{"id":10633,"date":"2020-09-13T01:26:13","date_gmt":"2020-09-12T22:26:13","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=10633"},"modified":"2020-09-13T01:26:13","modified_gmt":"2020-09-12T22:26:13","slug":"spatii-culturale-nr-70-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=10633","title":{"rendered":"Spa\u021bii culturale nr. 70 (13)"},"content":{"rendered":"<p><strong>REVISTE LITERARE<\/strong><\/p>\n<p><strong>A c o l a d a<\/strong>, anul XIV, nr. 4 (149), aprilie,<br \/>\n2020, Satu Mare. Eseurile \u0219i comentariile sunt realizate<br \/>\nde Radu Ulmeanu, Arme \u0219i arme (editorialul), Isabela<br \/>\nVasiliu-Scraba, Misterul creaturii \u00een hieroglif\u0103<br \/>\nvulc\u0103nescian\u0103, C.D. Zeletin, Poetul N. Crevedia \u00een<br \/>\naducerea aminte, Adrian Dinu Rachieru, Exist\u0103 o<br \/>\n\u201eliteratur\u0103 moldoveneasc\u0103\u201d? Constantin Trandafir,<br \/>\n\u021aiganiada \u0219i mentaliteratura, Magda Ursache, O<br \/>\nteologie a iubirii, \u0218tefan Ion Ghilimescu, Vlahu\u021b\u0103,<br \/>\nromanul vie\u021bii \u0219i posteritatea, Mircea Popa, Acterienii,<br \/>\nDan Culcer, Din Jurnalul unui vulcanolog (II), Pavel<br \/>\n\u0218u\u0219ar\u0103, \u00centre exuberan\u021b\u0103 \u0219i reflexivitate. I. Mirela<br \/>\nTr\u0103istaru, II. Aurel Dumitru. Critica literar\u0103 este scris\u0103<br \/>\nde Gheorghe Grigurcu (Barbu Cioculescu, Litere litere),<br \/>\nTudorel Urian (Mircea Gelu Buta, \u00censemn\u0103ri despre<br \/>\nPatriarhul Iustinian), Adrian \u021aion (Vasile Gogea, \u00cenc\u0103<br \/>\nPropoiezi\u021bii). Memorialistic\u0103 scrie Alex. \u0218tef\u0103nescu (De<br \/>\nce scriu), iar texte aforistice, Dumitru Augustin Doman<br \/>\n(Pas\u0103rea albastr\u0103 de aer) \u0219i Gheorghe Grigurcu<br \/>\n(Jurnal). Interviul Luciei Negoi\u021b\u0103 este cu Miron<br \/>\nScorobete. Semneaz\u0103 poezie Diana Trandafir \u0219i<br \/>\nBr\u00e2ndu\u0219a Palade, Smajil Durmi\u0161evi\u0107 (traduceri \u0219i<br \/>\nprezentare de Olimpia Iacob), parodie: Lucian Per\u021ba, iar<br \/>\npamflet: Florica Bud.<\/p>\n<p><strong>Actualitatea literar\u0103<\/strong>, Nr. 100, anul XI , martie<br \/>\n2020, Lugoj. Eseurile \u0219i comentariile sunt realizate de<br \/>\nNicolae Silade, Despre g\u00e2nduri, g\u00e2ndire, lumin\u0103 \u0219i<br \/>\nbine\u00een\u021belesuri, Remus V. Giorgioni, Condi\u021bia<br \/>\nscriitorului (Turnul din Pisa sprijinit cu o pan\u0103), Cornel<br \/>\nUngureanu, La mul\u021bi ani Actualitatea literar\u0103, Radu<br \/>\nCiobanu, Chemarea altor lumi, Adrian Dinu Rachieru,<br \/>\nIlie Constantin, un nume uitat? (I), Ovidiu Pecican, Un<br \/>\nlugojean prolific: Gheorghe Schwartz, Virgil Diaconu,<br \/>\nCritica de poezie \u00een concep\u021bia lui T.S. Eliot, Magda<br \/>\nUrsache, Ioan Adam sau le juste milieu, Alina Ghi\u0219a,<br \/>\nRela\u021bia tat\u0103-fiu, de la texte intermediare la<br \/>\n\u201eMorome\u021bii\u201d (III), Titus Cri\u0219ciu, Pavel Bellu \u2013 100 de<br \/>\nani de la na\u0219tere, Alexandru Moraru, \u00cen genunchi<br \/>\nm\u0103-ntorc la tine, Nicolae Havriliu, Comportamente<br \/>\ncomice. George Motroc este \u00een dialog cu Simona<br \/>\nAntonescu. Scriu critic\u0103 literar\u0103: Daniel Marian (Marcel<br \/>\nVi\u0219a, Dumnelike), Rodica L\u0103z\u0103rescu (Teofil R\u0103chi\u021beanu,<br \/>\nPoeme cu Mama sau Morm\u00e2ntul din cuvinte), Liviu<br \/>\nChiscop (Alexandru Nelu Huidici, Anotimpuri \u00een<br \/>\nderiv\u0103). Dintre c\u0103r\u021bile sosite la Remus V. Giorgioni<br \/>\namintim: \u2026\u0219i nev\u0103zuta m\u00e2n\u0103 scrie acelea\u0219i cuvinte cu<br \/>\nalb iar \u0219i iar, de Alexandru V. Dan, Migran\u021bi f\u0103r\u0103<br \/>\nbagaje, de Constantin Stancu, Adrian Dinu Rachieru-<br \/>\n70, de Marinela Pan\u021b\u00eeru-Sorin Precup, Maladiile<br \/>\nl\u0103mpilor, de George Vulturescu, O pic\u0103tur\u0103 de s\u00e2nge\/<br \/>\nUna gota de sangre, de Ion Cristofor. Poezie semneaz\u0103:<br \/>\nRemus Valeriu Giorgioni, Nicolae Silade, George<br \/>\nVulturescu, Any Dr\u0103goianu, Gabriel Chifu, Nicolae<br \/>\nV\u0103l\u0103reanu S\u00e2rbu, Ion Toma Ionescu, Ionel Panait, Angi<br \/>\nMelania Cristea, Cyprian Kamil Norwid (traducere de<br \/>\nAlexandru G. \u0218erban), Antoine Simon (traducere de<br \/>\nCostel Drejoi), proz\u0103: Marian Ilea, Eugen D. Popin,<br \/>\nGheorghe Alexandru Iancovici, iar teatru: Nicolae<br \/>\nHavriliu.<\/p>\n<p><strong>ARGE\u0218<\/strong>, Anul XX (LV), nr.5 (455), mai 2020.<br \/>\nRemarc\u0103m comentariile \u0219i eseurile lui Calinic<br \/>\nArge\u0219eanul, Din frumuse\u021bile lumii v\u0103zute, Nicolae<br \/>\nOprea, Paul Goma \u2013 ultima plecare, Liviu Ioan Stoiciu,<br \/>\nC\u0103lin Vlasie e cel mai important editor ap\u0103rut dup\u0103<br \/>\nRevolu\u021bie, C. Voinescu, Din vorb\u0103-n vorb\u0103, Petru Pistol,<br \/>\nLec\u021bia de istorie, Gheorghe Simon, Cele trei revela\u021bii<br \/>\nprimare, N. Georgescu, Metod\u0103 \u0219i rigoare, Aurel<br \/>\nSibicianu, Amintiri din anul m\u0103\u0219tii \u0219i al botni\u021bei (I),<br \/>\nMariana \u0218enil\u0103-Vasiliu, \u201ePortretul unui fotoliu\u201d de<br \/>\nHenri Matisse \u0219i \u201eFemei st\u00e2nd\u201d de Jules Pascin, Dorina<br \/>\nMihai, Marin Ioni\u021b\u0103 \u0219i opera sa, de la legend\u0103 la<br \/>\nadev\u0103r, Mihai Barbu, \u201eO s\u0103 sf\u00e2r\u0219im r\u0103u, domnule<br \/>\ndoctor?\u201d\u2026, Gheorghe Grigurcu, Jurnal, critica literar\u0103<br \/>\nscris\u0103 de Dumitru Augustin Doman (Horia B\u0103descu,<br \/>\nC\u0103derea din Rai \u0219i Titu Dinu\u021b, A\u0219tept\u00e2nd<br \/>\nsalamandrele), Mircea B\u00e2rsil\u0103 (Poezia lui Vasile<br \/>\nMorar), Adrian Alui Gheorghe (Horia G\u00e2rbea, Trecute<br \/>\nvie\u021bi de fan\u021bi \u0219i de birlici, Andrei Gazsi, O carte po\u0219tal\u0103<br \/>\npe zi, Lucian Per\u021ba, Auleo, ce ploaie vine de la Cluj\u2026!<br \/>\n101 parodii, Valentin Busuioc, coli de scris), Viorel<br \/>\nNica (Julian Fellowes, Belgravia), Constantin Trandafir<br \/>\n(Radu Ulmeanu, Ab urbe condita), Geo Vasile<br \/>\n(Constantin Severin, Bibliotecarul Infernului), Ana<br \/>\nDobre (Marian Nencescu, Timp \u0219i mit \u00een basmul<br \/>\ntradi\u021bional), Marin Iancu (Emilia Amariei, Flavia),<br \/>\nLucian Gruia (Ecaterina Petrescu Botoncea, Cutia cu<br \/>\nvechituri), Angela Nache Mamier (Ion Toma Ionescu, al<br \/>\ncincilea anotimp), Mihaela Meravei (Dumitru Octavian<br \/>\nUnc, C\u00e2nturile Dobrogei), Geo C\u0103lug\u0103ru (Ion C. \u0218tefan,<br \/>\nFloare de col\u021b &#8211; iubirea). Poezia e semnat\u0103 de Radu<br \/>\nCange, Magda Grigore, Nicolae Jinga, Jordi Doce<br \/>\n(prezentare \u0219i traducere de Elisabeta Bo\u021ban), Nicolae<br \/>\nOpri\u0219an, iar proza, de Florentin Popescu \u0219i Dumitru<br \/>\nAugustin Doman.<\/p>\n<p><strong>Ateneu<\/strong>, Anul 57 (serie nou\u0103), nr. 608, aprilie<br \/>\n2020, Bac\u0103u. Comentariile \u0219i eseurile, Al. Ioanid,<br \/>\nFragmentarium, Marius Manta, Recuperarea unui<br \/>\nprogram: \u201eConvorbiri literare\u201d \u0219i Noi \u0219i Icoana, Ioan<br \/>\nD\u0103nil\u0103, Bac\u0103ul (pre)primar (XXII) \u0219i Personajul literar,<br \/>\nConstantin \u021a\u00eenteanu, \u201eForest\u201d, la Galeriile Karo,<br \/>\nAlexandru Popescu Prahovara, C.D. Zeletin \u2013 85 sau<br \/>\ndiamantul smerit, Ozana Kalmuski-Zarea, Strig\u0103tul<br \/>\ninimii, Elena Ciobanu, Mu\u0219chiul Londrei, Dan Per\u0219a,<br \/>\nRadu Paraschivescu \u0219i justi\u021bia poetic\u0103, Gheorghe Iorga,<br \/>\nCel\u0103lalt Pessoa (2), Ion Pascariu (Dinvale), S\u0103 s\u0103dim<br \/>\npalmieri la poli cu \u0218tefan Zeletin, Viorica S.<br \/>\nConstantinescu, Victimele celebre ale Holocaustului:<br \/>\nEdith Stein, Liviu Franga, Trei chipuri ale speran\u021bei,<br \/>\nVasile Spiridon, Un singur dor, Cornel Galben,<br \/>\nPersonalit\u0103\u021bi b\u0103c\u0103uane \u2013 C.D. Zeletin, Ion Fercu,<br \/>\nPrejudec\u0103\u021bile: infern \u0219i provocare etern\u0103 (7), Marian-<br \/>\nSorin R\u0103dulescu, Revolu\u021bii \u0219i involu\u021bii (3), Daniel-\u0218tefan<br \/>\nPocovnicu, Acrobatul metaforei (II), Nicoleta Popa<br \/>\nBlanariu, De la Sei Shonagon. Marius Manta este \u00een<br \/>\ndialog cu Nicu Alifantis. Critica literar\u0103 este scris\u0103 de<br \/>\nAdrian Jicu (Radu Andriescu, Jedi de provincie),<br \/>\nCarmen Mihalache (Anca Ha\u021biegan, Diminea\u021ba<br \/>\nactri\u021belor), Violeta Savu (Nicolae Sp\u0103taru, Omul izgonit<br \/>\nde ceasuri), Johan Klein (Gabriela Feceoru, Blister),<br \/>\nIonel Savitescu (Thierry Wolton, Nega\u021bionismul de<br \/>\nst\u00e2nga). Poezia este semnat\u0103 de Cassian Maria Spiridon,<br \/>\nCristina C\u00eempeanu, Victor Mitocaru, Angi-Melania<br \/>\nCristea.<\/p>\n<p><strong>Bucovina literar\u0103<\/strong>, serie nou\u0103, anul XXXI, nr.<br \/>\n1-2-3 (347-348-349), ianuarie-februarie-martie 2020,<br \/>\nSuceava. \u00cen aceast\u0103 edi\u021bie a revistei remarc\u0103m poezia \u0219i<br \/>\nproza semnate de Ovidiu Genaru (autograf), Liviu Ioan<br \/>\nStoiciu (autograf), C\u0103t\u0103lin Pavel, Andrei Zb\u00eernea,<br \/>\nGheorghe Simon, Lucia Olaru-Nenati, Constantin<br \/>\nAb\u0103lu\u021b\u0103, Adrian Alui Gheorghe, Ioana Sc\u0103rl\u0103tescu, Toni<br \/>\nChira, Edit Covensky (traducere de Menachem M.<br \/>\nFalek), C\u00e9cile Oumhani (traducere de Elena-Br\u00e2ndu\u0219a<br \/>\nSteiciuc), respectiv, Sebastian Reichmann, Matei<br \/>\nVi\u0219niec, Veronica D. Niculescu, Constantin Grigoru\u021b,<br \/>\nLeo Butnaru, Camelia Petrescu, Ioan \u021aicalo, aforismele<br \/>\nlui Gheorghe Grigurcu, textele lui Paul Emond<br \/>\n(traducere de Elena-Br\u00e2ndu\u0219a Steiciuc), interviul:<br \/>\nMihaela Gr\u0103dinariu &#8211; Adrian Dinu Rachieru, eseuri \u0219i<br \/>\ncomentarii realizate de Alexandru Ovidiu Vintil\u0103, Virgil<br \/>\nTeodorescu. Negru pe alb. Schi\u021b\u0103 de portret, Adrian<br \/>\nDinu Rachieru, Ion Gheorghe sau c\u0103derea \u00een timp, Ioan<br \/>\nHolban, Cassian Maria Spiridon-70. Un vis al<br \/>\ninteligen\u021bei libere, Doru Sc\u0103rl\u0103tescu, Un personaj<br \/>\nmaiorescian: Ric\u0103 Venturiano, Hora\u021biu Stamatin, Lista<br \/>\nlui Bloom, Doina Cernica, \u0218coli \u0219i case r\u0103sun\u00e2nd<br \/>\nEminescu, Theodor Codreanu, Eminescu: \u201eM\u00e2ndria<br \/>\ncrunt\u0103 de a spune adev\u0103rul\u2026\u201d, Isabel Vintil\u0103, Tristan<br \/>\nTzara. Limbajul care poate configura lumea, Niadi-<br \/>\nCorina Cernica, Al-Farabi \u2013 o teorie despre imagina\u021bie<br \/>\n\u00een Evul Mediu, Ion Filipciuc, Centenar cu bucovineni,<br \/>\ncritica literar\u0103 scris\u0103 de Constantin Cuble\u0219an (Nicolae<br \/>\nPanait, Ziua verde), Valeria Manta T\u0103icu\u021bu (Gheorghe<br \/>\nSimon, Calea iubirii), Cornel Ungureanu (Eugen<br \/>\nUricaru, Gr\u0103dina paradisului), Angela Nache Mamier<br \/>\n(Denisa Cr\u0103ciun, Incipit vita nova), Liviu Popescu<br \/>\n(Viorica Petrovici, Leb\u0103da \u00een zbor), Monahia Elena<br \/>\nSimionovici (Ion Muscalu, Biruit-am cu g\u00e2ndul:<br \/>\nAmfilohie Hotiniul), Marius Manta (Alexa Pa\u0219cu, Vis<br \/>\nspulberat), Dan Per\u0219a (Mariana Velisar-Codrescu,<br \/>\nSingur\u0103tatea b\u0103tr\u00e2nilor), Cristina Rusu (Andrei<br \/>\nBreab\u0103n, Legendele Kogaionului\u2026), Liviu Antonesei<br \/>\n(Cornelia Golna, Eroi p\u0103ta\u021bi), Maria Toac\u0103 (Antonina<br \/>\nS\u00e2rbu, Vulpea argintie), Doina Iova cu evocarea:<br \/>\nGheorghe Iova \u2013 Textuare \u0219i Marius Chelaru cu jurnalul<br \/>\nde c\u0103l\u0103torie: Canalul Biwa. Alte temple, alte locuri.<\/p>\n<p><strong>Bucure\u0219tiul literar \u0219i artistic<\/strong>, Anul X, nr. 4-5<br \/>\n(103-104), aprilie-mai 2020. Remarc\u0103m: eseurile \u0219i<br \/>\ncomentariile realizate de Florentin Popescu, Lec\u021biile<br \/>\npandemiei (editorial), Almanahul Rena\u0219terea Buzoian\u0103,<br \/>\n2020, Florentin Popescu -75. Amintiri \u0219i m\u0103rturisiri<br \/>\nliterare, Mircea Eliade, \u00cencercarea labirintului (III),<br \/>\nMircea Colo\u0219enco, Ion Barbu\/ Dan Barbilian \u2013<br \/>\nLegionar de conjunctur\u0103, Theodor Damian, \u00cenvierea<br \/>\nDomnului \u2013 restaurarea omului, Nicolae Mare\u0219,<br \/>\nCentenar Ioan Paul al II-lea. Rom\u00e2nia \u0219i unitatea<br \/>\ncre\u0219tin\u0103 \u00een timpul pontificatului s\u0103u (I), Dalia<br \/>\nBialcovski, Theodor Pallady \u0219i rafinamentul<br \/>\ndecant\u0103rilor, Radu Adrian, C\u0103l\u0103torie \u00een istoria<br \/>\nmultimilenar\u0103 a ceramicii (XXIII), Titus V\u00eejeu,<br \/>\nAlexandr Blok, Nicolae Dan Fruntelat\u0103, Onor la<br \/>\ngeneral, Neagu Udroiu, Casa artelor: Muzic\u0103 \u0219i<br \/>\ndiploma\u021bie, Candid Stoica, Teatrul \u00een vremea<br \/>\ncoronavirusului. Critica literar\u0103 este scris\u0103 de Florentin<br \/>\nPopescu (Dorin N. Uritescu, \u201eMato Grosso\u201d-ul social \u0219i<br \/>\npolitic postrevolu\u021bionar), Ion Ro\u0219ioru (Ion Haine\u0219,<br \/>\nScoicile fo\u0219nitoare, Exerci\u021bii de respira\u021bie, Insomnii),<br \/>\nMihai Merticaru (Maria Filipoiu, Pelerin pe Calea<br \/>\nLuminii), Ion Andrei\u021b\u0103 (Z\u00e2mbetul ca o parol\u0103). Dintre<br \/>\nseniorii literaturii noastre, Florentin Popescu a ales,<br \/>\npentru dialog, pe George Corbu (II). \u00cent\u00e2lnim poezie de<br \/>\nComan \u0218ova, Ion Haine\u0219 &#8211; 85, G. Th Popescu, Alexandr<br \/>\nBlok (traducere de Alexandru Pintescu), Poe\u021bi de ieri \u0219i<br \/>\nde azi din Banatul de peste Dun\u0103re: Mihai Avramescu,<br \/>\nVasko Popa, Valeriu Grosu, Slavco Alm\u0103jan, Adam<br \/>\nPusloji\u0107, Ioan Flora, Ioan Baba, Vasile Barbu, Nicu<br \/>\nCiobanu, Vasa Barbu, Pavel G\u0103t\u0103ian\u021bu, Olimpiu Balo\u0219<br \/>\n\u0219i proz\u0103, de Dumitru Radu Popescu, Vasile Szolga, Ioan<br \/>\nStoica. \u00cen Atelierul artelor vizuale expune Mihai<br \/>\nC\u0103trun\u0103, cu o scurt\u0103 prezentare de Gheorghe Stroia.<\/p>\n<p><strong>Cadran cultural<\/strong>, Anul III, nr. 2 (12), martie-aprilie,<br \/>\n2020, Bac\u0103u. Eseurile si comentariile sunt<br \/>\nrealizate de Cornel Galben, (Re)\u00cenvierea, Sub cer cu<br \/>\nc\u00e2ntec \u0219i flori, George Sterian \u2013 160, Petre Cancel \u2013<br \/>\n130, Volbur\u0103 Poian\u0103-N\u0103stura\u0219 &#8211; 130, Centenar Ernest<br \/>\nMaftei, Remember Florin Gheuca, In memoriam Leonid<br \/>\nIacob, Constantin Donea, Rituri de prim\u0103var\u0103 \u0219i<br \/>\ns\u0103rb\u0103toarea Sfintelor Pa\u0219ti, \u0218tefan Munteanu, Tudor<br \/>\nGhideanu despre filosofia lui Eminescu (V), Vasile<br \/>\nBardan, Un poet adev\u0103rat, Ioan D\u0103nil\u0103, Din zari\u0219tea<br \/>\nvie\u021bii, \u00een dou\u0103 zile (In memoriam C.D. Zeletin), Dan<br \/>\nSandu, C\u00e2ntec de prieten \u2013 Ion L. Catina, Constantin<br \/>\nC\u0103lin, Via\u021b\u0103 \u00een zigzaguri, Radu Ciobanu, Ovidiu<br \/>\nMarciuc, artist \u0219i om deplin, Ion Moraru, Antologia<br \/>\npoe\u021bilor trotu\u0219eni, Valeriu T\u0103nas\u0103, Dizarmonia pierde<br \/>\nRom\u00e2nia, critica literar\u0103 este scris\u0103 de Ion Tudor Iovian<br \/>\n(Cornel Paiu, Paznicii pere\u021bilor) \u0219i Mioara Bahna<br \/>\n(Alexandru Mih\u0103il\u0103, Vornicu Gheorghe Greceanu. Un<br \/>\npoet necunoscut din Moldova primei jum\u0103t\u0103\u021bi a<br \/>\nsecolului al XIX-lea). \u00cent\u00e2lnim poezie de Vasile Larco,<br \/>\nIoanid Romanescu, Mihaela B\u0103bu\u0219anu, Ionica<br \/>\nBandrabur, Tatiana Scor\u021banu, Lumini\u021ba Ciobanu \u0219i<br \/>\nproz\u0103 de Maria Lucia H\u0103r\u0103dean.<\/p>\n<p><strong>Cafeneaua literar\u0103<\/strong>, Anul XVIII, nr. 4, 5\/ 206,<br \/>\n207, aprilie, mai 2020, Pite\u015fti. Remarc\u0103m eseurile<br \/>\nrealizate de Virgil Diaconu, Cum putea fi creat\u0103 cartea<br \/>\nFacerea, Iulian Chivu&#8230; \u0219i ceilal\u021bi, studiul lui Virgil<br \/>\nDiaconu, Iov, pedepsitul f\u0103r\u0103 vin\u0103, dialogul: Denisa<br \/>\nPopescu \u2013 Diana Vrabie, critica literar\u0103 f\u0103cut\u0103 de<br \/>\nGheorghe Grigurcu (Giuseppe Masavo, Septembrie \u0219i<br \/>\nIoan Moldovan, Multe ar fi de spus), Horia B\u0103descu<br \/>\n(Dan Dr\u0103goi, Acas\u0103, aproape de cer), Adi G. Secar\u0103<br \/>\n(Amalia Rodian, Cheam\u0103-m\u0103 pe vechiul nume!), Ana<br \/>\nDobre (Victoria Milescu, Biografii cu p\u0103s\u0103ri), Virgil<br \/>\nDiaconu (Coman \u0218ova, Via\u021ba ca un poem), Liliana Rus<br \/>\n(Lumini\u021ba Pot\u00eerniche, O poveste visat\u0103 din dou\u0103<br \/>\nunghiuri diferite \u0219i Despre zboruri c\u0103z\u00e2nd \u0219i Valeria<br \/>\nManta T\u0103icu\u021bu, Anotimpuri de plumb), Ioan N. Ro\u0219ca<br \/>\n(Mihail Diaconescu, Los pazio e il tempo), Mihai<br \/>\nPosada (Remus Valeriu Giorgioni, Marea, o fresc\u0103<br \/>\nlivresc\u0103), Rodica L\u0103z\u0103rescu (Horia B\u0103descu, C\u0103derea<br \/>\ndin rai), Poezia canonic\u0103 rom\u00e2neasc\u0103, la care r\u0103spund:<br \/>\nLucian Costache, Elisabeta Bog\u0103\u021ban \u0219i Bogdan Suceav\u0103,<br \/>\ntraduceri: E.W. Bullinger, Figurile de stil utilizate \u00een<br \/>\nBiblie \u0219i Ernst R. Wendland, Perspectiva asupra<br \/>\ntraducerii literare cu referire la scripturi (traduceri de<br \/>\nLiana Alecu). Poezia este semnat\u0103 de Ioan Romeo<br \/>\nRo\u0219iianu, Ionu\u021b Alupoaie, Florian Stoian-Sili\u0219teanu,<br \/>\nAlexandru M\u0103rchidan, Ioan Vintil\u0103 Finti\u0219, Teo Cabel,<br \/>\nGeo Galetaru, Petru\u0219 Andrei, Horia B\u0103descu, Alexandru<br \/>\nJurcan, Ion Toma Ionescu, Andrei Zanca, iar proz\u0103, de<br \/>\nValeria Manta T\u0103icu\u021bu.<\/p>\n<p><strong>C O N T A<\/strong>, Nr.35\/ 2020\/ apare la Neam\u021b.<br \/>\nPoezia din acest num\u0103r este semnat\u0103 de Adrian Alui<br \/>\nGheorghe, Pandemia 2020 &#8211; un (fel de) editorial,<br \/>\nDumitru Chioaru, Emil Nicolae, Liviu Ioan Stoiciu,<br \/>\nFrancisca Ricinski, Gheorghe P\u00e2rja, Ioan Florin Stanciu,<br \/>\nHora\u021biu Mihaiu, Gheorghe Simon \u2013 70, Mihai Posada,<br \/>\nAdriana Z\u00eena Ioni\u021b\u0103, Ion \u021aoan\u021b\u0103, Vasile Zetu, Cornel<br \/>\nGalben; Sylvia Plath, Sharon Olds, Roger Robinson,<br \/>\nMatthew Sweeney, Louise Gl\u00fcck, Hera Lindsay Bird,<br \/>\nAi Ogawa (prezentare \u0219i traducere de Mihai Marian),<br \/>\nAxel Kutsch, Ludwig Steinherr, Abdel-Walad Souayah<br \/>\n(traducere \u0219i prezentare de Francisca Ricinski), proz\u0103 de<br \/>\nNichita Danilov, Ovidiu Constantin Cornil\u0103, Dumitru<br \/>\nAugustin Doman, Bic\u0103 N. C\u0103ciuleanu, Vlad Vlas, teatru<br \/>\nde Sabin Popescu, Emilian Galaicu-P\u0103un este \u00een dialog<br \/>\ncu Adrian G. Romila, eseurile realizate de Gheorghe<br \/>\nSimon, Liviu Ioan Stoiciu-70, Ion Mure\u0219an, Gheorghe<br \/>\nP\u00e2rja-70, Adrian Alui Gheorghe, Poezia lui Gheorghe<br \/>\nP\u00e2rja, \u00eentre imanen\u021b\u0103 \u0219i transcenden\u021b\u0103, Emil Nicolae,<br \/>\nGeo \u0218erban-90 \u2013 Omul C\u0103r\u021bii, Mihai Posada, Un b\u0103tr\u00e2n<br \/>\naparent sfios: Remus Valeriu Giorgioni, Felix Sima,<br \/>\nPrin lumea v\u0103zutelor \u0219i a nev\u0103zutelor cu I.P.S. Calinic<br \/>\nArge\u0219eanul, o scrisoare \u00eentre-deschis\u0103 de Magda<br \/>\nUrsache, Tehnica \u0219i practica lacrimii, inedit: Carnete<br \/>\nmaro\/ Jurnal de Aurel Dumitra\u0219cu, critic\u0103 literar\u0103 f\u0103cut\u0103<br \/>\nde Adrian G. Romila (Emilian Galaicu-P\u0103un,<br \/>\nA(II)Rh+eu, Mina Decu, Desprindere, Mircea Pric\u0103jan,<br \/>\nPerseidele), Vasile Spiridon (Gabriel Chifu, \u00cen drum<br \/>\nspre Ikaria), Magda Ursache (Nicoleta Dabija, A doua<br \/>\nvia\u021b\u0103), Daniel Luca (Gabriel Gherb\u0103lu\u021b\u0103, povestea lui a<br \/>\nfost odat\u0103), Constantin Stancu (Camelia Ardelean, La<br \/>\nmargine de curcubeu), Cristian Neagu (Ion \u021aoan\u021b\u0103,<br \/>\nSpovedania unei nimfe), Adrian Alui Gheorghe (Ovidiu<br \/>\nPecican, Tres\u0103riri critice, Horia G\u00e2rbea, trecute vie\u021bi de<br \/>\nfan\u021bi \u0219i de birlici, Gabriel Hasma\u021buchi, Alternative<br \/>\nculturale, Adrian Lesenciuc, gEneida, Andrei Mocu\u021ba,<br \/>\nPortret al artistului dup\u0103 moarte, Marilena Apostu,<br \/>\nIube\u0219te-\u021bi departele, Vasile Iftime, Hristos, toamna,<br \/>\nValentin Busuioc, coli de scris, Andrei Gazsi, C\u00e2te o<br \/>\ncarte po\u0219tal\u0103 pe zi, Lucian Per\u021ba, Auleo, ce ploaie vine<br \/>\nde la Cluj\u2026!).<\/p>\n<p><strong>EX PONTO<\/strong>, Anul XVIII, nr. 1-2, ianuarie-martie,<br \/>\naprilie-iunie 2020, Constan\u021ba. Remarc\u0103m:<br \/>\neseurile \u0219i comentariile sunt realizate de Eugen Uricaru,<br \/>\nCheia de bolt\u0103 a Rom\u00e2niei moderne (editorial),<br \/>\nGheorghe Filip, La \u00eenceput a fost Cuv\u00e2ntul \u0219i Arta ca<br \/>\nrevan\u0219\u0103, Aurelia L\u0103pu\u0219an, Doar at\u00e2t. Eminescu, Livius<br \/>\nPetru Bercea, Atotputernica Selena, Angelo Mitchievici,<br \/>\n\u201ePu\u021binul\u201d armoniei universale melancolia, Anastasia<br \/>\nDumitru, Matei Vi\u0219niec, despre ultimele zile ale<br \/>\nOccidentului, Diana Dobri\u021ba B\u00eelea, Dialoguri culturale<br \/>\n\u0219i Prozatorul la 70 de ani \u2013 Ovidiu Dun\u0103reanu \u2013 Scriind<br \/>\ndespre Dobrogea cu inefabilul sentiment al tinere\u021bii<br \/>\nf\u0103r\u0103 b\u0103tr\u00e2ne\u021be \u0219i al vie\u021bii f\u0103r\u0103 de moarte, Nicolae<br \/>\nRotaru, Nasc \u0219i la Constan\u021ba oameni\u2026, Ion Ro\u0219ioru, O<br \/>\nnou\u0103 abordare panoramic\u0103 a literaturii dobrogene<br \/>\ncontemporane, Lucian Gruia, Br\u00e2ncu\u0219i calea<br \/>\ndes\u0103v\u00e2r\u0219irii, Sorin Ro\u0219ca, Constantin Grigoru\u021b\u0103 \u2013<br \/>\nFarmec \u0219i rafinament cromatic, Dumitru Cerna, Pavel<br \/>\nDan \u0219i Dobrogea, Mircea Ioan Casimcea, Pavel Dan la<br \/>\nTulcea, interviul lui Iulian Talianu cu Ileana M\u0103l\u0103ncioiu<br \/>\n\u2013 80, critic\u0103 literar\u0103 scris\u0103 de Titi Damian (Marin<br \/>\nPreda. Anii form\u0103rii intelectuale), \u0218erban Codrin<br \/>\n(Marian Dopcea sau utopia poeziei m\u00e2ntuitoare), Ana<br \/>\nDobre (Horia G\u00e2rbea, Ore astrale), Lucian Gruia (Radu<br \/>\nCange, Lumina condorului), Constantin Dram (Maria<br \/>\nRadu, G\u00e2nduri), Valeria Manta T\u0103icu\u021bu (Emil<br \/>\nNiculescu, Confinium), Ion Ro\u0219ioru (Elena Netcu, Pa\u0219i<br \/>\nspre infern), Daniel D\u0103ian (Mihaela Meravei, Cu ora\u0219ul<br \/>\nmeu se \u00eent\u00e2mpl\u0103 ceva), poezia semnat\u0103 de Lucian<br \/>\nVasiliu, Sorin Ro\u0219ca, Lucian Alexiu, Valentin<br \/>\nTalpalaru, Mircea Lungu, Miruna Mure\u0219anu, Daniela<br \/>\nVarvara, Cristina Eso, Ottilia Ardeleanu (cu traducere \u00een<br \/>\nlb. spaniol\u0103 de Tudori\u021ba D\u0103nil\u0103, \u00een lb. francez\u0103 de Maria<br \/>\nGheorghe, \u00een lb. italian\u0103 de Camelia Popescu, \u00een lb.<br \/>\nenglez\u0103 de Corina Gina Papouis), Miodrag Jak\u0161i\u0107<br \/>\n(prezentare \u0219i traducere de Slavomir Gvozdenovici \u0219i<br \/>\nLucian Alexiu), Silvia-Ioana Sofineti (Premiul \u201ePanait<br \/>\nCerna\u201d, 2019), Sara-Cristina Iordan (Premiul<br \/>\n\u201eAegyssys\u201d, 2019), Elena B\u0103l\u0103\u0219anu (Premiul \u201ePanait<br \/>\nCerna\u201d, 2018) \u0219i proz\u0103, de Ovidiu Dun\u0103reanu, Gheorghe<br \/>\nSchwartz, Ioan Florin Stanciu, Gabriela Vlad,<br \/>\nConstantin Coroiu.<\/p>\n<p><strong>Expres cultural<\/strong>, Anul VI, nr. 4 (40), aprilie<br \/>\n2020, Ia\u0219i. Eseurile \u0219i comentariile sunt realizate de<br \/>\nLiviu Ioan Stoiciu, Vaccin pentru virusul literar<br \/>\ndestabilizator de la noi, Nicolae Panaite, Despre<br \/>\nCorona, Constantin Coroiu, Lec\u021bia de continuitate,<br \/>\nIulian Marcel Ciobotaru, Din istoria unei societ\u0103\u021bi<br \/>\nie\u0219ene, Mircea Ciubotaru, \u201eMisterele\u201d onomastice ale<br \/>\nIa\u0219ilor (LXIV), Magda Ursache, M\u0103rturie despre Omul<br \/>\ndin Calidor, Cristian Livescu, Cassian Maria Spiridon &#8211;<br \/>\n\u201eochiul din ad\u00e2ncime\u201d al poeziei, Daniel Corbu,<br \/>\nOdiseea dezn\u0103dejdii sau idiosincraziile unui sceptic<br \/>\nnem\u00e2ntuit, Dan Bogdan Hanu, Dog\u02bcs diary (din vremea<br \/>\nc\u00eeinelui sub acoperire involuntar\u0103), Adrian Dinu<br \/>\nRachieru, Nichita St\u0103nescu \u2013 un \u201eidol fals\u201d? (IV), Lina<br \/>\nCodreanu, Recuperarea literaturii exilului, Ioan \u021aicalo-<br \/>\n75, Fericirea \u0219i iluzia ei, Liviu Papuc, Tr\u0103irea unui<br \/>\ncrez, Doru Sc\u0103rl\u0103tescu, De la musique avant toute chose<br \/>\nI. M\u0103rturii din epoca de piatr\u0103, Nicolae Busuioc,<br \/>\nAtmosfera literar-cultural\u0103 din miezul Transilvaniei,<br \/>\nGheorghe Simon, S\u0103v\u00e2r\u0219itu-s-a! Ioan R\u0103ducea, Adieri<br \/>\npeste vechi p\u0103m\u00e2nturi, I. Lauren\u021biu, Doi popi, un meci<br \/>\nde fotbal \u0219i dou\u0103 pizza binecuv\u00e2ntate, Constantin<br \/>\nPricop, Direc\u021bia critic\u0103 (XXXIII). Critica literar\u0103 este<br \/>\nf\u0103cut\u0103 de Diana Vrabie (Daniel Cristea-Enache, Linia de<br \/>\ncontur), Maricica Munteanu (Mariana Codru\u021b, Pulsul nu<br \/>\npoate fi minimalist), Valeria Manta T\u0103icu\u021bu (Camelia<br \/>\nManuela Sava, Cod ADN), Petru Popa (Radu Cosa\u0219u,<br \/>\nAnti-damblale), Adrian Alui Gheorghe (Ovidiu Pecican,<br \/>\nTres\u0103riri critice, Vasile Iftime, Hristos, toamna, Gabriel<br \/>\nHasma\u021buchi, Alternative culturale), Flavius Paraschiv<br \/>\n(Dan Ciachir, \u00cen lumea presei interbelice), Ioan C. Te\u0219u<br \/>\n(P\u0103rintele Porfirie, Antologie de sfaturi \u0219i \u00eendrum\u0103ri,<br \/>\ntraducere din limba greac\u0103 de Sorina Munteanu),<br \/>\nLauren\u021biu Istrate (Alessandro Baricco, Mireasa t\u00e2n\u0103r\u0103).<br \/>\nPoezia e semnat\u0103 de Constan\u021ba Buzea, Cassian Maria<br \/>\nSpiridon-70, Rodica Popel, Gellu Dorian, Adi Cristi,<br \/>\nDaniel Corbu. Zigurat, nr.14, aprilie 2020: Corneliu<br \/>\nPopel. Un poet uitat. Grupajul de poezii este trimis de<br \/>\nRodica Popel, cu extrase din presa vremii semnate de<br \/>\nConstantin Ciopraga, Daniel Lascu, Mircea Iorgulescu,<br \/>\n\u0219i o prezentare de Miron Blaga.<\/p>\n<p><strong>L i t e r a 1 3<\/strong>, Anul VI, nr. 22, trim. II, 2020,<br \/>\nSili\u0219tea\/ Br\u0103ila. Eseurile \u0219i comentariile din acest num\u0103r<br \/>\nsunt realizate de Virgil Andronescu, S\u0103 \u00ee\u021bi dore\u0219ti cu<br \/>\nardoare apari\u021bia \u00een public \u0219i Senza\u021bia nimicului, Tudor<br \/>\nCicu, Acordorul de piane Murkin, Nicolae V. S\u0103lcioara,<br \/>\nFamilia \u2013 model \u00een educa\u021bia tinerilor, eveniment<br \/>\ndesf\u0103\u0219urat la Cercul Militar Br\u0103ila \u0219i Casa Artelor \u2013<br \/>\nrevist\u0103 br\u0103ilean\u0103 de tradi\u021bie, Hugo M\u0103r\u0103cineanu,<br \/>\nCultura \u0219i politica \u00een antagonism ireductibil?. Alte<br \/>\nevenimente: Litera 13 la Schela, jude\u021bul Gala\u021bi \u0219i<br \/>\nSalonul Na\u021bional de Plastic\u0103 Mic\u0103, Br\u0103ila. Cristina<br \/>\nDumitrescu prezint\u0103 cartea: \u00centoarcerea din cruciad\u0103 \u2013<br \/>\nvia\u021ba poetului Radu Gyr \u00eentre realitate \u0219i poveste de Al.<br \/>\nFlorin \u021aene, iar Zeno Halupa este prezent cu aforisme.<br \/>\nCritica literar\u0103 este scris\u0103 de Dumitru Anghel (Vali<br \/>\nIancu, Clipe sub condei), Cristian Gabriel Moraru<br \/>\n(Daniel Luca, Raftul de la col\u021b, vol. II), Mihai Vintil\u0103<br \/>\n(Doina Popa, Luna de miere), Valentina Becart<br \/>\n(Gheorghe Simon, Calea iubirii). Poezie semneaz\u0103:<br \/>\nMihai Vintil\u0103, Costel Stancu, Marian Vi\u0219escu, iar proz\u0103:<br \/>\nA.G. Secar\u0103, Cristian Mladin \u0219i Ion B\u0103lan.<\/p>\n<p><strong>Lumin\u0103 lin<\/strong>\u0103, Anul XXV, nr. 2, aprilie-iunie<br \/>\n2020, New York. Eseurile, studiile \u0219i comentariile au<br \/>\nfost realizate de Theodor Damian, \u00cenvierea Domnului \u2013<br \/>\nrestaurarea omului, Nicolae Nicolescu, Adev\u0103rul<br \/>\nsuprem dumnezeiesc: Taina Sfintei Treimi, Valentin<br \/>\nCo\u0219ereanu, facerea c\u0103r\u021bii \u2013 cuv\u00e2nt l\u0103muritor, Pompiliu<br \/>\nCr\u0103ciunescu, Prefa\u021b\u0103, Marian Nencescu, Arheul<br \/>\neminescian, de la poveste la fiin\u021b\u0103, Ion Haine\u0219, Grupul<br \/>\nLiterar \u201eCatacomba\u201d: Ioan N. Ro\u0219ca, Mihaela Malea<br \/>\nStroe, Un \u201epopor de pro\u0219ti\u201d?! (sau Dragoste versus<br \/>\ndispre\u021b), Iolanda Miculescu, Despre dragoste \u0219i ur\u0103.<br \/>\nPoezia este semnat\u0103 de Horia Ion Groza, Mihai Babei,<br \/>\nAndrei Zanca, Dan Anghelescu, M\u0103d\u0103lina B\u0103rbulescu,<br \/>\nMarian Vi\u0219escu, Ion Haine\u0219, Mihai Eminescu (\u00een lb.<br \/>\nenglez\u0103 de Ioan Ioni\u021b\u0103), Richard Grallo (\u00een lb. englez\u0103)<br \/>\nPassionaria Stoicescu (\u00een lb. englez\u0103 de Mugura\u0219 Maria<br \/>\nVnuk \u0219i David Paul Vnuk), iar proza, de \u0218tefan J. Fay,<br \/>\nCorneliu Zean\u0103, Flavia Topan, Viorel Dianu, Elena<br \/>\nMitru, Mariana Zavati Gardner (\u00een lb. englez\u0103),<br \/>\naforisme: Nicolae Mare\u0219, teatru: Dan Ciupitu. Fac<br \/>\ncritic\u0103 literar\u0103: Stoica Lascu (Adrian N\u0103stase, Ioan-<br \/>\nAurel Pop, Mihai Gribincea, Historia Transilvaniae.<br \/>\nTransilvania \u00een cinci secole de cartografie), Mihaela<br \/>\nAlbu (Constantin Eretescu, Turnul de veghe. Jurnal de<br \/>\nexil &#8211; IV), Vasile Rojneac (Maxim Morariu, Repere ale<br \/>\nautobiografiei spirituale din spa\u021biul ortodox \u00een secolele<br \/>\nXIX \u2013 XX: Ioan de Kronstadt, Siluan Athonitul \u0219i<br \/>\nNicolae Berdiaev), Ada Stupar (Considera\u021bii lirice &#8211;<br \/>\ndespre poezia lui Dumitru Crist\u0103nu\u0219), Ladislau Daradici<br \/>\n(Adriana Tomoni, Magnolia vr\u0103jit\u0103).<br \/>\nMi\u0219carea literar\u0103, Anul XIX, nr. (73), 2020,<br \/>\nBistri\u021ba. Remarc\u0103m eseurile \u0219i comentariile realizate de<br \/>\nOlimpiu Nu\u0219felean, For\u021ba distructiv\u0103 a cuvintelor<br \/>\n(editorial), Gheorghe Glodeanu, Al. Macedonski \u0219i<br \/>\npoezia viitorului, Andreea Zavicsa, Publicistul<br \/>\nAlexandru Macedonski despre poezie, Irina Maria<br \/>\nM\u0103eru\u021bu, Alexandru Macedonski \u2013 poetul prins la limita<br \/>\nunui dincolo de limit\u0103, Nicolae Munteanu, Eros \u0219i<br \/>\nThanatos macedonskian, Mirabela David, Alexandru<br \/>\nMacedonski \u2013 ie\u0219irea din realitate \u0219i arta revaloriz\u0103rii<br \/>\ne\u0219ecului, Icu Cr\u0103ciun, Teatrul lui Alexandru<br \/>\nMacedonski \u0219i Teatrul lui G. C\u0103linescu, Virgil Ra\u021biu,<br \/>\n\u021aiganiada sau Tab\u0103ra \u021biganilor, capodoper\u0103 de Ion<br \/>\nBudai-Deleanu, Adrian \u021aion, Deconstructivism dens la<br \/>\n\u0218tefan Manasia, Anastasia Dumitru, C\u0103r\u021bile unui<br \/>\nconvertit, critica literar\u0103 f\u0103cut\u0103 de Maria-Daniela<br \/>\nP\u0103n\u0103zan (Ana Blandiana, Integrala poemelor), Ion Radu<br \/>\nZ\u0103greanu (Doina Cornea, \u00cen c\u0103utarea \u00eengerilor pierdu\u021bi<br \/>\n\u0219i Aurel Podaru, Pavel Dan \u0219i Tulcea), Olimpiu<br \/>\nNu\u0219felean (Ileana Urcan, \u00cenchisoarea de crini), \u0218tefan<br \/>\nDamian (Ion Marin Alm\u0103jan, Orgoliile ora\u0219ului regal),<br \/>\nVirgil Ra\u021biu (Cornel Udrea, Montagne rus \u0219i N.<br \/>\nCarandino, Nop\u021bi albe \u0219i zile negre), \u0218erban Cionoff<br \/>\n(Ana Pop S\u00eerbu, Ludovica), Menu\u021b Maximinian<br \/>\n(Gheorghe Glodeanu, Romanul. Aventura spiritual\u0103 a<br \/>\nunei forme proteice), Iacob Naro\u0219 (Icu Cr\u0103ciun, Liviu<br \/>\nRebreanu \u00eentre contemporanii s\u0103i), Icu Cr\u0103ciun (Menu\u021b<br \/>\nMaximinian, Puterea secret\u0103 a c\u0103r\u021bilor), Ion Buza\u0219i<br \/>\n(Mircea Gelu Buta, Adrian Onofreiu, Rom\u00e2nii din<br \/>\nBistri\u021ba. Oameni, destine \u0219i m\u0103rturii), Vistian Goia<br \/>\n(Lelia Niculescu, Cu zilierii condeiului, de la Blaj la<br \/>\nAlba Iulia), Monica Grosu (Veronica O\u0219orheian,<br \/>\nColocvial II), poezia semnat\u0103 de Nicolae Silade,<br \/>\nFriedrich Michael, Rodica Dragomir, Ana Zegrean,<br \/>\nAlexandru Cazacu, Mihaela Aionesei, Gabi B\u0103rbulescu<br \/>\n\u0219i proza, de Radu Marini \u0219i Carmen Botean. Lucian<br \/>\nPer\u021ba parodiaz\u0103 pe Gabi B\u0103rbulescu, Rodica Dragomir,<br \/>\nNicolae Silade \u0219i Mihaela Aionesei.<\/p>\n<p><strong>Monitorul de poezie<\/strong>, Anul 2, nr. 17, aprilie<br \/>\n2020. La rubrica poezia de colec\u021bie sunt prezen\u021bi:<br \/>\nCenaclul maximinist, Ana de Amiranda, Octavian<br \/>\nSoviany, Lauren\u021biu Belizan, Daniela Toma, Ionu\u021b<br \/>\nCalot\u0103, Leonard Ancu\u021ba, Mihaela Borzea, Ioan Matiu\u021b,<br \/>\nIon \u021aoan\u021b\u0103, Darie L\u0103z\u0103rescu, Daniel Bratu, Emanuel<br \/>\nMihail P\u0103tr\u0103\u0219cioiu, Radu Iorgulescu, Geo Galetaru,<br \/>\nCarmen-Maria Mecu, Vlada Adalva, Helena Bob,<br \/>\nAlexia B\u0103descu, Violetta Petre, Violeta Pintea, Dan<br \/>\nC\u0103\u0219uneanu, Diana Trandafir, Elena Katamira, Viorel<br \/>\nDodan, Ildiko \u0218erban. La colec\u021bia de metafore sunt<br \/>\nexpu\u0219i: Florentin Sorescu, Adrian Suciu, Constantin<br \/>\nS\u00e2rghiu\u021b\u0103, Gabriela G\u00e2rlon\u021ba \u0219i Radu Chiorean (cu trei<br \/>\nexemplific\u0103ri). La resurse pentru globalizarea poeziei<br \/>\nsunt Frank Pereira Hennessey \u0219i Idris Abdul Rahman cu<br \/>\nc\u00e2te o poezie \u00een traducerea lui Ionu\u021b Calot\u0103. Poezia<br \/>\nmaximist\u0103 a edi\u021biei este semnat\u0103 de Nicole Sere \u0219i tot cu<br \/>\no poezie, Poe\u021bi \u2013 in memoriam, Clara M\u0103rgineanu.<br \/>\nFabriana Catrenescu face semnal la cartea Trist\u0103 \u021aar\u0103<br \/>\nde Ana de Amiranda.<\/p>\n<p><strong>N e u m a<\/strong>, Anul IV, nr. 5-6 (mai-iunie), 2020,<br \/>\nCluj-Napoca. Remarc\u0103m eseurile, studiile \u0219i<br \/>\ncomentariile realizate de Andrea H. Hede\u0219, Saga \u2013<br \/>\nC\u00e2ntec despre via\u021b\u0103 \u0219i oameni (editorial), Puterea<br \/>\nsecret\u0103 a c\u0103r\u021bilor. Efectul bulg\u0103relui de z\u0103pad\u0103 \u0219i<br \/>\nAutoportret cu dou\u0103 cercuri, Horia G\u00e2rbea, Covidel \u0219i<br \/>\nIzoletta, Personaje pe scen\u0103 \u0219i Dulce \u0219i toxic, Olimpiu<br \/>\nNu\u0219felean, P\u0103m\u00e2ntul e lini\u0219tit, Ioan Cristescu, Nicolae<br \/>\nIorga. Studiu de caz, Simona-Grazia Dima, Nori fugari<br \/>\npe albastrul ecran, Liviu Cap\u0219a, Rom\u00e2nia (mereu)<br \/>\nvisat\u0103, Ana Dobre, To\u021bi oamenii sunt fra\u021bi, Menu\u021b<br \/>\nMaximinian, Graiul dulce de la Giug, ancheta,<br \/>\nAnimalele de companie ale scriitorilor, la care r\u0103spund:<br \/>\nDaniel Cristea-Enache, Olga Delia Mateescu, \u0218erban<br \/>\nTom\u0219a, Florica Bud, Radu-Ilarion Munteanu, Ana<br \/>\nDobre, Alexandru Jurcan, Maria Gr\u0103dinaru, Liviu<br \/>\nCap\u0219a, Nicolae Nistor, Alina Jurj, Mihai Gligan, Andrea<br \/>\nH. Hede\u0219, Horia G\u00e2rbea, interviul: C\u0103t\u0103lina Novac \u2013<br \/>\nGabriel Boie, textele aforistice de Gheorghe Grigurcu \u0219i<br \/>\nConstantin Lupeanu, critica literar\u0103 f\u0103cut\u0103 de Constantin<br \/>\nCuble\u0219an (Ion Cocora, M\u0103\u0219tile frigului), Ioan Holban<br \/>\n(Stere Bucoval\u0103, \u00centoarcerea la umbre), Nicoleta Milea<br \/>\n(Menu\u021b Maximinian, Puterea secret\u0103 a c\u0103r\u021bilor, Liviu<br \/>\nCap\u0219a, Animale-fantezii adunate-n poezii), Vasile<br \/>\nVidican (Horia B\u0103descu, C\u0103derea din rai), Evelyne<br \/>\nMaria Croitoru (Nicoleta Milea, Ochiul lui Horus,<br \/>\nRaluca Faraon, S\u0103 locuie\u0219ti \u00eentr-un cerc \u0219i s\u0103 nu-i atingi<br \/>\ncentrul), Horia G\u00e2rbea (Gela Enea, Eu sunt Lilith,<br \/>\nRamona M\u00fcller, Muntele din noi), Ana Dobre (Florin<br \/>\nBurtan, T\u0103r\u00e2mul pierdut), Flavia Adam (Gela Enea, Eu<br \/>\nsunt Lilith), Passionaria Stoicescu (Luis Luna, Cerul din<br \/>\np\u0103s\u0103ri, traducere de Ion P. Iacob). Semneaz\u0103 poezie:<br \/>\nAdrian Popescu, Horia B\u0103descu, Ion Cristofor, George<br \/>\nVulturescu, Victoria Milescu, Constan\u021ba Popescu, iar<br \/>\nproz\u0103: Hanna Bota, Adrian Lesenciuc, Florin Toma,<br \/>\nR\u0103zvan Nicula, Florin Logre\u0219teanu.<\/p>\n<p><strong>P o e s i s<\/strong>, Anul XXXI, nr. 1-2-3 (227-228-229),<br \/>\n2020, Satu Mare. Eseurile sunt realizate de D. P\u0103curaru,<br \/>\nTransilvania bicultural\u0103 sau despre stiloul rom\u00e2nesc \u0219i<br \/>\npixul unguresc (editorial), Ioan G\u00e2f-Deac, Poezia \u00een<br \/>\nsatul meu, Radu Sergiu Ruba, Locurile natale, Ioan<br \/>\nNistor, Dariu Pop \u0219i G.M. Zamfirescu \u2013 \u00eentr-o polemic\u0103<br \/>\npripit\u0103 \u0219i Tavi Doclin nu va mai veni la Satu Mare,<br \/>\nDenisa Cr\u0103ciun, Umberto Eco: Insula zilei de ieri este o<br \/>\nInsul\u0103 este o Insul\u0103 este o Insul\u0103\u2026 In memoriam Ilie<br \/>\nConstantin scriu Gheorghe Grigurcu \u0219i Ioan Holban.<br \/>\nPoezia este semnat\u0103 de Denisse Noel (traducere de<br \/>\nAlexandra P\u0103un), Marcel Mure\u0219eanu, Mihai Cantuniari,<br \/>\nIoan Matiu\u021b, Andreea H. Hede\u0219, George Nina Elian,<br \/>\nAngela Baciu-50, Radu Cange, Ioan Baba, Traian<br \/>\nVasilc\u0103u, Gheorghe Calamanciuc, Czes\u0142aw Dzwigaj<br \/>\n(prezentare \u0219i traducere de Nicolae Mare\u0219), Ileana Zara<br \/>\n\u0219i Stanislav Li (prezent\u0103ri \u0219i traduceri de Costel Drejoi),<br \/>\nNedeljko Terzi\u0107 (traducere de Ioan Baba), Elisco Diego<br \/>\n(traducere de Leo Butnaru), iar teatru: John Webster<br \/>\n(prezentare \u0219i traducere de Horia G\u00e2rbea). Scriu critic\u0103<br \/>\nliterar\u0103: George Vulturescu (Ovidiu Pecican, Elefan\u021bi pe<br \/>\nlinia de tramvai \u0219i Vasile Igna, Periscop), Gheorghe<br \/>\nGlodeanu (Iosif Cheie-Pantea, Cioran \u0219i spiritul<br \/>\nromantic), Adrian Lesenciuc (George Vulturescu,<br \/>\nPoezia lui \u0218tefan Augustin Doina\u0219. \u201eTiparele eterne\u201d \u0219i<br \/>\npoetica orizontalit\u0103\u021bii), Delia Muntean (Pavel G\u0103t\u0103ian\u021bu<br \/>\n\u2013 un soldat f\u0103r\u0103 patrie), Tatiana Niculescu (\u00cen umbra<br \/>\namintirilor vindec\u0103toare), Alexandru Zotta (Tucu<br \/>\nMoro\u0219anu, Pecetea poemelor nescrise), Tudor Nedelcea<br \/>\n(Ada Stuparu, Anca S\u00eerghie \u00een lumina slovei), Livius<br \/>\nPetru Bercea (Constantin Nov\u0103cescu, Numele).<\/p>\n<p><strong>P l u m b<\/strong>, Anul XVI nr. 156-157, martie-aprilie<br \/>\n2020, Bac\u0103u. Remarc\u0103m comentariile \u0219i eseurile<br \/>\nrealizate de Mihai Buznea, Despre viru\u0219i, Ioan Vulcan-<br \/>\nAgniteanul, G\u00e2nduri \u0219i Firimituri, Andrei-Victor<br \/>\nCojocaru, C\u00e2teva cuvinte despre micul \u0219i marele r\u0103zboi<br \/>\ndin poezia persan\u0103, Ioan D\u0103nil\u0103, In memoriam C.D.<br \/>\nZeletin, Cristina \u0218tefan, Adrian Dinu Rachieru la 70 de<br \/>\nani, Romulus-Dan Busnea, Noile ideologii, Bramburica<br \/>\n\u0219i apocalipsa climatic\u0103, Carmen Stanciu, Literatura<br \/>\ncaragealian\u0103 este \u00eenc\u0103 vie?, Constantin Vorniceasa,<br \/>\nMakarenko, un Stalin al educa\u021biei, Dumitru Br\u0103neanu,<br \/>\nDe la un g\u00e2nd la altul \u2013 sau cum s\u0103 faci un ban<br \/>\ngr\u0103mad\u0103, Gheorghe Ungureanu, Jurnalul unui pierde<br \/>\nvar\u0103, Daniel Onaca, Me\u0219terul Manole sau exigen\u021ba<br \/>\nsacrificiului uman \u00een poemul dramatic al lui Lucian<br \/>\nBlaga, Nicolae Scurtu, \u00cenc\u0103 o m\u0103rturie a poetei Agatha<br \/>\nBacovia. Critic\u0103 literar\u0103 scriu: Grigore Codrescu<br \/>\n(Valeria Manta T\u0103icu\u021bu, Anotimpuri de plumb), Cristina<br \/>\nOnofre (Dumitru Br\u0103neanu, Locuind \u00een cuv\u00e2nt), Emilian<br \/>\nMarcu (Constantin Ardeleanu, Toamna \u00eensingur\u0103rii),<br \/>\nMarius Manta (Alexa Pa\u0219cu, Vis spulberat), Mioara<br \/>\nBahna (\u0218tefan Mitroi, Dac\u0103 Dumnezeu ar muri), Ion<br \/>\nRo\u0219ioru (Camelia Ardelean, Anotimpurile cuv\u00e2ntului),<br \/>\nDaniel Nicolescu (Tinca Tama\u0219, Vis \u00eemplinit), Aurel<br \/>\nPop (Mircea Constantin Jurebie, Tribula\u021bii), Petre Isachi<br \/>\n(Ecaterina Petrescu Botoncea, anunnaki \u2013 Povestiri sub<br \/>\npleoape), Iulian D\u0103m\u0103cu\u0219 (Toader Ungureanu, Strop de<br \/>\nrou\u0103), Ioan \u021aicalo (Victor En\u0103\u0219oae, O lum\u00e2nare pe<br \/>\nmalul Prutului), Ottilia Ardeleanu (Spiridon Popescu,<br \/>\nDiavol cu coarne de melc), Ionel Necula (Cristina<br \/>\n\u0218tefan, O c\u0103l\u0103torie la Salzburg), Petru\u0219 Andrei<br \/>\n(Mariana Velisar-Codrescu, Povestea adev\u0103rat\u0103 a<br \/>\nstr\u0103bunicilor Safta Iura\u0219cu \u2013 Dumitrache Velisar),<br \/>\nLucian Strochi (Emil Simion, Furtun\u0103 \u00een lini\u0219tea<br \/>\ng\u00e2ndului). Poezie semneaz\u0103: Alexandru Cazacu, Maria<br \/>\nIeva, Cristina \u0218tefan, Alexa Pa\u0219cu, Mihai G\u0103l\u0103\u021banu,<br \/>\nRomic\u0103 C. Ghica, Lucian M\u0103n\u0103ilescu, Nicolai T\u0103icu\u021bu,<br \/>\niar proz\u0103: Firi\u021b\u0103 Carp \u0219i Diana-Mihaela Dumitru.<\/p>\n<p><strong>P l u m b<\/strong>, Anul XVI nr. 158, mai 2020, Bac\u0103u.<br \/>\nRemarc\u0103m comentariile \u0219i eseurile realizate de Mihai<br \/>\nBuznea, Psihoza+65. Lapidarea seniorilor, Ioan<br \/>\nVulcan-Agniteanul, Foloasele lene\u0219ilor \u0219i<br \/>\nneispr\u0103vi\u021bilor, Ionel Necula, George Bacovia \u0219i<br \/>\nreabilitarea senza\u021biei, Ozana Kalmuski-Zarea, Doru<br \/>\nKalmuski \u2013 Adev\u0103ratul Eden, Emilia Grigora\u0219,<br \/>\nPerenitatea unui motiv literar: cobor\u00e2rea \u00een infern,<br \/>\nRomulus-Dan Busnea, Mari nume ale jurnalismului<br \/>\nrom\u00e2nesc: Marius Mircu, Dumitru Br\u0103neanu, De la un<br \/>\ng\u00e2nd la altul, Florentin Popescu, La aniversar\u0103 \u2013 Lina<br \/>\nCodreanu &#8211; 70, Nicolae Scurtu, Posteritatea lui Vasile<br \/>\nAlecsandri. Critic\u0103 literar\u0103 scriu: Mioara Bahna (Nicolai<br \/>\nT\u0103icu\u021bu, 70 \u2013 o biodiversitate \u00een gri), Adrian Dinu<br \/>\nRachieru (Gheorghe Ungureanu, Parabolele oglinzilor<br \/>\nThemis), Adrian Popovici (Mihai Sultana Vicol,<br \/>\nPeniten\u021ba cavalerului cruciat), Marius Manta<br \/>\n(Constantin Petru Teodor, Lumea pierdut\u0103), Liviu<br \/>\nChiscop (Alexandru Nelu Huidici, Anotimpuri \u00een<br \/>\nderiv\u0103), Mihai Merticaru (Maria Filipoiu, Pelerin pe<br \/>\nCalea Luminii), Daniel Luca (Marin Be\u0219cuc\u0103, Mnieru \u2013<br \/>\nProfesorul meu de Pre\u021biozit\u0103\u021bi), Mara Paraschiv (Doru<br \/>\nCiucescu, Survolul P\u0103m\u00e2ntului, cu escale \u00een exotismul<br \/>\nOceanului Pacific), Petru\u0219 Andrei (\u0218tefan M\u00eerzac,<br \/>\nCuvinte cu dor de miez), Cristina \u0218tefan (Rodica<br \/>\nDasc\u0103lu, Imagineaz\u0103-\u021bi o gr\u0103din\u0103), Ioan \u021aicalo (Alexa<br \/>\nPa\u0219cu, Vis spulberat), Drago\u0219 Vi\u0219an (Ottilia Ardeleanu,<br \/>\nNiciodat\u0103 nu spune unei zile c\u0103 e ordinar\u0103), Constantin<br \/>\nDram (Adrian Iancu, Strada Magnoliei \u0219i alte aventuri),<br \/>\nCalistrat Costin (Emil Ariton, Juc\u0103ria de versuri a<br \/>\nzodiacului), Lucian Strochi (Ecaterina Petrescu-<br \/>\nBotoncea, Femeia lut). Poezie semneaz\u0103: Mircea<br \/>\nBostan, Ciprian Vestemean, Elena Tamazl\u0103caru, Nina<br \/>\nCeranu Chelariu, Mihai P\u0103curaru, Romic\u0103 C. Ghica,<br \/>\nVasile Dan Marchi\u0219, Nicolae Silade, iar proz\u0103: Firi\u021b\u0103<br \/>\nCarp \u0219i Eugen Verman.<\/p>\n<p><strong>Pro Saeculum<\/strong>, Anul XIX, nr. 1-2 (141-142), 1<br \/>\nianuarie \u2013 31 martie 2020, Foc\u0219ani. Remarc\u0103m eseurile<br \/>\n\u0219i comentariile realizate de Rodica L\u0103z\u0103rescu, Un<br \/>\nAvertisment (editorial) \u0219i \u201eInstitu\u021bia\u201d Zenovie C\u00e2rlugea,<br \/>\nDumitru Radu Popescu, Crede \u00een cuvintele lui Lucian<br \/>\nBlaga, Magda Ursache, Cel cu cartea \u00een m\u00e2n\u0103 n\u0103scut:<br \/>\nMircea Dinutz, Vasile Ghica, Ecaterina\/ Cocu\u021ba<br \/>\nConachi Vogoride a schimbat destinul poporului<br \/>\nrom\u00e2n, Nicolae C\u00e2rlan, Simion Florea Marian \u00een<br \/>\ninstantanee de epoc\u0103 \u2013 efigia savantului), Andrei<br \/>\nMoldovan, Dimensiunile poematice ale romanului lui<br \/>\nMircea C\u0103rt\u0103rescu), Nicolae Dan Fruntelat\u0103, O bacovie<br \/>\nmodern\u0103 (Valeria Manta T\u0103icu\u021bu, Anotimpuri de plumb)<br \/>\n\u0219i Mircea Radu Iacoban, un altfel de optzecist, Maria<br \/>\nNi\u021bu, Anastasia Dumitru despre victimele<br \/>\ntotalitarismului \u0219i voca\u021bia m\u0103rturisirii, Petre Isachi,<br \/>\nDostoievski \u0219i drumul spre centru. Partea a VI-a, Iordan<br \/>\nDatcu, O carte pentru nemurire (Petru Ursache, Istorie,<br \/>\ngenocid, etnocid), Ion Fercu, Academicianul Alexandru<br \/>\nBoboc-90), Georgeta Adam, Ileana M\u0103l\u0103ncioiu:<br \/>\nPanorama tragic\u0103 a eului anxios, Viorel Chiril\u0103,<br \/>\nCondi\u021bia fiin\u021bei strivite \u00een lirica Ilenei M\u0103l\u0103ncioiu,<br \/>\nMircea Dinutz &#8211; \u0219apte ani \u00een marea lumin\u0103: Theodor<br \/>\nCodreanu, Critic\u0103 \u0219i caracter, Nicolae Dan Fruntelat\u0103,<br \/>\nUn cavaler din stirpea lui Don Quijote, Ghi\u021b\u0103 Nazare,<br \/>\nCititorul de calitate \u2013 semn de pre\u021buire a valorii, Cornel<br \/>\nGalben, Dou\u0103 scrisori de la Mircea, interviurile: Virgil<br \/>\nRa\u021biu \u2013 Niculae Gheran, Sabina Marcu \u2013 George B\u0103l\u0103i\u021b\u0103<br \/>\n(II), critica literar\u0103 f\u0103cut\u0103 de Petre Isachi, ca \u0219i de Ioan<br \/>\nN. Ro\u0219ca (Passionaria Stoicescu, Plusfiin\u021ba), Ionel<br \/>\nNecula (Costic\u0103 Neagu, Caiete, vol.IV) Dinu Grigorescu<br \/>\n(Horia G\u00e2rbea, Pisica din Kavala), Valeria Manta<br \/>\nT\u0103icu\u021bu (Marcel Mure\u0219eanu, O sut\u0103 \u0219i una de poezii)<br \/>\nGhi\u021b\u0103 Nazare (Lina Codreanu, Semnale critice),<br \/>\nFevronia Spirescu (Valeria Manta T\u0103icu\u021bu, Mo\u0219tenirea<br \/>\nlui Mamin), Gheorghe Simon (Elena Bostan-Delavicov,<br \/>\nEvad\u0103ri multiple), breviarul editorial al Dianei Dobri\u021ba<br \/>\nB\u00eelea cu Emilia Poenaru Moldovan, Cineva ca mine,<br \/>\nEmilia Dabu, Portalul iubirii, poezie semnat\u0103 de \u0218erban<br \/>\nCodrin, Paula Romanescu, Teofil R\u0103chi\u021beanu, Nicolae<br \/>\nCabel, Claudia Voiculescu, Alexandru Jurcan, Alina<br \/>\nJurj, Dumitru Hurub\u0103, Mark Bones (traducere de<br \/>\nMariana Zavati Gardner), Victoria Milescu, Fevronia<br \/>\nSpirescu, Paul Spirescu, proz\u0103, de Mihail Diaconescu,<br \/>\nIoan Florin Stanciu, Nicolae Havriliuc, Mihai S\u0103lcu\u021ban,<br \/>\nMihai Petre, teatru: Lucian Badea.<\/p>\n<p><strong>Salonul literar<\/strong>, Anul XXI, nr. 101, martie 2020,<br \/>\nOdobe\u0219ti. Eseurile, comentariile \u0219i varii sunt realizate de<br \/>\nCuli\u021b\u0103 Ioan U\u0219urelu, Cultul c\u0103r\u021bii (editorial) \u0219i Cititul<br \/>\nc\u0103r\u021bilor, Petrache Plopeanu, Finis coronat opus, ca<br \/>\nexpresie a sf\u00e2r\u0219itului unui tip de lume, Alex. \u0218tef\u0103nescu,<br \/>\nGeo Bogza la Suceava, Silvia M\u0103nd\u0103\u0219escu, Este<br \/>\nscriitorul un suferind? Andrei Ple\u0219u, Neologismele,<br \/>\nCristian Petru B\u0103lan, La mul\u021bi ani! \u00een multele limbi ale<br \/>\nP\u0103m\u00e2ntului, Viorel Savin, E timpul s\u0103 spunem stop<br \/>\nminciunii! R\u0103zvan Moceanu, Portret: Emanuil Gojdu,<br \/>\navocatul care \u0219i-a l\u0103sat \u00eentreaga avere rom\u00e2nilor,<br \/>\nSevastie Ba\u0219tovoi, 10 sfaturi, R\u0103zvan Ionescu, Car\u0103-te<br \/>\nde aici, Soljeni\u021b\u00een, Constan\u021ba Cornil\u0103, Copacul numit<br \/>\nmul\u021bumire, Ana-Maria Constantin, Mesaj dur transmis<br \/>\nde o profesoar\u0103 de origine rom\u00e2n\u0103 care tr\u0103ie\u0219te \u00een<br \/>\nFran\u021ba, Mihai Bendeac, Scrisoare, Maria Rodica<br \/>\nP\u00e2rvan, Drepturile fiilor de os domnesc, n\u0103scu\u021bi \u00een afara<br \/>\nc\u0103s\u0103toriei, \u00een eposul, etosul, cutuma \u0219i istoria poporului<br \/>\nrom\u00e2n, Cristian Sandache, Ion Creang\u0103: ultimele luni.<br \/>\nInterviul lui Culi\u021b\u0103 Ioan U\u0219urelu este cu Marina<br \/>\n\u0218aleapina. Critica literar\u0103 este f\u0103cut\u0103 de Boris Bekr<br \/>\n(Ludmila Uli\u021bcaia, Scara lui Iakov), Ioan \u021aicalo<br \/>\n(Gheorghe Ungureanu, Parabolele oglinzilor Themis),<br \/>\nOctavian Mihalcea (Nicolae V\u0103l\u0103reanu S\u00e2rbu, Fluturi<br \/>\nde trup), Costel Pricopie (Costic\u0103 Zb\u00e2rciog, C\u0103l\u0103tor<br \/>\nprin anotimpuri), Petre Isachi (Cornel Paiu, Biblioteca<br \/>\ndin Turn), Marieta Tudorache (Jan Pavel, Povestiri din<br \/>\nmahalaua Tabacari). Proza este semnat\u0103 de Nina-Elena<br \/>\nPlopeanu, iar poezia, de Adrian Botez, Andrei<br \/>\nStr\u00e2mbeanu, Mihai Merticaru, M\u0103d\u0103lina Camelia Ni\u021b\u0103<br \/>\n(cu o prezentare de Ion Apostu), Mihaela Gr\u0103dinariu (!),<br \/>\nPetrache Plopeanu, Costi Toma.<\/p>\n<p><strong>Scriptor, <\/strong>anul VI, nr.5-6 (65-66), mai-iunie<br \/>\n2020, Ia\u0219i. Din aceast\u0103 edi\u021bie a revistei remarc\u0103m:<br \/>\npoezia semnat\u0103 de Adrian Alui Gheorghe (poem desenat<br \/>\nde Drago\u0219 P\u0103tra\u0219cu), Theodor-George Calcan, Petru<br \/>\nCovaci-70, Andr\u00e9e Chedid (prezentare \u0219i traducere de<br \/>\nMaria A. H\u00eencu-Patanchon), proza scris\u0103 de Lucia-<br \/>\nGabriela Munteanu, Paul Tumanian, Ion \u021aurcanu,<br \/>\neseurile realizate de Doru Sc\u0103rl\u0103tescu, \u201eDomnului Mih.<br \/>\nEminescu, Wien, Ober-D\u00f6bling, in der Heilanstalt<br \/>\nLiedesdorf-Obersteiner\u201d, un document uman revelator,<br \/>\n\u0218tefan Hostiuc, reactivarea moldovenismul \u00een R.<br \/>\nMoldova \u0219i Ucraina. Deconstruc\u021bia unei ideologii<br \/>\nantirom\u00e2ne\u0219ti, Mircea A. Diaconu, Bucovina lui<br \/>\nDimitrie Vatamaniuc, Emina C\u0103p\u0103ln\u0103\u0219an, Cuvintele \u0219i<br \/>\nsintagmele momentului, Laura-Carmen Cu\u021bitaru,<br \/>\nPirah\u0103: sunetele, Constantin Coroiu, Amintirile unui<br \/>\ncontemporan al lui Eminescu (Teodor V. \u0218tefanelli),<br \/>\nMaria Kozak, Eminescu. Limbajul ca deschidere spre<br \/>\nfiin\u021b\u0103, George Vulturescu, O paralel\u0103: M. Eminescu &#8211;<br \/>\n\u201eHarfa sf\u0103r\u00e2mat\u0103\u201d\/ L. Blaga &#8211; \u201eHarfa de-ntuneric\u201d,<br \/>\nLeo Butnaru, Contemporaneizarea con\u0219tiin\u021bei \u0219i<br \/>\ncreativit\u0103\u021bii, Liviu Ioan Stoiciu, Din anul Revolu\u021biei. De<br \/>\nuz strict personal (XXIX), dialogurile \u2013 Vasile Proca &#8211;<br \/>\nDumitru Crudu (II), Nicolae Busuioc \u2013 Olti\u021ba C\u00eentec,<br \/>\ncritica literar\u0103 f\u0103cut\u0103 de Vasile Iancu (Gheorghe I.<br \/>\nBr\u0103tianu, O enigm\u0103 \u0219i un miracol istoric: poporul<br \/>\nrom\u00e2n), Ion Pop (Note despre poezia lui Liviu<br \/>\nAntonesei), Constantin Cuble\u0219an (Lucian Alexiu, Ter\u021bul<br \/>\nexclus\/ Le tiers exclu), Ioan Holban (Eugen Barz,<br \/>\nBiblioteca din Parla), Ioan R\u0103ducea (Horia B\u0103descu,<br \/>\nDoar din p\u0103m\u00e2ntul patriei), Sonia Elvireanu (Andrea H.<br \/>\nHede\u0219, Povestiri de pe malul cel\u0103lalt), Fr\u0103gu\u021ba Zaharia<br \/>\n(\u0218tefan Afloroaei, Fabula existen\u021bial\u0103), Diana Vrabie<br \/>\n(C.D. Zeletin, Zdren\u021be \u00een paradis), Bogdan-Mihai<br \/>\nMandache (Constantin Noica, Interpret\u0103ri la Platon),<br \/>\nElvira Sorohan (Bogdan R\u0103ileanu, Teoria apropierii),<br \/>\nVictor \u0218tir (David Dorian, Poeme prozaice), Stelian<br \/>\n\u021aurlea (Caius Dobrescu, Cu inima-n din\u021bi). La<br \/>\nChestionarul scriptorian formulat de Lucian Vasiliu<br \/>\nr\u0103spunde Eugen Uricaru.<\/p>\n<p><strong>Sintagme literare<\/strong>, nr.2 (43), aprilie 2020,<br \/>\nDude\u0219tii Noi. Sunt prezen\u021bi la poesis: Adrian L\u0103z\u0103rescu,<br \/>\nAna Pop S\u00eerbu, Andreea-Cosmina-Magdalena Lazanu,<br \/>\nBaki Ymeri, Camelia Florescu, Carmen Foc\u0219a, Corina<br \/>\nDa\u0219oveanu, Cristian Ovidiu Dinic\u0103, Dana Logigan,<br \/>\nDorian Stoilescu, Dorina M\u0103g\u0103rin (\u0219i proz\u0103), Eugenia<br \/>\nParaschiv, Gabriela Hurezan, Gabriela Verban, Gabriel<br \/>\nGherb\u0103lu\u021b\u0103, George G. Asztalos, George L\u00e2n\u0103,<br \/>\nGheorghe Simon, Ileana-Adriana Chidu, Ionel Bota,<br \/>\nIulia Elize (\u0219i proz\u0103), Lavinia-Elena Niculicea, Liliana<br \/>\nRus, Lucian M\u0103n\u0103ilescu, Nicolae Nistor, Nicolae Silade,<br \/>\nNicolae V\u0103l\u0103reanu S\u00e2rbu, Oana Fren\u021bescu, Raul<br \/>\nConstantinescu, Raul Sebastian Baz, Simona-Grazia<br \/>\nDima, Simona Trifu, la proz\u0103: Cristian Mladin, Ildiko<br \/>\n\u0218erban, Mihai Petre, la atelier critic: Adrian Dinu<br \/>\nRachieru (Basarabencele), Camelia Ardelean (Daniel<br \/>\nMarian, Primejdiile de la iubirile-ncoace \u0219i Dumitru<br \/>\nT\u00e2lvescu, Prosperia), Constantin Stancu (Adrian Botez,<br \/>\nCartea despre lumile viitoare \u0219i Liviu Ofileanu,<br \/>\nManualul inginerului de drumuri \u0219i poduri), Constantin<br \/>\nVoinescu (Corina Da\u0219oveanu, s\u00e2nge-m\u0103!), Cristian-Paul<br \/>\nMozoru (Gheorghe Jurma, Amintiri de la Cenaclul<br \/>\nSemenicul), Daniel Luca (Vasile Rodian, Calendarul<br \/>\nnisipurilor \u0219i al ierbii, Ovidiu Gligu, Poemele fericirii,<br \/>\nGabriela Trotu\u0219, Femeie cu chipul t\u00e2rziu, Gabriel<br \/>\nHasma\u021buchi, Noduri, Liana Stamin, Sub genunchii mei<br \/>\nse pierde lumina, Dorina M\u0103g\u0103rin, Galeria oglinzilor),<br \/>\nDaniel Marian (Camelia Florescu, Nu-s o fat\u0103 ca<br \/>\noricare, Erika Bloj, nobody\u02bcs blues), Daniel Mari\u0219<br \/>\n(Simona Trifu, E. S. P., Victor Munteanu, Prizonierul<br \/>\nt\u0103cerii), Ionel Bota (Maria Ieva, Femeia de la cap\u0103tul<br \/>\nm\u00e2inii), Octavian Mihalcea (Dan Stanca, Anii frigului),<br \/>\nSerghie Bucur (Dumitru Augustin Doman, Spuma<br \/>\nzilelor \u0219i nop\u021bilor de lectur\u0103), Teo Cabel (Claudia<br \/>\nMinela, Joint, putere \u0219i ra\u021biune Valentina Becart<br \/>\n(Gheorghe Simon, Calea iubirii). Scriu eseuri: Gabriela<br \/>\nVerban, Ionel Bota, Liuba Lavric Botezatu \u0219i Petru<br \/>\nSolonaru, interviurile sunt: Adriana Popa cu Maira<br \/>\nLiliestedt, Cristian Ovidiu Dinic\u0103 cu Daniel Ioni\u021b\u0103,<br \/>\nVictor Marola cu Eufrozina Greonean\u021b. La meridiane<br \/>\nlirice o g\u0103sim pe Flora Ajejandra Pizarnik (prezentare \u0219i<br \/>\ntraducere de Mihai Marian), iar La cur\u021bile dorului, Ion<br \/>\nC\u0103liman.<\/p>\n<p><strong>S t e a u a<\/strong>, Anul LXXI, nr.4 (858), aprilie 2020,<br \/>\nCluj-Napoca. Eseurile \u0219i comentariile din acest num\u0103r<br \/>\nsunt realizate de Adrian Popescu, Marea civiliza\u021biei<br \/>\neuropene (editorial), Laura T. Ilea, Imaginarul exilului<br \/>\n\u0219i al diasporei (II) Nicolae Mare\u0219, Ioan Paul al II-lea<br \/>\n(1920-2005), Ivy Litvinov: via\u021ba ca o prad\u0103, Jane<br \/>\nBrown \u0219i Cum l-am cunoscut pe Stalin (prezentare \u0219i<br \/>\ntraducere de Mihaela Mudure), Ovidiu Pecican,<br \/>\nAtlantida medieval\u0103 transilvan\u0103, Victor Constantin<br \/>\nM\u0103ru\u021boiu, O istorie secret\u0103 a literaturii rom\u00e2ne, Teona<br \/>\nFarmatu, Poezie hard din Timi\u0219oara (Ion Monoran &amp;<br \/>\nPetru Ilie\u0219u), Andreea Mir\u021b, O \u021bar\u0103 a revolu\u021biei, Marius<br \/>\nP. Laz\u0103r, Poezia ca proces anamnetic, Adrian Mure\u0219an,<br \/>\nM\u00e2ntuirea smochinului. Preliminarii la un dialog N.<br \/>\nSteinhardt \u2013 Simone Weil, Constantin Cuble\u0219an, Tr\u0103ind<br \/>\n\u00eentr-un co\u0219mar, Daiana G\u00e2rdan, De la ac\u021biune la actor:<br \/>\no alt\u0103 fa\u021b\u0103 a diziden\u021bei central-europene, Andreea<br \/>\nStoica, Adev\u0103r \u0219i fic\u021biune: deconstruirea gloriei<br \/>\nr\u0103zboiului, Ana-Maria Parasca, Istorie, sens \u0219i timp \u00een<br \/>\n\u201erealitatea\u201d fic\u021bional\u0103, Titu Popescu, Despre stilul de<br \/>\nvia\u021b\u0103 al rom\u00e2nilor, Mircea Muthu, \u201eSunt eu ori altul\u2026\u201d,<br \/>\nLorin Ghiman, G\u00e2lceava lui W. cu filosofia, Eugenia<br \/>\nSarvari, Scripcarul din lun\u0103. Virgil Ra\u021biu este \u00een dialog<br \/>\ncu Niculae Gheran. Critica literar\u0103 este scris\u0103 de Ion<br \/>\nPop (Constantin Cuble\u0219an, Poe\u021bii Stelei 70), Victor<br \/>\nCuble\u0219an (Eugen Uricaru, Gr\u0103dina Paradisului),<br \/>\nMarius Conkan (Lumi alternative: genul S.F. \u0219i fantasy<br \/>\n\u00een Rom\u00e2nia), Florin Balotescu (Cei doi Apolodori \u0219i<br \/>\njocul din originea speciilor). Poezia este semnat\u0103 de<br \/>\nLena Chilari \u0219i David Ferry (traducere \u0219i prezentare de<br \/>\nAlex V\u0103sie\u0219).<\/p>\n<p><strong>13 plus<\/strong>, Anul XXIII, nr.195\/ 2020, Bac\u0103u.<br \/>\nEseurile \u0219i comentariile sunt realizate de Mihai Botez,<br \/>\nVise \u0219i vaticin\u0103ri din \u201enop\u021bile\u201d romantice: Musset \u0219i<br \/>\nMacedonski, Petre Isachi, Bibliotecarul Mihai Botez vs.<br \/>\nscriitorul Mihai St\u00e2ncaru sau \u201edac\u0103 nu m-ar fi atras<br \/>\nc\u0103r\u021bile, ce s-ar fi ales de mine?\u201d (II), Adrian Lungu,<br \/>\nIncursiune cultural\u0103 la V\u0103ratic (II), Dan Sandu, C\u00e2ntec<br \/>\nde prieten \u2013 Pioas\u0103 amintire! Ziaristului Toma<br \/>\nAlexandrescu \u0219i Prin\u021b al Penelului, Diana-Mihaela<br \/>\nDumitru, Tabla de \u0219ah, Ion Dinvale, O sam\u0103 de<br \/>\ncuvinte, Virgil Nistru \u021aig\u0103nu\u0219, Studiul &#8211; \u201eo gimnastic\u0103 a<br \/>\n\u00eentregii individualit\u0103\u021bi a omului\u201d (M. Eminescu), Traian<br \/>\nDiaconescu, Ovidiu \u0219i Br\u00e2ncu\u0219i. Configura\u021bii mitice \u0219i<br \/>\ntransfigur\u0103ri artistice, Alexandru Jurcan, \u201eAici vei fi<br \/>\nmereu a mea!\u201d. Critica literar\u0103 este f\u0103cut\u0103 de Gruia<br \/>\nNovac (Daniela Oatu, Anotimpurile Himerei), Camelia<br \/>\nArdelean (Gligor Ha\u0219a, S\u0103 mor de dor\u2026), Teodor<br \/>\nPracsiu (Theodor Codreanu, Scriitori vasluieni), Petre<br \/>\nIsachi (Nicolae Sp\u0103taru, \u00cengera\u0219ul purta fust\u0103 mini \u0219i<br \/>\nOmul izgonit de ceasuri, Ioan-Cristian Iovan, C\u00e2nd o fi<br \/>\ndat col\u021bul ierbii\u2026, Constantin Severin, Bibliotecarul<br \/>\nInfernului, Mihaela Roxana Boboc, Vers \u0219i culoare \u0219i<br \/>\nDaniela Florescu, H\u00e2rtia, o poveste de succes<br \/>\nantreprenorial). Poezia e semnat\u0103 de Alexandru<br \/>\nMacedonski, Alexandru Jurcan, Roxana Medve\u021bki, Ion<br \/>\nDinvale, Daniela Oatu, Victoria Milescu, Gabriela<br \/>\nAnton, Nicolae V\u0103l\u0103reanu S\u00e2rbu, Alexandru Dumitru,<br \/>\nLucian M\u0103n\u0103ilescu, George Pa\u0219a, Emil Ariton, Emilia<br \/>\nMardare, Jacques Prevert, proza, de Mihnea C\u0103t\u0103lin<br \/>\nIvancea, Cornelia Ichim Pompiliu, Stanomir Petrovici,<br \/>\nIoan \u021aicalo. Acest Num\u0103r este Ilustrat cu o serie de<br \/>\nportrete ale lui Alex Oko.<br \/>\n<strong><br \/>\nVatra veche<\/strong>, serie veche nou\u0103, anul XII, nr. 5<br \/>\n(137), mai 2020, T\u00e2rgu Mure\u0219. Remarc\u0103m eseurile \u0219i<br \/>\ncomentariile realizate de acad. Ioan Aurel Pop, Vina<br \/>\nb\u0103tr\u00e2nilor de a fi b\u0103tr\u00e2ni \u0219i Transilvania, Starea<br \/>\nnoastr\u0103 de veghe (XXXVI), Nicolae B\u0103ciu\u021b, Restan\u021be de<br \/>\nprim\u0103var\u0103, Anton Cosma-80, \u0219i Muntele Athos din<br \/>\nMuntele Athos (IV), Anton Cosma, Utopia comic\u0103,<br \/>\nNicolae Suciu, \u201eRealismul psihologic\u201d \u0219i proza lui<br \/>\nAnton Cosma, Ioan Marco\u0219, Anton Cosma, postumul,<br \/>\nSilvia Urdea, Democra\u021bia \u00een declin, Emilia Luchian,<br \/>\nNichita St\u0103nescu \u0219i Magdalena Petrescu, Francisc<br \/>\nP\u0103curariu, Blestemul chinezesc (XIII), Gheorghe Sar\u0103u,<br \/>\nCoresponden\u021ba lui Dimitrie Stelaru (XXVI), Dumitru<br \/>\nHurub\u0103, Mai altfel, despre Veronica Micle (XI) \u0219i S\u0103 ne<br \/>\nmai (re)amintim de Liviu Rebreanu, Florian Copcea,<br \/>\nRadu Flora \u0219i resuscitarea estetic\u0103 a poeziei rom\u00e2ne\u0219ti<br \/>\ndin Serbia (I), L\u00f6rinczi Francisc-Mihai, Imprevizibilul<br \/>\nartistic \u0219i elemente de hermeneutic\u0103 \u00een lirica lui<br \/>\nDumitru Ichim (III), Cornel Galben, Remember George<br \/>\nB\u0103l\u0103i\u021b\u0103, Magda Ursache, Ap\u0103r\u0103tori \u0219i detractori ai lui<br \/>\nClio, Theodor Codreanu, De la arta imunitar\u0103 la<br \/>\nmanifestul negativist (IV), Ioan Romeo Ro\u0219iianu,<br \/>\nNevoia de Divinitate \u0219i refuzul \u00een tine \u00eensu\u021bi, critica<br \/>\nliterar\u0103 scris\u0103 de A.I. Brumaru (Iuliu Iona\u0219, Curcubeu<br \/>\nhimeric), Tatiana R\u0103dulescu (Victoria Milescu, Cenu\u0219a<br \/>\nverii), Constantin Stancu (Daniel Marian, Catalogul cu<br \/>\napocalipse), C\u0103t\u0103lin Varga (Iacob Coman, Versuri),<br \/>\nCorina Matei Gherman (Calistrat Robu, Misterul<br \/>\nLupului Alb), Ioan Marca\u0219 (Andrei Pan\u021bu, Tonomatul),<br \/>\nIulian Chivu (Gheorghe Filip, Cercul de frig), Galina<br \/>\nMartea (Veronica Balaj, Amiaz\u0103 nevindecat\u0103), Daniel<br \/>\nLuca (Ion Toma Ionescu, Dosarul \u201eAlba\u0219trii\u201d), Cristina<br \/>\nSava (Florin Bengean, Noble\u021bea culturii prin istorie \u0219i<br \/>\nspiritualitate), Mircea Daro\u0219i (Ioana Cistelecan, Staze \u0219i<br \/>\nmetastaze carcerale), poezie de Liliana Sp\u0103taru, George<br \/>\nBacovia, Anton Cosma, Elisabeta Isanos, Veronica<br \/>\nPavel Lerner, Bianca Marcovici, Emilia Amariei, Radu<br \/>\n\u0218erban, Nicolae M\u0103tca\u0219, Vasile Larco, \u0218tefan Octavian<br \/>\nIosif \u0219i proz\u0103 de Nicolae Suciu.<\/p>\n<p><strong>Cititorul de reviste<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>REVISTE LITERARE A c o l a d a, anul XIV, nr. 4 (149), aprilie, 2020, Satu Mare. Eseurile \u0219i<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10633"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10633"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10633\/revisions"}],"predecessor-version":[{"id":10634,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10633\/revisions\/10634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}