentariile sunt<br \/>\nrealizate de Radu Ulmeanu, Asta este politichia, C.D.<br \/>\nZeletin, O carte de excep\u021bie privitoare la Ion Barbu,<br \/>\nConstantin Trandafir, Cioran, iar\u0103\u0219i despre instan\u021bele<br \/>\nc\u0103deri, Lucia Negoi\u021b\u0103, Petru Ursache \u2013 Un c\u0103rturar<br \/>\nstr\u0103lucit, un respectat magistru, Magda Ursache,<br \/>\nJogging prin mass media, Isabela Vasiliu-Scraba,<br \/>\nDayan, sau Transparen\u021ba matematic\u0103 a realit\u0103\u021bii,<br \/>\n\u201esacralizat\u0103 de pa\u0219ii lui Iisus\u201d, \u0218tefan Ion Ghilimescu,<br \/>\nVirgil Ierunca despre G, C\u0103linescu, Mircea Popa,<br \/>\nIntegrala Ana Blandiana (I), Pavel \u0218u\u0219ar\u0103, Corneliu<br \/>\nBaba \u0219i elevii s\u0103i, Constantin C\u0103lin, Agende (II). Critica<br \/>\nliterar\u0103 este f\u0103cut\u0103 de Gheorghe Grigurcu (Viorica<br \/>\nR\u0103du\u021b\u0103, O sut\u0103 \u0219i una de poezii), Tudorel Urian (Daniel<br \/>\nMo\u0219oiu, Acordul fin, Convorbiri cu Alexandru Vlad),<br \/>\nIonel Bota (Radu Ulmeanu, Ab Urbe Condita), Ion<br \/>\nCristofor (Nina Hoza, \u00cenflorim acolo unde tr\u0103im).<br \/>\nMemorialistic\u0103 scrie Alex. \u0218tef\u0103nescu (Cum era Aureliu<br \/>\nBusuioc), din Spuma zilelor \u0219i nop\u021bilor de lectur\u0103 \u0219i din<br \/>\nJurnal ne ofer\u0103 pagini Dumitru Augustin Doman,<br \/>\nrespectiv, Gheorghe Grigurcu, iar Din Jurnalul unui<br \/>\nvulcanolog (VI), Dan Culcer. Semneaz\u0103 poezie: Radu<br \/>\nCange, Cosmin Andrei Tudor, Rua Breathnach<br \/>\n(traducere \u0219i prezentare de Olimpia Iacob), parodie:<br \/>\nLucian Per\u021ba, proz\u0103: Marian Drumur, pamflete: Florica<br \/>\nBud (Arta sp\u0103latului) \u0219i Virgil Diaconu (Apocalipsa<br \/>\nCovid).<\/p>\n<p><strong>Actualitatea literar\u0103<\/strong>, <em>nr. 104, anul XI, august<br \/>\n2020, Lugoj<\/em>. Eseurile \u0219i comentariile sunt realizate de<br \/>\nNicolae Silade, Despre schimbarea la fa\u021b\u0103 a literaturii<br \/>\nrom\u00e2ne (editorial), Remus V. Giorgioni, Isus al<br \/>\nScepticului \u0219i cel al Poetului, Adrian Dinu Rachieru, La<br \/>\n\u201emori\u0219ca\u201d adev\u0103rului (II), Magda Ursache, Pove\u0219ti de<br \/>\ntrecut v\u0103mile, la vremea Covidului. Interviurile sunt<br \/>\nrealizate de Titus Cri\u0219ciu cu Gheorghe Schwartz \u0219i<br \/>\nGeorge Motroc cu Cristian Tiberiu Popescu. Scriu<br \/>\ncritic\u0103 literar\u0103: Cornel Ungureanu (Ion Cocora, V\u0103mile<br \/>\nfrigului), Remus V. Giorgioni (Toma Grigorie, Focurile<br \/>\nlui Hefaistos), Ovidiu Pecican (Cioran, Schimbarea la<br \/>\nfa\u021b\u0103 a Rom\u00e2niei), Mioara Bahna (Gabriela<br \/>\nAdame\u0219teanu, Fontana di Trevi), Ionel Bota (G.I.<br \/>\nToh\u0103neanu, Arta evoc\u0103rii la Sadoveanu), Daniel Marian<br \/>\n(Mihaela Meravei, Colivia de sticl\u0103, Liviu Ofileanu,<br \/>\nmanualul inginerului de drumuri \u0219i poduri, Any<br \/>\nDr\u0103goianu, Setea \u00eenving\u0103torilor). C\u0103r\u021bile sosite la<br \/>\nCristian Ghinea sunt: Psalmi f\u0103r\u0103 titlu, de Miruna<br \/>\nMure\u0219anu, C\u0103l\u0103torind prin vremi cu Olga Tokarczuk, de<br \/>\nDelia Muntean, Plecarea din clepsidr\u0103, de Costel<br \/>\nSimedrea, Mic dejun la Frida, de Angela Baciu, Bufni\u021ba<br \/>\nro\u0219ie, de Vasile Morar. Poezie semneaz\u0103: Nicolae<br \/>\nSilade, Mihai Posada, Emilian Halaicu-P\u0103un, Alexandru<br \/>\nHigyed, Ofelia Prodan, Timeea Ivan, Savu Popa, Lucian<br \/>\nM\u0103n\u0103ilescu, Elisabeta Scurtu, Mariela Cordero<br \/>\n(traducere de Nicoleta Cr\u0103ete), Wanda Monteiro<br \/>\n(prezentare \u0219i traducere de Costel Drejoi), proz\u0103:<br \/>\nRoxana Dumitrache, Gheorghe Andrei Neagu,<br \/>\nGheorghe Alexandru Iancovici, Nicolae Havriliu.<\/p>\n<p><strong>A n t a r e s<\/strong>, <em>Anul XXII, nr.265-266-267,<br \/>\naprilie-mai-iunie 2020, Gala\u021bi<\/em>. Remarc\u0103m eseurile<br \/>\nrealizate de Cristian Sandache, L-a\u021bi uitat pe Arghezi \u0219i<br \/>\nCornel Galben, Cronicarul erudit din gazete (III),<br \/>\ncritica literar\u0103 scris\u0103 de Constantin Gherghinoiu (Raluca<br \/>\nEnescu, Eulalia, feti\u021ba cu dou\u0103 m\u00e2ini st\u00e2ngi), a,g. secar\u0103<br \/>\n(Iosif Roca, Detectivi particulari), Nicolae Dorel Trifu<br \/>\n(Anatol Covali, Azur), Lucian Chi\u0219u (Simona Trifu,<br \/>\nAten\u021bie! Nu c\u0103lca\u021bi pe flori \u0219i Pledoarie pentru copacii<br \/>\nf\u0103r\u0103 p\u0103dure), Vasile Datcu (Viviana Ioan, Traveling:<br \/>\nroman sensual \u0219i Magdalena Iugulescu, Eustache), Ionel<br \/>\nNecula [Ghi\u021b\u0103 Nazare, De la cerneala de boz la<br \/>\ncalculator \u0219i Ion Dulugeac, Persida (de trei ori femeie)],<br \/>\nValentin Popa (Adriana Bogatu, Adrian Victor Vank,<br \/>\nDresorul de cactu\u0219i), A.S. Pop (Diaspora \u02c820, Itaca \u2013<br \/>\nantologie de poezie). \u00cent\u00e2lnim poezie de William<br \/>\nShakespeare, Miguel de Cervantes, Mihai Eminescu,<br \/>\nValeriu Mititelu, Grigore Grigore, Paul Spirescu-70,<br \/>\nAda Sofineti, Darie L\u0103z\u0103rescu, Radu Florescu, Ion<br \/>\nPotolea, Walt Whitman (traducere de Dorina Br\u00e2ndu\u0219a<br \/>\nLand\u00e9n) \u0219i proz\u0103 de Dorin N, Uritescu \u0219i Wallace<br \/>\nStegner (traducere de Petru Iamandi).<\/p>\n<p><strong>ARGE\u0218<\/strong>, <em>anul XX (LV), nr. 9 (459), septembrie<br \/>\n2020<\/em>. Remarc\u0103m: texte aforistice scrise de Calinic<br \/>\nArge\u0219eanul (Din frumuse\u021bea lumii v\u0103zute) \u0219i Grigore<br \/>\nGrigurcu (Jurnal), eseurile \u0219i comentariile realizate de<br \/>\nLiviu Ioan Stoiciu, La mare, \u00een vremuri v\u0103t\u0103m\u0103toare, C.<br \/>\nVoinescu, Din vorb\u0103-n vorb\u0103, Leonid Dragomir, \u201eLa<br \/>\n\u00eenceput era rela\u021bie\u201d, Petru Pistol, \u00cen c\u0103utarea<br \/>\n\u00eenv\u0103\u021b\u0103torului, Geo Vasile, Scurt\u0103 istorie a poeziei<br \/>\nitaliene: de la crepuscul la minelari\u0219ti (II), Gheorghe<br \/>\nSimon, Via Dolorosa, Ana Dobre, Timp \u0219i mit \u00een<br \/>\nbasmul tradi\u021bional, Alexandru Jurcan, TIFF \u00een<br \/>\npandemie, Cosmin Victor Lotreanu, Dialogul interreligios<br \/>\n\u0219i exemplele istoriei, interviul Luciei Negoi\u021b\u0103 cu<br \/>\nAdrian Alui Gheorghe, critica literar\u0103 f\u0103cut\u0103 de Dumitru<br \/>\nAugustin Doman (Eugen Barz, Biblioteca din Parma,<br \/>\nLiliana Rus, De limpezit inima), Nicolae Oprea,<br \/>\n(Drumul lui Bacovia), Mircea B\u00e2rsil\u0103 (Marian Dr\u0103ghici,<br \/>\nP\u0103h\u0103ru\u021bul), Mioara Bahna (\u0218tefan Mitroi, Biblia pentru<br \/>\nfurnici. Scris\u0103 de Jos\u00e9 Saramago \u00een anul trecerii sale la<br \/>\ncer), Viorel Nica (Cees Nooteboom, Urm\u0103toarea<br \/>\npoveste, Aurel Sibiceanu (Castelanul Eugen Pelin),<br \/>\nChristian Cr\u0103ciun (Ion \u021aoan\u021b\u0103, Spovedania unei nimfe),<br \/>\nValeria Manta T\u0103icu\u021bu (Octavian Mihalcea, Patima<br \/>\ncheilor), Marin Iancu (Ioan Potra, M\u0103rturisiri<br \/>\nechilibrate din \u00eenchisorile \u0219i lag\u0103rele comuniste din<br \/>\nRom\u00e2nia), Mircea Pospai (Mihaela Albu, Azi despre<br \/>\nieri), Iulian Bitoleanu (Stan V, Cristea, Literatur\u0103 de<br \/>\nieri, literatur\u0103 de azi), Jurnal. Pagini r\u0103zle\u021be (II), de<br \/>\nMariana \u0218enil\u0103-Vasiliu \u0219i reportaj, de Mihai Barbu<br \/>\n(Clanul lui Brad nu s-a mai \u00eentors din Cedar City (USA)<br \/>\nacas\u0103, la Poplaca, ca s\u0103 se lupte cu baronul local.<br \/>\nPoezia e semnat\u0103 de Magda Grigore, Lucian<br \/>\nM\u0103n\u0103ilescu, Mihai Merticaru, Gheorghe Vidican,<br \/>\nNikolai Burliuk (prezentare \u0219i traducere de Leo<br \/>\nButnaru), Horia B\u0103descu (cu versiune \u00een limba englez\u0103<br \/>\nde Mihaela Mudure), Adrian Alui Gheorghe, Dumitru<br \/>\nVelea, Eugen Pelin, iar proza, de Marian Ilea \u0219i Iulian<br \/>\nMoreanu.<\/p>\n<p><strong>Ateneu<\/strong>,<em> anul 57 (serie nou\u0103), nr. 611-612,<br \/>\niulie-august 2020, Bac\u0103u<\/em>. Eseurile \u0219i comentariile sunt<br \/>\nrealizate de, Al. Ioanid, Fragmentarium, Carmen<br \/>\nMihalache, Florin, o amintire tandr\u0103 \u0219i luminoas\u0103,<br \/>\nMarius Manta, Infernul \u0219i c\u0103r\u021bile interzise, Ioan D\u0103nil\u0103,<br \/>\nBac\u0103ul (pre)primar (XXV), Saloanele Moldovei \u2013<br \/>\nexpozi\u021bie aniversar\u0103, Vasile Alecsandri \u2013 130, Metoda<br \/>\nac\u021bional\u0103 \u00een abordarea textului literar (II), Festivalul<br \/>\nJude\u021bean de Folclor, \u00een varianta online, Teiul de Aur<br \/>\npentru Constantin C\u0103lin, Cristina Popescu, Maxima<br \/>\nreverentia egregio magistro, Theodor Codreanu,<br \/>\nDumitru Radu Popescu \u2013 85, Iubirea Gertrudei sau<br \/>\nMireasa sinuciga\u0219\u0103, Doina Cernica, \u00cemp\u0103r\u0103teasa vie\u021bii.<br \/>\nAdormirea \u0219i somnul, Ligia B\u00e2rgu-Georgescu, Sanda,<br \/>\nprietena mea, Elena Ciobanu, \u201eImpostoarea\u201d Elisabeta<br \/>\nI, \u0218tefan Radu, Cine \u00cel ur\u0103\u0219te pe Eminescu! Ionel<br \/>\nNecula, Omul cioranian \u2013 o ipostaz\u0103 post-paradiziac\u0103,<br \/>\nGheorghe Iorga, Subiectul Pessoa: textul vie\u021bii,<br \/>\nimaginarul alterit\u0103\u021bii, Vasile Spiridon, P\u0103m\u00e2ntul<br \/>\nf\u0103g\u0103duin\u021bei (I), Dan Petru\u0219c\u0103, Blasfemii (3). Ecouri din<br \/>\ncontemporaneitate, Ion Fercu, Prejudec\u0103\u021bile: infern \u0219i<br \/>\nprovocare etern\u0103 (10), Marian-Sorin R\u0103dulescu,<br \/>\nRevolu\u021bii si involu\u021bii (6), Adrian Lesenciuc, Frumuse\u021bea<br \/>\npe c\u00e2mpul interior de lupt\u0103, Theodor-George Calcan,<br \/>\nCodul lui Gustav Klimt, Cornel Galben, Al. Simion.<br \/>\nIstorie literar\u0103 scrie Constantin C\u0103lin (Situa\u021bia<br \/>\ndestinatarului), iar critica literar\u0103 este f\u0103cut\u0103 de Adrian<br \/>\nJicu (Eugen Uricaru, Gr\u0103dina Paradisului, Alexandru<br \/>\nOvidiu Vintil\u0103, Transparen\u021ba unui popor de foci), Gela<br \/>\nEnea (Mihai P\u0103curaru, Verde travers\u00e2nd amiaza),<br \/>\nCarmen Mihalache (S\u00e2nziana Mure\u0219eanu, Osuar),<br \/>\nVioleta Savu (Nicoleta Dabija, A doua via\u021b\u0103), C\u0103t\u0103lin<br \/>\nStancu (Adrian Lesenciuc, gEneida), Ionel Savitescu<br \/>\n(Giovanni Papini, Via\u021ba lui Isus), Johan Klein<br \/>\n(Cornelius Dr\u0103gan, Mu\u0219c\u0103tura fluturelui japonez).<br \/>\nPoezia este semnat\u0103 de Cassian Maria Spiridon, Ileana<br \/>\nNegrea, Gela Enea, Cristina C\u00eempeanu, proza, de<br \/>\nConstantin Gherasim, Mir B\u0103lan, Iuri Kazakov<br \/>\n(traducere \u0219i prezentare de Tiberiu Ionescu), teatru, de<br \/>\nCecilia Moldovan.<\/p>\n<p><strong>Bucovina Literar\u0103<\/strong>, <em>serie nou\u0103, anul 3XXXI, nr.<br \/>\n4-5-6 (350-351-352)\/ 2020, Suceava<\/em>. Poezia este<br \/>\nsemnat\u0103 de Lucian Vasiliu (autograf), Constantin<br \/>\nAb\u0103lu\u021b\u0103, Nicolae Tzove, Liviu Ofileanu, Vasile Zetu,<br \/>\nDan Bistricean, Arthur Suciu, Constantin Severin,<br \/>\nGheorghe Grigurcu, Ilya Kaminski (traducere de<br \/>\nGabriel Dali\u0219), Carmen Secere, Cristina Maria Crudu,<br \/>\nAnastasia Fuioag\u0103 \u0219i proza, de Matei Vi\u0219niec, Radu<br \/>\n\u021auculescu, Adrian Alui Gheorghe, Constantin Grigoru\u021b,<br \/>\nCornelia Petrescu, Codru\u021ba Per\u0219a, Leo Butnaru.<br \/>\nEseurile, comentariile \u0219i evoc\u0103rile sunt realizate de<br \/>\nAlexandru Ovidiu Vintil\u0103, Sebastian Reichmann.<br \/>\nAcceleratorul de \u00eencarn\u0103ri \u0219i alte Biografobii \u0219i<br \/>\nConstantin C\u0103lin, la 80 de ani. Cel mai bacovian dintre<br \/>\nbacovieni, Liviu Ioan Stoiciu, \u00cen ultimii 30 de ani, \u00een<br \/>\nplan liric, Adrian Dinu Rachieru, Mircea Martin \u2013 80.<br \/>\nUn mediator, Ioan Holban, Alexandru Vlad \u2013 70 de ani<br \/>\nde la na\u0219tere. Drumul spre Polul Sud, Isabel Vintil\u0103,<br \/>\nTristan Tzara \u2013trei poeme DADA, Mircea A. Diaconu,<br \/>\nFragmentarium Ciprian Porumbescu, Ioan Mateiciuc,<br \/>\n12 Angry Men sau despre adev\u0103r ca prejudecat\u0103,<br \/>\nSimona-Grazia Dima, Candela mereu aprins\u0103, Magda<br \/>\nUrsache, Trianon. Ne \u201edistan\u021b\u0103m\u201d de Istorie? Petru<br \/>\nUrsache, Fortul Casimca, Liviu Antonesei, Ce \u0219i cum, o<br \/>\nproblem\u0103 de stil, Doina Cernica, La Putna lui<br \/>\nEminescu, Niadi-Corina Cernica, Personaje semidivine<br \/>\n\u00een mitologia platonician\u0103, Paraschiva Pi\u021bu,<br \/>\nMetamorfozele postumanismului \u00een Ora\u0219ele scufundate,<br \/>\nde Felix Aderca, Monahia Elena Simionovici, Ana<br \/>\nBlandiana: Jum\u0103tate de veac de Poeezie, Marius<br \/>\nChelaru, Din Kioto, spre inima Japoniei (XII). Scriu<br \/>\ncritic\u0103 literar\u0103: Doru Sc\u0103rl\u0103tescu (Emanuela Ilie,<br \/>\nCorpuri, exiluri, terapii), Gina Puic\u0103 (A\u0219a a fost s\u0103 fie,,,<br \/>\nSimona Modreanu \u00een dialog cu Virgil T\u0103nase), Petri\u0219or<br \/>\nMilitaru (Luiza Mitu, Confesiunile Amiralei Noir),<br \/>\nDaniel Mari\u0219 (Silvia Goteanschii, Memoria hienei),<br \/>\nIngrid Beatrice Coman-Prodan (Nicoleta Dabija, A doua<br \/>\nvia\u021b\u0103), Leonard Pop (Adrian Lesenciuc, Cartea de ap\u0103).<\/p>\n<p><strong>Bucure\u0219tiul literar \u0219i artistic<\/strong>, anul X, nr. 8-9<br \/>\n(107-108), august-septembrie 2020. Remarc\u0103m: eseurile<br \/>\n\u0219i comentariile realizate de Florentin Popescu, Cu at\u00e2ta<br \/>\nmolim\u0103 \u00een \u021bar\u0103, ast\u0103-var\u0103 n-a fost var\u0103 (editorial), La<br \/>\naniversar\u0103: D,R, Popescu \u2013 85, \u201eLumin\u0103 Lin\u0103\/<br \/>\nGracious Light\u201d \u2013 25 de ani, Mircea Eliade, \u00cencercarea<br \/>\nlabirintului (V), Victor Ravini, Avangarda literar\u0103 din<br \/>\nOccident \u0219i folclorul rom\u00e2nesc (II), Magda Ursache,<br \/>\nCare pe care?, Dalia Bialcovski, Nu numai pentru noi,<br \/>\ndar \u0219i pentru al\u021bii, Radu Adrian, C\u0103l\u0103torie \u00een istoria<br \/>\nmultimilenar\u0103 a ceramicii (XXV), Romani\u021ba-Maria<br \/>\n\u0218ten\u021bel, Copilul George&#8230; Jurjac, Titus V\u00eejeu, Sylvain<br \/>\nGarneau, Nicolae Dan Fruntelat\u0103, G\u00e2lceava cu lumea a<br \/>\nlui Bebe R\u0103vescu, Neagu Udroiu, Oxford \u2013 \u00eentr-o zi de<br \/>\njoi la vale, Vasile Szolga, Feldioara, Nicolae Cabel,<br \/>\nMemoria ca o capcan\u0103 (II), Corneliu Vasile, Prezen\u021be<br \/>\nrom\u00e2ne\u0219ti la Biblioteca Na\u021bional\u0103 a Luxemburgului,<br \/>\nMarian Barbu, Primus inter Pares&#8230; Comemorarea a 50<br \/>\nde ani de la moartea lui Tudor Mu\u0219atescu este marcat\u0103<br \/>\nde Savori intelectuale!!! de&#8230; Tudor Mu\u0219atescu \u0219i un<br \/>\ntext de Costic\u0103 Dur\u0103, S\u0103rut m\u00e2na Coan\u0103 Mare. Critica<br \/>\nliterar\u0103 este scris\u0103 de Florentin Popescu (Nicolae Dan<br \/>\nFruntelat\u0103, Memoria scaunului electric), Ion Ro\u0219ioru<br \/>\n(Elena Netcu, Exila\u021bii), Ion Haine\u0219 (Constantin<br \/>\nP\u0103dureanu, Focuri stinse), Ion Andrei\u021b\u0103 (Nicolae Dan<br \/>\nFruntelat\u0103, Boabe de piper crud). Dintre seniorii<br \/>\nliteraturii noastre, Florentin Popescu a ales, pentru<br \/>\ndialog, pe Nicolae Mare\u0219. \u00cent\u00e2lnim poezie de Coman<br \/>\n\u0218ova, Nicolae Silade, G. Th. Popescu, Sylvain Garneau<br \/>\n(traducere de Titus V\u00eejeu), iar proz\u0103, de Teodor Mazilu.<br \/>\n\u00cen Atelierul artelor vizuale expune Alecu Ivan Ghilia,<br \/>\ncu o scurt\u0103 prezentare de Florentin Popescu.<\/p>\n<p><strong>Caietele de la \u021ainte\u0219ti<\/strong>, <em>nr.1920 pdf<\/em>. \u00cen<br \/>\ndeschiderea num\u0103rului g\u0103sim un poem de Marin Ifrim \u0219i<br \/>\nrecomandarea f\u0103cut\u0103 acestuia de Gheorghe Istrate,<br \/>\npentru primirea \u00een Uniunea Scriitorilor din Romania.<br \/>\nUrmeaz\u0103 eseurile realizate de Magda Ursache, Mari<br \/>\nrom\u00e2ni, Teodor Baconschi, A fi trecut, Ancelin Roseti,<br \/>\nLumea ca \u201evirus\u201d al lumii, Mihaela Gomoescu, Despre<br \/>\nbolile noastre, Roxana Mihaela Constantinescu, Trei<br \/>\ns\u0103pt\u0103m\u00e2ni \u0219i o pandemie mondial\u0103 \u0219i \u021aara de fagi,<br \/>\nRoxelana Radu, Antiprim\u0103vara, Acolo unde r\u0103sare<br \/>\nsoarele \u0219i La por\u021bile cerului, Nicolae Rotaru, Not\u0103raport,<br \/>\nDan Dinu, Blajinii \u0219i moartea covidului, Stan<br \/>\nBrebenel, Neam mutat, Adrian Mondea, Poemul fluviu,<br \/>\nStelian Grigore, Mihaela noastr\u0103 \u0219i Un om al p\u00e2inii<br \/>\nnoastre, Niculina Apostol, Despre partea plin\u0103 a<br \/>\npaharului&#8230;, Iris Dan, P\u00e2inea \u0219i alte lucruri zilnice. V.<br \/>\nNicolescu \u0219i St. Grigore vin cu Desc\u00e2ntece reamintite.<br \/>\nPoezia este prezent\u0103 prin: Daniela \u0218ontic\u0103, Victor<br \/>\nRotaru, Liviu Vi\u0219an, Ottilia Ardeleanu, Mihaela<br \/>\nMeravei, Andreea Maftei, Teo Cabel, Lauren\u021biu<br \/>\nBelizan, Ana Ardeleanu, Gabriela Ana B\u0103lan, Mihaela<br \/>\nAionesei, Gina Zaharia, Daniela B\u00eerzu, Mihaela Roxana<br \/>\nBoboc, Laura Cozma, Alexandru Pripon, Victoria Maria<br \/>\nPripon, \u0218tefan Costache Andrei, Romi\u021ba M\u0103lina<br \/>\nConstantin, Genovel Florentin Fr\u0103\u021bil\u0103, Miguel Gane (cu<br \/>\ndou\u0103 versiuni: \u00een limba rom\u00e2n\u0103 \u0219i \u00een limba spaniol\u0103 \u0219i cu<br \/>\no prezentare de Stan Brebenel), Dana Mastan, Ion<br \/>\nRo\u0219ioru, Nicolae Cabel, Paul Spirescu, Grigora\u0219<br \/>\nBratosin, Nicolae Rotaru, Emil Alm\u0103\u0219an, Ramona<br \/>\nM\u00fcller, Stelian Grigore.<\/p>\n<p><strong>Cadran cultural<\/strong>, <em>anul III, nr. 4 (14), iulie-august,<br \/>\n2020, Bac\u0103u<\/em>. Eseurile si comentariile sunt<br \/>\nrealizate de G. C. Simion, Dumitru Dan, campionul<br \/>\nmondial neegalat \u00eenc\u0103, Dirijorul Mihai Dr\u00eembe,<br \/>\nUniversitarul Neculai Galan, Profesorul Ioan Grigoriu,<br \/>\nPoeta Cecilia Moldovan, Vasile Bardan, Constantin<br \/>\nC\u0103lin, o via\u021b\u0103 de citit, \u0218tefan Munteanu, Tudor<br \/>\nGhideanu despre filosofia lui Eminescu (VII), Maria<br \/>\nBil\u021biu, \u201eMo\u0219ii\u201d \u0219i alte praznice de peste an pe Valea<br \/>\nSl\u0103nicului, \u00een satul Cerdac, Elena Petriman-\u021aar\u0103lung\u0103,<br \/>\nPagini de jurnal, Marin Moscu, Paralelisme, Constantin<br \/>\nC\u0103lin, Agende (1I), Valeriu T\u0103nas\u0103, La V\u0103ratec, casa lui<br \/>\nEminescu e prins\u0103 \u00een agonia mor\u021bii, Ozana Kalmuski<br \/>\nZarea, Zilele estivale ale muzicii rom\u00e2ne\u0219ti, interviu:<br \/>\nCornel Galben \u2013 Cristina \u0218tefan, critica literar\u0103 este<br \/>\nscris\u0103 de Ion Tudor Iovian (Calistrat Costin, Distrac\u021bie<br \/>\nde fiare), C\u00e2ntecul de prieten al lui Dan Sandu este<br \/>\n\u00eenchinat Oanei Orlea. \u00cent\u00e2lnim poezie de Angi Melania<br \/>\nCristea, Sibiana Mirela Antoche, Ion Dinvale, Rodi<br \/>\nVinau (prezentare de Cornel Galben), \u0219i proz\u0103 de Ion<br \/>\nFercu. Folclor literar din jude\u021bele Bac\u0103u \u0219i Neam\u021b se<br \/>\nconstituie din textele a 14 c\u00e2ntece culese de Constantin<br \/>\nDonea.<\/p>\n<p><strong>Cafeneaua literar\u0103<\/strong>, <em>anul XVIII, nr. 8 \u0219i 9\/ 210<br \/>\n\u0219i 211, august \u0219i septembrie, 2020<\/em>, Pite\u0219ti. Remarc\u0103m<br \/>\neseurile realizate de Theodor Codreanu, Dumitru Radu<br \/>\nPopescu-85. Neobarocul transmodern (I), Adrian Dinu<br \/>\nRachieru, Aurel R\u0103u sau \u201eOchiul estet\u201d, Constantin<br \/>\nManea, Andrei Banta\u0219 \u2013 profesorul, traduc\u0103torul,<br \/>\nlingvistul, omul, Lucian Costache, Mircea Platon \u2013<br \/>\nDe\u0219colarizarea Rom\u00e2niei, critica literar\u0103 f\u0103cut\u0103 de<br \/>\nGheorghe Grigurcu (Vladimir Udrescu, Boieri<br \/>\ndumneavoastr\u0103. Hegemonice \u0219i David Dorian, Alte<br \/>\npoeme prozaice), Lucian Costache (Radu Ulmeanu, Ab<br \/>\nUrbe Condita), Liliana Rus (Liviu M\u0103\u021b\u0103oanu, Umbra<br \/>\npersonajului \u0219i Robert \u0218erban, Cinema la mine acas\u0103),<br \/>\nGela Enea (Ioana Sandu, Setea penumbrei), Valeria<br \/>\nManta T\u0103icu\u021bu (Alexandru Ovidiu Vintil\u0103, Transparen\u021ba<br \/>\nunui popor de foci) Ana Dobre (Gabriela Banu,<br \/>\nSinestezii), Arte poetice: James Muilenburg, Critica de<br \/>\nform\u0103 \u0219i nu numai (fragmente) (traducere de Liana<br \/>\nAlecu) \u0219i Scott B. Noegel, Me\u0219te\u0219ugul \u201eliterar\u201d \u0219i<br \/>\nputerea performativ\u0103 \u00een Orientul Apropiat antic. Biblia<br \/>\nebraic\u0103 \u00een context (fragmente) (traducere de Constantin<br \/>\nManea), Virgil Diaconu, Facerea, o istorie sacr\u0103,<br \/>\ntraduceri: Jules Huret, Anchet\u0103 asupra evolu\u021biei literare<br \/>\n(traducere de Liana Alecu). Poezia este semnat\u0103 de<br \/>\nLiviu Popescu, Victoria Milescu, Ramona M\u00fcller,<br \/>\nAlexandru Jurcan, Aurel Sibiceanu, Florentina<br \/>\nLoredana Dalian, Ren\u00e9 Char \u0219i proz\u0103 poematic\u0103 de<br \/>\nVirgil Diaconu.<\/p>\n<p><strong>C a l i g r a f<\/strong>, <em>anul XX, nr. 119, august 2020,<br \/>\nAlexandria<\/em>. Eseurile, comentariile \u0219i consemn\u0103rile sunt<br \/>\nrealizate de Florea Burtan, A \u00eenceput marele circ<br \/>\n(editorial), Marian Nazat, Islazul v\u0103zut dinspre&#8230;<br \/>\nAlbania, Marin Iancu, Marin Preda. Personaje<br \/>\nignorate (XXIX). Cu pagini de istorie literar\u0103 este<br \/>\nprezent Stan V. Cristea, Miron Radu Paraschivescu. O<br \/>\nrestituire necesar\u0103, iar tot cu o restituire vine Nicolae<br \/>\nScurtu, O poezie necunoscut\u0103 a lui Constantin<br \/>\nAlm\u0103janu. Iulian Talianu este \u00een dialog cu \u0218tefan Mitroi.<br \/>\nCritic\u0103 literar\u0103 fac: Ana Dobre (Maria Sturdza<br \/>\nClopotaru, Geo, micul poli\u021bist), Aureliu Goci (Nicolae<br \/>\nDan Fruntelat\u0103, Altamire, Puiu R\u0103ducan, Mucegai<br \/>\nnostalgic de v\u00e2rst\u0103 b\u0103tr\u00e2n\u0103), Elena M. C\u00eempan (Ion<br \/>\nDulugeac, Persida de trei ori femeie), Nicolae Dina<br \/>\n(\u0218tefan Vida Marinescu, Post-Scripta), Zenovie<br \/>\nC\u00e2rlugea (Loredana Tuchil\u0103, Folclorul \u00een opera lui<br \/>\nDumitru Radu Popescu), \u0218tefan Vida Marinescu<br \/>\n(Mihai-Athanasie Petrescu, Statutul descrierii \u00een opera<br \/>\nlui Honor\u00e9 de Balzac). Poezia este semnat\u0103 de Dorin<br \/>\nS\u0103l\u0103jan, Valentin Tufan, Victoria Milescu, Carmen<br \/>\nTania Grigore, Gheorghe Buciu, Nicoleta St\u0103v\u0103rache,<br \/>\nGeorge Nina Elian, Mihai P\u0103curaru, iar proza, de Victor<br \/>\nRavini, \u0218tefan Mitroi, Marina \u021avetaeva (traducere de<br \/>\nStelian Ceampuru).<\/p>\n<p><strong>Constela\u021bii diamantine<\/strong>,<em> anul XI, nr 8 (120),<br \/>\naugust 2020, Craiova<\/em>. Remarc\u0103m eseurile \u0219i<br \/>\ncomentariile realizate de Doina Dr\u0103gu\u021b, O revist\u0103<br \/>\n\u00eenf\u0103ptuit\u0103 cu dragoste, Al, Florin \u021aene, Zece ani de<br \/>\n\u201eConstela\u021bii diamantine\u201d pe ve\u0219nicia cerului Literaturii<br \/>\nRom\u00e2ne \u0219i Rela\u021bia milenar\u0103 dintre religie \u0219i \u0219tiin\u021b\u0103,<br \/>\nDoru Dinu Gl\u0103van, Revistei \u201eConstela\u021bii diamantine\u201d,<br \/>\nOmagiu, Mircea Pospai, O revist\u0103 realizat\u0103 cu sufletul,<br \/>\nGalina Martea, Cultura literaturii rom\u00e2ne \u00een contextul<br \/>\naltor culturi, Drago\u0219 Niculescu, Nae Ionescu \u0219i \u0218coala<br \/>\nsa (V), Janet Nic\u0103, Eseuri, Mihai Posada, Despre<br \/>\nfonfeurile ironicului Mihai Batog-Bujeni\u021b\u0103, Vasilica<br \/>\nGrigora\u0219, Biblioteca \u2013 Ateneul min\u021bii \u0219i al sufletului,<br \/>\nGeorge Petrovai, Filosofia indian\u0103 \u0219i sublima ei<br \/>\nsubtilitate (IX), Mihai Caba, Dou\u0103 veacuri de neuitare \u2013<br \/>\nIon Budai Deleanu, Ion Popescu-Br\u0103diceni, Nicolae<br \/>\nManolescu \u0219i Calea-de-acces la Sufletul C\u0103r\u021bilor, Tudor<br \/>\nNedelcea, Ioan C. Bibicescu, folclorist \u0219i om al cet\u0103\u021bii,<br \/>\nVavila Popovici, Filozofia, Religia, \u0218tiin\u021ba, Politica \u2013<br \/>\nRen\u00e9 Descartes (XV), Marin Mihalache, Despre<br \/>\nlimbajul poetic, Gheorghe Dihoru, Vegetalele \u2013 \u00een<br \/>\npoeziile eminesciene, Nicolae Grigorie-L\u0103cri\u021ba, Opinii<br \/>\ndespre \u201eGeniul r\u0103ului\u201d, Dorin N\u0103dr\u0103u, Ei au visat<br \/>\nrom\u00e2ne\u0219te \u2013 scriitori rom\u00e2ni \u00een exil, Philip Tudora,<br \/>\nAdrian Scott Stokes, Maxime \u0219i aforisme de Nicolae<br \/>\nMare\u0219, Citate re-citate de Florentin Smarandache,<br \/>\ncritica literar\u0103 f\u0103cut\u0103 de Livia Ciuperc\u0103 (Danion Vasile,<br \/>\nAcuzatul 1988), Daniel Marian (Lucian Gruia, Poeme<br \/>\nputrede), Liviu Chiscop (Tinca Tama\u0219-Pavel, C\u00e2ntarea<br \/>\ninimii fericite), Emil Bucure\u0219teanu (Camelia Florescu,<br \/>\nNu-s o fat\u0103 ca oricare), Florica P\u0103\u021ban (Vasilica<br \/>\nGrigora\u0219, Simple adora\u021bii), poezia semnat\u0103 de Doina<br \/>\nDr\u0103gu\u021b, Camelia Opri\u021ba, Constantin Miu, Nicolae<br \/>\nM\u0103tca\u0219, Gelu Drago\u0219, Vavila Popovici, Lidia Grosu \u0219i<br \/>\nproz\u0103 de Ben Todic\u0103.<\/p>\n<p><strong>Expres cultural<\/strong>, <em>anul VI, nr. 8(44), august<br \/>\n2020, Ia\u0219i<\/em>. Eseurile \u0219i comentariile sunt realizate de<br \/>\nLiviu Ioan Stoiciu, Te pomene\u0219ti c\u0103 noul coronavirus a<br \/>\n\u00eenmul\u021bit num\u0103rul cititorilor&#8230;, Nicolae Panaite, Dorin\u021be,<br \/>\npriorit\u0103\u021bi, motiva\u021bii&#8230;, Constantin Coroiu, Literatura, o<br \/>\nform\u0103 a fericirii, Dan Bogdan Hanu, Dog\u02bcs diary (din<br \/>\nvremea c\u00e2inelui sub acoperire involuntar\u0103), Gellu<br \/>\nDorian, Ovidiu Petcu, un creator de literatur\u0103 de luat \u00een<br \/>\nseam\u0103, Iulian Marcel Ciobotaru, Prolegomene la istoria<br \/>\nunei familii uitate: Zipa (IV), Daniel Corbu, Gheorghe<br \/>\nGrigurcu. Concretismul liric \u00eentre sim\u021birea poetic\u0103 \u0219i<br \/>\ninteligen\u021ba textual\u0103, Magda Ursache, Instan\u021ba divin\u0103 \u0219i<br \/>\ncatastihul ei, Flavius Paraschiv, Infanteria lui Heinlein<br \/>\nIoan R\u0103ducea, Formele seduc\u0103torului vis, Adrian Dinu<br \/>\nRachieru, George B\u0103l\u0103i\u021b\u0103, un realist \u201efantasmagoric\u201d,<br \/>\nAdina Barda\u0219, Planeta Faifer, Constantin Pricop,<br \/>\nDirec\u021bia critic\u0103 (XXXV). Critica literar\u0103 este f\u0103cut\u0103 de<br \/>\nGheorghe Simon (Mihaela Gr\u0103dinariu, Urechea lui<br \/>\nMalhus), Emanuela Ilie (Carmelia Leonte, V\u0103z\u0103torul),<br \/>\nConstantin Dram (Ion Tudor Iovian, \u0219i omul n-a mai<br \/>\nscos niciun cuv\u00e2nt), Mihaela Gr\u0103dinariu (Alexandru<br \/>\nOvidiu Vintil\u0103, Transparen\u021ba unui popor de foci),<br \/>\nAdrian Alui Gheorghe (Angela Baciu, Mic dejun la<br \/>\nFrida, Ioana Ileana \u0218te\u021bco, Ai s\u0103 dai seama, doamn\u0103,<br \/>\nGellu Dorian, Gramote), Ioan \u021aicalo (Magda Ursache,<br \/>\nRidic\u0103-te, Gyr, ridic\u0103-te, Crainic). Remarc\u0103m apoi,<br \/>\nEpistole inedite: Augustin Buzura c\u0103tre Corneliu<br \/>\n\u0218tefanache, Jurnal heidelberghez 1994 (I) de Eugen<br \/>\nMunteanu \u0219i \u201eRevista Funda\u021biilor Regale\u201d de Victor<br \/>\nDornea. Poezia poart\u0103 semn\u0103turile: Angela Marinescu \u0219i<br \/>\nRadu Florescu.<\/p>\n<p><strong>FEED BACK<\/strong>, <em>anul XVII, nr. 7-8, iulie-august<br \/>\n2020, Ia\u0219i<\/em>. Remarc\u0103m eseurile realizate de Daniel<br \/>\nCorbu, Rom\u00e2nia mea, Rom\u00e2nia altora (editorial), Florin<br \/>\nDochia. Poezia conceptual\u0103 \u0219i codurile livrescului,<br \/>\nMatei Vi\u0219niec, Anul c\u00e2nd ne mor b\u0103tr\u00e2nii, Tudor<br \/>\nNedelcea, Nu-i totul \u201edegeaba\u201d, Tudor Gheorghe!<br \/>\nGeorge B\u0103d\u0103r\u0103u, Urmuz. Simbol al Revoltei, Basarab<br \/>\nNicolescu, Teoreme poetice, Lucian Gruia, Radu<br \/>\nStanca, prin\u021bul triste\u021bii \u0219i al amurgului, Visarion Puiu,<br \/>\nMircea Eliade. De la Zamolxis la Genghis-Han, Tudor<br \/>\nGhideanu, Lucian Blaga. Conceptul diferen\u021belor divine,<br \/>\nOgnean Stamboliev, Dou\u0103zeci \u0219i cinci de ani f\u0103r\u0103 Emil<br \/>\nCioran, Eugen D. Popin, In memoriam Miron Kiropol,<br \/>\nAndrei Zanca, Un prieten, un om, o via\u021b\u0103 \u2013 Miron<br \/>\nKiropol, Nicholas Catanoy, G\u00e2nduri despre Umberto<br \/>\nEco, Virgil Diaconu, Critica de poezie \u00een concep\u021bia lui<br \/>\nT. S. Eliot, Agapice de Gheorghe Simon, interviul<br \/>\nAngelei Baciu cu Cezar Iv\u0103nescu, o scrisoare a lui Petre<br \/>\n\u021au\u021bea c\u0103tre Emil Cioran, critica literar\u0103 f\u0103cut\u0103 de<br \/>\nGheorghe Simon (Miron Kiropol, Diotima), Dorin<br \/>\nTudoran (Vasile Gogea, La scara blogului), Teodor<br \/>\nDume (Alexandru-Eusebiu Ciobanu, Oglinda lui prier),<br \/>\nVasile Fluturel (Daniel Corbu, Escale \u00een Panteon),<br \/>\nCarmen Doreal (Lia Ruse, Povestea continu\u0103), Daniel<br \/>\nCorbu (Iulian Mocanu, Eternele sim\u021biri, Lucian Gruia,<br \/>\nBr\u00e2ncu\u0219i \u0219i reveriile materiei, Sorin Grecu, Via\u021ba<br \/>\nam\u00e2nat\u0103. O plimare prin Infern, Gheorghe \u0218erban,<br \/>\nSecretul m\u0103\u0219tii de \u00eenger), Alexandru Ovidiu Vintil\u0103<br \/>\n(Marioara Vi\u0219an, Litere din alfabetul astral), Andrei<br \/>\nVianu (Lumini\u021ba Cojoac\u0103, Setea de piatr\u0103), poezia<br \/>\nsemnat\u0103 de Grigore Vieru, Virgil Andronescu, Florina<br \/>\nZaharia, Vasile Gogea, Gheorghe Grigurcu, Adrian<br \/>\nSuciu, George Vulturescu, Corina Oproae, Nicolae<br \/>\nSilade, Florentin Palaghia, Gellu Dorian, Ion Zuba\u0219cu,<br \/>\nMiron Kiropol, Florin Dochia, proza de Ion M\u00e2n\u0103scurt\u0103.<\/p>\n<p><strong>H e l i s<\/strong>, <em>anul XVII, nr. 7-8-9 (204-205-206),<br \/>\niulie-august-septembrie 2020, Slobozia<\/em>. Remarc\u0103m:<br \/>\neseurile \u0219i comentariile acestei edi\u021bii sunt realizate de<br \/>\n\u0218tefan Mitroi, Nostalgii de B\u0103r\u0103gan, Ic\u0103 S\u0103li\u0219teanu,<br \/>\nDomni\u0219oara Poezie, R\u0103zvan Ciuc\u0103, Emo\u021bii pozitive \u0219i<br \/>\nnu prea, Clementina Tudor, Via\u021ba romilor conteaz\u0103.<br \/>\nVia\u021ba tuturor conteaz\u0103&#8230;, Florentina Loredana Dalian,<br \/>\nTiti Damian \u2013 75, Angela Dinu-Cernea, Titi Damian, un<br \/>\nom \u00eendr\u0103gostit de c\u0103r\u021bi, Victor Nicolae, Decesul<br \/>\nasimptotic, Alexandru Bulandra, M\u0103rturisirile unui<br \/>\ndetectiv literar, evenimentul consemnat de Nicolae<br \/>\nPetrache, Urziceni inedit \u2013 concurs de fotografie \u0219i filele<br \/>\ndin jurnalul lui Marian \u0218tefan, Amintiri de ieri (IV),<br \/>\nretrospectiva revistei (aprilie-mai- iunie) f\u0103cut\u0103 de Dan<br \/>\nSimionescu, din care cit\u0103m: Stan Brebenel (pag. 10):<br \/>\n\u201ePenibil. Nici nu merit\u0103 s\u0103-i pomene\u0219ti numele.\u201d,<br \/>\ncritica literar\u0103 f\u0103cut\u0103 de Ic\u0103 S\u0103li\u0219teanu (Miron Manega,<br \/>\nSalonul Refuza\u021bilor, Tudor Amza, R\u0103s\u0103rit de floarea<br \/>\nsoarelui \u0219i Florin Dochia, 36 de zile cu Lilith), Mihaela<br \/>\nMeravei (Gheorghe Dobre, Fragmente), Eugenia<br \/>\n\u021aar\u0103lung\u0103 (Petre Ioan Cre\u021bu, Recviem pentru o roat\u0103<br \/>\nbolnav\u0103 mintal). Semneaz\u0103 poezie: Dan Elias, Gheorghe<br \/>\nDobre, Marius Stan, Vasile Iordache, Costel Bunoaica,<br \/>\nNicolae Teoharie, Daniela B\u00eerzu, Mircea Teculescu,<br \/>\n\u0218tefan Neagu, Mihaela Meravei, Anda Mihaela Miroiu,<br \/>\nMaria Dobrescu, F,M, Ciocea, Moaen Shalabia<br \/>\n(traducere de F.M. Ciocea), Carmen Sorescu, Petre Ioan<br \/>\nCre\u021bu, Diana Trandafir \u0219i proz\u0103, de Leonard Voicu \u0219i Al,<br \/>\nCremardia.<\/p>\n<p><strong>\u00ce n t r e z \u0103 r i r i<\/strong>, <em>anul VIII, nr. 30, iunie<br \/>\n2020, P\u00e2rscov<\/em>. Pagina de deschidere a edi\u021biei o<br \/>\nconstituie Aniversarea Ion Gheorghe \u2013 85, marcat\u0103<br \/>\nprintr-un fragment din poemul \u021a\u0103ranii arogan\u021bi \u0219i dou\u0103<br \/>\nextrase de aprecierile critice ce apar\u021bin lui Gheorghe<br \/>\nPostelnicu, iar&#8230; ultima pagin\u0103 relev\u0103 Aniversarea<br \/>\nFlorentin Popescu \u2013 75, marcat\u0103 prin scurte aprecieri<br \/>\ncritice de Gheorghe Postelnicu \u0219i acad, Gheorghe P\u0103un<br \/>\n\u0219i poemul Mici \u00eendemnuri de Radu C\u00e2rneci, \u00eencadrate<br \/>\nlateral de c\u0103r\u021bi ale aniversatului. Comentariile sunt<br \/>\nrealizate de Aida-Oana Drug\u0103u, Teatrul voiculescian.<br \/>\nExerci\u021biu tematic de \u00eent\u00e2mpinarea prozei, Ilie<br \/>\nM\u00e2ndricel, P\u0103rul cu prece\u0219tanie \u0219i Un om sub vremuri,<br \/>\nConstantin Costea, Pandemii \u00een spa\u021biul rom\u00e2nesc (II),<br \/>\nEnache Necula, Sf\u00e2nta tain\u0103 a Botezului \u0219i a<br \/>\nMirungerii, Gina Agapie, Icoane \u00een care ne oglindim ca<br \/>\npopor, Dumitru Scoro\u0219anu, Buz\u0103ul \u0219i mo\u0219tenirea<br \/>\nMarghiloman. Cartea Paulinei Georgescu, Victoria se<br \/>\nbucur\u0103 de comentariile realizate de Gheorghe Postelnicu<br \/>\n(Nuvel\u0103 sau roman?), Girel Barbu (Un roman \u00een plin\u0103<br \/>\np(l)andemie) \u0219i Aurel Anghel (Tr\u0103irea personajului,<br \/>\ncondi\u021bia prim\u0103 a romanului). La rubrica Vorbe \u0219i<br \/>\nt\u00e2lcuri, I. Nedelea face invita\u021bie: Pofti\u021bi la petrecere,<br \/>\nTudor Cicu face evocarea, Poetul \u0219i Poezia sa, iar file<br \/>\nde istorie scrie Marius-Adrian Nicoar\u0103, Debutul<br \/>\nactivit\u0103\u021bii primului parlament al Rom\u00e2niei Mari \u0219i<br \/>\nconsacrarea legislativ\u0103 a unit\u0103\u021bii na\u021bionale. Gheorghe<br \/>\nPostelnicu prezint\u0103 c\u0103r\u021bile: Adieri \u00een petale de cuv\u00e2nt de<br \/>\nVeroni Mih\u0103il\u0103, Din ad\u00e2ncuri de Iorgu G\u0103l\u0103\u021beanu, Via\u021b\u0103<br \/>\n\u0219i literatur\u0103 de Florentin Popescu, iar critica literar\u0103 este<br \/>\nf\u0103cut\u0103 de Ion Lazu (Tudor Cicu, Nu e\u0219ti \u00een povestea<br \/>\nasta) \u0219i Gheorghe Postelnicu (Marin Ifrim, Curentul<br \/>\nmarin). Poezia este semnat\u0103 de Elena Rusen, P.<br \/>\nDimitrie, Marius R\u00e2peanu, Elena Stroe-Otav\u0103, Iorgu<br \/>\nG\u0103l\u0103\u021beanu, Veroni Mih\u0103il\u0103, Violeta Bobocea, iar proz\u0103<br \/>\nde Georgeta Tudor (Mica familie), Gheorghe Postelnicu<br \/>\n(fragmente din cartea aflat\u0103 \u00een curs de apari\u021bie, T\u00e2n\u0103rul<br \/>\nVoiculescu \u00eentre medicin\u0103 \u0219i literatur\u0103), \u0219i pamfletul<br \/>\nBaroane de Tudor Arghezi. Elena C\u0103p\u0103\u021b\u00e2n\u0103 (Maria<br \/>\nversus Maria!), Elena Petculescu (M\u0103gura copil\u0103riei<br \/>\nmele).<\/p>\n<p><strong>L e v i a t h a n<\/strong>, <em>anul III, nr. 3 (8), iulie-septembrie,<br \/>\n2020<\/em>. Remarc\u0103m editorialul Leviathan, Sub<br \/>\numbrela timpului, studiul lui Rudy Roth, \u00cen c\u0103utarea<br \/>\nploii pre-impresioniste \u00een pictura european\u0103, eseurile \u0219i<br \/>\ncomentariile realizate de Neculai Moghior, O poveste<br \/>\nadev\u0103rat\u0103 (7), Dan Caragea, Academie&#8230;, George<br \/>\nGrigore, Simorgh sau Dumnezeul interior, Gheorghe<br \/>\nMiletineanu, F\u0103uritor de opinie, Urfet \u0218achir,<br \/>\nEnheduenna, prima poet\u0103 a lumii \u0219i Harem. Lumea care<br \/>\nnu trebuie \u0219tiut\u0103 (3), Costin Tuchil\u0103, \u00centoarcerea la<br \/>\nBeethoven, Daniel Ioni\u021b\u0103, Patrick White, scriitor<br \/>\naustralian. Premiul Nobel pentru Literatur\u0103, 1973,<br \/>\nMilena Munteanu, V\u0103lul pictat, aforismele lui George<br \/>\nCorbu, interviurile: Pu\u0219a Roth \u2013 Irina Eliade, Sabina<br \/>\nM\u0103du\u021ba \u2013 Lena Constante, Aurelian Popa Stavri \u2013<br \/>\nAlexandru P\u00e2rlea, jurnalul de c\u0103l\u0103torie al Paulei<br \/>\nRomanescu, critica literar\u0103 f\u0103cut\u0103 de Costin Tuchil\u0103<br \/>\n(Rudy Roth, Geometriile contradictorii ale singur\u0103t\u0103\u021bii<br \/>\n\u0219i Daniela \u0218ontic\u0103, Chipuri din satul rom\u00e2nesc),<br \/>\nChristian T\u0103ma\u0219 (Ara Alexandru \u0218i\u0219manian, Menuetul<br \/>\nmenestrelului morbid), Ana Dobre (Gheorghe Simon,<br \/>\nCalea iubirii), Cornel Galben (Cristina \u0218tefan, Ora\u0219ul),<br \/>\nVeronica Pavel Lerner (Bernard-Henri L\u00e9vy, Ce virus<br \/>\nqui rend\/ Virusul care ne \u00eennebune\u0219te \u0219i Vianu<br \/>\nMure\u0219an, \u00a1Bravo, camp\u00e9on! (memorialul agoniei),<br \/>\npoezia semnat\u0103 de Tarek Eltayeb (traducere de George<br \/>\nGrigore), Kristina Lugn (prezentare \u0219i traducere de<br \/>\nDaniel Onaca), Tudor Arghezi, Adam Mickiewicz<br \/>\n(traducere de Miron Radu Paraschivescu), Josef<br \/>\nRudyard Kipling (traducere de Dan Du\u021bescu), Rudy<br \/>\nRoth (cu versiuni \u00een limba spaniol\u0103 de Christian T\u0103ma\u0219<br \/>\n\u0219i \u00een limba francez\u0103 de Dan Sincu), Silviu Mih\u0103il\u0103 (cu<br \/>\nversiuni \u00een Limba englez\u0103 de Mariana Nicolae \u0219i \u00een<br \/>\nlimba francez\u0103 de Sonia Elvireanu), Ovidiu Gliga (cu<br \/>\nversiune \u00een limba francez\u0103 de autor), Cornelia Costin<br \/>\n(cu versiune \u00een limba arab\u0103 de Christian T\u0103ma\u0219),<br \/>\nDumitru Ichim, Daniela \u0218ontic\u0103, Ani Bradea, Florentina<br \/>\nLoredana Dalian, Vasile Dan Marchi\u0219, George Corbu,<br \/>\nLidia Batali, Victoria Milescu \u0219i proz\u0103, de Leti\u021bia<br \/>\nVladislav, Ion Laz\u0103r da Coza, Cornelia Bartels, Gina<br \/>\nZaharia, Radu Com\u0219a, Claudiu Neac\u0219u, Ilie F\u00eertat, Lic\u0103<br \/>\nBarbu, Carmen Vin\u021ban, Cristina Gabriela Covaliu.<\/p>\n<p><strong>L i t e r a d u r a<\/strong>, <em>anul V, nr. 17, septembrie,<br \/>\n2020, Buz\u0103u<\/em>. Eseurile sunt realizate de Teo Cabel,<br \/>\nMedita\u021bii aniversare (editorial) \u0219i Magda Ursache,<br \/>\nInstan\u021ba divin\u0103 \u0219i catastihul ei, Florentin Popescu este<br \/>\nprezent cu evocarea Oameni \u0219i locuri din Buz\u0103ul de<br \/>\nalt\u0103dat\u0103 (XIII), Dumitru Ichim este \u00een dialog cu Teo<br \/>\nCabel, critica literar\u0103 este f\u0103cut\u0103 de Tudor Cicu (Adrian<br \/>\nAlui Gheorghe, Laika, Florin Ciocea, Prive\u0219te-m\u0103 prin<br \/>\nlentila uria\u0219\u0103 a unei lacrimi, Ovidiu Dun\u0103reanu,<br \/>\nLumina \u00eendep\u0103rtat\u0103 a fluviului, Titi Damian, Sisif<br \/>\ncobor\u00e2nd muntele), Manuela Camelia Sava (M\u0103rg\u0103rita<br \/>\nMiller-Verghy, Theano), Daniel Luca (Iuliana Pa\u0219ca,<br \/>\nReflect\u0103rile unei molecule), Mihai Vintil\u0103 Adrian Raicu,<br \/>\nLabirintul timpului), Mihai Merticaru (Nicolae Dabija,<br \/>\nContra amneziei). Poezia este semnat\u0103 de Igor Ursenco,<br \/>\nOttilia Ardeleanu, \u0218erban Codrin, Mihaela Roxana<br \/>\nBoboc, Tudor Cicu, Ion Calot\u0103, Lumini\u021ba Zaharia,<br \/>\nCarmen Secere, Codru\u021ba Vancea, Daniel Luca, Carmen<br \/>\nPopescu, Asunci\u00f3n Cabalero (traducere de Elisabeta<br \/>\nBo\u021ban), Armanda Filipine, Elisabeta Bo\u021ban, Adrian<br \/>\nSf\u00e2rlea, Natalia Micalona, iar proza, de Dana Banu,<br \/>\nIoana T\u0103t\u0103ru\u0219anu, Florentina Loredana Dalian, Oana<br \/>\nGoia, Camelia Ardelean, Dan Dinu. Sunt consemnate<br \/>\nevenimentele: Pe malul Dun\u0103rii, la Maltezi, literatura a<br \/>\nb\u0103tut pandemia \u0219i 31iulie \u2013 2 august 2020, Tab\u0103ra<br \/>\nliterar\u0103 de la Monteoru, Editura Minela \u0219i Art Creativ.<\/p>\n<p><strong>P l u m b<\/strong>, <em>anul XVI, nr. 162, septembrie 2020,<br \/>\nBac\u0103u<\/em>. Remarc\u0103m comentariile \u0219i eseurile realizate de<br \/>\nIoan Vulcan-Agniteanul, De unele, de altele, Dumitru<br \/>\nBr\u0103neanu, De la un g\u00e2nd la altul \u2013Logica globaliz\u0103rii:<br \/>\nviitorul a \u00eenceput ieri!, Romulus-Dan Busnea,<br \/>\nEveniment omagial de anvergur\u0103, la Com\u0103ne\u0219ti, Mihai<br \/>\nBuznea, Unde ni-i coco\u0219ul, Ioan Florin Stanciu,<br \/>\nRitualuri funebre \u0219i structuri paralele \u00een poezia lui<br \/>\nBacoviaa, critica literar\u0103 scris\u0103 de: Ioan Filipciuc<br \/>\n(Cornelia Ichim-Pompiliu, Repeti\u021bie general\u0103 cu<br \/>\nApocalipsa), Constantin Dram (Oana Fren\u021bescu, T\u0103ceri<br \/>\nalbe), Ionel Necula (Alexandru Surdu, Eminescu \u0219i filos,<br \/>\nofia), Ioan \u021aicalo (Constantin Severin, Bibliotecarul<br \/>\ninfernului), Mioara Bahna (\u0218tefan Mitroi, S\u0103 locuie\u0219ti<br \/>\n\u00eentr-un l\u0103trat de c\u00e2ine), Vasile Fluturel (Rodica Rodean,<br \/>\nTaifas cu&#8230; prietenii), Livia Ciuperc\u0103 (Fascina\u021bie<br \/>\nnaratologic\u0103), Lucian Strochi (Andrei Moro\u0219anu,<br \/>\nUmbra c\u0103zut\u0103 din cuib), Ionel Bota (Carmen Tania<br \/>\nGrigore, Cerberul din clepsidr\u0103), Ana Dobre (Ion<br \/>\nDulugeac, Dou\u0103 \u021big\u0103ri \u0219i-o cafea), Nicolae Mihai<br \/>\n(Interviurile lui Marius Manta), Constantin Vorniceasa<br \/>\n(Virgil Mocanu, Mic dic\u021bionar de \u0219tiin\u021be socioumane<br \/>\ncomentat), Liviu Chiscop (Ligia Stan, Macii r\u00e2d \u00een<br \/>\nhohote de soare), Ic\u0103 S\u0103li\u0219teanu (Tudor Amza, R\u0103s\u0103rit<br \/>\nde floarea soarelui), Traian Valeriu (Gabriel Garcia<br \/>\nMarquez, C\u0103l\u0103torind prin Europa de Est). Semneaz\u0103<br \/>\npoezie: Ticu Leontescu, Iuliana Baciu, Virgil Diaconu,<br \/>\nRomic\u0103 C, Ghica, iar proz\u0103: Firi\u021b\u0103 Carp \u0219i Dan<br \/>\nArv\u0103tescu.<\/p>\n<p><strong>Pro Saeculum<\/strong>, <em>anul XIX, nr. 5-6 (145-146)- 1<br \/>\niulie-30 septembrie 2020, Foc\u0219ani<\/em>. Remarc\u0103m eseurile<br \/>\nscrise de Rodica L\u0103z\u0103rescu, O \u00eent\u00e2mplare cu t\u00e2lc<br \/>\n(editorial) \u0219i Siberiile de l\u00e2ng\u0103 noi, Magda Ursache, Un<br \/>\npatchwork ame\u021bitor, pe un balansoar stilistic, Ioan Al.<br \/>\nLupu, Mihai Eminescu \u0219i cultura german\u0103, Traduceri,<br \/>\nadapt\u0103ri sau prelucr\u0103ri? Ionel Necula, Al. Surdu despre<br \/>\nfilosofia lui Eminescu, Ioan Dumitru Denciu, Recurs<br \/>\nvr\u00e2ncean II. Patronimice \u0219i eponimice, Maria Ni\u021bu, Mia<br \/>\ns\u0103rit mu\u0219tarul! Gheorghe Glodeanu, Fascina\u021bia<br \/>\nDamei de pic\u0103, George Apostoiu, Literatura, paradisul<br \/>\nde l\u00e2ng\u0103 noi, Iulian Chivu, Magda Ursache \u0219i<br \/>\nlegimitatea argumentelor grave, Viorel Chiril\u0103,<br \/>\nCondi\u021bia fiin\u021bei strivite \u00een lirica Ilenei M\u0103l\u0103ncioiu (III),<br \/>\nMarin Iancu, O poetic\u0103 a privirii, Ion Andrei\u021b\u0103,<br \/>\nMedita\u021bii urmuziene de pe Dealul Olarilor. Petre Isachi,<br \/>\nDostoievski \u0219i drumul c\u0103tre centru (8), Nicolae Mare\u0219,<br \/>\nDespre ob\u00e2r\u0219iile sacerdotului Karol Jozef Wojty\u0142a, Stan<br \/>\nV. Cristea, Dou\u0103 scrisori de la Mircea Dinutz.<br \/>\nInterviurile sunt realizate de Rodica L\u0103z\u0103rescu cu<br \/>\nNiculae Gheran \u0219i Maria Ni\u021bu cu Petre Cr\u0103ciun. Critic\u0103<br \/>\nliterar\u0103 fac: Mari Iancu (Horia B\u0103descu, C\u0103derea din<br \/>\nRai), Alexandru Zota (Altfel de copil\u0103rie), Ioan N.<br \/>\nRo\u0219ca (Iulian Chivu, Cenu\u0219a tat\u0103lui), Iordan Datcu<br \/>\n(Barbu Cioculescu \u00een dialog cu Mihai Stan), Valeria<br \/>\nManta T\u0103icu\u021bu (Nicolae Dan Fruntelat\u0103, Altamire),<br \/>\nMihaela Viziru (Ioana Nicolaie, Cartea Reghinei), Lina<br \/>\nCodreanu (Ghi\u021b\u0103 Nazare, De la cerneala de boz la<br \/>\ncalculator), Diana Dobri\u021ba B\u00eelea (Petrache Plopeanu,<br \/>\nMituri cotidiene), Georgic\u0103 Manole (Vasile Lefter,<br \/>\nFrica vine din ad\u00e2ncuri). Breviarul editorial al Dianei<br \/>\nDobri\u021ba B\u00eelea relev\u0103 c\u0103r\u021bile: o zi pe care am locuit-o<br \/>\nc\u00e2ndva, de Nicolae Teoharie, Refec\u021biile, de Ottilia<br \/>\nArdeleanu \u0219i Descul\u021b \u00een mileniul III, de Silvia-Ioana<br \/>\nSofineti. Semneaz\u0103 poezie: Ioan Baba, Horia B\u0103descu,<br \/>\nPassionaria Stoicescu, Zaira Samharadze, Dumitru<br \/>\nVelea, Victoria Milescu, Nicolae Cabel, Geo Galetaru,<br \/>\nValeriu Birlan, Silvia Marinache, Dmitri Kriucikov,<br \/>\nGraal Arelski\/ Stefan Petrov \u0219i Vsevolod Ivanov<br \/>\n(traduceri de Leo Butnaru), Mark Bones (traducere de<br \/>\nMariana Zavati Gardner), Paul Spirescu, iar proz\u0103:<br \/>\nVictor Ravini, Titus V\u00eejeu, Nicolae Havriliuc, Ioan<br \/>\nFlorin Stanciu, Mircea Radu Iacoban, Paula<br \/>\nRomanescu, Ion Fercu, \u0218tefan Dimitriu, Fevronia<br \/>\nSpirescu.<\/p>\n<p><strong>S c r i p t o r<\/strong>, <em>anul VI, nr.9-10 (69-70),<br \/>\nseptembrie-octombrie 2020, Ia\u0219i<\/em>. Poezia este semnat\u0103<br \/>\nde Marta Petreu (cu poem desenat de Drago\u0219 P\u0103tra\u0219cu),<br \/>\nRemus-Valeriu Giorgioni, \u0218tefan Mitroi, Sorin Ro\u0219ca,<br \/>\nJavier Salvago \u0219i Maria-Cristina Casado Alcalde<br \/>\n(prezent\u0103ri \u0219i traduceri de Eugen Barz), Emilian<br \/>\nGalaicu-P\u0103un \u0219i proza, de Elena Carda\u0219. Remarc\u0103m<br \/>\neseurile realizate de Livia Cotorcea, De la legea<br \/>\ns\u00e2ngelui la legea iubirii, \u0218tefan Afloroaie, Imensa<br \/>\ngreutate a alegerii, Laura-Carmen Cu\u021bitaru, Piraha:<br \/>\ncultura (III), Emina C\u0103p\u0103ln\u0103\u0219an, Blog, mail \u0219i vlog \u2013<br \/>\ncuvinte cu poten\u021bial creator, Cristina Florescu, Puterea<br \/>\nchichi\u021bei, Eugen Uricaru, Petro\u0219ani, Valentin<br \/>\nCo\u0219ereanu, Scrisoare c\u0103tre Liviu Ioan Stoiciu, Liviu<br \/>\nIoan Stoiciu, Din anul revolu\u021biei. De uz strict personal<br \/>\n(XXXI), iar dialogurile sunt: Nicolae Busuioc \u2013 Nicu<br \/>\nGavrilu\u021b\u0103, Valea Atudorei \u2013 Grigore Vieru \u0219i &#8211; Eugen<br \/>\nDoga, Vasile Proca \u2013 Dumitru Crudu (III), Vasile Ra\u021biu<br \/>\n\u2013 Olimpiu Nu\u0219felean. Scriu critic\u0103 literar\u0103: Doru<br \/>\nSc\u0103rl\u0103tescu (Titu Maiorescu &#8211; Epoca Eminescu), Simion<br \/>\nBogd\u0103nescu (Victor Ion Popa, Lornionul galactic),<br \/>\nDiana Bobic\u0103 (Paul Tumanian, Divor\u021b fericit!), Nicolae<br \/>\nCre\u021bu (Traian Diaconescu, Ovidiana Ars Moriendi),<br \/>\nFr\u0103gu\u021ba Zaharia (Horia B\u0103descu, Poduri \u0219i v\u0103mi),<br \/>\nConstantin Coroiu (Epistole din arhiva unui redactor),<br \/>\nMenu\u021b Maximinian (O vizit\u0103 pe Bulevardul Gheran),<br \/>\nRadu Ciobotea (Basarab Nicolescu, Harul feminin),<br \/>\nStelian \u021aurlea (Teodora Matei, Afaceri de familie),<br \/>\nSonia Elvireanu (Gabriel Chifu, \u00cen drum spre Ikaria),<br \/>\nVasile Iancu (Lucia-Gabriela Munteanu, Pove\u0219tile din<br \/>\ntabloul unei femei, Octavian Simu, C\u0103r\u0103ri \u00eencruci\u0219ate),<br \/>\nTheodor Codreanu (Simion Bogd\u0103nescu, Nesf\u00e2nt),<br \/>\nGeorge Vulturescu (Cristian Livescu, Faptele \u0219i<br \/>\nreveriile Poeziei de sub munte. Poe\u021bi din Neam\u021b), Ioan<br \/>\nR\u0103ducea (Adrian G. Romila, Efectul \u00eendelungat al<br \/>\npasiunilor de tinere\u021be).<\/p>\n<p><strong>Sintagme literare<\/strong>, <em>nr.4 (45), august 2020,<br \/>\nDude\u0219tii Noi<\/em>. Sunt prezen\u021bi la poesis: Gabriela Cre\u021ban,<br \/>\nLiviu Ioan Stoiciu, Adela Conciu, Adrian Iona, Adrian<br \/>\nL\u0103z\u0103rescu, Alexandru Cazacu, Andrei Caucar, Camelia<br \/>\nRadulian, Carmen-Maria Mecu, Costel Simedrea,<br \/>\nCristian Ovidiu Dinic\u0103, Dana Logigan, Daniel Ioni\u021b\u0103,<br \/>\nDaniel Marian, Dorina M\u0103g\u0103rin (\u0219i proz\u0103), Dumitru<br \/>\nB\u0103lu\u021b\u0103, Elena Lucia Sp\u0103tariu, Emil Iulian Sude,<br \/>\nGabriela Verban, Gheorghe Simon, L\u0103cr\u0103mioara Iva,<br \/>\nLuciana, Mihaela Aionesei, Mihai P\u0103curaru, Mihai<br \/>\nSavin, Mioara B\u0103lu\u021b\u0103, Nicolae Nistor, Nu\u021ba Cr\u0103ciun,<br \/>\nOana Fren\u021bescu, Radu Chiorean, Raul Constantinescu,<br \/>\nSimion Bogd\u0103nescu, la proz\u0103: Constantin Geant\u0103,<br \/>\nCorina Vl\u0103doiu, Daniela Mih\u0103e\u0219, Serghie Bucur, \u0218erban<br \/>\nTom\u0219a, la atelier critic: Adrian Dinu Rachieru (Maria-<br \/>\nElena Cu\u0219nir, Autopsia mir\u0103rilor), Alexandru Cazacu<br \/>\n(Adriana Carrasco, Dezmembra\u021bi), Constantin<br \/>\nArdeleanu (Dan Stanca, Privirea mamei), Constantin<br \/>\nStancu (Radu Igna, Laz\u0103r nu mai vine, Ladislau<br \/>\nDaradici, Pove\u0219ti de dragoste muritoare, Constantin<br \/>\nButoi, Umbra r\u0103nilor), Cristina Sava (Ana-Maria Frank,<br \/>\nR\u0103t\u0103cind printre cuvinte), Daniel Luca (Ion R\u0103\u0219inaru,<br \/>\nR\u00e2nduri pentru r\u00e2u, Monica M. Condan, Albastru vital,<br \/>\nTeodor Dume, Moartea din vis), Daniel Marian (Oana<br \/>\nFren\u021bescu, G\u00e2nd tatuat \u00een clepsidr\u0103, Maria Ni\u021bu, \u00cen<br \/>\nsertarul umbrei, Lucian Gruia, Poeme putrede, Mihaela<br \/>\nMeravei, Colivia de sticl\u0103), Daniel Mari\u0219 (Florin<br \/>\nCiocea, Prive\u0219te-m\u0103 prin lentila uria\u0219\u0103 a unei lacrimi,<br \/>\nNu\u021ba Cr\u0103ciun, Cerul din colivie, Valeriu Marius<br \/>\nCiungan, Prin lentila umbrei), Gheorghe Simon (Adrian<br \/>\nAlui Gheorghe, Comunitatea artistic\u0103), Ladislau<br \/>\nDaradici (Constantin Stancu, Migran\u021bi f\u0103r\u0103 bagaje),<br \/>\nMaria Oprea (Ildiko \u0218erban, Sarea din Pust\u0103), Serghie<br \/>\nBucur (Ana H\u00e2ncu, Soacra mea tr\u0103snit\u0103), Tatiana<br \/>\nR\u0103dulescu (Magdalena Constantinescu, Ve\u0219nic acum).<br \/>\nScriu eseuri: Gabriela Verban, Ionel Bota \u0219i Ioan<br \/>\nR\u00eemboi, Victor Marola este \u00een dialog cu Costina Sava,<br \/>\niar Cristian Ovidiu Dinic\u0103, cu Daniel Ioni\u021b\u0103. La cur\u021bile<br \/>\ndorului este Ion C\u0103liman cu Problema variantelor.<\/p>\n<p><strong>13 Plus<\/strong>, <em>anul nr.197\/ 2020, Bac\u0103u<\/em>. Eseurile \u0219i<br \/>\ncomentariile sunt realizate de Gruia Novac, Un alt fel de<br \/>\na ap\u0103ra cultura&#8230;, Ion Dinvale, Exodul, Petre Isachi,<br \/>\nTotul coboar\u0103 \u201edintr-un bolovan\u201d sau ce \u00eenseamn\u0103 s\u0103<br \/>\nfii tot a\u0219a de (in)actual ca o piatr\u0103, Biblioteca este<br \/>\noglinda Poetului sau poezia (ne)\u00eensemn\u0103t\u0103\u021bii noastre \u0219i<br \/>\nEgologiile Roxanei sau efectul \u00eentreb\u0103rilor<br \/>\n\u201enen\u0103scute\u201d, Adrian Lungu, Incursiune cultural\u0103 la<br \/>\nV\u0103ratec (IV), Sorina-Roxana Costandache, Cum am<br \/>\n\u00eenceput \u0219i unde am ajuns? (I), Virgil Nistru \u021aig\u0103nu\u0219, Un<br \/>\nglas smerit pentru ve\u0219nicie: Poeziile M\u0103icu\u021bei Irina de<br \/>\nla Vorone\u021b. Critica literar\u0103 este f\u0103cut\u0103 de Geo Vasile<br \/>\n(Cornelia Ichim-Pompiliu, O prozatoare de raftul \u00eent\u00e2i),<br \/>\nGruia Novac (Daniela Oatu, Fata de rou\u0103), Ottilia<br \/>\nArdeleanu (Violetta Petre, Ninsori albastre). Din<br \/>\njurnalul de c\u0103l\u0103torie al lui Constantin Isache, afl\u0103m<br \/>\ndespre Cetatea lui Arhimede, Siracuza, iar Andreia<br \/>\nPalimariu-Arezzo traduce \u00een limba italian\u0103<br \/>\nConversazione immaginaria con Jorge Luis Borges di<br \/>\nPetre Isachi. Poezia este semnat\u0103 de Dorin Tudoran,<br \/>\nTheodor George Calcan, Maria-Ileana T\u0103nase, Mihaela<br \/>\nRoxana Boboc, Timeea Ivan, Ottilia Ardeleanu,<br \/>\nAlexandru Jurcan, Dan Petru\u0219c\u0103, Gabriela-Maria<br \/>\nStreche, Adrian Voica, iar proza, de Ovidiu Bufnil\u0103,<br \/>\nIoan \u021aicalo, Andreia P\u0103limariu, Mirela B\u0103lan,<br \/>\nGenevi\u00e8ve Damas (prezentare \u0219i traducere de Mihai<br \/>\nBotez). \u00cen partea final\u0103 a acestui num\u0103r, Petre Isachi<br \/>\npropune Manuscris. Varianta I: Conversa\u021bii \u00een oglind\u0103<br \/>\ncu Mircea Eliade \u2013 roman polifonic pe care urmeaz\u0103 s\u0103<br \/>\n\u00eel scrie cititorul. (II)<\/p>\n<p><strong>U r m u z<\/strong>, <em>seria a doua, anul VII, nr.5-6 \u0219i nr.<br \/>\n7-8\/ 2020, C\u00e2mpina<\/em>. Remarc\u0103m: poezie semnat\u0103 de<br \/>\nCristina Opri\u0219enescu, Ioana D\u00e2mbean, Ioana-Camelia<br \/>\nS\u00eerbu, Maria Gr\u0103dinaru, Mihaela Meravei, Ciprian<br \/>\nVestemean, Mircea Teculescu, Diana Trandafir, Maria<br \/>\nDobrescu, Carmen Secere, Alexandru Cazacu, Lucian<br \/>\nM\u0103n\u0103ilescu, Maria Ieva, Dumitru S\u00e2rghie-Mitif, Viorel<br \/>\nSurdoiu (t\u0103lm\u0103cit \u00een lb. englez\u0103 de Nicoleta Cr\u0103ete),<br \/>\nBlaise Cendrars, Maya Angelou, Jane Hirshfield Ted<br \/>\nHughes, Philip Larkin, Charles Bernstein, Patrick<br \/>\nHersant \u0219i Didi Jackson \u2013 ultimii doi, cu poeme<br \/>\ncomentate (t\u0103lm\u0103ciri de Florin Dochia), Henri Michaux<br \/>\n(traducere de Liliana Ene), Petar Tchouhov (traducere<br \/>\nde Nicoleta Cr\u0103ete, eseurile realizate de Langston<br \/>\nHughes \u0219i Denise Levertov, De ce e poezia necesar\u0103 \u0219i<br \/>\nc\u0103utat\u0103 \u00een timpul crizelor, Aricka Foreman,<br \/>\nTraduc\u0103torul, poet retroactiv, Charles Bernstein, Pentru<br \/>\no revizuire a obi\u0219nuitului (dintr-un interviu) (t\u0103lm\u0103ciri<br \/>\nde Florin Dochia), Charles Juliet, \u00cent\u00e2lniri cu Samu<br \/>\nBeckett (t\u0103lm\u0103cire de Liliana Ene), Rodica Rodean,<br \/>\n\u00cent\u00e2lnire peste ani, istorii literare: Adriana Ungureanu,<br \/>\nAMEN \u2013 fila adev\u0103rului din cartea \u201eMuguri de aprilie\u201d<br \/>\na Iuliei Hasdeu, comentariul lui Florin Dochia, Gregor<br \/>\nSamsa: convergen\u021be intertextuale, critica literar\u0103 f\u0103cut\u0103<br \/>\nde Mioara Bahna (Dumitru Manolache, Ochiul din talp\u0103<br \/>\n\u0219i Mihaela Gr\u0103dinariu, Risipiri \u00een alb pe alb). a. g.<br \/>\nsecar\u0103 (Valeriu Valegvi, Mar\u0219ul nucilor pe mare),<br \/>\nOxana Gherman (Nicoleta Cr\u0103ete, Femeia cu trupul de<br \/>\ncear\u0103), Petronela Apopei (Ioan Romeo Ro\u0219iianu,<br \/>\nScrisori c\u0103tre Izoleta \u0219i Domni\u021ba Ganea, Crochiuri de<br \/>\npe strada copil\u0103riei), Ic\u0103 S\u0103li\u0219teanu (Constantin<br \/>\nArdeleanu, Toamna \u00eensingur\u0103rii \u0219i Miron Manega,<br \/>\nSalonul Refuza\u021bilor), Mihaela Meravei (Ion Dumbrav\u0103,<br \/>\nMereu r\u0103m\u00e2ne ceva de spus), Raluca Faraon (George<br \/>\nMihalcea, Sub mu\u0219c\u0103tura fiarei), Daniel Mari\u0219<br \/>\n(Marilena Apostu, Iube\u0219te-\u021bi departele!), Dan Pl\u0103e\u0219u<br \/>\n(Valeriu Valegvi, Os de \u0219oim), cronica muzical\u0103 a lui<br \/>\nSerghie Bucur, George Enescu \u00een recital cu Corina<br \/>\nSava, cronica de film: Vorbe\u0219te cu ea \u0219i V\u0103lul pictat, de<br \/>\nRaluca Faraon \u0219i cronica la arte vizuale: Liliana Popa,<br \/>\nDespre pictura C\u0103t\u0103linei Dr\u0103gulin.<\/p>\n<p><strong>U. Z. P<\/strong>., <em>nr. 18\/ 2020<\/em>. Pandemia, presa \u0219i<br \/>\nisteria este editorialul semnat de Corneliu Vlad.<br \/>\nM\u0103d\u0103lina Corina Diaconu prezint\u0103 detaliat Premiile<br \/>\nUZPR pe anul 2019 astfel: Publica\u021bii \u2013 reviste \u2013 carte:<br \/>\nDumitru Bu\u021boi, Ana-Cristina Popescu, Cornel Cepariu,<br \/>\n\u0218tefan Radu, Victor Eugen Mihai-VEM; Pres\u0103 scris\u0103:<br \/>\nLivia Ciuperc\u0103, Miron Manega, Vasile Vulpa\u0219u,<br \/>\nDumitru \u021aimerman; Televiziune: Nicolae Dinescu,<br \/>\nSorin Burtea, Petru Fr\u0103sil\u0103; Presa online: \u0218erban-Petru<br \/>\nCionoff, Al, Florin \u021aene; Diaspora: Mircea Popi,<br \/>\nTheodor Damian, Alexandru Cet\u0103\u021beanu, Dan Toma<br \/>\nDulciu, Daniela Gumann; Jurnalism foto: Virgiliu<br \/>\nJireghie, Florin E\u0219anu. Dan Toma Dulciu scrie despre<br \/>\nSeratele \u201eEminescu jurnalistul\u201d- Edi\u021bia Princeps. La<br \/>\nrubrica Diaspora, \u00eempreun\u0103 cu \u021aARA sunt prezen\u021bi:<br \/>\nGeorge Filip (Montreal), Dan Toma Dulciu (Viena) \u0219i<br \/>\nDaniela Gumann (Salzburg), Remarc\u0103m apoi articolele:<br \/>\nUZPR Bac\u0103u \u0219i bucuria particip\u0103rii la via\u021ba comunit\u0103\u021bii<br \/>\nde Cornel Cepariu, Jurnalismul \u00eentr-o parte \u0219i reperele<br \/>\nm\u0103runte de Doru Dinu Gl\u0103van, Presa rom\u00e2neasc\u0103<br \/>\ns\u0103rb\u0103torit\u0103 la v\u00e2rsta de 191 de ani de Neagu Udroiu,<br \/>\nInfodemia \u2013 tratament fabulatoriu de Corina Popescu,<br \/>\nDespre o \u201eprivire tainic\u0103\u201d \u0219i urm\u0103rile ei de Marian<br \/>\nNencescu, Publicistica excep\u021bional\u0103 a istoricului Vasile<br \/>\nNetea de Florin Bengean, Presa cultural\u0103 mure\u0219ean\u0103<br \/>\nscris\u0103 de la \u201eProgres \u0219i cultur\u0103\u201d(1933-1938) la<br \/>\n\u201eCadran\u201d (2019) de Nicolae B\u0103ciu\u021b, precum \u0219i<br \/>\nsecven\u021bele de biografie jurnalistic\u0103 ale lui Tudor<br \/>\nC\u0103tineanu \u0219i Eliade B\u0103lan. Scrisori pe v\u00e2nt de<br \/>\nConstantin Stroe, Purt\u0103torii de cuv\u00e2nt de Viorica<br \/>\nNicolescu, Israel, am sc\u0103pat \u0219i de data asta! de Daniela<br \/>\nGumann, Jurnalismul vol. I \u0219i Jurnalismul vol. II de<br \/>\nNeagu Udroiu, Putere \u0219i persuasiune de \u0218tefan Melinte,<br \/>\nF\u0103c\u0103torii de minuni \u0219i Aripi de foc de Lic\u0103 Pavel sunt<br \/>\nnoile apari\u021bii la Editura UZP.<br \/>\n<strong>Vatra veche<\/strong>, <em>serie veche nou\u0103, anul XII, nr. 9<br \/>\n(141), septembrie 2020, T\u00e2rgu Mure\u0219<\/em>. Remarc\u0103m<br \/>\neseurile, evoc\u0103rile \u0219i memorialistica realizate de Nicolae<br \/>\nB\u0103ciu\u021b, Posteritatea lui Ioan Alexandru, Casa<br \/>\nMemorial\u0103 \u201eIoan Alexandru\u201d \u0219i Muntele Athos din<br \/>\nMuntele Athos (V), Ioan Aurel Pop, Transilvania,<br \/>\nStarea noastr\u0103 de veghe (XXXVIII), Ana Blandiana ,<br \/>\n\u00cent\u00e2lniri cu Ioan Alexandru, Gabriela Vasiliu, Poetul \u0219i<br \/>\npustia&#8230; Ioan Gheorghi\u0219or, 100 de ani de la moartea lui<br \/>\nAlexandru Macedonski, Emilia Luchian, Iubirile lui<br \/>\nNichita St\u0103nescu (V), Gheorghe Sar\u0103u, Coresponden\u021ba<br \/>\nlui Dimitrie Stelaru (XXVIII), Dumitru Hurub\u0103, Mai<br \/>\naltfel, despre Veronica Micle (XIV) \u0219i S\u0103 ne mai<br \/>\n(re)amintim de Liviu Rebreanu (IV), Florian Copcea,<br \/>\nVasko Popa. Mitul \u0219i mitologia imaginarului (II),<br \/>\nLoredana Dan, Portretizarea unicului \u2013 estetica<br \/>\nlovinescian\u0103, Nicolae Suciu, Miraculoasa mas\u0103 \u0219i<br \/>\nproza criticului Anton Cosma, Ognean Stamboliev, 25<br \/>\nde ani f\u0103r\u0103 Emil Cioran, Dorin Nadr\u0103u, Jurnalul<br \/>\nEcaterinei Oproiu, Florin Bengean, Nicolae Iorga \u2013<br \/>\nprimul istoric literar rom\u00e2n complet, Nicolae Bucur,<br \/>\nMesajul Lemnului \u2013 cu m\u00e2na \u0219i cugetul sculptorului,<br \/>\ninterviurile: Nicolae B\u0103ciu\u021b \u2013 Petru Botezatu (III),<br \/>\nVeronica B\u0103laj \u2013 Lelia Rugescu, Victor Neghin\u0103 \u2013 Anca<br \/>\nS\u00eerghie, critica literar\u0103 scris\u0103 de Constantin Stancu<br \/>\n(Eugen Dorcescu, \u00cengerul ad\u00e2ncului, L\u00f6rinczi Francisc-<br \/>\nMihai, Colmatare), Cristina Sava (Ana-Maria Frank,<br \/>\nR\u0103t\u0103cind printre cuvinte), Valentin Co\u0219ereanu (R\u0103zvan<br \/>\nDucan, Saga unui v\u00e2rf de cui &#8211; II), Veronica Pavel<br \/>\nLerner (Cristian P\u0103tr\u0103\u0219coniu, Comunismul de apoi),<br \/>\nMihai Posada (George V. Precup, Aferim, Dumitru<br \/>\nM\u0103lin, C\u0103derea din \u00eenger), Mihaela Ro\u0219u B\u00een\u0103 (Cosmin<br \/>\nNeidoni, 100 de poeme de iubire \u0219i un c\u00e2ntec de<br \/>\ndisperare), Livia Fumurescu (Maria Vaida-Voevod,<br \/>\nPortret \u00een penumbr\u0103), Mircea M. Pop (Silvia<br \/>\nHildebrandt, Die Stadt Der Freiheit), Nicolae Dan<br \/>\nFruntelat\u0103 (Gabriela Banu, Sinestezii), Mihai Batog-<br \/>\nBujeni\u021b\u0103 (Roni C\u0103ciularu, Acuarele de demult), \u0219i<br \/>\npoezie de Cora Botezatu, R\u0103zvan Ducan, Adriana<br \/>\nWeimer, Dumitru Hurub\u0103, Nicolae M\u0103tca\u0219, Vasile<br \/>\nLarco, Nicolae Petrescu.<\/p>\n<p><em><strong>Cititorul de reviste<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>REVISTE LITERARE A c o l a d a, anul XIV, nr. 7-8 (152-153), iulie-august, 2020, Satu Mare. Eseurile \u0219i<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/11573"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11573"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/11573\/revisions"}],"predecessor-version":[{"id":11574,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/11573\/revisions\/11574"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}