{"id":11288,"date":"2020-10-11T21:26:38","date_gmt":"2020-10-11T18:26:38","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=11288"},"modified":"2020-10-11T21:26:38","modified_gmt":"2020-10-11T18:26:38","slug":"literadura-nr-14-3","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=11288","title":{"rendered":"Literadura nr. 14 (3)"},"content":{"rendered":"<p><strong>Ricardo Fern\u00e1ndez MOYANO<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/mayo.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/mayo-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" class=\"alignnone size-medium wp-image-11289 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/mayo-213x300.jpg 213w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/mayo.jpg 259w\" data-sizes=\"(max-width: 213px) 100vw, 213px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/mayo-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" class=\"alignnone size-medium wp-image-11289\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/mayo-213x300.jpg 213w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/mayo.jpg 259w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/noscript><\/a><\/p>\n<p>(Minaya, Albacete, 1954), poet \u0219i eseist.<br \/>\nC\u0103r\u021bi publicate: P<strong>e urmele timpului,<br \/>\nTransparen\u021be, Plimbare prin Parcul VV. AA,<br \/>\nGlasul \u00een aducerea-aminte, Ritualuri de<br \/>\nidentitate, Rugul, Carmen carminis. Poeme<br \/>\npentru ele, Muguri. Scurt\u0103 antologie 1985-<br \/>\n2016, Poe\u021bi sinuciga\u0219i: sensibilitate sau<br \/>\nsupravie\u021buire<\/strong><\/p>\n<p>1<br \/>\nPe pielea ta<br \/>\nvoi scrie un poem<br \/>\natunci c\u00e2nd condeiul meu va \u0219ti s\u0103 adune<br \/>\n\u00eentr-o clip\u0103<br \/>\natingerea nop\u021bii<br \/>\n\u0219i misterul<br \/>\nce fream\u0103t\u0103 la c\u0103p\u0103t\u00e2iul t\u0103u.<\/p>\n<p>2<br \/>\nLa p\u00e2nd\u0103<br \/>\ndup\u0103 cristalul ce nu minte niciodat\u0103<br \/>\na\u0219teapt\u0103 trecerea ploii,<br \/>\nca luna s\u0103-l duc\u0103-napoi<br \/>\nla c\u0103ldura vr\u0103jitelor ceasuri.<br \/>\nFragilitatea anilor,<br \/>\ngreutatea zilelor goale<br \/>\nnu le mai poate ascunde acum.<br \/>\nTrase perdeaua \u00eentrist\u0103rii<br \/>\n\u0219i cuprinse pielea<br \/>\ncare-i \u00eenso\u021be\u0219te nop\u021bile,<br \/>\nsingurul colac de salvare.<\/p>\n<p>3<br \/>\nMi-e fruntea un vulcan<br \/>\ngata s\u0103 urle,<br \/>\nun gheizer mistuit<br \/>\n\u00een urna golului.<br \/>\nC\u00e2nd va exploda,<br \/>\no c\u0103rare de lav\u0103<br \/>\nva c\u0103dea pe obraz,<br \/>\nca \u0219i cum ar fi o lacrim\u0103.<br \/>\nUn poem sublim<br \/>\nva r\u0103m\u00e2ne pe h\u00e2rtie,<br \/>\nTrup abandonat<br \/>\npe nisipul vreunui \u021b\u0103rm.<\/p>\n<p>4<br \/>\nModul s\u0103u de a supravie\u021bui<br \/>\na fost s\u0103-noate \u00eempotriva curentului.<br \/>\n\u00cen stigmatele iguanei,<br \/>\ng\u0103sise motivele transei<br \/>\n\u0219i a murit pas cu pas,<br \/>\ncu o suflare str\u0103in\u0103,<br \/>\nla fiecare desp\u0103r\u021bire.<\/p>\n<p>5<br \/>\nAcum nu mai e\u0219ti t\u00e2n\u0103r<br \/>\n\u0219i \u0219tii c\u0103 aceste zile eterne<br \/>\nsunt coamele norilor<br \/>\nce se \u00eenc\u00e2lcesc<br \/>\n\u00een giruetele clopotni\u021belor.<br \/>\nPeste orizonturi,<br \/>\nsoarele coboar\u0103 cu bl\u00e2nde\u021be,<br \/>\n\u0219i te la\u0219i surprins<br \/>\nde cerul acesta arz\u0103tor<br \/>\nleg\u0103nat de adiere<br \/>\n\u0219i melancolie.<br \/>\nE\u0219ti salcia<br \/>\nlegat\u0103 de cea mai profund\u0103 ven\u0103 a sa,<br \/>\n\u00een \u00eencercarea de a sc\u0103pa cu via\u021b\u0103<br \/>\ndin noaptea cu brum\u0103.<\/p>\n<p><em>Traducere<\/em> <strong>Elisabeta BO\u021aAN<\/strong><\/p>\n<p><strong><br \/>\nFlorentin POPESCU<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/n.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/n.jpg\" alt=\"\" width=\"190\" height=\"224\" class=\"alignnone size-full wp-image-10444 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 190px; --smush-placeholder-aspect-ratio: 190\/224;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/n.jpg\" alt=\"\" width=\"190\" height=\"224\" class=\"alignnone size-full wp-image-10444\" \/><\/noscript><\/a><\/p>\n<p><strong>Oameni \u0219i locuri din Buz\u0103ul de<br \/>\nalt\u0103dat\u0103 (X)<\/strong><br \/>\nProfesorii de la Liceul \u201eB.P. Hasdeu\u201d (V)<\/p>\n<p>De\u0219i la o \u0219coal\u0103 mare \u0219i de \u00eendelungat\u0103<br \/>\ntradi\u021bie (\u0219i cum, de altfel, a r\u0103mas<br \/>\np\u00e2n\u0103 azi) ca Liceul \u201eB.P. Hasdeu\u201d<br \/>\nerau c\u00e2teva zeci de profesori \u0219i c\u00e2teva mii de<br \/>\nelevi (dac\u0103 socotim \u0219i ciclul gimnazial) \u0219i la<br \/>\nprima vedere s-ar fi putut crede c\u0103 ar fi fost<br \/>\ngreu s\u0103-\u021bi imprimi \u00een memorie figurile<br \/>\ndasc\u0103lilor, dimpreun\u0103 cu notele lor<br \/>\ncaracteristice, individuale, nu se \u00eent\u00e2mpla<br \/>\ndeloc a\u0219a.<br \/>\n\u00cenzestra\u021bi cu virtu\u021bile oric\u0103rui<br \/>\nadolescent, cum eram \u0219i noi pe atunci, am avut<br \/>\nprilejul, de-a lungul celor patru ani de studii<br \/>\nliceale (cazul meu) s\u0103 ne alc\u0103tuim, fiecare \u00een<br \/>\nparte un portret al fiec\u0103rui dasc\u0103l. \u0218i cu<br \/>\ndeosebire figurile celor care, o dat\u0103 sau de mai<br \/>\nmulte ori pe s\u0103pt\u0103m\u00e2n\u0103 se urcau la catedr\u0103, iar<br \/>\nnoi, smirn\u0103 \u00een b\u0103nci, aproape tremuram de<br \/>\nemo\u021bie c\u00e2nd \u00eei vedeam r\u0103sfoind catalogul \u0219i<br \/>\noprindu-se asupra numelor celor pe care voiau<br \/>\ns\u0103-i scoat\u0103 la tabl\u0103 \u0219i s\u0103-i asculte, pun\u00e2ndu-le<br \/>\n\u00eentreb\u0103ri din \u0219i despre lec\u021bia predat\u0103 \u00een ora<br \/>\nanterioar\u0103. Fiecare \u0219tiam cam pe ce pagin\u0103 din<br \/>\ncatalog aveam numele \u00eenscris, ba chiar \u0219tiam<br \/>\ncu exactitate \u0219i pe a c\u00e2ta pagin\u0103 ne afl\u0103m, a\u0219a<br \/>\n\u00eenc\u00e2t atunci c\u00e2nd profesorul z\u0103bovea \u00eentr-un<br \/>\nloc tr\u0103iam emo\u021bia mai cu putere (\u00eendeosebi<br \/>\nc\u00e2nd, dup\u0103 \u201er\u0103sfoirile\u201d cu pricina, ochii<br \/>\ndasc\u0103lului se opreau cam pe acolo pe unde n-am<br \/>\nfi vrut. Nu puteai r\u0103sufla u\u0219urat dec\u00e2t \u00een<br \/>\nclipa \u00een care vedeai c\u0103 profesorul a trecut de<br \/>\ntine).<br \/>\nEu unul aveam astfel de \u201evibra\u021bii\u201d, astfel<br \/>\nde tr\u0103iri la materiile la care nu prea m\u0103<br \/>\nsim\u021beam st\u0103p\u00e2n pe mine. \u0218i nu din cauza unei<br \/>\nam\u0103r\u00e2te de lec\u021bii care la urma-urmei putea fi<br \/>\n\u00eenv\u0103\u021bat\u0103 fie \u0219i papagalice\u0219te, ci din cauza unor<br \/>\nlacune mai vechi, din anii anteriori liceului.<br \/>\nO astfel de amintire a fost \u0219i a r\u0103mas<br \/>\npentru mine, atunci \u0219i chiar \u0219i mai t\u00e2rziu, p\u00e2n\u0103<br \/>\nprin anul al treilea de facultate limba latin\u0103, a<br \/>\nc\u0103rei insuficient\u0103 cunoa\u0219tere avea s\u0103 m\u0103<br \/>\nmarcheze \u00eentr-o mare parte din via\u021b\u0103, fiindu-mi<br \/>\nnecesare, anterior, multe zile pentru a<br \/>\nsc\u0103pa de handicapul cu pricina.<br \/>\n\u00cen clasa a cincea de \u0219coal\u0103 elementar\u0103,<br \/>\ncorespunz\u0103toare azi primului an de gimnaziu<br \/>\nni se predase latina de la \u201eABC\u201d \u0219i cu toat\u0103<br \/>\ngramatica ei deloc u\u0219oar\u0103 \u0219i cu termeni nu<br \/>\ntotdeauna apropia\u021bi de cei din limba rom\u00e2n\u0103,<br \/>\na\u0219a \u00eenc\u00e2t dincolo de Silva-silvae \u0219i de In patria<br \/>\nnostra multe silvae sunt n-am prea trecut.<br \/>\nAtunci n-aveam nici maturitatea de a realiza<br \/>\nc\u00e2t de important\u0103 poate fi cunoa\u0219terea limbii<br \/>\nlatine. Ar fi o obr\u0103znicie (ca s\u0103 nu-i spun chiar<br \/>\nm\u0103g\u0103rie) s\u0103 dau vina pe profesori (dl. Anghel,<br \/>\nde la Pedagogic\u0103, cel care \u00een clasa a cincea ne<br \/>\npredase aceast\u0103 disciplin\u0103 era recunoscut ca o<br \/>\nautoritate de necontestat nu doar \u00een \u0219coal\u0103, ci<br \/>\n\u00een tot ora\u0219ul. Era \u0219i poreclit Latinu).<br \/>\nC\u00e2nd scriu aceste r\u00e2nduri g\u00e2ndul m\u0103<br \/>\npoart\u0103 la dl. Ion Moldoveanu, pe care tot liceul<br \/>\n\u00eel \u0219tia drept \u201eCacavela\u201d, dup\u0103 porecla lui<br \/>\ngeneralizat\u0103 \u00een r\u00e2ndul elevilor, porecl\u0103 ce<br \/>\nvenea, ca s\u0103 zic a\u0219a din \u201ead\u00e2ncuri ancestrale\u201d.<br \/>\nNimeni nu \u0219tia de unde \u0219i cum provenise. \u00cen<br \/>\norice caz nu cred c\u0103 avea vreo leg\u0103tur\u0103 cu<br \/>\nc\u0103lug\u0103rul erudit grec Ieremia Cacavela, tr\u0103itor<br \/>\nprin a doua jum\u0103tate a secolului al XVII-lea,<br \/>\npreceptor (profesor \u0219i educator) \u00eentre al\u021bii, \u0219i al<br \/>\nlui Dimitrie Cantemir. Sigur, for\u021b\u00e2nd nota, ai<br \/>\nfi putut zice c\u0103 profesorul nostru prezenta<br \/>\nfoarte vag oarecare asem\u0103n\u0103ri \u201efizice\u201d \u0219i<br \/>\nfizionomice cu un c\u0103lug\u0103r, mai ales dac\u0103 te-ai<br \/>\nfi referit la el privindu-i hainele de culoare gri,<br \/>\nu\u0219or ponosite, \u00een care era \u00eembr\u0103cat, ori<br \/>\njudec\u00e2nd dup\u0103 natura lui de om t\u0103cut,<br \/>\nneirosindu-\u0219i vorbele inutil, la taclale sau mai<br \/>\n\u0219tiu eu unde.<br \/>\n\u201eCacavela\u201d, c\u0103ruia cred c\u0103 doar colegii<br \/>\nlui de cancelarie \u00eei mai spuneau pe numele<br \/>\nadev\u0103rat, \u201edl. Ion Moldoveanu\u201d, era un<br \/>\npersonaj foarte sobru. \u0218i un dasc\u0103l des\u0103v\u00e2r\u0219it,<br \/>\ncare, la o adic\u0103, ar fi putut figura printre cei<br \/>\nmai buni profesori de limba latin\u0103 nu numai<br \/>\ndin Buz\u0103u, ci \u0219i din \u00eentreaga \u021bar\u0103. Vorbea pu\u021bin<br \/>\nnazalizat \u0219i nu schi\u021ba nici cel mai mic z\u00e2mbet,<br \/>\nchiar \u0219i \u00een \u00eemprejur\u0103ri \u00een care al\u021bii nu s-ar fi<br \/>\nputut ab\u021bine s\u0103 nu r\u00e2d\u0103, \u0219tiut fiind c\u0103 \u00eentr-o<br \/>\n\u0219coal\u0103 mai puteau ap\u0103rea \u0219i asemenea<br \/>\n\u00eemprejur\u0103ri (momente).<br \/>\n\u201eCacavela\u201d, a\u0219a taciturn cum era, se<br \/>\nstrecura discret printre grupurile de elevi afla\u021bi<br \/>\n\u00een recrea\u021bie \u0219i se ducea \u021bint\u0103 la clasa unde avea<br \/>\nor\u0103. C\u00e2nd \u00eel vedeau, liceenii se d\u0103deau<br \/>\nrespectuo\u0219i \u0219i pu\u021bin speria\u021bi la o parte \u0219i-i<br \/>\ncreau imediat un mic coridor prin care s\u0103<br \/>\ntreac\u0103.<br \/>\nSe \u0219tia c\u0103 nu-i convenea nicicum<br \/>\nporecla \u0219i ar fi fost gata s\u0103-l \u201eafuriseasc\u0103\u201d<br \/>\nimediat pe cel care ar fi rostit-o cu voce tare \u00een<br \/>\nfa\u021ba lui.<br \/>\nA r\u0103mas de pomin\u0103 o scen\u0103 pe care am<br \/>\nmai povestit-o \u0219i alt\u0103dat\u0103.<br \/>\n\u00centr-o zi plecase de la cancelarie spre<br \/>\ncl\u0103direa \u201eInternat\u201d din cel\u0103lalt cap\u0103t al cur\u021bii.<br \/>\nTrecea prin fa\u021ba s\u0103lii de sport unde, cu<br \/>\nferestrele larg deschise, colegii de la o clas\u0103<br \/>\ntocmai \u00ee\u0219i schimbau echipamentul sportiv cu<br \/>\nuniformele lor c\u00e2nd, total neinspirat, unul din<br \/>\nei, privind spre curte, a strigat: \u201eM\u0103, uite-l pe<br \/>\nCacavela!\u201d<br \/>\nCel vizat a auzit \u0219i \u0219i-a schimbat<br \/>\nnumaidec\u00e2t traseul, intr\u00e2nd direct \u00een vestiarul<br \/>\nb\u0103ie\u021bilor.<br \/>\nCu vocea lui nazalizat\u0103, a \u00eentrebat din<br \/>\nu\u0219\u0103: \u201eCine a zis Cacavela?\u201d. To\u021bi au<br \/>\n\u00eencremenit a\u0219a cum erau \u00een acea clip\u0103: unii cu<br \/>\nchilo\u021bii da\u021bi jos pe jum\u0103tate, al\u021bii cu tricourile<br \/>\npe cap, \u00eenc\u0103 netrase pe corp, al\u021bii \u00eencheindu-\u0219i<br \/>\nadida\u0219ii. S-a l\u0103sat brusc o lini\u0219te \u00een care s-ar fi<br \/>\nputut auzi \u0219i musca \u00een cazul \u00een care ar fi fost<br \/>\nvreuna pe acolo. Iar cel care strigase mai<br \/>\ndevreme \u201eCacavela!\u201d a t\u0103cut \u0219i a dat dovad\u0103<br \/>\nfie de fric\u0103, fie de la\u0219itate. Profesorul a mai<br \/>\n\u00eentrebat: \u201eDe la ce clas\u0103 sunte\u021bi? \u0218i pe cine<br \/>\nave\u021bi diriginte?\u201d. Cineva i-a r\u0103spuns, iar el s-a<br \/>\n\u00eentors spre u\u0219\u0103. Nu \u00eenainte, \u00eens\u0103, de a ad\u0103uga:<br \/>\n\u201eAm s\u0103 vorbesc cu dirigintele vostru s\u0103 v\u0103<br \/>\nscad\u0103 nota la purtare la to\u021bi!\u201d.<br \/>\nDar nu s-a \u00eent\u00e2mplat a\u0219a, fiindc\u0103<br \/>\nprofesorul nu era r\u0103zbun\u0103tor \u0219i nici nu pl\u0103tise<br \/>\ncuiva vreodat\u0103 poli\u021be. Totul a r\u0103mas ca<br \/>\n\u00eenainte.<br \/>\n\u00cen fond, dl. Moldoveanu \u00een\u021belegea<br \/>\n\u201eie\u0219irile\u201d adolescen\u021bilor \u0219i le trecea cu<br \/>\nvederea, fie \u0219i pentru simplul fapt c\u0103 avea \u0219i el<br \/>\no fat\u0103, elev\u0103 \u00een ciclul gimnazial, o t\u00e2n\u0103r\u0103<br \/>\ndr\u0103gu\u021b\u0103, iar unii dintre noi, \u00eenclina\u021bi c\u0103tre<br \/>\nfarse, \u00eel mai amenin\u021bam pe c\u00e2te un coleg cam<br \/>\na\u0219a: \u201eCe-ar fi s\u0103 scriem o scrisoare de dragoste<br \/>\nc\u0103tre fata lui Cacavela cu semn\u0103tura ta \u0219i s\u0103 io<br \/>\nd\u0103m lui?\u201d Cel vizat se ar\u0103ta imediat speriat<br \/>\n\u201eCe, m\u0103, vre\u021bi s\u0103 m\u0103 lase repetent? Ce dracu<br \/>\nv-am f\u0103cut eu, ca s\u0103 m\u0103 pedepsi\u021bi a\u0219a?!\u201d.<br \/>\nDincolo, de anecdotica \u0219colar\u0103, trebuie<br \/>\ns\u0103 recunosc, \u00eens\u0103, cu m\u00e2na pe inim\u0103, c\u0103 dl.<br \/>\nMoldoveanu era un profesor foarte bun \u0219i c\u0103<br \/>\nse str\u0103duia \u2013 chiar \u0219i a\u0219a, numai \u00eentr-o or\u0103 pe<br \/>\ns\u0103pt\u0103m\u00e2n\u0103 (care era rezervat\u0103 limbii latine \u00een<br \/>\norar!) s\u0103 ne demonstreze frumuse\u021bea \u0219i bog\u0103\u021bia<br \/>\nculturii romane, s\u0103 ne descopere farmecul<br \/>\nscrierilor lui Cicero, ale lui Lucre\u021biu, Ovidiu \u0219i<br \/>\na celorlal\u021bi mari creatori.<br \/>\n\u201eEminentul\u201d la astfel de ore era unul<br \/>\nmic de statur\u0103 \u0219i cam tocilar, Eugen<br \/>\nT\u00e2rcoveanu, pe care profesorul \u00eel punea s\u0103<br \/>\nscandeze pe latine\u0219te, \u201eca la carte\u201d cutare sau<br \/>\ncutare poezie, ori s\u0103 ne demonstreze nou\u0103,<br \/>\ncelorlal\u021bi, cum devenea cazul cu ablativul, cu<br \/>\nconjug\u0103rile \u0219i declin\u0103rile din aceast\u0103 limb\u0103<br \/>\ndemult disp\u0103rut\u0103 din uzul oamenilor. \u00cen<br \/>\ntreac\u0103t fie spus, tocilarul clasei nu s-a silit<br \/>\natunci degeaba, fiindc\u0103 mai t\u00e2rziu avea s\u0103<br \/>\najung\u0103 un medic vestit pe la Ia\u0219i. Nu \u00eencape<br \/>\n\u00eendoial\u0103 c\u0103 limba latin\u0103 i-a folosit (\u00eei mai<br \/>\nfolose\u0219te, oare, \u0219i azi?) din plin, fie \u0219i numai<br \/>\npentru denumirile unor maladii sau<br \/>\nmedicamente cu nume latine\u0219ti, folosite \u0219i azi<br \/>\n\u00een toat\u0103 lumea, chit c\u0103 latina este o limb\u0103<br \/>\nmoart\u0103\u2026<br \/>\n\u00centr-un fel, ne\u0219tiind s\u0103 scriu \u0219i intuind c\u0103<br \/>\nm\u0103 voi consacra literaturii, profesorul<br \/>\nMoldoveanu \u00eemi purta un oarecare respect (s\u0103<br \/>\nfi venit el, oare, din niscai veleit\u0103\u021bi proprii, de<br \/>\ntinere\u021be, \u00een domeniu, la care renun\u021base \u00een<br \/>\nfavoarea profesorului? m-am \u00eentrebat) \u0219i-mi<br \/>\nmai trecea cu vederea unele lacune la materia<br \/>\nlui.<br \/>\nPeste ani l-am re\u00eent\u00e2lnit pe profesor \u00eentr-o<br \/>\nlibr\u0103rie din Bucure\u0219ti \u0219i am stat de vorb\u0103<br \/>\ntimp de mai multe minute. \u00centre timp<br \/>\npublicasem dou\u0103 sau trei c\u0103r\u021bi (era la curent cu<br \/>\nasta!) \u0219i m-a chestionat p\u0103rinte\u0219te despre<br \/>\nprezent \u0219i viitor. \u00centre altele, i-am m\u0103rturisit<br \/>\natunci c\u0103 \u00een momentul \u00een care m-am decis s\u0103<br \/>\nurmez Facultatea de Limba \u0219i Literatura<br \/>\nRom\u00e2n\u0103 cel mai tare m-am temut c\u0103 nu voi<br \/>\ntrece de anul al doilea de studen\u021bie \u2013 termenul<br \/>\np\u00e2n\u0103 la care se studia \u0219i limba latin\u0103. Dar se<br \/>\nvede treaba c\u0103 Dumnezeu \u0219i \u00eengerul meu<br \/>\np\u0103zitor aveau alte planuri cu mine, c\u0103 mi-au<br \/>\nstat al\u0103turi \u0219i am trecut cu bine \u0219i de cei doi ani<br \/>\nde studiu universitar al limbii latine.<br \/>\nProbabil c\u0103 acolo \u00een ceruri, unde<br \/>\nprofesorul Moldoveanu s-a dus demult, \u00eei va fi<br \/>\n\u00eenv\u0103\u021b\u00e2nd cu tact, cu pricepere \u0219i mai ales cu<br \/>\nmult\u0103 r\u0103bdare \u0219i pe \u00eengeri \u0219i pe heruvimi cum<br \/>\ndevine cazul cu ablativul, cum \u0219i de ce a scris<br \/>\nOvidiu la Pontul Euxin \u0219i c\u00e2te altele din<br \/>\ntezaurul l\u0103sat mo\u0219tenire lumii de c\u0103tre<br \/>\nf\u0103uritorii uneia dintre cele mai mari \u0219i mai<br \/>\nvestite civiliza\u021bii ale Antichit\u0103\u021bii.<br \/>\nUneori chiar mi-e dor, mi-e foarte dor<br \/>\nde Cacavela \u0219i de lec\u021biile lui\u2026<\/p>\n<p><strong><br \/>\nMarin MOSCU<\/strong><\/p>\n<p><strong>Inima spart\u0103 de-o schij\u0103<\/strong><\/p>\n<p>\u00cenjum\u0103t\u0103\u021besc spa\u021biul riemannian<br \/>\nS\u0103 ajung \u00een spa\u021bii convergente<br \/>\nUnde femeile se nasc cochete<br \/>\n\u00cen semn geometric neeuclidian.<br \/>\nLobacevski str\u00e2nse loxadrome<br \/>\nDoar \u00een forma femeilor curbate<br \/>\n\u00cen s\u00e2ni discre\u021bi dar \u0219i \u00een sparte,<br \/>\nAscund r\u00e2z\u00e2nd crudele rrome.<br \/>\nDin stelele ce-au cuib \u00een din\u021bi<br \/>\n\u00cemi fac abac \u00eentru s\u0103ruturi,<br \/>\nDin integrale \u00eemi fac mituri<br \/>\nS\u0103-\u021bi zidesc torsul \u00eentre sfin\u021bi.<br \/>\nLaplacian devin scalarul<br \/>\nPentru momentul cel cinetic<br \/>\nUnde Horezmi-a scris profetic<br \/>\nPrin adun\u0103ri abecedarul\u2026<br \/>\nFrumoasa mea, icosaedru<br \/>\n\u00ce\u021bi pun pe degetul de \u00eenger<br \/>\n\u0218i-n oscila\u021bie de s\u00e2nger<br \/>\nM\u0103 tot g\u00e2ndesc la Sf\u00e2ntul Petru.<br \/>\nEl calcule-a f\u0103cut \u00een lume<br \/>\n\u0218i-n lan\u021b cu leg\u0103turi complete<br \/>\nMutat-a matricele-ncete<br \/>\nPeste izvoarele cu spume.<br \/>\n\u00cen ele m-am uitat cu grij\u0103<br \/>\n\u0218i am v\u0103zut riemannian<br \/>\nCum omul s-a-n\u0103l\u021bat avan<br \/>\nCu inima spart\u0103 de-o schij\u0103.<br \/>\nTrateaz\u0103-m\u0103, intr\u0103 \u00een mine,<br \/>\nAi s\u0103 g\u0103se\u0219ti un col\u021b de rai,<br \/>\nO sfer\u0103 \u0219i-un f\u0103ra\u0219 de cai<br \/>\nP\u0103scu\u021bi de putrede rubine!<\/p>\n<p><strong><br \/>\nRaiul cu uituci<\/strong><\/p>\n<p>Noaptea s-a\u0219eaz\u0103 \u00een sufletul meu,<br \/>\n\u021a\u0103r\u00e2na-i m\u00e2ng\u00e2ie r\u0103d\u0103cina,<br \/>\nV\u00e2ntul s-arat\u0103 \u00een ochi de curcubeu<br \/>\nVopsind cu-ntunecimi gr\u0103dina.<br \/>\nNem\u0103rginit\u0103 o raz\u0103 s-a\u0219eaz\u0103<br \/>\nCa oaspete sub luna rotund\u0103,<br \/>\n\u00cengerii adun\u0103 copiii la mas\u0103,<br \/>\nCu taine de vise-i inund\u0103.<br \/>\nE-o tapiserie \u00een doruri sfin\u021bit\u0103<br \/>\nDe Domnul \u00een pridvorul vie\u021bii,<br \/>\nAm vrea doar ve\u0219nicia \u00eemp\u0103r\u021bit\u0103<br \/>\n\u00centr-un \u00eentreg, \u00eentregul tinere\u021bii.<br \/>\nDar noaptea vine, vine pe furi\u0219<br \/>\n\u0218i-i m\u00e2ng\u00e2iat\u0103 de \u021b\u0103r\u00e2n\u0103,<br \/>\nR\u0103d\u0103cina ei din aluni\u0219<br \/>\nNe fur\u0103 visele din m\u00e2n\u0103\u2026<br \/>\nP\u00e2n\u0103 atunci mai adun\u0103m speran\u021b\u0103,<br \/>\nNe giugiulim precum doi gugu\u0219tiuci,<br \/>\nNu accept\u0103m o alt\u0103 via\u021b\u0103,<br \/>\nVrem s\u0103 tr\u0103im \u00een raiul cu uituci!<\/p>\n<p><strong><br \/>\nToni CHIRA<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/chira.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/chira-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-11290 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/chira-300x300.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/chira-150x150.jpg 150w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/chira.jpg 394w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/chira-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-11290\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/chira-300x300.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/chira-150x150.jpg 150w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/chira.jpg 394w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p>N\u0103scut 11.07.2003 (Dej)<br \/>\nDebut literar \u00een revista \u201eCronograf\u201d (Satu Mare, 2018)<br \/>\nIni\u021biator \u0219i organizator al Cenaclului \u201eClepsidra\u201d \u00eempreun\u0103<br \/>\ncu poetul Radu Z\u0103grean<br \/>\nElev al Liceului Teoretic,, Alexandru Papiu Ilarian\u201d Dej<\/p>\n<p><strong>Toamna m\u0103 \u00eenva\u021b\u0103 s\u0103 m\u0103n\u00e2nc folosind lingura<\/strong><\/p>\n<p>am uitat s\u0103 vorbesc despre lipsa curentului<br \/>\ndespre lum\u00e2narea ce g\u0103sea c\u0103 e mai bine<br \/>\ns\u0103 se afle \u00een pl\u0103m\u00e2ni \u0219i ea \u00eentins\u0103 \u00een pat<br \/>\nghemuit\u0103 av\u00e2nd unghiile roase<br \/>\ndin cealalt\u0103 parte el schimba canalele<br \/>\nvoia s\u0103 poat\u0103 cuprinde \u00eentr-o zi aerul \u00een\u0103bu\u0219it<br \/>\n\u0219i s\u0103-l desfac\u0103 pe toat\u0103 distan\u021ba dintre ei<br \/>\nde\u0219i erau c\u00e2\u021biva pa\u0219i apucase s\u0103 \u00ee\u0219i imagineze<br \/>\noameni ie\u0219ind din farmacii cu pungi pline de pansamente<br \/>\n\u00eentunericul cum m\u0103n\u00e2nc\u0103 bine din cl\u0103diri \u0219i se apuc\u0103 s\u0103 &#8211; i salte pe str\u0103zile ce r\u0103m\u00e2n ca ni\u0219te felinare<br \/>\nstinse gata-gata de consum lapovi\u021ba \u0219i ninsoarea presiunea adus\u0103 de departe ca s\u0103 fac\u0103 aici gr\u0103mezi<br \/>\nde moloz \u0219i<br \/>\nce moment ca s\u00e2ngele meu s\u0103 dea \u00een petrol<br \/>\ns\u0103 umple balonul de sticl\u0103<br \/>\ns\u0103 ad\u0103posteasc\u0103 flac\u0103ra<br \/>\nprecum un fitil aprins<br \/>\ns\u0103 se desprind\u0103 de mine anotimpul din care \u00ee\u021bi sco\u021bi c\u0103p\u0219orul \u0219i limba \u0219i-mi aminte\u0219ti c\u0103 acolo jos noi<br \/>\neram umezi ne scuturam de-o parte \u0219i de alta f\u0103ceam mortar la basc\u0103<br \/>\n\u00een stadiu de tuburi must\u0103\u021bile celor aduna\u021bi pe sub care doar sufletul fo\u0219nea dintr-un amestec de nisip<br \/>\nap\u0103 \u0219i ipsos<br \/>\n\u0219i eu care m-am consumat c\u00e2nd am \u00eenv\u0103\u021bat s\u0103 tac<br \/>\nam fost pe c\u00e2t de m\u00e2ndru pe at\u00e2t de circumspect<br \/>\ncu ochii ro\u0219ii muta\u021bi tot mai sus cu barba ca o bl\u0103ni\u021b\u0103 alb\u0103 acoperind din plin cu smocuri dese o fa\u021b\u0103<br \/>\nparc\u0103 pornit\u0103 s\u0103 spun\u0103 iubito<br \/>\nnu pot s\u0103 m\u0103 opun<br \/>\nvisez la Olcit-ul din copil\u0103rie<br \/>\npe vremea c\u00e2nd primeam biscui\u021bi cu lapte \u0219i-n sinele meu uns cu catran buna mea m\u0103 ducea \u00een pia\u021b\u0103<br \/>\ngleznele s-au vl\u0103guit p\u00e2n\u0103 \u0219i-au dat luciu de p\u0103m\u00e2nt eu am crescut din tuberculi<br \/>\na fost pe r\u00e2nd o prim\u0103var\u0103 foarte frumoas\u0103<br \/>\nc\u00e2mpul era plin de floricele albastre m\u0103 proptesc \u0219i acum c\u00e2nd cred c\u0103 nu mai am curaj intru cu<br \/>\ngenunchii \u00een iarb\u0103 scot \u0219erve\u021bele e\u0219ti at\u00e2t de sincer\u0103 cu mine c\u00e2nd zici c\u0103-n fundul str\u0103zii te vinzi la<br \/>\npre\u021buri pe care nu o s\u0103 le ating niciodat\u0103<br \/>\npe timpul verii ne vedem adesea sub fereastra ta<br \/>\n\u0219i m\u0103 bucur c\u0103 stai la parter c\u0103 nu exist\u0103 \u00eentre noi dec\u00e2t sticl\u0103 c\u0103 ai jaluzelele trase c\u0103 vine o clip\u0103 c\u00e2nd<br \/>\nnu mai suport<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ricardo Fern\u00e1ndez MOYANO (Minaya, Albacete, 1954), poet \u0219i eseist. C\u0103r\u021bi publicate: Pe urmele timpului, Transparen\u021be, Plimbare prin Parcul VV. AA,<\/p>\n","protected":false},"author":17,"featured_media":11241,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/11288"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11288"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/11288\/revisions"}],"predecessor-version":[{"id":11291,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/11288\/revisions\/11291"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/11241"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}