{"id":10744,"date":"2020-09-17T12:46:01","date_gmt":"2020-09-17T09:46:01","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=10744"},"modified":"2020-09-17T12:46:01","modified_gmt":"2020-09-17T09:46:01","slug":"literadura-nr-16-1","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=10744","title":{"rendered":"Literadura nr. 16 (1)"},"content":{"rendered":"<p><strong>Editorial<\/strong><\/p>\n<p><strong>Teo CABEL<\/strong><\/p>\n<p><strong>Cu masc\u0103 f\u0103r\u0103 masc\u0103<\/strong><\/p>\n<p>O lume \u00een vitez\u0103. \u00cen numele cui? A<br \/>\nomului? Alerg\u00e2nd dup\u0103 iluzii frumos<br \/>\nambalate \u0219i v\u00e2ndute scump. O<br \/>\nsocietate care constat\u0103 cu panic\u0103, p\u00e2n\u0103 la<br \/>\ndepresie, c\u0103 nu are timp s\u0103 fac\u0103 fa\u021b\u0103 la at\u00e2tea<br \/>\nispite consumeriste. Ce idee, s\u0103 munce\u0219ti s\u0103<br \/>\n\u00ee\u021bi permi\u021bi s\u0103 consumi! Deodat\u0103 apare ceva<br \/>\nneprev\u0103zut, un virus a pornit la atac<br \/>\ndeclan\u0219\u00e2nd o pandemie. Omul devenit alert,<br \/>\nagitat cu motiv sau f\u0103r\u0103 motiv este obligat s\u0103<br \/>\nstea acas\u0103. \u0218oc! Marea brambureal\u0103 prin<br \/>\nmalluri, shopingul terapeutic, s-a transformat<br \/>\n\u00een panic\u0103. Cum s\u0103 stai acas\u0103? Cum s\u0103 nu po\u021bi<br \/>\npleca c\u00e2nd vrei, unde vrei, s\u0103 faci ce vrei?<br \/>\nUn virus, o form\u0103 de organizare biologic\u0103<br \/>\ninvizibil\u0103 atac\u0103 furibund omenirea; nu mai<br \/>\n\u021bine cont de zone, de rasele umane, de<br \/>\ncondi\u021biile climatice, de v\u00e2rst\u0103. Virusul ca<br \/>\ndiavolul devine \u021bap isp\u0103\u0219itor pentru ce a<br \/>\nf\u0103cut \u0219i face, dar \u0219i pentru ce i se pune \u00een<br \/>\nspate. Dac\u0103 un virus informatic atac\u0103 mediul<br \/>\nvirtual \u00een c\u0103utare de \u021binte profitabile, de ce nu<br \/>\n\u0219i un virus patologic s\u0103 nu fie eroul unei<br \/>\nconspira\u021bii?<br \/>\nDar ca orice agresor, na\u0219te coali\u021bii, principala<br \/>\nfiind de fapt trezirea omenirii dintr-o<br \/>\namor\u021bire indus\u0103 de iluzii \u0219i tehnologie.<br \/>\nSuntem infailibili? \u0218tiin\u021ba este dominant\u0103?<br \/>\nSuntem oameni, suntem fragili, ne-o<br \/>\ndovede\u0219te un asemenea fenomen.<br \/>\nCei care sunt de bun\u0103 credin\u021b\u0103 au s\u0103rit \u00een<br \/>\najutor \u0219i au ajutat. A\u0219a cum o fac mereu.<br \/>\nC\u00e2rtitorii mereu vor c\u00e2rti pentru c\u0103 altfel nu &#8211;<br \/>\n\u0219i g\u0103sesc locul. O vorb\u0103 folosit\u0103 cu inten\u021bii<br \/>\nduplicitare de multe ori: \u201eD\u0103-i Cezarului ce-i<br \/>\nal Cezarului, iar lui Dumnezeu ce-i al s\u0103u\u201d<br \/>\neste \u00eenc\u0103lcat\u0103 \u0219i de cei care se bat cu pumnul<br \/>\n\u00een piept. C\u00e2nd cezarul face chef \u0219i c\u00e2nd e<br \/>\ngeneros \u00een a face cadouri e bine, dac\u0103 este<br \/>\nnecesar a se impune reguli de restric\u021bie \u0219i<br \/>\ndistan\u021bare fizic\u0103 (nu social\u0103, aceasta este de<br \/>\nc\u00e2nd lumea \u0219i p\u0103m\u00e2ntul) atunci nu e bine,<br \/>\ncezarul e de vin\u0103! Ce-i drept, c\u00e2nd la orizont<br \/>\nse prefigureaz\u0103 vertiginos lipsa locului de<br \/>\nmunc\u0103, implicit punerea \u00een pericol a<br \/>\nexisten\u021bei, atunci te \u00eencol\u021besc \u00eentreb\u0103rile.<br \/>\nParc\u0103 te ui\u021bi \u00een jurul t\u0103u cu b\u0103nuial\u0103, dar dac\u0103<br \/>\nai crezut \u0219i crezi \u00een oameni vei mai crede.<br \/>\nDac\u0103 ai c\u0103utat mereu oportunismul doar \u00een<br \/>\ninteresul propriu a\u0219a vei face \u00een continuare.<br \/>\nCe pui pe primul loc? A tr\u0103i cu orice pre\u021b sau<br \/>\na tr\u0103i demn? Alegerea \u00ee\u021bi apar\u021bine sau r\u0103m\u00e2ne<br \/>\ndoar o variant\u0103 posibil\u0103, dar ignorat\u0103, da? De<br \/>\ncine?<br \/>\nSe folose\u0219te cu oarecare resemnare,<br \/>\npesimism, versetul din Eclesiast: De\u0219ert\u0103ciunea<br \/>\nde\u0219ert\u0103ciunilor, zice Eclesiastul,<br \/>\nde\u0219ert\u0103ciunea de\u0219ert\u0103ciunilor, toate sunt<br \/>\nde\u0219ert\u0103ciuni! (Eclesiast 1.2 ), dar cel care ar<br \/>\ntrebui s\u0103 atrag\u0103 aten\u021bia este versetul 10 din<br \/>\ncap.1: Dac\u0103 este vreun lucru despre care s\u0103<br \/>\nse spun\u0103: \u201eIat\u0103 ceva nou!\u201d aceasta a fost \u00een<br \/>\nvremurile str\u0103vechi, de dinaintea noastr\u0103.<br \/>\nS-a spus pe vremea lui Solomon. Acum c\u00e2t<br \/>\ntimp?<br \/>\nTotu\u0219i mai sunt oameni care cred c\u0103 lumea<br \/>\nare \u0219i o alt\u0103 vibra\u021bie dec\u00e2t trepida\u021bia<br \/>\nbrownian\u0103 a traiului zilnic, aceea a<br \/>\ncuv\u00e2ntului des\u021belenit de banalitate \u0219i plantat<br \/>\ns\u0103 rodeasc\u0103 pe albul foii, de acolo \u00een citire, de<br \/>\nacolo \u00een suflet. \u00cen aceast\u0103 perioad\u0103 de<br \/>\npandemie, cultura a \u00eenfr\u0103\u021bit, \u00een ciuda secetei,<br \/>\nprecum gr\u00e2ul sub plapuma groas\u0103 \u0219i<br \/>\nocrotitoare a speran\u021bei, a dorin\u021bei de<br \/>\ncomunicare real\u0103. Un exemplu, Festivalul de<br \/>\npoezie \u201e\u0218tefan Augustin Doina\u0219\u201d de la Arad,<br \/>\ndesf\u0103\u0219urat ca un maraton on line.<br \/>\nS\u0103 nu uit\u0103m, medicii prin natura profesiei au<br \/>\nfost la datorie. Respect profesioni\u0219tilor!<br \/>\nRespect, admira\u021bie \u0219i celor care au smuls din<br \/>\ntimpul lor \u0219i au d\u0103ruit pentru ceilal\u021bi, edituri,<br \/>\nmuzicieni, arti\u0219ti plastici, scriitori!<br \/>\nNoi mergem mai departe, cu masc\u0103 f\u0103r\u0103<br \/>\nmasc\u0103, la propriu, la figurat. De preferat<br \/>\nprima p\u00e2n\u0103 trece primejdia \u0219i a doua la teatru<br \/>\nc\u00e2nd se vor deschide s\u0103lile.<\/p>\n<p><strong><br \/>\nLucian M\u0102N\u0102ILESCU<\/strong><br \/>\n<a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/t-1.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10484 lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/t-1-218x300.jpg\" alt=\"\" width=\"218\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/t-1-218x300.jpg 218w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/t-1.jpg 287w\" data-sizes=\"(max-width: 218px) 100vw, 218px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 218px; --smush-placeholder-aspect-ratio: 218\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10484\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/t-1-218x300.jpg\" alt=\"\" width=\"218\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/t-1-218x300.jpg 218w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/t-1.jpg 287w\" sizes=\"(max-width: 218px) 100vw, 218px\" \/><\/noscript><\/a><\/p>\n<p>11 noiembrie 1951, Nehoiu, Buz\u0103u.<br \/>\nRedactor\/ redactor-\u0219ef la numeroase publica\u021bii<br \/>\nlocale: <em>Via\u021ba Buz\u0103ului, Muntenia<\/em>, (1990 \u2013 1992);<br \/>\n<em>Jurnalul de Buz\u0103u<\/em> (1992 \u2013 1993); <em>Informa\u021bia<br \/>\nBuz\u0103ului <\/em>(1993); <em>Fereastra<\/em>, Mizil (2007 \u2013 2016).<br \/>\nA debutat cu poezie \u00een <em>Rom\u00e2nia literar\u0103<\/em>.<br \/>\nA colaborat, printre altele, la revistele<br \/>\n<em>Luceaf\u0103rul, Cronica, Via\u021ba Rom\u00e2neasc\u0103, Poesis,<br \/>\nVatra Veche, Oglinda literar\u0103, Cafeneaua<br \/>\nliterar\u0103, Urmuz, Plumb.<\/em><br \/>\n\u00cen volum a debutat \u00een 1997 cu versuri, \u201eCartea<br \/>\njunglei\u201d. Membru al Uniunii Scriitorilor din<br \/>\nRom\u00e2nia din 2006, transferat la filiala Bra\u0219ov \u00een<br \/>\n2018. A organizat cele nou\u0103 edi\u021bii ale Festivalului<br \/>\nNa\u021bional de Literatur\u0103 \u201eAgatha Grigorescu<br \/>\nBacovia\u201d \u2013 Mizil. Redactor de carte al unui<br \/>\nnum\u0103r de peste 50 de volume.<br \/>\nPremii literare, printre care Marele Premiu la<br \/>\nConcursul Na\u021bional de poezie \u201eCarmen Patriae\u201d<br \/>\n(Bra\u0219ov, 2005); Premiul pentru cea mai bun\u0103<br \/>\ncarte de poezie a anului la Festivalul \u201ePrim\u0103vara<br \/>\npoe\u021bilor\u201d (2009 \u0219i 2012); Premiul \u201eDumitru<br \/>\nPricop\u201d la Festivalul Interna\u021bional \u201eTitel<br \/>\nConstantinescu\u201d (2011).<br \/>\nOPERA (selec\u021bie): Poezie: <strong>Cartea junglei<\/strong><br \/>\n(1997);<strong> Lacrimi de Murano<\/strong> (2001); N<br \/>\n<strong>Rememor\u0103ri<\/strong> (2004);<strong> Ultima er\u0103 glaciar\u0103<\/strong> (2006);<br \/>\n<strong>Am auzit c\u0103 via\u021ba e frumoas\u0103 <\/strong>(2009); 60 (2011);<br \/>\n<strong>Raiul pirania <\/strong>(2011); Atrocit\u0103\u021bile fericirii<br \/>\n(2015); Fractali (2017); <strong>Patria Amar\u0103<\/strong> (2018);<br \/>\n<strong>Amurg \u00een \u0218oapt\u0103<\/strong> (2019). <strong>Interviuri: Ferestre<br \/>\nliterare <\/strong>(2016)<br \/>\nREFERIN\u021aE CRITICE: Constan\u021ba Buzea,<br \/>\nVitalie R\u0103ileanu, Ion Ro\u0219ioru, Marius Manta,<br \/>\nMarius Chelaru.<\/p>\n<p><strong><br \/>\nOra\u0219ul orb <\/strong>(<em>\u00een preg\u0103tire<\/em>)<\/p>\n<p><strong>SENTIN\u0162\u0102<\/strong><\/p>\n<p>Nimeni nu va depune m\u0103rturie\u2026<br \/>\nTo\u0163i se gr\u0103besc, to\u0163i au de tr\u0103it<br \/>\nceva mai bun dec\u00e2t via\u0163a,<br \/>\npe to\u0163i \u00eei a\u015fteapt\u0103 bog\u0103\u0163ia<br \/>\n\u015fi gloria la col\u0163ul str\u0103zii,<br \/>\nN-au timp de prostii, nu vor<br \/>\ndepune m\u0103rturie, abia mai respir\u0103<br \/>\npe apucate \u00eenghesuind \u00een pl\u0103m\u00e2ni<br \/>\naer c\u00e2t pentru o scufundare \u00een valuri.<br \/>\nEi pl\u00e2ng cu lacrimi sintetice,<br \/>\nmultiplic\u00e2nd realitatea \u00een ocheane<br \/>\n\u00eemb\u00e2csite de vuietul m\u0103rii<br \/>\nsau vorbesc limbi \u00eengrozitor de str\u0103ine<br \/>\n\u00een timp ce r\u0103sfoiesc catastiful norocului.<br \/>\nNu se poate face nimic!<br \/>\nNimeni nu va depune m\u0103rturie&#8230;<\/p>\n<p><strong><br \/>\nSTRATEG FORMIDABIL<\/strong><\/p>\n<p>\u00cen copil\u0103rie am fost un strateg formidabil:<br \/>\nm\u0103 ascundeam \u00een magazia cu lemne<br \/>\n\u0219i repetam erorile ultimului r\u0103zboi mondial\u2026<br \/>\nDe fapt, \u021bineam cu nem\u021bii (trebuia<br \/>\ns\u0103 \u021bin\u0103 cineva \u0219i cu ei!) \u0219i \u00eei l\u0103sam<br \/>\npe prietenii mei de joac\u0103 s\u0103 fie Ivan \u0219i Vanea.<br \/>\n\u00cen cele din urm\u0103 \u00eei b\u0103team de le s\u0103reau<br \/>\ncapacele<br \/>\n\u0219i m\u0103 duceam, de-al dracului, la Yalta \u0219i la<br \/>\nMalta<br \/>\nstrivind sub talp\u0103 trabucul victoriei\u2026<\/p>\n<p><strong><br \/>\nVREMEA FILMELOR RUSE\u0218TI<\/strong><\/p>\n<p>Era vremea filmelor ruse\u0219ti,<br \/>\ncu nem\u021bi de recuzit\u0103 \u0219i eroi cu stea \u00een frunte<br \/>\nstrivi\u021bi sub \u0219enile de cea\u021b\u0103, cu tineri \u00eeneca\u021bi<br \/>\n\u00een marea de spice a Studiourilor Sahia,<br \/>\ndespre care scriau ziarele<br \/>\nb\u0103gate pe sub u\u0219a realit\u0103\u021bii.<br \/>\nPe atunci la mine \u00een sat oamenii tr\u0103iau \u00een<br \/>\n\u0219oapt\u0103<br \/>\niar cire\u0219ii bunicului, \u00eenscri\u0219i la CAP,<br \/>\nse lep\u0103dau, ca de satana, de floare\u2026<br \/>\nCe-mi p\u0103sa totu\u0219i, eu umblam dup\u0103 cuci<br \/>\nsalut\u00e2nd voios umbra mili\u021bianului<br \/>\ncare b\u00e2ntuia prin sat precum Iisus pe valuri.<br \/>\nPe urm\u0103 iar venea caravana cinematografic\u0103<br \/>\nsau duba securit\u0103\u021bii \u0219i iar r\u0103p\u0103iau<br \/>\ngloan\u021bele oarbe \u00een t\u0103cerea conspirativ\u0103<br \/>\n\u0219i \u00een jocul meu de copil<br \/>\n\u00eendopat cu bomboane sticloase.<\/p>\n<p><strong><br \/>\n22<\/strong><\/p>\n<p>Replicile se amestec\u0103<br \/>\n\u00een r\u0103p\u0103iala de mitralier\u0103 a inimii,<br \/>\npas\u0103rea din muzeul<br \/>\nde \u0219tiin\u021be naturale al patriei<br \/>\nbate brusc din aripi,<br \/>\nuzina chimic\u0103 se ridic\u0103-n v\u0103zduh<br \/>\n(aici, \u00een est, z\u0103pezile naturale<br \/>\nar costa mult prea mult)<br \/>\n\u00een scena balconului actorul \u021bine \u00een m\u00e2ini<br \/>\ncraniul \u00een\u021beleptului Yorick,<br \/>\nstatuia libert\u0103\u021bii o ia razna pe str\u0103zi<br \/>\n\u00een timp ce \u00eengeri suavi recit\u0103 la microfoane<br \/>\ncomenzile lec\u021biei de gimnastic\u0103 anaerobic\u0103<br \/>\n\u0219i moartea se preface c\u0103 cite\u0219te ziarul,<br \/>\npeste um\u0103rul poetului.<\/p>\n<p><strong><br \/>\nCEI F\u0102R\u0102 FE\u021aE<\/strong><\/p>\n<p>Am fost fideli unui zvon\u2026<br \/>\nPrintre umbre oamenii aprindeau focuri<br \/>\n\u0219i vorbeau despre iubire \u0219i despre \u00eencredere,<br \/>\nf\u0103r\u0103 s\u0103 se uite \u00een jur, la cei f\u0103r\u0103 fe\u021be,<br \/>\ncare morfoleau \u00een gingii t\u0103cerea,<br \/>\nla cei ce fluturau steaguri cu nimicul<br \/>\nrotund decupat \u00een centru.<br \/>\nCineva ucidea, totu\u0219i, din \u00eentuneric!<br \/>\nMa\u0219ina de transmis directive proiecta<br \/>\ntrasoarele cuvintelor peste ora\u0219ul orb,<br \/>\nnimeni nu cuno\u0219tea pe nimeni, la radio<br \/>\nse vorbea despre libertate \u0219i oamenii<br \/>\nr\u0103t\u0103ceau pe str\u0103zi, povestind cu \u00eensufle\u021bire<br \/>\ndespre ziua de m\u00e2ine\u2026<br \/>\nCine s\u0103 fi stat atunci s\u0103 numere mor\u021bii?<br \/>\nCei f\u0103r\u0103 fe\u021be au pus totul \u00een ordine,<br \/>\ncu meticulozitatea, exersat\u0103, a formelor fixe.<br \/>\nDiminea\u021ba s-au inventat o gr\u0103mad\u0103 de<br \/>\npanglici multicolore, \u0219i mul\u021bimea<br \/>\na strivit, cu mica \u0219i \u00eendrept\u0103\u021bita ei m\u00e2nie,<br \/>\numbrele stacojii ale \u00eent\u00e2mpl\u0103rii.<br \/>\nCine s\u0103 fi stat, atunci, s\u0103 numere mor\u021bii?<br \/>\nCei f\u0103r\u0103 fe\u021be au pus totul \u00een ordine!<\/p>\n<p><strong><br \/>\nHRISTO\u0218II NIM\u0102NUI<\/strong><\/p>\n<p>Chiar \u0219i azi, c\u00e2nd nu mai sunt z\u0103pezi,<br \/>\nvin \u021b\u0103rani cu ele s\u0103 ne-\u00eembete,<br \/>\ndoar \u00een ochii lor mai po\u021bi s\u0103 vezi<br \/>\ntoat\u0103 sarea m\u0103rilor de sete.<br \/>\n\u0218i prin t\u00e2rg \u00eei sim\u021bi ai nim\u0103nui,<br \/>\npip\u0103indu-\u0219i banii ca pe moa\u0219te,<br \/>\nc\u00e2nd triste\u021bea are ochi c\u0103prui<br \/>\n\u00een umile s\u0103rb\u0103tori de pa\u0219te.<br \/>\nCine-s ei? S-au sufocat sub m\u0103\u0219ti<br \/>\n\u0219i-au venit s\u0103-\u0219i t\u00e2rguiasc\u0103 gerul;<br \/>\nau venit b\u0103tr\u00e2ni, bolnavi \u0219i pro\u0219ti<br \/>\n\u00een ora\u0219ul mort s\u0103-\u0219i v\u00e2nd\u0103 cerul.<br \/>\nIar c\u00e2nd foamea-i molf\u0103ie-n gingii<br \/>\n\u0219i-osp\u0103tarii le arat\u0103 nota,<br \/>\npleac\u0103 \u00eenspre z\u0103rile pustii<br \/>\n\u0219i se-ntorc acas\u0103, pe Golgota.<\/p>\n<p><strong><br \/>\nUITAREA PRIN GARD<\/strong><\/p>\n<p>m\u0103 uit la istorie prin gard;<br \/>\ntrec unii pe uli\u021b\u0103 cu un r\u0103zboi mondial<br \/>\n\u0219i fac at\u00e2ta g\u0103l\u0103gie \u0219i mor at\u00e2t<br \/>\nde inutil \u0219i caraghios.<br \/>\n\u0218i pe urm\u0103 vin albii \u0219i ro\u0219ii<br \/>\niar oamenii se prefac c\u0103 sunt ferici\u021bi,<br \/>\np\u00e2n\u0103 le explodeaz\u0103 lini\u0219tea \u00een fa\u021b\u0103<br \/>\npulveriz\u00e2ndu-i printre mausolee \u0219i spaime.<br \/>\nPe urm\u0103 trece un convoi mortuar&#8230;<br \/>\nDoamne, azi \u00eel \u00eenmorm\u00e2nteaz\u0103<br \/>\npe tat\u0103l meu Laz\u0103r<br \/>\n\u0219i pe mine au uitat s\u0103 m\u0103 cheme&#8230;<br \/>\nm\u0103 uit la istorie prin gard&#8230;<br \/>\nmare lucru uitarea!<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Festivalul Zile \u0219i Seri de Literatur\u0103<br \/>\n\u201e\u0218tefan Augustin Doina\u0219 \u201d (SAD)<\/strong><\/p>\n<p>Luna mai a debutat sub pecetea poeziei,<br \/>\nmuzicii, comunic\u0103rii. Depresia,<br \/>\nanxietatea, izolarea nu au putut s\u0103<br \/>\n\u00eenving\u0103 organizarea unui eveniment cultural<br \/>\ncare \u0219i-a \u00eentins aripile p\u00e2n\u0103 departe \u00een toat\u0103<br \/>\nlumea, acapar\u00e2nd mul\u021bi iubitori de poezie. 1<br \/>\n\u0219i 2 mai, dou\u0103 zile preg\u0103tite profesional de o<br \/>\nechip\u0103 t\u00e2n\u0103r\u0103: Toni Chira, Sorina R\u00e2nda\u0219u,<br \/>\nAntonia Mih\u0103ilescu, Savu Popa, coordonat\u0103<br \/>\nde scriitoarea Lia Faur. Vama Veche<br \/>\nemblem\u0103 a manifest\u0103rii tinere\u021bii, libert\u0103\u021bii, s-a<br \/>\nmutat virtual la Arad.<br \/>\nLa <em>Festivalul Zile \u0219i Seri de Literatur\u0103 \u0218tefan<br \/>\nAugustin Doina\u0219 (SAD) <\/em>au participat: 116<br \/>\npoe\u021bi, 23 de prozatori, 5 critici literari, 5<br \/>\ntraduc\u0103tori. 20 de actori (de la teatrele din<br \/>\nArad, Ia\u0219i, Timi\u0219oara \u0219i Suceava), au recitat<br \/>\ndin poetul \u0218tefan Augustin Doina\u0219, al\u0103turi de<br \/>\n14 muzicieni (din Rom\u00e2nia, Canada, Spania)<br \/>\n\u0219i arti\u0219ti vizuali.<br \/>\nInvita\u021bii au fost din Rom\u00e2nia, Tunisia,<br \/>\nSpania, Fran\u021ba, SUA, Ungaria, Polonia,<br \/>\nCanada, Cehia, Slovacia, Bulgaria,<br \/>\nGermania, Republica Moldova.<br \/>\nDou\u0103 zile am stat cu sufletul la gur\u0103 \u0219i am<br \/>\nascultat. Un spectacol fascinant, energizant.<br \/>\nC\u00e2nd cite\u0219ti din poezia unui autor interpretezi<br \/>\n\u00een propria ta gril\u0103. C\u00e2nd \u00eel ascul\u021bi direct pe<br \/>\nautor se face o alt\u0103 conexiune. R\u00e2nd l\u00e2ng\u0103<br \/>\nr\u00e2nd, versurile, textele, citite, contureaz\u0103 o<br \/>\nhart\u0103 f\u0103r\u0103 grani\u021be fizice. Sentimentul este<br \/>\ninedit. Din \u021b\u0103ri diferite, de pe continente<br \/>\ndiferite, s-a constituit o re\u021bea literar\u0103 nu doar<br \/>\ndin cei care au citit, recitat \u0219i din cei care au<br \/>\nparticipat ca spectatori dornici de un<br \/>\neveniment adev\u0103rat.<br \/>\nAm contactat membrii echipei de organizare<br \/>\na festivalului s\u0103 ne \u00eemp\u0103rt\u0103\u0219easc\u0103 c\u00e2teva<br \/>\nconcluzii dup\u0103 ceea ce au realizat cu succes<br \/>\nfestivalul.<\/p>\n<p><strong>Lia Faur<\/strong>:<br \/>\n1. <em>Ce a \u00eensemnat pentru<br \/>\ndumneavoastr\u0103 aceast\u0103 edi\u021bie Sad 2020?<\/em><br \/>\nO experien\u021b\u0103 necesar\u0103, care m-a transferat \u00een<br \/>\nlumea virtual\u0103 ca s\u0103 o pot valoriza mai bine<br \/>\npe cea real\u0103. \u00centr-o \u00eenregistrare scriitorul \u00ee\u021bi<br \/>\nd\u0103 ceva din propria intimitate. C\u00e2nd cite\u0219te<br \/>\npe o scen\u0103, este dispersat \u00een privirile<br \/>\ncelorlal\u021bi, niciun gest nu mai este intim, doar<br \/>\ng\u00e2ndurile lui, \u0219i ele agresate de voci, lumini,<br \/>\nbruiaje. O camer\u0103, \u00eens\u0103, surprinde lini\u0219tea din<br \/>\njur, st\u00e2ng\u0103cia, emo\u021bia, respira\u021bia de foarte<br \/>\naproape, ezitarea. Scriitorul este \u00een interiorul<br \/>\nunui ochi imens, al nostru, al celor de pe<br \/>\nmargine. Se configureaz\u0103 mai multe aspecte<br \/>\nale unui astfel de festival. Este o arhiv\u0103<br \/>\nliterar\u0103. Este o lec\u021bie de literatur\u0103. Este o<br \/>\ntab\u0103r\u0103 de crea\u021bie. Este o aren\u0103 polemic\u0103. Este<br \/>\no zon\u0103 de confort pentru cei fragili. Este un<br \/>\nteren al spiritului artistic, \u0219i se poate<br \/>\ncontinua.<\/p>\n<p>2. <em>Ce impact crede\u021bi c\u0103 a avut acest maraton<br \/>\non-line asupra iubitorilor de poezie, de<br \/>\nliteratur\u0103 ?<\/em><br \/>\nM\u0103 ajut\u0103 feedbackul pe care l-am primit de la<br \/>\nscriitori sau din public. Festivalul i-a f\u0103cut pe<br \/>\nmul\u021bi s\u0103 uite pre\u021b de dou\u0103 zile anxietatea<br \/>\nclaustr\u0103rii. Poate, chiar s\u0103 se imagineze la<br \/>\nteatru. S\u0103 descopere nume noi ale literaturii<br \/>\nrom\u00e2ne contemporane. M-a\u0219 bucura s\u0103 \u0219tiu<br \/>\nc\u0103 \u00eei vor c\u0103uta pe scriitori \u00een libr\u0103rii \u0219i le vor<br \/>\nciti c\u0103r\u021bile.<\/p>\n<p>3. <em>Pute\u021bi s\u0103 ne da\u021bi o statistic\u0103 a<br \/>\nparticipan\u021bilor?<\/em><br \/>\nDa. 116 poe\u021bi, 11 din Ungaria, Bulgaria,<br \/>\nCehia, Polonia, Tunisia, Spania, Republica<br \/>\nMoldova. Dac\u0103-i ad\u0103ug\u0103m pe Andrei<br \/>\nCodrescu \u0219i Carmen Firan, avem \u0219i poe\u021bi<br \/>\namericani, sau pe Rodica Draghincescu \u0219i<br \/>\nMatei Vi\u0219niec, din Fran\u021ba. 23 de prozatori, 5<br \/>\ncritici literari, 20 de actori (de la teatrele din<br \/>\nArad, Ia\u0219i, Timi\u0219oara \u0219i Suceava), 14<br \/>\nmuzicieni (Rom\u00e2nia, Spania, Canada), 3<br \/>\narti\u0219ti vizuali.<\/p>\n<p><strong>Sorina R\u00e2nda\u0219u<\/strong>:<br \/>\n1. Totul a \u00eenceput cu Lia,<br \/>\ncare mi-a scris \u00een timpul Maratonului<br \/>\ndesf\u0103\u0219urat de noi patru, cum c\u0103 i-ar pl\u0103cea s\u0103<br \/>\nfacem parte din echipa acestui festival pe<br \/>\ncare \u00eel desf\u0103\u0219oar\u0103 la Arad de 6 ani \u00eencoace.<br \/>\n\u0218tiind cauzele pentru care nu s-ar mai fi putut<br \/>\ndesf\u0103\u0219ura pe viu, cu scriitori \u0219i arti\u0219ti \u00een carne<br \/>\n\u0219i oase, alternativa pl\u0103cut\u0103 a fost cea a<br \/>\nonline-ului.<br \/>\nAu fost aproape dou\u0103 luni \u00een care ne-am spus<br \/>\nbun\u0103 diminea\u021ba \u0219i noapte bun\u0103 zilnic. Eram<br \/>\nnoi cinci pe aproape tot parcursul zilei.<br \/>\nFaptul c\u0103 ne-am apucat din timp de treab\u0103, de<br \/>\nafi\u0219e, de trimis invita\u021bii, de vorbit cu lumea,<br \/>\nne-a dat ocazia s\u0103 avem suficient timp \u0219i<br \/>\npentru noi, s\u0103 ne cunoa\u0219tem mai bine.<br \/>\nFestivalul \u00een sine a fost o surpriz\u0103 mai mult<br \/>\ndec\u00e2t pl\u0103cut\u0103. Pe mine m-a surprins \u0219i m-a<br \/>\nbucurat totodat\u0103 implicarea celor peste 200<br \/>\nde arti\u0219ti, de la poe\u021bii cu care n-am crezut<br \/>\nvreodat\u0103 c-o s\u0103 stau de vorb\u0103, la soli\u0219tii<br \/>\ntrupelor pentru care-mi dau coate la concerte<br \/>\ns\u0103 pot fi eu cea care url\u0103 de fericire l\u00e2ng\u0103<br \/>\nscen\u0103.<br \/>\nE greu de explicat sentimentul pe care<br \/>\nl-am avut \u00een ultima zi a festivalului. Jum\u0103tate<br \/>\nde zi mi-am petrecut-o g\u00e2ndindu-m\u0103 c\u0103 se<br \/>\ntermin\u0103, oamenii se retrag u\u0219or-u\u0219or \u00eenapoi la<br \/>\ntreburile lor zilnice \u0219i eu ar trebui s\u0103-mi adun<br \/>\ncorbii din gr\u0103dina SAD, iar \u00een cealalt\u0103<br \/>\njum\u0103tate am fost euforic\u0103, v\u0103z\u00e2nd sus\u021binerea<br \/>\noamenilor, solidaritatea lor. Dup\u0103 ce treci<br \/>\nprin lucruri de genul n-ai cum s\u0103 nu fii<br \/>\nextraordinar de fericit m\u0103car dou\u0103 zile dup\u0103<br \/>\nce se termin\u0103.<br \/>\n2. Sunt sigur\u0103 c\u0103 SAD a avut impactul pe<br \/>\ncare ni l-am dorit atunci c\u00e2nd ne-am apucat<br \/>\nde treab\u0103. Dac\u0103 n-a\u0219 fi fost \u00een organizare, mar<br \/>\nfi interesat cu siguran\u021b\u0103. Printre<br \/>\nparticipan\u021bi au fost scriitori pe care nu cred<br \/>\nc\u0103 i-a\u0219 fi \u00eent\u00e2lnit altfel. Cu muzicienii e exact<br \/>\naceea\u0219i poveste. Un concert sau o lectur\u0103<br \/>\npublic\u0103 difer\u0103 foarte mult de felul \u00een care a<br \/>\nfost organizat festivalul de data asta, mai ales<br \/>\nprin accesul publicului la intimitatea<br \/>\nartistului.<br \/>\nStatisticile de pe pagina festivalului<br \/>\nau ar\u0103tat un num\u0103r foarte mare de vizion\u0103ri,<br \/>\nreac\u021bii \u0219i distribuiri, ceea ce nu poate dec\u00e2t s\u0103<br \/>\nm\u0103 bucure.<br \/>\nSpuneam pe la \u00eenceputul acestei perioade c\u0103<br \/>\nSAD este genul de proiect care merit\u0103 cu<br \/>\nadev\u0103rat luat \u00een considerare. \u0218i chiar este.<\/p>\n<p><strong>Antonia Mih\u0103ilescu<\/strong>:<br \/>\n1. \u00cenainte de a r\u0103spunde<br \/>\nam vrut s\u0103 g\u0103sesc un singur cuv\u00e2nt care s\u0103<br \/>\ndefineasc\u0103 edi\u021bia SAD 2020, dar mi-am dat<br \/>\nseama c\u0103 nici o \u00eentreag\u0103 pagin\u0103 plin\u0103 de<br \/>\ncuvinte nu m-ar ajuta. Poate c\u0103 dac\u0103 a\u0219<br \/>\n\u00eemprumuta c\u00e2te pu\u021bin din energia fiec\u0103ruia a\u0219<br \/>\nreu\u0219i s\u0103 reconstitui o parte din atmosfera<br \/>\nfestivalului. Posibil nici atunci. Totu\u0219i, aleg<br \/>\nc\u00e2teva cuvinte din pagin\u0103 \u0219i \u00eencerc\u0103m, poate-poate:<br \/>\nprietenie, generozitate, familie,<br \/>\nmunc\u0103, implicare. Hmm, sim\u021bi energia SAD?<br \/>\n2. Din interior e destul de complicat s\u0103-\u021bi dai<br \/>\nseama cum se vede ceea ce faci din exterior,<br \/>\n\u00eens\u0103 am primit ceva feedback-uri pozitive<br \/>\ncare ne-au bucurat mult \u0219i ne-au f\u0103cut s\u0103<br \/>\nspunem: \u201eThe show must go on!\u201d<\/p>\n<p><strong>Toni Chira<\/strong>:<br \/>\n1. Pentru mine edi\u021bia de anul<br \/>\nacesta a SAD a fost o experien\u021b\u0103 foarte<br \/>\ninteresant\u0103, mai ales pentru c\u0103 a \u00eent\u0103rit<br \/>\nanumite leg\u0103turi de grup formate imediat<br \/>\ndup\u0103 Maratonul de Poezie Online. Am fost<br \/>\ncu mult mai eficien\u021bi, mai dinamici \u0219i am<br \/>\nrezonat aproape pe deplin.<br \/>\n2. Din datele care atest\u0103 num\u0103rul de vizion\u0103ri<br \/>\npe care le-au avut clipurile, cred c\u0103 festivalul<br \/>\na avut un impact major, de fapt chiar cel mai<br \/>\nmare impact pe care l-a avut vreodat\u0103 un<br \/>\neveniment de genul acesta \u00een \u021bara noastr\u0103.<\/p>\n<p><strong>Savu Popa<\/strong>:<br \/>\n1. Edi\u021bia SAD din acest an a stat<br \/>\nsub ,,zodia\u201d online-ului, fapt care a dus la<br \/>\n\u00eenchegarea unui climat favorabil<br \/>\nschimburilor culturale diverse \u0219i at\u00e2t de<br \/>\nnecesare, mai ales \u00een contextual actual. S-au<br \/>\n\u00eent\u00e2lnit cam toate artele: poezie, proz\u0103,<br \/>\nmuzic\u0103, pictur\u0103, etc. Afirm, \u0219i cu ocazia<br \/>\nacestui r\u0103spuns, c\u0103 noi, organizatorii, dar \u0219i<br \/>\nto\u021bi cei care au participat, nu am f\u0103cut altceva<br \/>\ndec\u00e2t s\u0103 contribuim la ,,scrierea\u201d unui poem<br \/>\nnesf\u00e2r\u0219it, antipandemic, al prieteniei \u0219i<br \/>\nsolidarit\u0103\u021bii.<br \/>\n2. Mi-ar pl\u0103cea s\u0103 cred c\u0103 pagina festivalului<br \/>\nva r\u0103m\u00e2ne o arhiv\u0103 important\u0103 de literatur\u0103<br \/>\nonline, pe care o putem accesa, de ce nu, at\u00e2t<br \/>\n\u00een calitate de cititori, dar \u0219i \u00een calitate de<br \/>\ncritici sau interesa\u021bi de tot ceea ce se<br \/>\n\u00eent\u00e2mpl\u0103 \u00een literatura actual\u0103. De aceea,<br \/>\nputem vorbi, de un impact de moment, care a<br \/>\nfost unul extrem de entuziast, dar \u0219i de un<br \/>\nimpact de lung\u0103 durat\u0103, care confirm\u0103<br \/>\nreu\u0219ita, dar \u0219i necesitatea acestei arhive<br \/>\nonline pentru genera\u021biile urm\u0103toare.<br \/>\nListele cu participan\u021bii, videoclipurile,<br \/>\nimpresiile dup\u0103 festival le g\u0103si\u021bi la adresa<br \/>\n<em>https:\/\/www.facebook.com\/festivaldoinas<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Anivers\u0103ri<\/strong><\/p>\n<p><strong>Aprilie<\/strong><br \/>\n3-Florentin Popescu<br \/>\n5-Tudor Cicu<br \/>\n16- Nina Beldie<br \/>\n16-Nistor T\u0103n\u0103sescu<br \/>\n17-Beatrice Vergu (Homeuc\u0103)<br \/>\n19-Trandafir S\u00e2mpetru<br \/>\n23- Mihail Milea (Sava Bogasiu)<br \/>\n26-C\u0103lin Ghe\u021bu<br \/>\n26-Emil Pro\u0219can<br \/>\n30-Passionaria Stoicescu<\/p>\n<p><strong>Mai<\/strong><br \/>\n1-Traian Gh. Cristea<br \/>\n1-Vasile Ghinea<br \/>\n2-Constantin Bucur<br \/>\n5-Sorin C\u0103lin<br \/>\n9-George Pa\u021burc\u0103<br \/>\n15-Dumitru Pan\u0103<br \/>\n16-Constantin Marafet<br \/>\n18-Elisabeta Bo\u021ban (Spania)<br \/>\n18-Carmen Tania Grigore<br \/>\n19-Dorin Ivan<br \/>\n19-Mihaela Roxana Boboc<br \/>\n21-C\u0103lin Vlasie<br \/>\n29-Valere Burlacu<br \/>\n30-Cornelia Ionescu Ciurumelea<\/p>\n<p><strong>Iunie<\/strong><br \/>\n4-Dumitru K. Negoi\u021b\u0103<br \/>\n4-Relu Stoica<br \/>\n12-Valeria (Ica) Ungureanu<br \/>\n14-Liviu Ot\u00e2nceal\u0103<br \/>\n16-Petrache Plopeanu<br \/>\n18-Sorin Despot<br \/>\n19-Paul Iulius Negoi\u021b\u0103<br \/>\n23-Aurel Anghel<br \/>\n24- Mioara Iordache (Vergu)<br \/>\n24-Sorin Burlacu<br \/>\n25 R\u0103zvan Theo Chirac<br \/>\n26-Lauren\u021biu Sfinte\u0219<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editorial Teo CABEL Cu masc\u0103 f\u0103r\u0103 masc\u0103 O lume \u00een vitez\u0103. \u00cen numele cui? A omului? Alerg\u00e2nd dup\u0103 iluzii frumos<\/p>\n","protected":false},"author":17,"featured_media":10746,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10744"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10744"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10744\/revisions"}],"predecessor-version":[{"id":10747,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10744\/revisions\/10747"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10746"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}