{"id":10891,"date":"2020-09-24T10:37:53","date_gmt":"2020-09-24T07:37:53","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=10891"},"modified":"2020-09-24T10:37:53","modified_gmt":"2020-09-24T07:37:53","slug":"literadura-nr-16-8","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=10891","title":{"rendered":"Literadura nr.16 (8)"},"content":{"rendered":"<p><strong>\u0218erban CODRIN<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/6-2.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-10892 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/6-2.jpg\" alt=\"\" width=\"195\" height=\"277\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 195px; --smush-placeholder-aspect-ratio: 195\/277;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-10892\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/6-2.jpg\" alt=\"\" width=\"195\" height=\"277\" \/><\/noscript><\/a><\/p>\n<p><strong>Emil Niculescu sau ce se \u00eent\u00e2mpl\u0103 dac\u0103<br \/>\nurmezi sfatul nocturn al lui Titi Damian<\/strong><\/p>\n<p>Titi Damian, care ne l\u0103mure\u0219te \u201es\u0103 fii<br \/>\nscriitor adev\u0103rat \u00eenseamn\u0103&#8230;\u201d, a<br \/>\npublicat un volum masiv \u201eLecturi la<br \/>\nmiezul nop\u021bii\u201d. Urm\u00e2ndu-i pova\u021ba \u0219i nu pe a<br \/>\nlui Modest Morariu, care \u00ee\u0219i petrecea<br \/>\nmiezurile de noapte traduc\u00e2nd eseuri lui<br \/>\nAlbert Camus \u0219i versuri de Carl Sandburg \u0219i<br \/>\nEzra Pound, am citit, conform \u00eendemnului<br \/>\n\u201electuri \u00eentinse, de calitate\u201d, un volum<br \/>\nnecunoscut, \u00eens\u0103 dovedit pe parcurs o<br \/>\n\u00eenc\u0103rc\u0103tur\u0103 de artificii \u00een stare de explozie,<br \/>\n\u201eConfinium\u201d, Societatea Scriitorilor Militari,<br \/>\nBucure\u0219ti, 2019, de Emil Niculescu, un<br \/>\ntrubadur al Buz\u0103ului de ieri \u0219i de azi. Scriu<br \/>\n\u201etrubadur\u201d pentru c\u0103 bravul ofi\u021ber \u00een<br \/>\nretragere, cu grad de poet, aceasta este<br \/>\nadev\u0103rata poveste, \u0219i-a asumat curajul de a<br \/>\nalc\u0103tui, \u00een onoarea lui Francois Villon,<br \/>\nantologia \u201eBallade des dames du temps jadis,<br \/>\nBalada doamnelor de alt\u0103 dat\u0103\u201d, Vega<br \/>\nProd\u201994, Buz\u0103u, 2007, documentat\u0103 carte, de<br \/>\nunde lipsesc destule nume, unde \u00ee\u0219i divulg\u0103<br \/>\npreferin\u021bele literare \u0219i maniera de rescriere<br \/>\nparodic\u0103.<br \/>\nEmil Niculescu ne trage de m\u00e2nec\u0103, precum<br \/>\nciulinul lui Top\u00e2rceanu, c\u0103 r\u0103zbate din<br \/>\nsecolul XV \u00eencoace \u0219i-\u0219i asum\u0103 cu superbie<br \/>\ncarnavalesc\u0103 masca de c\u00e2nt\u0103re\u021b al b\u0103utorilor<br \/>\nde n\u0103dejde sau dezn\u0103dejde din c\u00e2rciumile<br \/>\ndimprejurul g\u0103rii Buz\u0103ului, al z\u0103pezilor<br \/>\n\u201edelicvente politic\u201d, al camionagiilor \u201ebloca\u021bi<br \/>\n\u00een caravane lungi cum aveau berberii,\/ La<br \/>\nCrucea Comisioaiei. \u00cenjur\u0103 lung \u0219oferii.\/<br \/>\nMari dune de z\u0103pad\u0103 ca-mpinse de simuni\/<br \/>\nSe-adun\u0103-n cupa larg\u0103-a acestei v\u0103g\u0103uni,\/ \u00cen<br \/>\ntimp ce pe tablete se-anun\u021b\u0103 ro\u0219ii coduri\/ \u0218i,-<br \/>\nn G.P.S., se-a\u0219eaz\u0103, crainicei, \u00een g\u00e2t noduri.\/<br \/>\nSe-apas\u0103, \u00een ne\u0219tire, isteric pe claxoane,\/<br \/>\nIntr\u0103-n caraboiaje sfin\u021bi, candele, icoane,\/<br \/>\nAnafore \u0219i mame, draci \u0219i patroni haps\u00e2ni\/<br \/>\nCe-\u0219i m\u00e2n\u0103 angaja\u021bii precum laponii c\u00e2ini.\/<br \/>\nUn flux de impreca\u021bii plute\u0219te peste TIR-uri,\/<br \/>\nBalbot\u00e2nd babilonic obide \u0219i sictiruri.\/ C\u0103tre<br \/>\nFoc\u0219ani, departe, ecvestrul Suvorov,\/ \u00cen<br \/>\nbronz, cu \u201egeneralul iarn\u0103\u201d bea f\u0103r\u0103 de istov\/<br \/>\n\u0218i p\u00e2n\u0103-n larga step\u0103 a hoardelor lui Mamai\/<br \/>\nSe-ntinde, peste veacuri, s\u0103lbaticul guleai,\/<br \/>\nAmestec\u00e2nd istorii, civiliza\u021bii, ere Sfid\u00e2nd \u2013<br \/>\ntupeu mongolic \u2013 mode\u0219tii cai putere,\/ Cu-o<br \/>\nenergie care, demult, ne e pierdut\u0103.\/ Pe D.N.<br \/>\n85 e panic\u0103 \u0219i derut\u0103,\/ Buldozere turbate<br \/>\n\u00eemping megatroieni\/ Pe (fost) mausoleul de<br \/>\nla Racovi\u021beni,\/ Unde, \u00een subterane, de una<br \/>\nsut\u0103 ani,\/ Joac\u0103 la babaroase eroi ru\u0219i \u0219i<br \/>\ngermani.\u201d (Meteorologie) Fragmentul de<br \/>\npoem divulg\u0103 par\u021bial una dintre artele poetice<br \/>\ndintre corzile trubadurului buzoian:<br \/>\namestecul de trecut \u0219i prezent, un trecut<br \/>\nmongoloid, r\u0103zboinic-rusesc, sau c\u0103rtur\u0103resc-fran\u021buzesc<br \/>\n\u0219i un prezent desuet, noroios,<br \/>\nmahalagesc, dar nu \u00een sens bacovian, ci<br \/>\ncaragialean, balcanico-mi\u0219toc\u0103resc. Cum<br \/>\nplou\u0103 \u00een George Bacovia? O \u0219tim, de ne<br \/>\napuc\u0103 fiorii, din \u201ePlumb\u201d. Cum plou\u0103 \u00een Emil<br \/>\nNiculescu? \u201ePlou\u0103 s\u00e2c\u00e2itor, de-al dracu\u2019-n<br \/>\ndu\u0219m\u0103nie,\/ Se-aud sun\u00e2nd, cum clopo\u021beii la<br \/>\ntichie,\/ C\u00e2nd trece-un ghebos claun ce, ba\u0219ca,<br \/>\ne \u0219i \u0219chiop,\/ Table, burlane parc\u0103 simuleaz\u0103 un<br \/>\npotop.\u201d (Memorii) Ba mai sarcastic:<br \/>\n\u201eSf\u00e2r\u0219it t\u00e2rziu de toamn\u0103 \u2013 lumin\u0103 vine\u021bie\/<br \/>\n\u0218i-o ploaie ca o prob\u0103 pentru urologie.\u201d<br \/>\n(Geriatrie)<br \/>\n\u00cen lume se \u00eent\u00e2mpl\u0103 mari evenimente:<br \/>\n\u201eAcum, de mil\u0103 sau de sil\u0103,\/ Spre-Ucraina<br \/>\ntrece-o escadril\u0103\/ De ciori sfid\u00e2nd,<br \/>\ncronc\u0103nitoare,\/ La Minsk, pe \u0219efii de<br \/>\npopoare.\u201d Textul e datat: Buz\u0103u, 15.02.2015<br \/>\n(Ce s-a \u00eent\u00e2mplat la data respectiv\u0103 \u00een lumea<br \/>\nr\u0103s\u0103ritean\u0103?)<br \/>\nDe colosal haz, plin\u0103 de \u201eevenimente\u201d<br \/>\neste \u201eBalade pentru M-me de Pompadour din<br \/>\ndulcea Fran\u021b\u0103 &amp; maiorul Pompar\u0103u din<br \/>\nBuz\u0103u, manutan\u021b\u0103\u201d. \u00cenc\u0103 din motto-uri afl\u0103m<br \/>\nc\u0103 \u201eLa Pompa-Dur era o frizerie\u201d (Paul<br \/>\nMorand), \u201ePompaduroaica Rom\u00e2niei,<br \/>\nsupranumit\u0103 Duduia\u201d (Alexandru Predescu).<br \/>\nUn ofi\u021ber \u201estare\u021b peste cr\u0103ti\u021bi \u0219i cazane\u201d se<br \/>\n\u00eenfige cu m\u00e2rl\u0103nie cazon\u0103 \u00een solda\u021bii cu<br \/>\ntermen redus, arhitec\u021bi, arti\u0219ti, poe\u021bi,<br \/>\nabsolven\u021bi de facult\u0103\u021bi economice, Nicu<br \/>\nAlifantis, un mare trompetist, ba chiar \u201eun<br \/>\nalt, \u021bin\u00e2nd pe Thalia de poal\u0103,\/ A devenit<br \/>\nAlte\u021ba Sa Regal\u0103\u201d, prilej pentru poet s\u0103<br \/>\ncreioneze \u0219arje caricaturale de mare cruzime<br \/>\nla adresa \u201ev\u0103tafului\u201d \u0219i a t\u00e2mpeniei umane<br \/>\n\u00eenc\u0103l\u021bate \u00een cizme: \u201eNumitul Pompar\u0103u, era<br \/>\nde via\u021b\u0103:\/ Stare\u021bul peste cr\u0103ti\u021bi \u0219i cazane\/<br \/>\nGrijea de ale trupei burdihane,\/ C\u00e2nd c\u0103ni de<br \/>\ntabl\u0103 le duceau la gur\u0103\/ Bibani cu ceaiul<br \/>\ncon\u021bin\u00e2nd bromur\u0103\u201d sau hazosul \u201e\u00cen<br \/>\ngarnizoana noastr\u0103, la Buz\u0103u,\/ R\u0103zboiul rece<br \/>\nn-a fost foarte r\u0103u:\/ Cu un fular kaki pe sub<br \/>\nmanta,\/ Maiorul orice criv\u0103\u021b \u00eel sfida\/ C\u0103ciula<br \/>\nsa cea cu urechi, ruseasc\u0103,\/ La frig, f\u0103cea s\u0103-l<br \/>\ndoar\u0103 drept \u00een basc\u0103.\u201d Acela\u0219i individ cu<br \/>\ngrade ofi\u021bere\u0219ti \u201eS-a zguduit de pl\u00e2ns doar cun<br \/>\nprilej:\/ \u00cenmorm\u00e2ntarea lui Gheorghiu-<br \/>\nDej\u201d \u0219i a\u0219a mai departe, cu neiertare: \u201eAici,<br \/>\n\u00een Est \u2013 un fel de caput mundi \u2013 Maiorul<br \/>\nvie\u021buia ca \u00een Burundi,\/ Un ba\u0219-v\u0103taf cazon,<br \/>\nputem a zice,\/ Peste marmide, peste polonice\/<br \/>\n\u0218i aplecarea lui c\u0103tre stacane\/ Venea din plite<br \/>\n\u0219i-ar\u0219i\u021bi africane.\/ Vinul \u0219ampanizat, de<br \/>\nmarc\u0103 Zarea,\/ \u00cei unduia, spre domicil,<br \/>\nc\u0103rarea:\/ Cu ochii dup\u0103 romuri, bere, fleici,\/<br \/>\nA\u021ba nu prea-l tr\u0103gea la teleleici,\/ Diverse<br \/>\ndurdulii buc\u0103t\u0103rese\/ \u0218i le-a bifat, eroic, la<br \/>\nsuccese.\u201d O lectur\u0103 a poemului divulg\u0103 multe<br \/>\nhido\u0219enii din \u201eepoca de aur\u201d calp, cu<br \/>\nminciunile ei spumante, de unde poetul, de<br \/>\naceea e poet, pescuie\u0219te \u00een ape tulburi tot<br \/>\nfelul de viet\u0103\u021bi sp\u0103imoase.<br \/>\nC\u00e2teva poeme sunt balade-portrete-evocare<br \/>\nale unor frumo\u0219i buzoieni intra\u021bi prin<br \/>\nspirit, oper\u0103 \u0219i suferin\u021b\u0103 \u00een memoria poeziei<br \/>\n\u0219i a \u021b\u0103rii, (Gheorghe Istrate), boemi de geniu<br \/>\n(Ion Nicolescu), demolatori de dogme<br \/>\n(Gheorghe Ene), mari creatori \u0219i martiri<br \/>\n(Vasile Voiculescu): \u201eLa zid, \u00een iarna v\u00e2rstei,<br \/>\nprecum un bazileu\/ S\u0103rac, dar care n-a pus<br \/>\ncoroana amanet\u201d (V. Voiculescu. O<br \/>\nfotografie), ori: \u201eMai negru dec\u00e2t mina de<br \/>\ncreion\/ Sau minele din Cavnic, Baia Sprie\/<br \/>\nUrc\u0103 spre drep\u021bi Ion Caraion,\/ Un edecar de<br \/>\nflot\u0103 de sicrie.\u201d (Caraion).<br \/>\nRadiografia luminoas\u0103 a acestei c\u0103r\u021bi<br \/>\npoate continua mult \u0219i bine. Este numai o<br \/>\nm\u00e2n\u0103 \u00eentins\u0103, sau cum vre\u021bi, o capcan\u0103, unde,<br \/>\nprintre resorturi, pagini, coper\u021bi v\u0103 \u00eent\u00e2mpin\u0103<br \/>\nun trubadur, care se preface, alt\u0103 treab\u0103 n-are,<br \/>\nc\u0103 mai \u00eemprumut\u0103 c\u00e2te o coard\u0103 din l\u0103uta<br \/>\ndemonului Francois Villon, fiindc\u0103 a\u0219a \u00eei<br \/>\nplace, s\u0103 se joace, al\u0103turi sau \u00een dialog ironic,<br \/>\n\u201eprin cr\u00e2\u0219me austere\u201d, cu marii mae\u0219tri. \u00cen<br \/>\n\u201ecr\u00e2\u0219me\u201d sau \u201e\u00een garsoniera, cresc\u00e2nd c\u00e2t un<br \/>\nhangar,\/ Din c\u0103r\u021bi ca din p\u0103duri ce cresc \u00een<br \/>\nMadagascar\u201d?<br \/>\nHot\u0103r\u00e2t lucru, bardul baroc \u0219i burlesc,<br \/>\n\u201eVanitas levantina\u201d, se dedulce\u0219te, livresc, cu<br \/>\nde toate, de la haz uria\u0219, cinic, cultur\u0103, mai<br \/>\ndeparte spre \u201eN\u0103ravul de-a bea bere cu<br \/>\namicii\/ \u0218i hipertensiunea (mo\u0219tenit\u0103)\u201d, spre<br \/>\nbibliotec\u0103, spre qvinta baudelairean\u0103, \u201eca don<br \/>\nQuijot, drept lance, cu-o motocositoare\u201d, cu<br \/>\nreclame \u00een pia\u021b\u0103 \u0219i c\u00e2rna\u021bi de Ple\u0219coi la<br \/>\ngr\u0103tar, spre insigna de \u201eAmic al c\u0103r\u021bii\u201d, p\u00e2n\u0103<br \/>\nla, s\u0103 zicem, anun\u021bul c\u0103tre \u201eOnorat\u0103 asisten\u021b\u0103,<br \/>\nse str\u00e2nge mesele,\/ Cine mai vrea coliv\u0103 s\u0103-\u0219i<br \/>\nlase adresele,\/ Firma de kathering v-o aduce<br \/>\nacas\u0103.\/ La mul\u021bi ani \u0219i antumitate frumoas\u0103!\/<br \/>\nV\u0103 dore\u0219te O.N.G.-ul \u201eV\u0103duve vesele\u201d,\/<br \/>\nCare, cu drag, asist\u0103 decesele.\u201d (Onorat\u0103<br \/>\nasisten\u021b\u0103).<br \/>\nNu v\u0103 invit s\u0103 r\u00e2de\u021bi, scr\u00e2\u0219nit, \u00een c\u00e2teva<br \/>\nzeci de poeme \u00een r\u0103sp\u0103r, nici s\u0103 pl\u00e2nge\u021bi \u201ec\u00e2t<br \/>\nvia\u021ba-n custodie ne mai are\u201d.<br \/>\nEmil Niculescu nu \u0219i-a gre\u0219it secolul.<br \/>\nMai degrab\u0103 \u00eei trage de urechi pe poe\u021bii<br \/>\nvaganzi, goliardici, clien\u021bi ai tavernei<br \/>\n\u201eCarmina Burana\u201d, sau ai cantatei lui Carl<br \/>\nOrff, sau ai faimoasei c\u0103r\u021bi medievale, \u0219i-i<br \/>\ninvit\u0103, laolalt\u0103 cu noi, martorii de azi, la un<br \/>\ncarnaval \u201ec-un cotillon corcit cu-o geampara\u201d<br \/>\nnu \u00een provinciala \u0219i vesela Vene\u021bie a dogilor<br \/>\nde alt\u0103dat\u0103, dar f\u0103r\u0103 Antonio Vivaldi, ci \u00een<br \/>\nchiar provincialul \u0219i sarcasticul Buz\u0103u cu<br \/>\ntimpul \u00een curgere, ca halbele ciocnite sau<br \/>\nhalvi\u021ba topit\u0103, dinspre unul conu\u2019 Iancu<br \/>\nCaragiale, c\u00e2rciumarul falit din gar\u0103, spre<br \/>\nnumitul neo-trubadur Emil Niculescu,<br \/>\ncosmopolitul dezabuzat, \u201eSfid\u00e2nd istoria<br \/>\nliteraturii,\/ La bere cu alune. D-ale gurii.\u201d<br \/>\n(Ubi sunt, raport)<\/p>\n<p><strong><br \/>\nLansare de carte \u2013 Sorin C\u0103lin<\/strong><\/p>\n<p>S\u00e2mb\u0103t\u0103 22 februarie, membrii<br \/>\nCenaclului literar-artistic \u201eAlexandru<br \/>\nSihleanu\u201d de la Centrul Cultural<br \/>\n\u201eFlorica Cristoforeanu\u201d din R\u00e2mnicu S\u0103rat,<br \/>\ns-au \u00eent\u00e2lnit, la Clubul \u201eFemina\u201d, la un<br \/>\neveniment editorial, lansarea c\u0103r\u021bii<br \/>\nPAR\u00c0LELE, Ed. Editgraph, 2020, autor<br \/>\nSorin C\u0103lin.<br \/>\n\u201eVolumul lui Sorin C\u0103lin pleac\u0103 de la<br \/>\narticolele politice publicate de Mihai<br \/>\nEminescu \u00een presa vremii. Lu\u0103rile de pozi\u021bie<br \/>\nale poetului demonstreaz\u0103 nu numai<br \/>\ncunoa\u0219terea \u00een am\u0103nunt a mecanismelor care<br \/>\npun \u00een func\u021biune societatea, ci \u0219i<br \/>\nvizionarismul lui: judec\u0103\u021bile de valoare<br \/>\nformulate acum mai bine de un secol sunt<br \/>\n\u00eenc\u0103 valabile, ceea ce demonstreaz\u0103 c\u0103 lumea<br \/>\nse poate schimba, dar noi nu, niciodat\u0103, noi<br \/>\nnu. Am r\u0103mas, din p\u0103cate, la fel de naivi<br \/>\npolitic, la fel de smeri\u021bi \u00een fa\u021ba corup\u021biei, a<br \/>\nl\u0103comiei, a bolilor ce b\u00e2ntuie prin sistemul<br \/>\npolitic, economic \u0219i juridic. Am r\u0103mas cu<br \/>\naceea\u0219i credin\u021b\u0103 \u00een capacitatea mitei, a pilelor<br \/>\n\u0219i a rela\u021biilor de a rezolva orice situa\u021bie.<br \/>\nFiecare pentru sine \u2013 croitor de p\u00e2ine, a\u0219a<br \/>\nrezum\u0103 un proverb individualismul nostru,<br \/>\nlipsa de coeziune civic\u0103: avem, rareori,<br \/>\nsentimentul apartenen\u021bei la o colectivitate, cu<br \/>\ntot ce implic\u0103 el: responsabilitate,<br \/>\nsolidaritate, generozitate etc. Desigur, mai<br \/>\narunc\u0103m c\u00e2te o g\u0103leat\u0103 de ap\u0103 c\u00e2nd ia foc<br \/>\ncasa vecinului, mai ajut\u0103m c\u00e2te o b\u0103tr\u00e2nic\u0103 s\u0103<br \/>\ntreac\u0103 strada, dar, de obicei, nu vedem, nu<br \/>\nauzim \u0219i nu sim\u021bim nimic dincolo de spa\u021biul<br \/>\npersonal de confort \u0219i siguran\u021b\u0103. Sorin C\u0103lin,<br \/>\ncu suma de tablete publicate, de altfel, la<br \/>\nvremea lor, \u00een \u201eZiarul de R\u00eemnic\u201d, Tabletele<br \/>\nlui Sorin C\u0103lin nu \u00eendeamn\u0103 la revolt\u0103, ci la<br \/>\ntrezire. La asumarea statutului de cet\u0103\u021bean,<br \/>\nadic\u0103 de om al cet\u0103\u021bii, interesat s\u0103 fac\u0103 ceva,<br \/>\nnu s\u0103 \u00eenjure \u00een barb\u0103 \u0219i apoi s\u0103 aprind\u0103<br \/>\nlum\u00e2n\u0103ri \u00een biseric\u0103 pentru iertarea<br \/>\np\u0103catelor.\u201d Valeria Manta T\u0103icu\u021bu.<br \/>\nAu mai vorbit Marius Cernea \u0219i Viorel<br \/>\nDodan, Liviu Nicolae, Manea Aghean\u0103.<br \/>\n<em>Redac\u021bia<\/em><\/p>\n<p><strong><br \/>\nDaniel Luca<\/strong><\/p>\n<p><strong>\u00centre Godot \u0219i Merlin<\/strong><\/p>\n<p>A\u0219teptarea prilejuie\u0219te, \u00een volumul de<br \/>\nversuri <em>Aten\u021bie! Nu c\u0103lca\u021bi pe flori<\/em> de<br \/>\nSimona Trifu (Editura Business<br \/>\nAdviser, Bucure\u0219ti, 2018), o confruntare cu<br \/>\nsinele. A\u0219a cum Vladimir \u0219i Estragon din<br \/>\npiesa de teatru <em>A\u0219tept\u00e2ndu-l pe Godot<\/em> de<br \/>\nSamuel Beckett a\u0219teapt\u0103 \u00een van sosirea lui<br \/>\nGodot (ce poate fi Dumnezeu ori<br \/>\nde\u0219ert\u0103ciunea), \u0219i femeia din acest volum<br \/>\na\u0219teapt\u0103 \u00een zadar venirea lui Merlin, un erou<br \/>\nlegendar ce-l sprijin\u0103 pe prin\u021bul Arthur,<br \/>\nf\u0103c\u00e2nd leg\u0103tura \u00eentre tradi\u021bie \u0219i modernitate,<br \/>\n\u00eentre vechi \u0219i nou, \u00eentre permis \u0219i nepermis.<br \/>\nPoezia din acest volum este<br \/>\nproasp\u0103t\u0103, viguroas\u0103 \u0219i derutant\u0103, trece<br \/>\ndinspre teluric spre celest, dinspre interior<br \/>\nspre exterior, dinspre individ spre societate,<br \/>\ndinspre demonic spre divin, dinspre inocen\u021b\u0103<br \/>\nspre perversitate, dinspre iubire spre ur\u0103,<br \/>\ndinspre imaginar spre real, afl\u00e2ndu-ne, \u00een<br \/>\nfapt, \u00een fa\u021ba unei c\u0103l\u0103torii ini\u021biatice.<br \/>\nA\u0219teptarea este, a\u0219adar, o veritabil\u0103<br \/>\nlupt\u0103 interioar\u0103 (\u201eo lupt\u0103 nesf\u00e2nt\u0103, preasf\u00e2nt\u0103,<br \/>\npierdut\u0103 \u00een zare,\/ un sc\u0103p\u0103tat de pseudo-fecioar\u0103,<br \/>\n\/ \u00een a\u0219teptarea cast\u0103 \u0219i p\u0103cat\u201d \u2013 F\u00e2\u0219ii<br \/>\nde m\u00e2ndrie), neexist\u00e2nd un singur eu, ci o<br \/>\nmultitudine de euri, care de care mai<br \/>\nn\u0103b\u0103d\u0103ios, mai n\u0103zdr\u0103van (Tolba cu euri), \u00een<br \/>\nad\u00e2ncurile fiin\u021bei ascunz\u00e2ndu-se o fiar\u0103<br \/>\ns\u0103lbatic\u0103 (\u201eM\u0103 geme fiara, m\u0103 posed\u0103 vajnic,<br \/>\n\/ m\u0103 calc\u0103-ntr-una peste trupul sterp, \/ avid\u0103<br \/>\nde pl\u0103ceri, cu suflet pa\u0219nic,\/ cu pasul sigur \u0219i<br \/>\nacerb\u201d \u2013 Reflectoarele umilin\u021bei).<br \/>\nLumea nu este altceva dec\u00e2t un teatru<br \/>\nde p\u0103pu\u0219i, \u00eens\u0103 unele false, care se ascund<br \/>\ndup\u0103 dogme ori legi sfid\u0103toare (\u201eFalse p\u0103pu\u0219i<br \/>\ntroneaz\u0103 sfid\u00e2nd mapamondul stelar.\/ (&#8230;) \/<br \/>\nP\u0103pu\u0219i mute asasineaz\u0103 sultani peste timp. \/<br \/>\nArcane \u0219i destin, magi \u0219i demiurgi, \/ urlet de<br \/>\nclopot c\u0103z\u00e2nd \u00een rapel\u201d \u2013 E\u0219ti o lume pentru<br \/>\nmine!).<br \/>\nDestinul este implacabil, dar nu<br \/>\ntrebuie cedat \u00een fa\u021ba sa f\u0103r\u0103 lupt\u0103 (\u201eDestinul<br \/>\nmeu,\/ \u0219arpe \u00een raiul t\u0103u deocheat,\/ Dansul<br \/>\ncarnal \u00een \u00eenchipuirea fulgului,\/ Trece<br \/>\nvremea,\/ oh Doamne,\/ M\u0103re\u021bia ceaiului<br \/>\nprelins peste coapsele fr\u00e2nte,\/ Trece vremea<br \/>\n\u00een a\u0219teptare\u201d \u2013 O mie de cocori \u0219i-o<br \/>\nsperan\u021b\u0103), pentru c\u0103 via\u021ba \u00eens\u0103\u0219i este o lupt\u0103 \u0219i<br \/>\ntrebuie tr\u0103it\u0103 (\u201eRe-nvie tr\u0103irea cu for\u021be<br \/>\np\u0103g\u00e2ne,\/ cu jale, cu strig\u0103t, cu dor, cu p\u0103cat. \/<br \/>\nCu susur \u0219i dans de cad\u00e2ne, \/ \u00een zori de zi, d\u0103mi<br \/>\ntainic dezmierdat.\u201d \u2013 Str\u0103jer \u00eentru<br \/>\nprin\u021bes\u0103).<br \/>\nTr\u0103ire prin dezl\u0103n\u021buire total\u0103, florile<br \/>\nneav\u00e2nd voie a fi c\u0103lcate cu t\u0103lpile, ci doar<br \/>\nzdrobite prin dansul frenetic al trupurilor,<br \/>\n\u00eentr-o be\u021bie a sim\u021burilor, \u00een dauna lucidit\u0103\u021bii<br \/>\n(\u201eHai, fr\u00e2nge-m\u0103-n p\u0103r\u021bi de Eu lucid,\/<br \/>\nf\u0103r\u00e2mate pe caldar\u00e2mul stingher. \/ Aten\u021bie!<br \/>\nNu c\u0103lca\u021bi pe flori\u201d &#8211; Aten\u021bie! Nu c\u0103lca\u021bi pe<br \/>\nflori), iubirea ne\u00eensemn\u00e2nd doar sentiment, ci<br \/>\n\u0219i carnalitate (\u201eDac\u0103 ai fi un jongleur al<br \/>\nsufletului meu,\/ te-a\u0219 zidi \u00eentr-o miofibril\u0103<br \/>\ntremur\u00e2nd\u0103, mustind a\/ ploaie&#8230;\u201d \u2013<br \/>\nApocalipsa ruinii; \u201eLocuie\u0219te-m\u0103 \u0219i posed\u0103m\u0103<br \/>\ndiavole\u0219te\/ sub clar de lun\u0103\u201d \u2013 Pravil\u0103 la<br \/>\nsoart\u0103 s\u0103-mi pui).<br \/>\nIubire care \u00eenv\u0103luie \u00eencetul cu \u00eencetul lumea<br \/>\n\u00een ansamblul s\u0103u \u0219i pe Dumnezeu<br \/>\n(\u201eDumnezeu r\u0103stignit \u00een ideea de Om.\/<br \/>\nFemeie fiin\u021b\u0103 creat\u0103 \u00eentru credin\u021b\u0103, sc\u00e2nteie \u0219i<br \/>\nviu mister\u201d \u2013 Moarte sau f\u0103r\u0103delege?).<br \/>\nSimona Trifu \u00eel provoac\u0103 pe cititor s\u0103<br \/>\numble pe c\u0103i neb\u0103t\u0103torite, pline de<br \/>\nneprev\u0103zut \u0219i mister, \u0219i chiar dac\u0103 neglijen\u021ba<br \/>\nori platitudinea \u00ee\u0219i fac, pe alocuri, sim\u021bit\u0103<br \/>\nprezen\u021ba (a se vedea, de pild\u0103, Papirus de<br \/>\nzgur\u0103 ori Omnipoten\u021ba, apelativul<br \/>\nneputin\u021bei), profunzimea poemelor este de<br \/>\nnet\u0103g\u0103duit.<br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/7-2-e1600932776686.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10893 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/7-2-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 206px; --smush-placeholder-aspect-ratio: 206\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10893\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/7-2-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" \/><\/noscript><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0218erban CODRIN Emil Niculescu sau ce se \u00eent\u00e2mpl\u0103 dac\u0103 urmezi sfatul nocturn al lui Titi Damian Titi Damian, care ne<\/p>\n","protected":false},"author":13,"featured_media":10746,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10891"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10891"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10891\/revisions"}],"predecessor-version":[{"id":10894,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10891\/revisions\/10894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10746"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}