{"id":11238,"date":"2020-10-09T12:02:29","date_gmt":"2020-10-09T09:02:29","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=11238"},"modified":"2020-10-09T12:02:29","modified_gmt":"2020-10-09T09:02:29","slug":"literadura-nr-14-1","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=11238","title":{"rendered":"Literadura nr. 14 (1)"},"content":{"rendered":"<p><strong>La mul\u021bi ani, Rom\u00e2nia!<\/strong><\/p>\n<p>Au trecut 30 de ani de la evenimentul<br \/>\nsocial cu impact major asupra<br \/>\nsociet\u0103\u021bii rom\u00e2ne\u0219ti, numit Revolu\u021bia<br \/>\ndin 89.<br \/>\nSilviu Brucan a fost criticat pentru afirma\u021bia<br \/>\nsa privind timpul necesar rom\u00e2nilor pentru a<br \/>\nschimba ceea ce impusese regimul comunist<br \/>\n\u00een patruzeci \u0219i cinci de ani. C\u00e2t de mult a avut<br \/>\ndreptate se vede. Nu cred c\u0103 a fost profet,<br \/>\ncuno\u0219tea foarte bine sistemul \u0219i ramifica\u021biile<br \/>\nsale p\u00e2n\u0103 \u00een ultimul c\u0103tun, aproape, nu doar<br \/>\nfizic, la nivel de individ, ci la nivel de<br \/>\nmentalitate.<br \/>\nA urmat lozinca \u201enu ne vindem \u021bara\u201d pentru c\u0103<br \/>\navea priz\u0103 la oamenii speria\u021bi de necunoscut,<br \/>\napoi \u201evoi n-a\u021bi m\u00e2ncat salam cu soia\u201d, Pia\u021ba<br \/>\nUniversit\u0103\u021bii, imnul Golanilor, Vali Sterian cu<br \/>\nal s\u0103u \u201eDoamne, vino Doamne, s\u0103 vezi ce-a<br \/>\nmai r\u0103mas din oameni! Mineriadele. \u0218i acum<br \/>\ndac\u0103 e\u0219ti atent observi cu ochiul liber multe<br \/>\nlucruri care te trimit la vorbele lui Brucan.<br \/>\nIarna aduce ca un cumul pentru rom\u00e2ni,<br \/>\ns\u0103rb\u0103tori na\u021bionale, spirituale, duhovnice\u0219ti.<br \/>\nFiecare are cu ce s\u0103 \u00ee\u0219i hr\u0103neasc\u0103 sufletul.<br \/>\n1 Decembrie Ziua Na\u021bional\u0103 a Rom\u00e2niei.<br \/>\nS\u0103rb\u0103torile de iarn\u0103.<br \/>\nBine\u00een\u021beles c\u0103 nu lipsesc cei care le contest\u0103<br \/>\nc\u00e2nd pe una c\u00e2nd pe alta, c\u00e2nd pe am\u00e2ndou\u0103.<br \/>\nE treaba lor. \u00ce\u0219i exercit\u0103 un drept democratic<br \/>\n\u0219i nu sunt singurii din lumea aceasta.<br \/>\nRom\u00e2nul trebui s\u0103 \u00ee\u0219i rec\u00e2\u0219tige un drept luat<br \/>\nprin for\u021b\u0103, acela de a vorbi liber, ca mo\u0219 Ion<br \/>\nRoat\u0103. Se practic\u0103 aflatul \u00een vorb\u0103, cli\u0219eele<br \/>\ncare dau bine, tr\u0103nc\u0103neala. A vorbi liber \u0219i a<br \/>\nface sunt estompate foarte mult de<br \/>\nmentalitatea lui \u201etrebuie s\u0103 ne dea statul\u201d, a lui<br \/>\n\u201efii atent ce vorbe\u0219ti c\u0103 te d\u0103 afar\u0103, a\u0219teapt\u0103 o<br \/>\ngr\u0103mad\u0103 la poart\u0103\u201d.<br \/>\nG\u00e2ndurile \u0219i faptele bune trebuie s\u0103<br \/>\ndep\u0103\u0219easc\u0103 rivalit\u0103\u021bile politice. De ce oare<br \/>\nrivalitatea politic\u0103 nu \u00eenseamn\u0103 lupta pentru a<br \/>\noferi cet\u0103\u021benilor programe de dezvoltare,<br \/>\npentru o via\u021b\u0103 mai sigur\u0103 \u0219i decent\u0103.<br \/>\n\u201eLa mul\u021bi ani, rom\u00e2ni de pretutindeni!\u201d<\/p>\n<p><strong><br \/>\nPatria<\/strong><br \/>\n<strong>Grigore VIERU<\/strong><\/p>\n<p>Piatra asta e o p\u00e2ine cald\u0103.<br \/>\nV\u00e2ntul \u0103sta e un vin domnesc.<br \/>\n\u0218i pelinul &#8211; busuioc s\u0103lbatic.<br \/>\nVine ziua aurindu-mi p\u00e2inea.<br \/>\nVine seara aromindu-mi vinul.<br \/>\nVine mama \u00eendulcindu-mi g\u00e2ndul.<br \/>\n***<br \/>\n<strong><br \/>\n\u021aara noastr\u0103<br \/>\nIon NICOLESCU<\/strong><\/p>\n<p>\u021aara noastr\u0103-i \u021bara noastr\u0103,<br \/>\ndulce paji\u0219te albastr\u0103,<br \/>\narip\u0103 sculptat\u0103-n dor<br \/>\nde lumina ochilor.<br \/>\nDac\u0103-i dor nu-l stingi cu ap\u0103,<br \/>\ndac\u0103-i timp nu-l po\u021bi \u00eentrece,<br \/>\ndac\u0103-i g\u00e2nd nu-l po\u021bi str\u0103bate,<br \/>\nnoi suntem rom\u00e2ni.<br \/>\nNoi suntem rom\u00e2ni ca brazii,<br \/>\nnoi suntem rom\u00e2ni ca gr\u00e2ul,<br \/>\nnoi suntem rom\u00e2ni ca focul,<br \/>\nnoi suntem rom\u00e2ni.<br \/>\n\u021aara noastr\u0103 e a noastr\u0103,<br \/>\nv\u00e2rf de jale \u0219i de dor,<br \/>\ndulce ar\u0219i\u021b\u0103 albastr\u0103<br \/>\nca lumina ochilor.<br \/>\n\u021aara noastr\u0103-i \u021bara noastr\u0103,<br \/>\ndulce paji\u0219te albastr\u0103,<br \/>\narip\u0103 sculptat\u0103-n dor<br \/>\nde lumina ochilor.<\/p>\n<p><strong><br \/>\nProf. Dr. Mihaela BURLACU<\/strong><\/p>\n<p><strong>LIVIU REBREANU despre roman<\/strong><\/p>\n<p>Liviu Rebreanu consider\u0103 c\u0103 scrisul nu e<br \/>\no juc\u0103rie agreabil\u0103 \u0219i nici o jonglerie cu<br \/>\nfraze. Pentru el, literatura \u00eenseamn\u0103<br \/>\ncrea\u021bie de oameni \u0219i de via\u021b\u0103. \u201eAstfel arta,<br \/>\n\u00eentocmai ca \u0219i crea\u021bia divin\u0103, devine cea mai<br \/>\nminunat\u0103 tain\u0103. Cre\u00e2nd oameni vii, cu via\u021b\u0103<br \/>\nproprie, cu lume proprie, scriitorul se aproprie<br \/>\nde misterul eternit\u0103\u021bii. Nu frumosul, o<br \/>\nn\u0103scocire omeneasc\u0103, intereseaz\u0103 \u00een art\u0103, ci<br \/>\npulsa\u021bia vie\u021bii. C\u00e2nd ai reu\u0219it s\u0103 \u00eenchizi \u00een<br \/>\ncuvinte c\u00e2teva clipe de via\u021b\u0103 adev\u0103rat\u0103, ai<br \/>\nrealizat o oper\u0103 mai pre\u021bioas\u0103 dec\u00e2t toate<br \/>\nfrazele frumoase din lume. Precum na\u0219terea,<br \/>\niubirea \u0219i moartea alc\u0103tuiesc enigmele cele<br \/>\nmai legate de via\u021ba omeneasc\u0103, tot ele<br \/>\npreocup\u0103 mai mult \u0219i pe scriitorul care<br \/>\n\u00eencearc\u0103 s\u0103 creeze via\u021ba. Literatura rezultat\u0103<br \/>\ndin asemenea preocup\u0103ri nu va mul\u021bumi,<br \/>\npoate, nici pe superiste\u021bii ce savureaz\u0103 numai<br \/>\nrafin\u0103riile stilistice sau extravagan\u021bele<br \/>\nsentimentale, nici pe amatorii de povestiri<br \/>\ngentile de salon. Nici n-are nevoie. Literatura<br \/>\ntr\u0103ie\u0219te prin ea \u0219i pentru ea \u00eens\u0103\u0219i.<br \/>\nDurabilitatea ei at\u00e2rn\u0103 numai de cantitatea de<br \/>\nvia\u021b\u0103 veritabil\u0103 ce o cuprinde\u201d (Liviu<br \/>\nRebreanu, Jurnal, I, Editura Minerva,<br \/>\nBucure\u0219ti, 1984, p.368). Pentru Rebreanu,<br \/>\ncalitatea de c\u0103petenie a scriitorului adev\u0103rat<br \/>\neste sinceritatea, acea sinceritate fa\u021b\u0103 de sine,<br \/>\ndin care izvor\u0103\u0219te sinceritatea fa\u021b\u0103 de art\u0103.<br \/>\nDac\u0103 scriitorul nu se d\u0103ruie\u0219te \u00eentreg artei \u00een<br \/>\nclipa crea\u021biei, nu va z\u0103misli dec\u00e2t mon\u0219trii f\u0103r\u0103<br \/>\nvia\u021b\u0103. Pentru autor, temelia crea\u021biei unui<br \/>\nroman r\u0103m\u00e2ne expresia, nu \u00eens\u0103 ca scop, ci ca<br \/>\nmijloc. Str\u0103lucirile stilistice, se fac mai<br \/>\n\u00eentotdeauna \u00een detrimentul preciziei \u0219i a<br \/>\nmi\u0219c\u0103rii de via\u021b\u0103. \u201eAici este misterul, care<br \/>\nleag\u0103 pe artist de Dumnezeu: ba \u00eel \u00eentrece. Pe<br \/>\nc\u00e2nd Dumnezeu creeaz\u0103 \u0219i fiin\u021be inferioare \u0219i<br \/>\ntotu\u0219i tr\u0103iesc, artistul ca s\u0103 creeze via\u021b\u0103<br \/>\nadev\u0103rat\u0103 trebuie s\u0103 ating\u0103 perfec\u021biune\u201d (Liviu<br \/>\nRebreanu, Jurnal, I, p.371).Varianta ini\u021bial\u0103 a<br \/>\nromanului P\u0103durea sp\u00e2nzura\u021bilor, de<br \/>\nexemplu, este scris\u0103 \u00een aproximativ<br \/>\noptsprezece zile, dar g\u00e2ndit\u0103 cu mult timp<br \/>\n\u00eenainte. Liviu Rebreanu nu se las\u0103 condus de<br \/>\nscrisul spontan, ci totul este construit mental,<br \/>\nanticipat p\u00e2n\u0103 la cele mai mici detalii.<br \/>\nRomancierul z\u0103bove\u0219te nop\u021bi \u00eentregi la masa<br \/>\nde scris, proiect\u00e2nd structura c\u0103r\u021bii \u0219i a<br \/>\ncapitolelor, schi\u021b\u00e2nd liste de personaje,<br \/>\nimpun\u00e2ndu-\u0219i principii de crea\u021bie, desen\u00e2nd<br \/>\nspa\u021biul imaginar rom\u00e2nesc, contur\u00e2nd modele<br \/>\n\u0219i scheme. Cu toate acestea, reu\u0219e\u0219te s\u0103<br \/>\ntermine \u0219i s\u0103 publice P\u0103durea sp\u00e2nzura\u021bilor<br \/>\nabia dup\u0103 ce g\u0103se\u0219te la Ghime\u0219 morm\u00e2ntul<br \/>\nfratelui s\u0103u Emil \u0219i \u00eel mut\u0103 pe partea cealalt\u0103 a<br \/>\nr\u00e2ului ce fusese grani\u021b\u0103 pe p\u0103m\u00e2ntul vechi<br \/>\nrom\u00e2nesc. Ideatic, prima versiune exprim\u0103<br \/>\naproape integral con\u021binutul formei definitive.<br \/>\nSchimb\u0103rile nuan\u021beaz\u0103 profilul personajelor,<br \/>\nca urmare a unor confrunt\u0103ri dinamice<br \/>\ninfluen\u021bate de drama pierderii fratelui. \u00centr-un<br \/>\ndialog cu Camil Baltazar, c\u00e2nd a fost \u00eentrebat<br \/>\ncum scrie, Liviu Rebreanu a r\u0103spuns: \u201eFoarte<br \/>\ngreu; la \u00eenceput scriu dintr-o dat\u0103, dar la<br \/>\ntranscris schimb aproape cu des\u0103v\u00e2r\u0219ire, cu<br \/>\ntotul, textul compus. Eu nu refac niciodat\u0103, ci<br \/>\ncompus. Eu nu refac niciodat\u0103, ci transcriu din<br \/>\nnou. Scriu greu fiindc\u0103 \u00eemi creez dificult\u0103\u021bi.<br \/>\nSunt cazuri c\u00e2nd, sub influen\u021ba inspira\u021biei<br \/>\nbinecuv\u00e2ntate, scriu dou\u0103zeci de pagini \u00eentr-o<br \/>\nnoapte. La transcriere nu mai r\u0103m\u00e2n \u00eens\u0103<br \/>\ndec\u00e2t cel mult trei pagini. Nu-mi amintesc s\u0103<br \/>\nfi r\u0103mas vreodat\u0103 la prima redactare a<br \/>\nmanuscrisului\u201d<br \/>\n(Camil Baltazar, \u00een volumul Amintiri<br \/>\ndespre Liviu Rebreanu, Text stabilit,<br \/>\nantologie \u0219i prefa\u021b\u0103 de Ion Popescu-<br \/>\nSireteanu, Editura Junimea, Ia\u0219i, 1985, p .27-<br \/>\n28).<br \/>\nLiviu Rebreanu exprim\u0103 o ne\u021b\u0103rmurit\u0103<br \/>\n\u00eencredere \u00een viitorul luminos al literaturii<br \/>\nrom\u00e2ne \u0219i al romanelor \u00eentr-o vreme \u00een care<br \/>\npreocup\u0103rile beletristice nu erau \u00eendeajuns de<br \/>\nsocotite necesare. Exemplul lui de prozator<br \/>\ntenace, mereu la masa de scris, \u00een fa\u021ba colilor<br \/>\nalbe, noaptea mai mult dec\u00e2t ziua, constituie o<br \/>\npild\u0103 vie de str\u0103danie scriitoriceasc\u0103, model<br \/>\npentru genera\u021biile tinere. Considera c\u0103<br \/>\nromanul, ca form\u0103 de literatur\u0103, este una din<br \/>\ncele mai m\u0103re\u021be manifest\u0103ri culturale \u0219i<br \/>\nintelectuale. \u201eM-am silit \u00eentotdeauna s\u0103 scriu<br \/>\npentru tipar la persoana \u00eent\u00e2i. Hiperbolizarea<br \/>\naceasta a eului, r\u0103m\u0103\u0219i\u021b\u0103 anacronic\u0103 de la<br \/>\nromanticii care, ei \u0219i atunci, puteau s\u0103 se<br \/>\ncread\u0103 aievea buricul p\u0103m\u00e2ntului, mi se pare<br \/>\npu\u021bin ridicol\u0103. Scriitorul de ast\u0103zi, afar\u0103 de<br \/>\npoetul liric, tr\u0103ie\u0219te \u00eentr-o lume at\u00e2t de relativ\u0103<br \/>\ndin toate punctele de vedere, c\u0103 numai<br \/>\nidentific\u00e2ndu-se cu mai multe relativit\u0103\u021bi<br \/>\nizbute\u0219te a p\u0103trunde \u0219i a \u00eenf\u0103\u021bi\u0219a absolutul<br \/>\ncare, cel pu\u021bin \u00een art\u0103, r\u0103m\u00e2ne n\u0103zuin\u021ba<br \/>\nsuprem\u0103 [&#8230;] Cre\u00eend oameni vii, cu via\u021b\u0103<br \/>\nproprie, cu lume proprie, scriitorul se apropie<br \/>\nde misterul eternit\u0103\u021bii\u201d (Liviu Rebreanu,<br \/>\nAmalgam, Editura Dacia, Cluj-Napoca, 1976,<br \/>\np. 31-32).<br \/>\nPentru Rebreanu, literatura este mijlocul<br \/>\ncel mai simplu \u0219i mai obi\u0219nuit de comunicare,<br \/>\nde apropiere \u0219i de \u00een\u021belegere \u00eentre oameni, iar<br \/>\nreprezint\u0103 o necesitate primordial\u0103 pentru<br \/>\nvia\u021ba omului. Literatura, sub orice form\u0103 se<br \/>\n\u00eenf\u0103\u021bi\u0219eaz\u0103, \u00eenseamn\u0103 nu numai o zugr\u0103vire, ci<br \/>\n\u0219i o interpretare a lumii \u0219i a societ\u0103\u021bii.<br \/>\nRebreanu mai sublinia \u0219i faptul c\u0103 iubirea a<br \/>\n\u00eenceput s\u0103 ocupe un loc important \u00een literatur\u0103,<br \/>\niar romanul dintre toate genurile, este cel mai<br \/>\napt pentru a cuprinde toate problemele iubirii.<br \/>\n\u201eGenera\u021bia mai nou\u0103 de scriitori, fr\u0103m\u00e2ntat\u0103<br \/>\nde sexologie, s-a n\u0103pustit asupra romanului cu<br \/>\no ardoare vrednic\u0103 de entuziasmul tinere\u021bii. \u0218i<br \/>\nastfel romanul rom\u00e2nesc actual, \u00een plin\u0103<br \/>\n\u00eenflorire, prezint\u0103 tot mai insistent ultima<br \/>\netap\u0103 a problemei iubirii sub \u00eenf\u0103\u021bi\u0219area ei<br \/>\nsexologic\u0103\u201d (Liviu Rebreanu, Amalgam,<br \/>\np.158).<br \/>\n\u00centrebat care este cartea pe care o<br \/>\nprefer\u0103 tuturor celorlalte c\u0103r\u021bi, Liviu Rebreanu<br \/>\na r\u0103spuns: \u201e &#8230;Uite-o colo pe birou. Cartea aia<br \/>\ngroas\u0103 cu scoar\u021be negre&#8230; E o carte \u00een care se<br \/>\nafl\u0103 toat\u0103 \u00een\u021belepciunea lumii, trecut\u0103 \u0219i<br \/>\nviitoare&#8230; N-o \u021bin niciodat\u0103 \u00een raft&#8230; \u00cei zice<br \/>\nBiblia\u201d (Liviu Rebreanu, Jurnal, I, p.404).<\/p>\n<p><strong><br \/>\nAnivers\u0103ri<\/strong><strong><br \/>\nLa mul\u0163i ani!<\/strong><\/p>\n<p><strong>Noiembrie<\/strong><br \/>\n2-Ilie M\u00e2ndricel<br \/>\n3-Gheorghe Sava- Popa<br \/>\n6-Mihai Gabriel Voinea<br \/>\n7-Gabriela Matiu<br \/>\n10-Nicolae Tudor<br \/>\n11-Lucian M\u0103n\u0103ilescu<br \/>\n12-Ion P.Iacob<br \/>\n12-Stelian Grigore<br \/>\n12-Constantin Feraru<br \/>\n15-Mitic\u0103 Ion<br \/>\n19-Stan Brebenel<br \/>\n21-Nicolae Cabel<br \/>\n22-Rodica \u0218erb\u0103nescu<br \/>\n23-\u0218tefan Dima<br \/>\n27-V.B.\u021a\u00e2n\u021b\u0103reanu<br \/>\n28-Virgil Diaconu<\/p>\n<p><strong>Decembrie<\/strong><br \/>\n1-C\u0103lin Bostan<br \/>\n9-Oana Calen<br \/>\n19-Paul Androne<br \/>\n20-Magda Ursache<br \/>\n25-Lucille Ion\u00e0<br \/>\n28-Oana Camelia \u0218erban<\/p>\n<p><strong>Ianuarie<\/strong><br \/>\n1-\u0218tefania Oproescu<br \/>\n2- Mihai S\u0103lcu\u021ban<br \/>\n4-Mircea T\u0103nase<br \/>\n8- Mioara Neagu<br \/>\n16-Alexandru Gai\u021b\u0103<br \/>\n17-Marcela Chiri\u021b\u0103<br \/>\n18-Ion G\u0103tej<br \/>\n19-Gabriel Pene\u0219<br \/>\n20-Valeria Manta-T\u0103icu\u021bu<br \/>\n24-Gheorghe Oncioiu<br \/>\n24-Gheorghe Petcu<br \/>\n25-Dumitru Ursu<br \/>\n28- Grigore Leaua<\/p>\n<p><strong><br \/>\nMihai SOARE<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/soare-e1602233519920.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/soare-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-11239 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/soare-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-11239\" \/><\/noscript><\/a><\/p>\n<p>Volume publicate:<br \/>\n<strong>\u00cenger de prisos<\/strong>, versuri, Editura Tiparg, 2007<br \/>\n<strong>G\u00e2lceava mea cu Haydn sau despre<br \/>\nRoman\u021ba pentru clopot la patru m\u00e2ini<\/strong> \u2013<br \/>\nversuri, Editura Brumar, 2010<br \/>\n<strong>Eu, Nietzscheanul<\/strong> \u2013 versuri, Editura Rawex<br \/>\nComs, 2012<br \/>\n<strong>Livrescu<\/strong> \u2013 roman, Editura Self Publishing,<br \/>\n2014<br \/>\n<strong>Sf\u00e2ntul Cutare Poetul<\/strong> \u2013 versuri, Editura<br \/>\nBetta, 2015<br \/>\n<strong>T\u0103lm\u0103ciri politicale<\/strong> (volumul \u00eent\u00e2i) \u2013 eseuri<br \/>\npolitice, Editura Betta, 2015<br \/>\n<strong>Zavera \u00eengerilor<\/strong> (cu subtitlul trei mii \u0219i ceva<br \/>\nde zile \u0219i nop\u021bi de poezie) \u2013 versuri, antologie<br \/>\nde autor, Editura Betta, 2016<br \/>\n<strong>T\u0103lm\u0103ciri politicale<\/strong> (volumul al doilea)\u2013<br \/>\neseuri politice, Editura Betta, 2016<br \/>\n<strong>Iubirea ca o s\u00e2rm\u0103 ghimpat\u0103<\/strong> \u2013 versuri,<br \/>\nEditura Betta, 2016<br \/>\n<strong>Dragoste, pupeze \u0219i colaci<\/strong> \u2013 roman, Editura<br \/>\nBetta, 2017<br \/>\n<strong>Moa\u0219tele \u0219i alte povestiri<\/strong> \u2013 proz\u0103 scurt\u0103,<br \/>\nEditura Eikon, 2018<br \/>\n<strong>Inflexiuni, eseuri \u0219i note de lectur\u0103<\/strong> \u2013<br \/>\nEditura Hoffman, 2019<\/p>\n<p><strong><br \/>\nAcel ora\u0219 din mine<\/strong><\/p>\n<p>Acel ora\u0219 din mine ce cre\u0219te ca o plag\u0103<br \/>\n\u0219i unde barcagiii se-neac\u0103-n c\u0103lim\u0103ri<br \/>\numplute cu mulsoarea v\u0103zduhului \u00ee\u0219i leag\u0103<br \/>\nde gleznele-am\u00e2ndou\u0103 cu \u00eenmiite sfori<\/p>\n<p>mereu acelea\u0219i basme at\u00e2t de plicticoase<br \/>\ncu vie\u021bi retescuite din toamne care mint<br \/>\nc\u0103 le vor cre\u0219te-odat\u0103 pe lungile lor oase<br \/>\np\u0103str\u0103muri \u00eenmuiate \u00een verzuri de absint<\/p>\n<p>frumos ca nimeni altul \u0219i mai s\u0103tul ca popii<br \/>\nvoi fi atuncea, oare, c\u00e2\u021bi \u00eengeri \u00eemi vor da<br \/>\nocol s\u0103-mi ia m\u0103sura uimi\u021bi pe buza gropii<br \/>\nne\u00eencrez\u0103tori c\u0103 insul ce sunt va \u00eenc\u0103pea<\/p>\n<p>f\u0103r\u2019 s\u0103 r\u0103m\u00e2n\u0103-afar\u0103 m\u0103car vreo pr\u0103v\u0103lie,<br \/>\nvreo strad\u0103 sau vreun teatru lipsit de<br \/>\nspectatori<br \/>\ndin urbea care-l umple \u0219i-i d\u0103 pe veresie<br \/>\niluzii c\u00e2t p\u0103m\u00e2ntul visat de r\u00e2m\u0103tori.<\/p>\n<p><strong><br \/>\nC\u00e2ntec lucid<\/strong><\/p>\n<p>C\u00e2nd \u00ee\u021bi e razna rostul \u0219i idealul noapte<br \/>\nAtunci zurlia lun\u0103 se crede dromader\u0103<br \/>\nC\u00e2nd omenirea scurm\u0103 c\u0103t\u00e2nd abra\u0219 prin<br \/>\n\u0219oapte,<br \/>\nArheolog\u0103 r\u00e2m\u0103 cu ochiul c\u00e2\u0219 \u00een er\u0103<\/p>\n<p>N-ar sta \u00een t\u00e2rn\u0103coape vreun crez s-adape caii<br \/>\nCu lacrimile mele zg\u00e2indu-se-n oglinde<br \/>\nDegeaba v\u0103csuite, st\u00e2ngaci precum cobaii<br \/>\nCare se-ncur\u0103-al dracu lega\u021bi de suferinde<\/p>\n<p>Ro\u021bi ample ca de moar\u0103 de ap\u0103, totul curge<br \/>\nDoar \u00eentr-un sens, minciun\u0103, ce apocrif\u0103 pare<br \/>\nDictarea sf\u00e2nt\u0103-a mor\u021bii ce r\u00e2de \u0219i mirunge<br \/>\nFrun\u021bi mai nebune, poate, dec\u00e2t a mea, e oare<\/p>\n<p>Vreo alt\u0103 lume str\u00e2mt\u0103, cu cap\u0103tu-ntre vele<br \/>\nVis\u00e2nd catarge care \u00een\u021beap\u0103 ceru-n mur\u0103<br \/>\nTaman acolo unde se leap\u0103d\u0103 de piele<br \/>\nO zgard\u0103 l\u0103tr\u0103toare crescut\u0103 cu bromur\u0103<\/p>\n<p>\u0218i cu momeli din s\u00e2nge oranj precum aripa<br \/>\nM\u0103cel\u0103rit\u0103-al naibii odat\u0103 cu zenitul<br \/>\n\u021ainut mereu la u\u0219\u0103, doar o veni risipa<\/p>\n<p><strong><br \/>\nPoem cu insula mamei<\/strong><\/p>\n<p>C\u00e2nd se certa cu tata<br \/>\nmama se pl\u00e2ngea totdeauna c\u0103 m-a n\u0103scut f\u0103r\u0103 moa\u0219\u0103<br \/>\niar asta pentru c\u0103 el nu s-ar fi ostenit s\u0103 g\u0103seasc\u0103 pe nimeni \u00een stare s-o ajute<br \/>\nmi-a adus o cohort\u0103,-mi povestea<br \/>\nc\u00e2nd mi-au v\u0103zut burta au dat din capete a ne\u00eencredere<br \/>\nde\u0219i unele din ele mo\u0219iser\u0103 lumi \u00eentregi<br \/>\nm-au pip\u0103it, iar apoi mi-au ar\u0103tat degetele s\u00e2nger\u00e2nd ca ni\u0219te \u021bur\u021buri prin\u0219i de c\u0103ldur\u0103<\/p>\n<p>de la fiorduri, \u00eemi ziceau dementele,<br \/>\nori poate de la catarge<br \/>\nni\u0219te nebune, s-ar fi nec\u0103jit atunci mama,<br \/>\nparc\u0103 eu a\u0219 na\u0219te galioane sau norvegii sau mai \u0219tiu eu ce<br \/>\nm-au m\u0103surat de jur \u00eemprejur c\u0103l\u0103ri pe biciclete din alea cu o roata mare \u0219i una mic\u0103<br \/>\ndou\u0103 zile dura asta<br \/>\nse \u00eenv\u00e2rteau ca ni\u0219te c\u0103lu\u0219ei de b\u00e2lci \u00een jurul meu<br \/>\npe urm\u0103 m-au ascultat cu un soi de goarne din tabl\u0103 de acoperi\u0219uri<br \/>\ne\u0219ti plin\u0103 de musoni \u0219i de anotimpuri ploioase, cucoan\u0103, nu ne b\u0103g\u0103m<\/p>\n<p>una ca o broasc\u0103 \u021bestoas\u0103 de b\u0103tr\u00e2n\u0103<br \/>\n(cred c\u0103 prinsese \u0219i r\u0103zboiul de o sut\u0103 de ani)<br \/>\ni-a spus mai bine las\u0103-l acolo, ca pe-un c\u0103\u021bel al p\u0103m\u00e2ntului<br \/>\ns\u0103 nu-l \u0219tie nimeni<br \/>\nnu-l plou\u0103, nu-l ninge, nu-l arde ar\u0219i\u021ba<br \/>\n\u0219i nici nu trebuie s\u0103-i cumperi haine sau de-ale gurii<br \/>\nhr\u0103nindu-se cu visele tale moi<br \/>\np\u00e2n\u0103 la urm\u0103 m-a n\u0103scut, habar n-am cum<br \/>\nm-am trezit cu mine al\u0103turi c\u00e2nd m\u0103 a\u0219teptam mai pu\u021bin<br \/>\n\u0219i am b\u0103nuit-o de vr\u0103jitorie ani de-a r\u00e2ndul<\/p>\n<p>tata se l\u0103uda la c\u00e2rcium\u0103 c\u0103 nevast\u0103-sa a f\u0103tat o insul\u0103<br \/>\niar be\u021bivii \u0103ia \u00eel pizmuiau<br \/>\no s\u0103-\u0219i fac\u0103 singur rom de-acum, al dracului, dac\u0103 are insul\u0103<br \/>\nc\u00e2nd m\u0103 scoteau la plimbare \u00een landou to\u021bi marinarii se holbau la mine<br \/>\nare \u0219i far \u0103sta micu\u2019, \u00eentrebau<br \/>\nni\u0219te femei cu p\u0103r multicolor, f\u00e2\u0219ii-f\u00e2\u0219ii,<br \/>\ncum sunt pe\u0219tii din m\u0103rile ce-mi m\u0103rginesc cerul<br \/>\nle spuneau alor mei c\u0103 abia a\u0219teapt\u0103 s\u0103-mi calce \u021b\u0103rmul c\u00e2nd oi mai cre\u0219te<br \/>\n\u0219i s\u0103-mi m\u00e2ng\u00e2ie t\u0103cerile dintre dou\u0103 furtuni<br \/>\ncurve nenorocite, le zicea mama, e\u0219ua-r-a\u021bi \u00een apele lui tulburi<\/p>\n<p>ai mei se m\u00e2ndreau totu\u0219i c\u0103 nu au un copil cum au to\u021bi ceilal\u021bi<br \/>\ndar tata \u00eenc\u0103 \u0219i mai \u0219i<br \/>\no s\u0103 r\u0103m\u00e2n\u0103 toat\u0103 via\u021ba el \u00eensu\u0219i, se-mp\u0103una<br \/>\nde parc\u0103 am putea fi \u0219i altcineva dec\u00e2t noi, bomb\u0103nea mama.<\/p>\n<p><strong><br \/>\nRadu ANDRIESCU<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/andriescu-e1602233769258.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/andriescu-300x295.jpg\" alt=\"\" width=\"300\" height=\"295\" class=\"alignnone size-medium wp-image-11240 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/295;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/andriescu-300x295.jpg\" alt=\"\" width=\"300\" height=\"295\" class=\"alignnone size-medium wp-image-11240\" \/><\/noscript><\/a><\/p>\n<p>N\u0103scut \u00een 1962. Conferen\u021biar universitar la<br \/>\nCatedra de Limba \u0219i Literatura Englez\u0103 a<br \/>\nUniversit\u0103\u021bii \u201eAl.I. Cuza\u201d din Ia\u0219i \u0219i autorul<br \/>\nunui volum de eseuri, <strong>Paralelisme \u0219i influen\u021be<br \/>\nculturale \u00een lirica rom\u00e2n\u0103 actual\u0103<\/strong> (2005).<br \/>\nDebutul volumul <strong>Oglinda la zid<\/strong> (1992,<br \/>\nPremiul Poesis pentru debut), <strong>U\u0219a din spate<\/strong><br \/>\n(1994), <strong>Sf\u00e2r\u0219itul drumului, \u00eenceputul<br \/>\nc\u0103l\u0103toriei<\/strong> (1998; Premiul USR, filiala Ia\u0219i),<br \/>\n<strong>Eu \u0219i c\u00e2\u021biva prieteni<\/strong> (2000), <strong>Pun\u021bile<br \/>\nStalinskaya<\/strong> (2004), <strong>P\u0103durea metalurgic\u0103<\/strong><br \/>\n(2008), <strong>Metalurgic<\/strong> (2010), <strong>C\u00e2nd nu mai e<br \/>\naer<\/strong> (2016, Premiul revistei \u201eObsevator<br \/>\ncultural\u201d, Premiul pentru cartea de poezie al<br \/>\nFestivalului Na\u021bional \u201eGeorge Bacovia\u201d,<br \/>\nPremiul USR, filiala Ia\u0219i), <strong>Gerul dintre ei<\/strong><br \/>\n(2017), <strong>Jedi de provincie<\/strong> (2018), Animalul<br \/>\ndiafan (2019) \u0219i antologia <strong>Oglinda la zi<\/strong>.<\/p>\n<p><strong><br \/>\nLetal<\/strong><\/p>\n<p>A\u0219 vrea s\u0103 am<br \/>\nun terabait de lini\u0219te \u00een creier,<br \/>\ns\u0103 nu transpir imagini \u00een perna de la Jysk<br \/>\n\u0219i un r\u0103spuns t\u0103ios<br \/>\npentru anarho-socialistul din oglind\u0103,<br \/>\ncare m\u0103 str\u00e2mb\u0103 c\u00e2nd trec pe l\u00e2ng\u0103 el.<\/p>\n<p>Merg prin ora\u0219 cu ochii \u00een trotuar.<br \/>\nLa cap\u0103t, pe Independen\u021bei,<br \/>\nun magazin pe care nu-l \u0219tiam,<br \/>\nplin cu efecte militare din Bundeswehr.<br \/>\nMi-am luat un fes albastru, de 20 de lei,<\/p>\n<p>c\u0103 nu aveau pe negru<br \/>\n\u0219i-o bri\u0219c\u0103 din inox, cu multe limbi.<br \/>\nErau \u0219i haine bune, dar cam scor\u021boase,<br \/>\n\u00eemi aminteau de-armat\u0103, \u00een Tomis Nord, dup\u0103<br \/>\nliceu.<br \/>\nZeci de gonade, un singur dormitor<\/p>\n<p>\u0219i c\u00e2mpul galben,<br \/>\np\u00e2r\u00e2ul plin de lipitori.<\/p>\n<p>Dar \u00eemi doresc din suflet<br \/>\ns\u0103 am cu\u021bitul mic, ascuns pe l\u0103n\u021bi\u0219or<br \/>\nsau cele mari, serioase, cu finisaj nem\u021besc,<br \/>\ncoarda de pian,<br \/>\nletal\u0103,<\/p>\n<p>maceta,<br \/>\ncu care m\u0103 visez st\u00e2rpind buruieni\u0219ul<br \/>\ndin jurul creierului meu.<br \/>\nCa militar \u00een termen, scuipam<\/p>\n<p>\u00een pauza de la zece<br \/>\npove\u0219ti despre berbecii Merinos<br \/>\ncare fugeau cu noi pe dealuri,<br \/>\ncum te puneau pe rug<\/p>\n<p>spaniolii, dac\u0103-i vindeai str\u0103inilor,<br \/>\ncu secole \u00een urm\u0103.<\/p>\n<p><strong><br \/>\nCe s\u0103 mai zic, vara aceea<\/strong><\/p>\n<p>dintre liceu \u0219i-armat\u0103<br \/>\na fost perfect\u0103.<br \/>\nAproape c-am ajuns<br \/>\ncu suedezele<br \/>\nla discoteca pe valut\u0103<br \/>\n\u0219i-am stat o noapte<br \/>\nla pu\u0219c\u0103ria din Mamaia,<br \/>\nc-aveam \u00een buzunar vreo 3 dolari.<br \/>\nAm dansat cu ni\u0219te fete la Amfiteatru<br \/>\n\u0219i-am luat-o-n goarn\u0103 la s\u00e2nge<br \/>\nde la golanii din Costine\u0219ti,<br \/>\nc\u0103-s moldovean.<br \/>\nTricoul Levi&#8217;s a putrezit \u00een cort<br \/>\ndup\u0103 o noapte cu mili\u021bieni la dig,<br \/>\nc\u00e2nd stelele pulsau.<\/p>\n<p>Din larg,<br \/>\nun SOS cu care nu aveam ce face.<\/p>\n<p><strong><br \/>\nUn an \u00een Armenia<\/strong><\/p>\n<p>\u00cencerc s\u0103 fiu un tat\u0103 bun,<br \/>\nde \u00eencredere<br \/>\n\u0219i s\u0103 r\u0103m\u00e2n aici,<br \/>\n\u00een kilometrul meu p\u0103trat de via\u021b\u0103 activ\u0103,<br \/>\ndar c\u00e2nd pe cer<br \/>\napar semne sau, \u00een fine,<br \/>\nprimesc pe mail o propunere,<br \/>\nnu \u0219tiu ce s\u0103 fac.<\/p>\n<p>A\u0219 pleca un an \u00een Armenia, ca prof.<\/p>\n<p>E departe.<\/p>\n<p>Miile de kilometri<br \/>\npe care nu-i vezi sub nori,<br \/>\nprin hublou,<br \/>\nconteaz\u0103.<\/p>\n<p>\u00cen jurul casei e complicat,<br \/>\nsunt agresat fizic<br \/>\nde insecte \u0219i arahnide.<\/p>\n<p>Oricum, citesc pe telefon<br \/>\nc\u0103 nimic nu merge,<br \/>\nprin democra\u021biile vechi \u0219i noi.<\/p>\n<p>Dar, serios, Armenia?<br \/>\nAlt\u0103 \u021bar\u0103 s\u0103rac\u0103?<\/p>\n<p>Erevan e totu\u0219i unul<br \/>\ndintre cele mai vechi ora\u0219e<br \/>\ndin lume<br \/>\nlocuite continuu,<br \/>\naflu,<br \/>\nc\u00e2nd m\u0103 documentez.<\/p>\n<p>Soarele din termopan<br \/>\nse \u00eendoaie<br \/>\npe ecranul telefonului<br \/>\n\u0219i sf\u00e2r\u0219e\u0219te ca punct instabil,<br \/>\npe u\u0219a destul de jegoas\u0103.<\/p>\n<p><strong><br \/>\nLitere mici de tot<\/strong><\/p>\n<p>\u00cencearc\u0103 s\u0103 consoneze cu Chinua Achebe,<br \/>\ncu furia lui Ngugi wa Thiong&#8217;o<br \/>\n\u0219i n-are regrete,<br \/>\np\u0103s\u0103rile zboar\u0103 f\u0103r\u0103 pene<br \/>\niar femeile plutesc prin suflet<br \/>\nf\u0103r\u0103 ma\u0219ini.<\/p>\n<p>E sincer \u00een fiecare zi<br \/>\ntr\u0103it\u0103-n casa durerii,<br \/>\nnu se a\u0219teapt\u0103 s\u0103 primeasc\u0103<br \/>\nun cec \u00een alb de la via\u021b\u0103.<\/p>\n<p>A sim\u021bit destule,<br \/>\nfenecul din suflet st\u0103 ciulit mereu<br \/>\nprintre macarale galbene<br \/>\n\u0219i valuri de parabeni.<\/p>\n<p>Spune-mi un singur motiv<br \/>\npentru care-ar trebui s\u0103-mi pese,<br \/>\no aude<br \/>\n\u0219i-i vede z\u00e2mbetul din plastic<br \/>\n\u0219i ochii de-aceton\u0103.<br \/>\nAr\u0103\u021bi ca dracu,<br \/>\nmai aude cu litere mici de tot<\/p>\n<p><strong><br \/>\nSufle\u021bel<\/strong><\/p>\n<p>G\u0103se\u0219te-\u021bi o cr\u0103p\u0103tur\u0103 s\u0103 ie\u0219i \u00een lume,<br \/>\nf\u0103r\u0103 tam-tam \u0219i poz\u0103, curat-cur\u0103\u021bel cum te \u0219tiu<br \/>\neu<br \/>\n\u0219i vars\u0103-\u021bi sperma de talent peste t\u00e2rg,<br \/>\ncu generozitate.<br \/>\nCa plopul, dr\u0103gu\u021bule.<br \/>\nFrumuse\u021bea are doar ad\u00e2ncimea pielii<br \/>\ndar nu te speria<br \/>\nc\u0103 ai parte doar de butaforie,<br \/>\nplin de co\u0219uri cum e\u0219ti.<br \/>\nFii m\u00e2ndru, e\u0219ti rom\u00e2n.<\/p>\n<p>Dr\u0103gu\u021bule, fii atent aici.<br \/>\nOra\u0219ul e \u0219i pentru tine o canapea<br \/>\ndin piele fin\u0103, cum au milionarii,<br \/>\npe care s\u0103 te tol\u0103ne\u0219ti noaptea cu stelele.<br \/>\nFrumuse\u021bea are ad\u00e2ncimea pielii<br \/>\ndar ai \u0219i tu un loc aici,<br \/>\ns\u0103 \u021bi se rostogoleasc\u0103 stelele pe burt\u0103,<br \/>\ns\u0103-\u0219i ling\u0103 una alteia col\u021bii.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La mul\u021bi ani, Rom\u00e2nia! Au trecut 30 de ani de la evenimentul social cu impact major asupra societ\u0103\u021bii rom\u00e2ne\u0219ti, numit<\/p>\n","protected":false},"author":17,"featured_media":11241,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/11238"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11238"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/11238\/revisions"}],"predecessor-version":[{"id":11242,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/11238\/revisions\/11242"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/11241"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}