{"id":10386,"date":"2020-08-31T00:39:02","date_gmt":"2020-08-30T21:39:02","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=10386"},"modified":"2020-08-31T14:30:53","modified_gmt":"2020-08-31T11:30:53","slug":"spatii-culturale-nr-71-14","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=10386","title":{"rendered":"Spa\u021bii culturale nr. 71 (14)"},"content":{"rendered":"<p><strong>REVISTE LITERARE<\/strong><\/p>\n<p><strong>A c o l a d a<\/strong>, anul XIV, nr. 5 \u0219i 6 (150 \u0219i 151),<br \/>\nmai \u0219i iunie, 2020, Satu Mare. Eseurile \u0219i comentariile<br \/>\nsunt realizate de Radu Ulmeanu, Treaba mare pe<br \/>\ncre\u0219tetul Rom\u00e2niei \u0219i Iunie \u2013 luna mor\u021bii lui Eminescu,<br \/>\nC.D. Zeletin, Fericita fr\u0103\u021bietate dintre spontan \u0219i<br \/>\nelaborat \u00een arta scrisului \u0219i Reflec\u021bii asupra medicului<br \/>\nscriitor, Constantin Trandafir, Filosofie &amp; Arte \u0219i Titu<br \/>\nMaiorescu. Note despre scrierea limbii \u0219i critica<br \/>\nnecesar\u0103, Magda Ursache, Delicatesele literare ale<br \/>\nOtiliei \u0219i Carte despre Adev\u0103r, Istorie, Moarte,,,,<br \/>\nIsabela Vasiliu-Scraba, Diagrame spirituale \u0219i Pelerina<br \/>\nlui Mircea Eliade, \u0218tefan Ion Ghilimescu, Binefacerile<br \/>\nlunii \u0219i Un gest de reveren\u021b\u0103 necesar, Mircea Popa,<br \/>\nConstantin \u021aoiu \u00eentr-o nou\u0103 edi\u021bie \u0219i Andr\u00e9 Maurois \u00een<br \/>\nRom\u00e2nia, Adrian Dinu Rachieru, Enigmaticul Celan,<br \/>\nPavel \u0218u\u0219ar\u0103, Cultura european\u0103 \u0219i logica ter\u021biului<br \/>\ninclus \u0219i Maxim Dumitra\u0219 sau despre sculptura Zen,<br \/>\nMihail Mihailide, La desp\u0103r\u021birea de un mare c\u0103rturar \u2013<br \/>\nC.D. Zeletin, Constantin C\u0103lin, Agende (I), Petru<br \/>\nRomo\u0219an, Noii barbari. Critica literar\u0103 este f\u0103cut\u0103 de<br \/>\nGheorghe Grigurcu (Giuseppe Masavo, Septembrie,<br \/>\nHoria G\u00e2rbea, pisica din kavala), Tudorel Urian (Radu<br \/>\nUlmeanu, Ab urbe condita, Adela Rachi, era lini\u0219te \u0219i<br \/>\nera bine), Daniel Mari\u0219 (Radu Ulmeanu, Ab urbe<br \/>\ncondita), Mihaela Meravei (Raluca Faraon, s\u0103 locuie\u0219ti<br \/>\n\u00eentr-un cerc \u0219i s\u0103 nu-\u021bi atingi centrul), Ion Cristofor<br \/>\n(Silviu Buzan, Salon \u0219ase). Memorialistic\u0103 scrie Alex.<br \/>\n\u0218tef\u0103nescu (L\u0103m\u00e2i \u00eenflorit \u0219i Acas\u0103 la Nicolae Balot\u0103),<br \/>\nIonu\u021b Caragea, aforisme, iar interviurile Luciei Negoi\u021b\u0103<br \/>\nsunt cu Radu Cange \u0219i Eugenia \u021aar\u0103lung\u0103, din Spuma<br \/>\nzilelor \u0219i nop\u021bilor de lectur\u0103 \u0219i din Jurnal ne ofer\u0103<br \/>\npagini Dumitru Augustin Doman, respectiv, Gheorghe<br \/>\nGrigurcu, iar Din Jurnalul unui vulcanolog (IV \u0219i V),<br \/>\nDan Culcer. Semneaz\u0103 poezie: Liviu Ioan Stoiciu,<br \/>\n\u0218tefan Aurel Dr\u0103gan, Adrian Lupescu, Dan Anghelescu,<br \/>\nLucia Negoi\u021b\u0103, Any Dr\u0103goianu, Joanna Kurowska \u0219i<br \/>\nVince Clemente (traduceri \u0219i prezent\u0103ri de Olimpia<br \/>\nIacob), parodie: Lucian Per\u021ba \u0219i pamflete: Florica Bud.<\/p>\n<p><strong>Actualitatea literar\u0103<\/strong>, Nr. 102, anul XI, iunie<br \/>\n2020, Lugoj. Eseurile \u0219i comentariile sunt realizate de<br \/>\nNicolae Silade, Despre genera\u021bii, genera\u021bi \u0219i mo\u0219teniri<br \/>\n(editorial), Remus V. Giorgioni, Gardul poetic (II):<br \/>\nFantoma de pe Falez\u0103, Cornel Ungureanu, Petru Cre\u021bia<br \/>\n\u2013 b\u0103n\u0103\u021bean, odinioar\u0103, Adrian Dinu Rachieru, Titus<br \/>\nPopovici, un \u201efiu risipitor\u201d? Ovidiu Pecican,<br \/>\nCampionul unei arte \u00een plin\u0103 emergen\u021b\u0103, Paraschiva<br \/>\nBuciumanu, \u021aiganiada, form\u0103 inedit\u0103 de manifestare a<br \/>\nspiritului iluminist, Magda Ursache, A deprinde m\u0103sura,<br \/>\nTitus Cri\u0219ciu, Mihai Brediceanu, reper na\u021bional. Mihai<br \/>\nPosada, \u0218i la ce bun poe\u021bii, \u00een stare de alert\u0103? George<br \/>\nMotroc este \u00een dialog cu Catia Maxim. Scriu critic\u0103<br \/>\nliterar\u0103: Radu Ciobanu (Marta Petreu, Domni \u0219i<br \/>\nDoamne), Lucian Bureriu (Eugen Dorcescu \u0219i jurnalul<br \/>\nca eveniment al scrisului), Daniel Marian (Ramona<br \/>\nM\u00fcller, Dumnezeu la vocativ), Mioara Bahna (Spiridon<br \/>\nPopescu, Diavol cu coarne de melc). C\u0103r\u021bile sosite la<br \/>\nCristian Ghinea sunt: File de alt\u0103dat\u0103, de Constantin<br \/>\nArcu, Genul masculin, de Mihaela Ro\u0219u B\u00een\u0103, Luna de<br \/>\ntabl\u0103, de Dorin Murariu, Recviem pentru mintea de pe<br \/>\nurm\u0103 \u0219i Grefa de memorie, de Costin Grigora\u0219, Raftul<br \/>\nde la col\u021b (II), de Daniel Luca. Poezie semneaz\u0103:<br \/>\nNicolae Silade, Constantin Severin, Daniel Corbu,<br \/>\nRamona M\u00fcller, Mariana Zavati Gardner, Cristina<br \/>\nBot\u00eelc\u0103, Camelia Florescu, Dumitru Velea, Ulalume<br \/>\nGonz\u00e1lez de Le\u00f3n (prezentare \u0219i traducere de Costel<br \/>\nDrejoi), iar proz\u0103: Marian Ilea, Florin Logre\u0219teanu,<br \/>\nMirela Iftimi, Gheorghe Alexandru Iancovici, Nicolae<br \/>\nHavriliu.<\/p>\n<p><strong>Algoritm literar<\/strong>, Anul IX, nr.i (29) 2020.<br \/>\nEseurile din acest num\u0103r sunt realizate de Silviu Guga,<br \/>\nRela\u021bia cititorului cu scriitorul (editorial) \u0219i Mircea<br \/>\nMo\u021b, \u00cen colb de \u0219coal\u0103. Jurnale II apar\u021bin lui Cornel<br \/>\nUngureanu, iar cu evoc\u0103ri sunt prezen\u021bi: Radu Ciobanu,<br \/>\nDespre c\u0103r\u021bi \u0219i soarta lor, Augustin Ostace, \u00cent\u00e2lnire cu<br \/>\nHerta M\u00fcller \u0219i Daniel L\u0103c\u0103tu\u0219, Constantin Noica (n.<br \/>\n1909-d. 1987). Cu Securitatea pe ultimul drum. Critica<br \/>\nliterar\u0103 este f\u0103cut\u0103 de Felix Nicolau (Aurel Pantea,<br \/>\nNegru pe negru), Angela Nache Mamier (Ioan Barb,<br \/>\nImnul frumoasei Olivetti), Andreea Zavicsa (Eshkol<br \/>\nNevo, Simetria dorin\u021belor), Lucian Gruia (Simona<br \/>\nTrifu, Laurent monografic), Ana Dobre (Melania Angi<br \/>\nCristea, Flori de iris), Emilia Dabu (Mihaela Meravei,<br \/>\nCu ora\u0219ul meu se \u00eent\u00e2mpl\u0103 ceva ciudat), Iulian C\u0103t\u0103lui<br \/>\n(Carmen Tania Grigore, Cerberul din clepsidr\u0103), Daniel<br \/>\nMari\u0219 (Nicolae Silade, Calea Victoriei), Ladislau<br \/>\nDaradici (Daniel Marian, \u0218ampanie cu veveri\u021be) \u0219i<br \/>\nSilviu Guga (\u0218tefan Jurc\u0103, Poeme uitate, boeme reg\u0103site<br \/>\n\u0219i Gabriel Hasma\u021buchi, Noduri). Radu V\u0103c\u0103rescu<br \/>\ntraduce \u00een limba englez\u0103 din George Bacovia, Lucian<br \/>\nBlaga, Adrian Maniu, Ion Barbu, Radu Stanca.<br \/>\nSemneaz\u0103 poezie: Lucian Vasiliu, Irina Nechit, Ioan<br \/>\nBarb, Ioan Evu, Adrian Munteanu, Menu\u021b Maximinian,<br \/>\nAlexandru Cristian Milo\u0219, Ana Ardeleanu, Laz\u0103r Magu,<br \/>\nMirela Orban, Nina Corduneanu, Ioan Maxim, iar<br \/>\nproz\u0103: Gunnar Walder \u0219i Marian Drumur.<\/p>\n<p><strong>Ardealul literar<\/strong>, Anul XXV, nr. 1, 2 (84, 85)\/<br \/>\n2020, Hunedoara. Eseurile sunt realizate de Mariana<br \/>\nP\u00e2ndaru, Povestea merge mai departe&#8230; (editorial),<br \/>\nAnca S\u00eerghie, Sub pecetea centenarului na\u0219terii lui<br \/>\nRadu Stanca \u0219i Radu Theodoru \u2013 un icar ne\u00eenvins,<br \/>\nConstantin C. Giurescu, \u00cent\u00e2iele noastre tip\u0103rituri,<br \/>\nMarin Iancu, Petre Pandrea, \u201eMandarinul valah\u201d,<br \/>\nTheodor Damian, M\u0103rturii ale implic\u0103rii Bisericii<br \/>\nOrtodoxe \u00een evenimentele legate de Unirea<br \/>\nPrincipatelor, Vasile G\u0103urean, Radu Gyr: poetul<br \/>\ntemni\u021bei cuget\u00e2nd la splendoarea lumii, Laura Costina<br \/>\nTudoroiu, Poetul orei solare \u0219i al erosului rural, Daniel<br \/>\nCorbu, Lucian Blaga. Ontologia liric\u0103 sau \u00een marea<br \/>\ntrecere cu pa\u0219ii profetului \u0219i Ionu\u021b Caragea sau<br \/>\nspectacolul fiin\u021bal \u00eentre realitate \u0219i vis, Valeriu B\u00e2rg\u0103u,<br \/>\nDe ce exist?! Paginile de Jurnal apar\u021bin lui Gheorghe<br \/>\nGrigurcu, cele din Jurnal de c\u0103l\u0103torie, lui Liviu Ioan<br \/>\nStoiciu, iar interviul Anc\u0103i S\u00eerghie este cu Dorina<br \/>\nStanca. In memoriam scriu: Mariana P\u00e2ndaru (Leons<br \/>\nBriedis \u0219i Octavian Doclin), Camelia Ardelean (Gligor<br \/>\nHa\u0219a), Maria B\u00e2rsan (Ioachim Laz\u0103r), Ioan P\u00e2rva<br \/>\n(Zeriu I. Nicolae), Ioan Vlad, Georgeta-Ileana Cizma\u0219<br \/>\n(Valeriu B\u00e2rg\u0103u). Critic\u0103 literar\u0103 fac: Elisabeta Bog\u0103\u021ban<br \/>\n(Maria Briedis-Macovei, V\u00e2lv\u0103taie), Constantin Stancu<br \/>\n(Octavian Doclin, \u0218i punct. \u0218i de la cap\u0103t: poeme \u0219i<br \/>\nMariana P\u00e2ndaru, Dan Cioat\u0103, Medicina ca misiune),<br \/>\nLadislau Daradici (Radu Igna, Armonia Snack-Bar),<br \/>\nMariana Toma (Cristina Stru\u021beanu, Chiotitul), P.<br \/>\nStoicescu (Antonia Boldea, Fulgura\u021bii, Gravuri pe<br \/>\nobrazul clipei), Radu Igna (Florica Gobjil\u0103 Barbu,<br \/>\nStatornicie), Mihaela Aionesei (Nu\u021ba Cr\u0103ciun, Cerul din<br \/>\ncolivie). Poezia poart\u0103 semn\u0103turile: Radu Stanca, Ion<br \/>\nLuca Caragiale, George Vulturescu, Caroline Laurent<br \/>\nTurun\u00e7 (trad. de Mesut \u0218enol \u0219i Mariana P\u00e2ndaru-<br \/>\nB\u00e2rg\u0103u), Daniel Corbu, Mirela Orban, Dumitru Ichim,<br \/>\nPassionaria Stoicescu, Marcel Miron, Andrei Caucar,<br \/>\nOvidiu B\u0103jan, Roxana Mateu\u021b, Petru Ioan, Nicolae<br \/>\nCrepcia, Daniela Andonovska-Trajkovska \u0219i Borce<br \/>\nPanov (trad. de Ion P. Iacob), Valeriu B\u00e2rg\u0103u, Miron<br \/>\n\u021aic, Ioan P\u00e2rva, Iosif B\u0103cil\u0103, Adriana Tomoni, Elena<br \/>\nPetru\u021b, Marin Moscu, iar proza: Mircea Mo\u021b, Dana<br \/>\nOpri\u021ba, Mariana Zavati Gardner, Ladislau Daradici,<br \/>\nDumitru Hurub\u0103, Puiu R\u0103ducan.<\/p>\n<p><strong>ARGE\u0218<\/strong>, Anul XX (LV), nr. 6 (456), iunie 2020.<br \/>\nRemarc\u0103m: texte aforistice scrise de Calinic Arge\u0219eanul<br \/>\n\u0219i Grigore Grigurcu, eseurile \u0219i comentariile realizate de<br \/>\nLiviu Ioan Stoiciu, Pandemia lu\u02c8-Pe\u0219te a omor\u00e2t \u0219i<br \/>\nevenimentele literare, Iudita Dodu Ieremia, Corect\/<br \/>\nIncorect, Marin Iancu, Lumea lui Moromete, Viorel<br \/>\nNica, Mistica detestare a lui Prometeu, Leonid<br \/>\nDragomir, Elogiul libert\u0103\u021bii, Petru Pistol, Secven\u021ba<br \/>\nluminoas\u0103, Teodor Oanc\u0103, Provenien\u021ba unor nume de<br \/>\nfamilie rom\u00e2ne\u0219ti, Mariana \u0218enil\u0103-Vasiliu, \u201eMarele<br \/>\nval\u201d de Katsushika Hokusai \u0219i \u201eMaci sufla\u021bi de v\u00e2nt\u201d<br \/>\nde Tzi Baishi\/ Ts\u02c8i Pai-Che, Mihai Barbu, \u201eEtapa final\u0103<br \/>\na oric\u0103rui sistem politic este comedia\u201d (Karl Marx,<br \/>\n1844), critica literar\u0103 f\u0103cut\u0103 de Dumitru Augustin<br \/>\nDoman (Sonia Elvireanu, \u0218oaptele luminii \u0219i Horia<br \/>\nDulvac, Nimeni nu-mi spunea), Nicolae Oprea, Ion<br \/>\nPillat \u2013 75 (Poezia toamnei arge\u0219ene), Mircea B\u00e2rsil\u0103<br \/>\n(Poezia lui George Stanca), Adrian Alui Gheorghe<br \/>\n(Felix Sima, poezie volatil\u0103, Gheorghe Mihai B\u00e2rlea,<br \/>\nSigilii de sare, Ion \u0218erban Drincea, Umbra pa\u0219ilor, Vali<br \/>\nOr\u021ban, Jurnalul unui imbecil, Din doi \u00een doi \u0219i alb\u0103 ca<br \/>\nz\u0103pada \u0219i piticii din gr\u0103din\u0103), \u0218tefan Ion Ghilimescu<br \/>\n(Radu Ulmeanu, Ab urbe condita, Virgil Ra\u021biu (Gabriel<br \/>\nCojocaru, Ie\u0219irea din blestem), Ana Dobre (Menu\u021b<br \/>\nMaximinian, Puterea secret\u0103 a c\u0103r\u021bilor), Mioara Bahna<br \/>\n(Liviu Ofileanu, manualul inginerului de drumuri \u0219i<br \/>\npoduri), Lucian Gruia (Ion Dulugeac, Cotul destinului),<br \/>\nDaniel Marian (Any Dr\u0103goianu, Vie\u021bi de rezerv\u0103), Teo<br \/>\nCabel (Nicolai T\u0103icu\u021bu, 70 \u2013 o biodiversitate \u00een gri), Ion<br \/>\nC. \u0218tefan (Ana Dobre-Pelin, Secretele Otiliei), Valeriu<br \/>\nR\u00e2peanu (Delia Duminic\u0103, Tudor Teodorescu-Brani\u0219te,<br \/>\nCronici radiofonice 1931-1934). Poezia e semnat\u0103 de<br \/>\nAmalia Elena Constantinescu, Costel Simedrea, Magda<br \/>\nGrigore, Geo Galetaru, Mai V\u0103n Ph\u00e2n (traducere de Leo<br \/>\nButnaru), Geo Vasile, Vasile Dan Marchi\u0219, Nicolae<br \/>\nNistor, Mihai Merticaru, Maria Ieva, Mihai P\u0103curaru,<br \/>\niar proza, de Marian Ilea, Dumitru Augustin Doman \u0219i<br \/>\nC. Voinescu.<\/p>\n<p><strong>A R T E<\/strong>, Anul III (LV), nr.4-5-6 (21-22-23),<br \/>\naprilie-mai-iunie 2020. Conform rubricilor remarc\u0103m:<br \/>\nEditorial \u2013 Daniela Marchetti, Art\u0103 \u0219i supravie\u021buiri,<br \/>\nIstorie \u0219i civiliza\u021bie \u00een Europa Central\u0103 \u2013 restituiri \u2013<br \/>\nIlie Rusmir, Via\u021ba \u0219i operele lui Simion Mangiuca, Arte<br \/>\n\u0219i arti\u0219ti \u00een Europa Central\u0103, Costin Br\u0103teanu, Valeriu<br \/>\nSepi, pe urmele dragonilor, Vernisaj Gernik XV, 2018,<br \/>\n\u201eMaestrul semnului de ap\u0103\u201d \u0219i Ljubisa Djuri\u0107, Maestrul<br \/>\nvlah ini\u021biat \u00een tainele vindec\u0103rii, Ana Amelia Dinc\u0103,<br \/>\nPetre Chirea sau despre arheologia sufletului, Claudia<br \/>\nMandi \u2013 Gabriel Badea, Vene\u021bia \u0219i metamorfozele apei<br \/>\n\u00een pictura Claudiei Mandi, Ionel Bota, Trupul \u2013 filosofia<br \/>\ndestinului, interviu: Daniela Marchetti \u2013 Claudia Mandi,<br \/>\nArheologia imaginii \u2013 Gabriel Kelemen, Poetica<br \/>\nLuminii, Maestrul Costin Br\u0103teanu \u00een dialog cu Larisa<br \/>\nVasile, Arte muzicale, Ramona Elena Munteanu, Ezio<br \/>\nBosso, O istorie a poeziei \u00een Europa Central\u0103 \u2013 Ionel<br \/>\nBota, Liviu Ioan Stoiciu, Poezie european\u0103<br \/>\ncontemporan\u0103 \u2013 Ionu\u021b Caragea, Ovi d\u02bcAndenne,<br \/>\nClaudiu Dogaru, Laura Muruzuc, Eseu \u2013 Victor Ravini,<br \/>\nMiori\u021ba, capodoper\u0103 universal\u0103 (I), Critic\u0103 literar\u0103 \u2013<br \/>\nIonel Bota (Kara Molnar, Visul copilului de cristal),<br \/>\nDaniel Luca (Costel Simedrea, Calendare de fum),<br \/>\n\u0218tefan Teodor Cabel, (Mihaela Roxana Boboc, Terapia<br \/>\nploii de chihlimbar), Temele pitorescului \u00een Europa<br \/>\nCentral\u0103 \u2013 Ion Gheorghe Chiran \u0219i Constantin Cre\u021bu,<br \/>\nPe\u0219tera Ponor-Plopa.<\/p>\n<p><strong>Ateneu<\/strong>, Anul 57 (serie nou\u0103), nr. 610, iunie<br \/>\n2020, Bac\u0103u. Eseurile \u0219i comentariile sunt realizate de<br \/>\nAl. Ioanid, Fragmentarium, Carmen Mihalache,<br \/>\nCelebr\u00e2nd for\u021ba vie\u021bii \u0219i Cum \u00eel v\u0103d eu pe C\u0103lin, Marius<br \/>\nManta, Aten\u021bie; hublou deschis! \u0219i Accente afective,<br \/>\nIoan D\u0103nil\u0103, Bac\u0103ul (pre)primar (XXIV) \u0219i Metoda<br \/>\nac\u021bional\u0103 \u00een abordarea textului literar (I), Mihai<br \/>\nMaxim, Premiantul, Tiberiu Ionescu, Institu\u021bia<br \/>\nConstantin C\u0103lin, Adrian Jicu, Reperul C\u0103lin, Theodor<br \/>\nCodreanu, \u201eM\u0103run\u021bi\u0219urile\u201d lui Constantin C\u0103lin, Ileana<br \/>\nM\u0103l\u0103ncioiu, C\u00e2nd marginea devine o utopie, Ion<br \/>\nDinvale, Despre stil \u0219i alte lucruri&#8230; demodate, Ozana<br \/>\nKalmuski-Zarea, Teii lui iunie, Elena Ciobanu, Vie\u021bile<br \/>\nnegre ale americanilor, \u0218tefan Radu, Revolu\u021bia<br \/>\nmancur\u021bilor, Constantin C\u0103lin, \u201eG\u00e2ndindu-ne la noi, cei<br \/>\nde alt\u0103dat\u0103&#8230;\u201d (VI), Gheorghe Iorga, Ne\u00eenchipuita<br \/>\nisprav\u0103 a unui ajutor de contabil \u00een ora\u0219ul Lisabona,<br \/>\nVasile Spiridon, La spartul t\u00e2rgului, Andrei Tudor,<br \/>\nCentenarul Tratatului de la Trianon. Zeletin, Ion Fercu,<br \/>\nPrejudec\u0103\u021bile: infern \u0219i provocare etern\u0103 (9), Marian-<br \/>\nSorin R\u0103dulescu, Revolu\u021bii si involu\u021bii (5), Adrian-Florin<br \/>\nMois\u0103, Salonul de Prim\u0103var\u0103 al Artei Naive. Critica<br \/>\nliterar\u0103 este scris\u0103 de Adrian Jicu (Constantin C\u0103lin,<br \/>\nZigzaguri. Accente. Jurnal), Dan Per\u0219a (Ioan Radu<br \/>\nV\u0103c\u0103rescu, Pescar de cuvinte), Adrian Lesenciuc (Gela<br \/>\nEnea, Eu sunt Lilith), Violeta Savu (Cornel Paiu,<br \/>\nBiblioteca din turn), Marius Manta (Adrian Lesenciuc,<br \/>\nLimbile v\u00e2ntului), Ionel Savitescu (Itamar Rabinovich,<br \/>\nYi\u021bzhak Rabin. Soldat, lider, om de stat). Poezia este<br \/>\nsemnat\u0103 de Cassian Maria Spiridon, Albert Denn,<br \/>\nDumitru Velea, proza, de Liviu Franga, teatru, de Csaba<br \/>\nKiss (traducere de Zeno Fodor).<\/p>\n<p><strong>Bucure\u0219tiul literar \u0219i artistic<\/strong>, Anul X, nr. 6-7<br \/>\n(105-106), iunie-iulie 2020. Remarc\u0103m: eseurile \u0219i<br \/>\ncomentariile realizate de Florentin Popescu, \u201eMi-au<br \/>\nlipsit terasele!\u201d, \u201e\u0219i-au lipsit biblioteca, expozi\u021biile,<br \/>\nconcertele!\u201d (editorial), \u201eUn nume adunat pe-o carte\u201d,<br \/>\nMircea Eliade, \u00cencercarea labirintului (IV), Victor<br \/>\nRavini, Avangarda literar\u0103 din Occident \u0219i folclorul<br \/>\nrom\u00e2nesc (I), Nicolae Mare\u0219, Centenar Ioan Paul al IIlea.<br \/>\nRom\u00e2nia \u0219i unitatea cre\u0219tin\u0103 \u00een timpul<br \/>\npontificatului s\u0103u (II), Dalia Bialcovski, Micaela<br \/>\nEleutheriade, prospe\u021bime \u0219i exuberan\u021b\u0103, Radu Adrian,<br \/>\nC\u0103l\u0103torie \u00een istoria multimilenar\u0103 a ceramicii (XXIV),<br \/>\nNicolae Dan Fruntelat\u0103, La ce etaj e speran\u021ba, Neagu<br \/>\nUdroiu, Mai e \u0219i m\u00e2ine o zi! Candid Stoica, \u201eSt\u0103p\u00e2nul<br \/>\nciolanului\u201d, Nicolae Cabel, Memoria ca o capcan\u0103 (I),<br \/>\nMagda Ursache, La \u201evreme de \u00eencercare\u201d, Romani\u021ba<br \/>\n\u0218ten\u021bel, Criticul literar \u0219i moda, Vasile Szolga, Am fost<br \/>\nmicrobist o jum\u0103tate de or\u0103, Ion Andrei\u021b\u0103, De<br \/>\nEminescu. Critica literar\u0103 este scris\u0103 de Florentin<br \/>\nPopescu (Aureliu Goci, Poezia rom\u00e2neasc\u0103 de la<br \/>\nDosoftei la Nichita St\u0103nescu), Ion Ro\u0219ioru (Elena Stroe<br \/>\nOtav\u0103, Gheorghe Stroe \u2013 un Sisif pe muntele de cenu\u0219\u0103),<br \/>\nIon Haine\u0219 (Gheorghe P\u00e2rja, Scrierea cerului). Dintre<br \/>\nseniorii literaturii noastre, Florentin Popescu a ales,<br \/>\npentru dialog, pe Constantin Cuble\u0219an. \u00cent\u00e2lnim poezie<br \/>\nde Coman \u0218ova, Ion C. \u0218tefan &#8211; 80, Nicolae G\u00e2lmeanu,<br \/>\nG. Th. Popescu, Kiril Kadiiski (prezentare \u0219i traducere<br \/>\nde Titus V\u00eejeu), Poe\u021bi contemporani din Bucovina<br \/>\n\u00eenstr\u0103inat\u0103: Vasile B\u00e2cu, Grigore Bostan, Arcadie<br \/>\nSuceveanu, Doina Bojescu-Staric, Gheorghe<br \/>\nCalamanciuc, Mircea Lutic, Vasile T\u0103r\u00e2\u021beanu, Elena<br \/>\nMari\u021ba, Marin Gherman, Ion Vatamanu, Vitalie Z\u00e2grea,<br \/>\nSimion Gociu \u0219i proz\u0103, de Tudor Arghezi (140 de ani de<br \/>\nla na\u0219tere), \u0218tefan B\u0103nulescu, Vasile B\u0103ran, Vasile<br \/>\nSzolga. \u00cen Atelierul artelor vizuale expune Ecaterina<br \/>\nMihai, cu o scurt\u0103 prezentare de Daniel Prallea Blaga.<\/p>\n<p><strong>Caiete Silvane<\/strong>, nr. 186\/ 2020, Zal\u0103u. \u00cen<br \/>\ndeschiderea num\u0103rului sunt poeme de Gheorghe<br \/>\nVidican, scurte referin\u021be critice asupra poeziei acestuia<br \/>\nf\u0103cute de Ioan Holban, Mircea Mih\u0103ie\u0219, Paul Aretzu,<br \/>\nImelda Chin\u021ba \u0219i o parodie de Lucian Per\u021ba. Eseurile<br \/>\nsunt realizate de Gheorghe Moga, Frazeologia<br \/>\nregional\u0103. R\u00e2nduial\u0103 ca la sa\u0219i, Marcel Lucaciu, Anton<br \/>\nPann \u0219i \u201epoezirea\u201d, Augustin Mocanu, O zi de lucru,<br \/>\nAlexandru Jurcan, F\u0103r\u0103 pudoare, f\u0103r\u0103 tabu-uri, Ioan F.<br \/>\nPop, Solilocvii inutile, critica literar\u0103 este f\u0103cut\u0103 de<br \/>\nViorel Mure\u0219an (Alice Valeria Micu, Pere\u021bi), Carmen<br \/>\nArdelean (Dan Lungu, P\u0103rul conteaz\u0103 enorm), Alice<br \/>\nValeria Micu (Marta Petreu, Domni \u0219i Doamne), Emilia<br \/>\nPoenaru Moldovan (Marilena B, Matei, Dimine\u021bi de<br \/>\nh\u00e2rtie), Menu\u021b Maximinian (Gavril Moldovan, Dup\u0103 ce<br \/>\ntrec, zilele devin abstracte), Mihaela Meravei (Steliana<br \/>\nDuliu-Bojdechi, Timpul reg\u0103sirii, Fiii Avdellei), Icu<br \/>\nCr\u0103ciun (Andrei Moldovan, Ephemeride II) \u0219i traduceri,<br \/>\npoezie: Jan Eric Vold, Lars Saabye Christensen, Rolf<br \/>\nJacobsen \u0219i Olav H, Hauge (traduceri de Kir\u00e1ly Iris),<br \/>\nMichel Butor (prezentare \u0219i traducere de Viorel T\u0103utan),<br \/>\nTheodore Roethke (traducere de Constantin Ab\u0103lu\u021b\u0103 \u0219i<br \/>\n\u0218tefan Stoenescu). Scriu pagini de istorie: Marin Pop,<br \/>\nActivitatea desp\u0103r\u021b\u0103m\u00e2ntului Zal\u0103u al Astrei \u00een<br \/>\nperioada 1928-1940 (I), Alexandru Bogdan K\u00fcrti,<br \/>\nDeservan\u021bii de culte \u00een vizorul Securit\u0103\u021bii (II), Andrei<br \/>\nBurghele, Cultur\u0103 politic\u0103 \u0219i manipulare. S\u0103lajul \u0219i<br \/>\nalegerile parlamentare din 1946 (II), Lauren\u021biu-\u0218tefan<br \/>\nSzenkovics, Medalie decernat\u0103 unor jandarmi din<br \/>\nCompania Zal\u0103u (1919). L\u00e1szl\u00f3 L\u00e1szl\u00f3, Un fel de<br \/>\nrecenzie \u00eent\u00e2rziat\u0103.<\/p>\n<p><strong>Cadran cultural<\/strong>, Anul III, nr. 3 (13), mai-iunie,<br \/>\n2020, Bac\u0103u. Eseurile si comentariile sunt<br \/>\nrealizate de Cornel Galben, Remember Enescu,<br \/>\nConstantin C\u0103lin la ceas aniversar, Stelian Preda,<br \/>\nactorul, G.C. Simion, Nicolae Mihai \u2013 70, Alexandru<br \/>\nDumitru &#8211; 70, Vasile Bardan, Doi mentori salvatori:<br \/>\nEminescu \u0219i Br\u00e2ncu\u0219i, \u0218tefan Munteanu, Tudor<br \/>\nGhideanu despre filosofia lui Eminescu (VI), Ion Fercu,<br \/>\nConstantin C\u0103lin, 80, Doina Cernica, Despre<br \/>\ngenerozitatea unui condei drept \u0219i sever), Mihai Maxim,<br \/>\nPremian\u021bii din Ude\u0219ti, Constantin C\u0103lin, Agende (1),<br \/>\nDan Per\u0219a, Un Ponson du Terail autohton, Valeriu<br \/>\nT\u0103nas\u0103, Busuiocul \u2013 floarea na\u021bional\u0103, Ion Dinvale, O<br \/>\nsam\u0103 de cuvinte = Fariseu, Ozana Kalmuski Zarea,<br \/>\nTineri muzicieni, critica literar\u0103 este scris\u0103 de Grigore<br \/>\nCodrescu (Constantin Zavati, Bac\u0103ul de odinioar\u0103) \u0219i<br \/>\nVasile Leonte (Ghi\u021b\u0103 Nazare, De la cerneala de boz la<br \/>\ncalculator. Amintiri recuperate. \u00cent\u00e2lnim poezie de<br \/>\nMihai Merticaru, Laura Vacaru, Mircea Constantin<br \/>\nJurebie, Nicolae V\u0103l\u0103reanu S\u00e2rbu, Dan Sandu (C\u00e2ntec<br \/>\nde prieten \u2013 Paserea viorii tale&#8230;), Marcel Cepoi, Nu\u021ba<br \/>\nCr\u0103ciun \u0219i proz\u0103 de Viorel Savin (fragment din volumul<br \/>\n\u00een lucru Colec\u021bionarul de nasturi).<\/p>\n<p><strong>Cafeneaua literar\u0103<\/strong>, Anul XVIII, nr. 6 \u0219i 7\/ 208<br \/>\n\u0219i 209, iunie \u0219i iulie, 2020, Pite\u015fti. Remarc\u0103m eseurile<br \/>\nrealizate de Virgil Diaconu, O incursiune \u00een canonul<br \/>\nliterar. Canonul anxiet\u0103\u021bii influen\u021belor literare sau<br \/>\nCanonul literar occidental bloomian \u0219i Moartea poetei<br \/>\nClara M\u0103rgineanu sau cum mor poe\u021bii care nu mor,<br \/>\nLiliana Rus, Nicolae Oprea-70, Daniel Corbu, L\u02bcistoire<br \/>\net la litt\u00e9rature. Les arts et la litt\u00e9rature dans l\u02bc\u00e9poque<br \/>\npostmoderne. Le Nouveau L\u00e9viathan, Paul Aretzu, O<br \/>\namintire: Alexandru Piru (1917-1993), Alexandru<br \/>\nJurcan, O incinerare dr\u0103gu\u021b\u0103, aforismele lui Gheorghe<br \/>\nGrigurcu \u0219i Butaforisme \u0219i naivissime de Constantin<br \/>\nManea, critica literar\u0103 f\u0103cut\u0103 de Denisa Popescu<br \/>\n(Liliana Aron-Ene, Oameni \u0219i locuri din Arge\u0219), Daniela<br \/>\nVarvara (Ion Scarlat, La Midia\/ In Midia), Liliana Rus<br \/>\n(Christian Bistriceanu, tricicleta care te va ridica \u00een<br \/>\nceruri \u2013 ritualuri \u0219i bagatele \u0219i Dumitru Augustin<br \/>\nDoman, Moartea de dup\u0103 moarte), Lucian Gruia<br \/>\n(Nicolae Grigore M\u0103r\u0103\u0219anu, Comedia valah\u0103, Maria<br \/>\nMona V\u00e2lceanu, Mircea. Secretul Timpului), Lucian<br \/>\nCostache (Victoria Milescu, Por\u021bia de existen\u021b\u0103 \u0219i Lina<br \/>\nCodreanu, Costache Ol\u0103reanu. Arhitecturi ludice),<br \/>\nGheorghe Grigurcu (Viorica R\u0103du\u021b\u0103, O sut\u0103 \u0219i una de<br \/>\npoezii), Aureliu Goci (Dorina B\u0103descu, Un anume loc<br \/>\npe p\u0103m\u00e2nt), Magda Ursache (Lucia Negoi\u021b\u0103, Pove\u0219ti de<br \/>\ntrecut v\u0103mile), Ana Dobre (Liliana Rus, De limpezit<br \/>\ninima), Virgil Diaconu (Lucian Gruia-70, Br\u00e2ncu\u0219i \u0219i<br \/>\nreveriile materiei), Remus Valeriu Giorgioni (Dan<br \/>\nDr\u0103goi, Acas\u0103, aproape de cer), Arte poetice: Ernst R.<br \/>\nWendland, Perspectiva asupra traducerii literare cu<br \/>\nreferire la scripturi \u0219i Johann de Joode \u0219i Hauneke von<br \/>\nLoon, Selec\u021bia \u0219i analiza metaforelor \u00een Biblia ebraic\u0103<br \/>\n(traduceri de Liana Alecu). Poezia este semnat\u0103 de<br \/>\nAurel Sibiceanu &#8211; 65, Denisa Popescu, William<br \/>\nShakespeare (traducere de Constantin Manea, Virgil<br \/>\nDiaconu, \u00eendrept\u0103ri stilistice pentru variante \u00een vers<br \/>\nliber), Nicolae Oprea, Marian Barbu, Mihai P\u0103curaru,<br \/>\nVeronica Blaj, Mihai Soare, Cristian Mihail Miehs,<br \/>\nVirgil Diaconu.<\/p>\n<p><strong>C a l i g r a f<\/strong>, Anul XX, nr. 117, iunie 2020,<br \/>\nAlexandria. Eseurile, comentariile \u0219i consemn\u0103rile sunt<br \/>\nrealizate de Florea Burtan, \u201eUn anotimp \u00een infern\u201d,<br \/>\nIuliana C\u00e2rnaru, Dr\u0103gaica, Stan V. Cristea, Hariclea<br \/>\nDarcl\u00e9e \u2013 160 de ani de la na\u0219tere, Ana Dobre, Via\u021ba ca<br \/>\no prad\u0103 \u2013 autofic\u021biune \u0219i mitologie personal\u0103, Marian<br \/>\nNazat, \u021aara copil\u0103riei mele, Rodica L\u0103z\u0103rescu, Un<br \/>\nalbum-document: Biserica armean\u0103 din Rom\u00e2nia,<br \/>\nMarin Iancu (Marin Preda, Personaje ignorate &#8211; XXVII.<br \/>\nCu pagini de istorie literar\u0103 vine Stan V. Cristea,<br \/>\nEminescu. Oamenii din via\u021ba lui. Critic\u0103 literar\u0103 fac:<br \/>\nFlorin Burtan (Mihai P\u0103curaru, Verde travers\u00e2nd<br \/>\namiaza), Nicoleta Milea (Nicolae Dan Fruntelat\u0103, O<br \/>\nsut\u0103 \u0219i una de poezii), Radu-Ilarion Munteanu (Victor<br \/>\nLoghin, Dedublarea), Lucian Gruia (Ion Dulugeac,<br \/>\nPutrezind \u00een tain\u0103), Nicolae Dina (George B\u0103icoianu,<br \/>\nMaxinne), Livia Ciuperc\u0103 (Petre Stoica, Amintirile unui<br \/>\nfost corector). Poezia este semnat\u0103 de Nicolae Lupu,<br \/>\nAngela Melania Cristea, Corneliu Vasile, Marilena<br \/>\nApostu, George Nica, iar proza, de Iulian Chivu, \u0218tefan<br \/>\nMitroi, Ervin Hezha (traducere de Oana Glasu).<\/p>\n<p><strong>Constela\u021bii diamantine<\/strong>, Anul XI, nr 6 (118),<br \/>\niunie 2020, Craiova. Remarc\u0103m eseurile \u0219i comentariile<br \/>\nrealizate de Mihai Caba, \u201eAm fost t\u0103ind un brad<br \/>\nb\u0103tr\u00e2n&#8230;\u201d, Mihai Merticaru, Cine vede o crim\u0103 \u00een<br \/>\n\u201eMiori\u021ba\u201d nu vede nimic, Doina Dr\u0103gu\u021b, Libertatea<br \/>\nSufletului, Ionel Popa, Ion \u2013 purt\u0103tor al Coroanei de<br \/>\nlauri, Constantin Miu, Spovedanie \u0219i acatist \u00een<br \/>\nLuceaf\u0103rul, Galina Martea, Scriitorul Nicolae M\u0103tca\u0219<br \/>\nla 80 de ani, Drago\u0219 Niculescu, Nae Ionescu \u0219i \u0218coala<br \/>\nsa (III), George Petrovai, Filosofia indian\u0103 \u0219i sublima ei<br \/>\nsubtilitate (VII), Nicholas Dima, Paul Goma \u2013 evocare,<br \/>\n\u0218tefan Poen, Cuv\u00e2ntul \u0219i rostirea \u00eentru dragoste de \u021aar\u0103<br \/>\n\u0219i de Neam, Tudor Nedelcea, Oameni \u0219i c\u0103r\u021bi din<br \/>\nPiemontul B\u0103l\u0103ci\u021bei, Anton Ilica, Al Florin \u021aene despre<br \/>\n\u00eenchisorile lui Radu Gyr, Ben Todic\u0103, Geneza<br \/>\ncon\u0219tientului, Ana S\u00eerghie, Un Experiment literar<br \/>\ninterna\u021bional, Philip Tudora, Peder Mork Monsted,<br \/>\ncritica literar\u0103 f\u0103cut\u0103 de Silvia Ioana Sofineti (Doina<br \/>\nDr\u0103gu\u021b, G\u00e2nduri de lumin\u0103), Daniel Marian (Marin<br \/>\nBe\u0219cuc\u0103, Monstrul de pe Dilimanjaro), George Petrovai<br \/>\n(Victor Frunz\u0103, Istoria stalinismului \u00een Rom\u00e2nia), Laz\u0103r<br \/>\nPopescu (Ion Popescu-Br\u0103diceni, Serile de la<br \/>\nBr\u0103diceni), Constantin Ardeleanu (Simona Trifu,<br \/>\nCompas \u00een curcubeu), Nicolae Dina (Claudia<br \/>\nVoiculescu, Sinele ca un rondel), Constantin<br \/>\nConstantinescu (Romulus Dianu, Trandafiri de<br \/>\noctombrie \u0219i alte sur\u00e2suri), maximele \u0219i aforismele lui<br \/>\nlui Nicolae Mare\u0219, cuget\u0103rile Rodic\u0103i Moru\u021ban, poezia<br \/>\nsemnat\u0103 de Mircea Dorin Istrate, Camelia Opri\u021ba,<br \/>\nAdalbert Gyuris, Mihai P\u0103curaru, Paula Romanescu,<br \/>\nClaudia Voiculescu, Ioan Ursu, Nicolae M\u0103tca\u0219, Ioan<br \/>\nG\u00e2f-Deac.<\/p>\n<p><strong>Discobolul<\/strong>, Serie nou\u0103, Anul XXIII, nr. 268-<br \/>\n269-270, aprilie-mai-iunie 2020, Alba Iulia. Remarc\u0103m<br \/>\neseurile lui Nicolae Manolescu \u0219i R\u0103zvan Vancu, despre<br \/>\ncanonul literar, Jurnalul lui Gheorghe Grigurcu, precum<br \/>\n\u0219i Paginile de jurnal ale lui Cornel Nistea, eseurile \u0219i<br \/>\ncomentariile realizate de Aurel Pantea, Reveria<br \/>\nresentimentar\u0103 \u0219i reveria integratoare, Mircea B\u00e2rsil\u0103,<br \/>\nPoezia lui Ioan Flora \u0219i Poezia lui Aurel Pantea, Ion<br \/>\nHirghidu\u0219, Demnitatea culturii rom\u00e2ne\u0219ti \u00een viziune<br \/>\nnoician\u0103, Eugeniu Nistor, revela\u021bia metaforei \u0219i<br \/>\nimpactul \u201espiritului mitic\u201d \u00een filosofia lui Lucian<br \/>\nBlaga, Liana Cristea, In memoriam Paul Goma, Mihai<br \/>\nArdelean, Ce sufletul nu poate spune \u0219i inima poate<br \/>\ndoar b\u0103nui sau cum am ajuns s\u0103 g\u00e2ndesc c\u00e2ntat ca \u00een<br \/>\nmanele, critica literar\u0103 f\u0103cut\u0103 de Al. Cistelecan<br \/>\n(Nicoleta B\u0103ncioiu, Versuri, David Boia, Cu \u00eengerii la<br \/>\ndrum, Portal cu \u00eengeri, Consemne \u00eengere\u0219ti), Ion Pop<br \/>\n(\u00censemn\u0103ri despre poezia lui George Vulturescu), Iulian<br \/>\nBoldea (\u00cemp\u0103carea cu trecutul. \u00cen labirintul istoriei),<br \/>\nNicolae Oprea (Ioan Radu V\u0103c\u0103rescu, Pescar de<br \/>\ncuvinte), Ovidiu Pecican (Lucian Boia \u0219i istoria<br \/>\nmentalit\u0103\u021bilor), Ion Buza\u0219i (Radu Matei Todoran, A\u0219<br \/>\nvrea s\u0103 fiu iar\u0103\u0219i mesteac\u0103n), Monica Grosu (Lucia<br \/>\nD\u0103ncil\u0103, Ispitirile lumii), Ladislau Daradici (Dumitru<br \/>\nToma, Zarea de somn), Mircea St\u0103ncel (Ion Cristofor,<br \/>\nCronica stelelor, Marian Dr\u0103ghici, Lunetistul &amp; coco\u0219ul<br \/>\nde tabl\u0103). Memoriale scriu Titu Popescu \u0219i Ioan Man.<br \/>\nSemneaz\u0103 poezie: Gabriel Chifu, Viorel Mure\u0219an,<br \/>\nSimona-Grazia Dima, Constantin Stancu, Gheorghe<br \/>\nJurc\u0103, Daniel D\u0103ian, Marian Boboc, Sonia Elvireanu,<br \/>\nTeodor Laurean, Any Dr\u0103goianu, Melania Angela<br \/>\nCristea, Jordi Doce (traducere de Melania Stancu), iar<br \/>\nproz\u0103: Dumitru Augustin Doman, Adrian Alui<br \/>\nGheorghe, Dumitru Hurub\u0103.<\/p>\n<p><strong>Expres cultural<\/strong>, Anul VI, nr. 6 (42), iunie<br \/>\n2020, Ia\u0219i. Eseurile \u0219i comentariile sunt de Liviu Ioan<br \/>\nStoiciu, F\u0103r\u0103 supapa crea\u021biei literare nu fac fa\u021b\u0103,<br \/>\nNicolae Panaite, \u00centoarcerea la normalitate, Constantin<br \/>\nCoroiu, Constantin C\u0103lin &#8211; 80, Gellu Dorian, Podul de<br \/>\nflori, suspendat, Iulian Marcel Ciobotaru, Prolegomene<br \/>\nla istoria unei familii uitate: Zipa (II), Mircea<br \/>\nCiubotaru, \u201eMisterele\u201d onomastice ale Ia\u0219ilor (LXVI),<br \/>\nMagda Ursache, Trianon. Ne \u201edistan\u021b\u0103m\u201d de Istorie?<br \/>\nLiviu Papuc, Dr. Constantin D. Miclescu, Ioan C. Te\u0219u,<br \/>\nFamilia digital\u0103 \u2013 \u201e\u00eempreun\u0103, dar al\u0103turi\u201d?, Florin<br \/>\nFaifer, Romancierii, cu deosebire&#8230;, Adrian Dinu<br \/>\nRachieru, Marin Sorescu \u0219i \u201edemocratizarea\u201d poeziei<br \/>\n(II), Alexandru Por\u021beanu, O legend\u0103 uitat\u0103 a Ia\u0219ului:<br \/>\nprof. Alexandrina Gavrilescu, Ioan \u021aicalo, C\u0103derea \u00een<br \/>\nteatru, Theodor Codreanu, O cercetare<br \/>\ntransdisciplinar\u0103 a Luceaf\u0103rului (V), Doru Sc\u0103rl\u0103tescu,<br \/>\nDe la musique avant toute chose. II. Pe\u0219terile vesele,<br \/>\nToat\u0103 lumea c\u00e2nt\u0103, joac\u0103 \u0219i&#8230; picteaz\u0103, Nicolae<br \/>\nBusuioc, Se plimb\u0103 pe scena imens\u0103 a albastrei bol\u021bi,<br \/>\nNicolae Cre\u021bu, Saramago: molima \u0219i terapia \u201eorbirii\u201d,<br \/>\nIoan R\u0103ducea, Naiva, Constantin Pricop, Direc\u021bia<br \/>\ncritic\u0103 (XXXV). Critica literar\u0103 este f\u0103cut\u0103 de Diana<br \/>\nVrabie (Ionel Pintilii, Arcul \u0219i Arcu\u0219ul), Ioan Grigore<br \/>\nStopi\u021ba (Marcel Miron, Poeme din anticamera vie\u021bii),<br \/>\nLauren\u021biu Istrate (Alessandro Baricco, Castele de furie),<br \/>\nAdrian Alui Gheorghe (Ion Toma Ionescu, Argintarium.<br \/>\nRescrieri, Virgil Ra\u021biu, Schi\u021be poemadice, Valeriu<br \/>\nValegvi, Eva printre degete \u0219i Cu umbrela prin ploile<br \/>\nacide, Christian Bistriceanu, tricicleta care te va ridica<br \/>\nla ceruri, ritualuri \u0219i bagatele). Cronica teatral\u0103 este<br \/>\nscris\u0103 de Teodor Pracsiu, Teatrul \u201eVictor Ion Popa\u201d,<br \/>\nB\u00e2rlad. \u201eUn cuplu ciudat\u201d de Marvin Neil Simon.<br \/>\nPoezia poart\u0103 semn\u0103turile: Radu Gyr, Cristian W,<br \/>\nSchenk, Gheorghe Chi\u021bimu\u0219, Antonia Pozzi (traducere<br \/>\nde Nicolae Ionel).<\/p>\n<p><strong>H e l i s<\/strong>, Anul XVIII, nr. 4-5-6 (201-202-203),<br \/>\naprilie-mai-iunie 2020, Slobozia. Remarc\u0103m eseurile \u0219i<br \/>\ncomentariile realizate de Grigore Spermezan, Rom\u00e2nii<br \/>\n\u0219i Premiul Nobel, Ionela-Vasilica Bran, 1770, ciuma din<br \/>\nhotarul Branului \u0219i La iernat, spre b\u0103l\u021bile Dun\u0103rii, Titi<br \/>\nDamian, Damian St\u0103noiu, modernitatea scriiturii, Stan<br \/>\nBrebenel, O otrav\u0103 inofensiv\u0103, Victor Nicolae,<br \/>\nStr\u0103nuta\u021bi strict interzis, C\u0103t\u0103lina Stroe, Misterioasa<br \/>\nleg\u0103tur\u0103 dintre China \u0219i Italia. Virusul ilumin\u0103rii \u0219i<br \/>\nADN-ul asiatic, Alexandru Bulandra, Pe urmele<br \/>\nautorului. M\u0103rturisirile unui detectiv literar, Aurel<br \/>\nAnghel, Titi Damian \u2013 Harul lecturii \u0219i harul scrierii,<br \/>\nfilele de jurnal ale lui Marian \u0218tefan, fragmentele lui<br \/>\nGheorghe Dobre, pagina lui Dan Simionescu cu<br \/>\nretrospectiva revistei Helis \u2013 ianuarie-februarie-martie<br \/>\n2020 \u0219i prezentarea c\u0103r\u021bilor: Lecturi la miezul nop\u021bii \u0219i<br \/>\nExegeze contemporane de Titi Damian, Poeme de<br \/>\nEugen Pohon\u021bu, Mo\u0219tenirea lui Mamin de Valeria<br \/>\nManta T\u0103icu\u021bu \u0219i Recviem pentru o roat\u0103 bolnav\u0103<br \/>\nmintal de Petre Ioan Cre\u021bu, critica literar\u0103 f\u0103cut\u0103 de<br \/>\nGeorge Stoian (Daniela Oatu, Fata de rou\u0103), Ic\u0103<br \/>\nS\u0103li\u0219teanu (Emilian Marcu, T\u0103r\u00e2mul inocen\u021bilor),<br \/>\npoezia semnat\u0103 de Nicolae Teoharie, Florin Ciocea,<br \/>\n\u0218tefan Neagu, Adrian Bucurescu, Alexandru Cazacu,<br \/>\nEmilia Amariei, Daniela Andonovska-Trajcovska<br \/>\n(traducere \u0219i prezentare de Tatjana Betoska), Carmen<br \/>\nSorescu, Ciprian Vestemean, Petre Ioan Cre\u021bu, Petru<br \/>\nBotezatu, Lumini\u021ba Cojoac\u0103, Mihaela Meravei, Sorin<br \/>\nRo\u0219ca, Vasile Dan Marchi\u0219, Marin Lup\u0219anu, iar proz\u0103,<br \/>\nde Florentina Loredana Dalian, Tudor Cicu, Melania<br \/>\nFlorescu, Lili Balcan, R\u0103zvan Ciuc\u0103 \u0219i Leonard Voicu.<\/p>\n<p><strong>\u00ce n t r e z \u0103 r i r i <\/strong>, Anul VIII, nr. 30, iunie<br \/>\n2020, P\u00e2rscov. Eseurile \u0219i comentariile sunt realizate de<br \/>\nGheorghe Postelnicu, Marin Ifrim: scepticul nevindecat,<br \/>\nTudor Cicu, Poezia, un oaspete de tain\u0103 a\u0219teptat cu u\u0219a<br \/>\ndeschis\u0103, Mihaela Roxana Boboc, Vremea izol\u0103rii,<br \/>\nConstantin M. Dr\u0103gan, O via\u021b\u0103 pentru o idee, I.<br \/>\nNedelea, Cuvinte \u00eenmiresmate, Corneliu Vasile, Despre<br \/>\npublica\u021biile de inim\u0103, Enache-Remus Necula,<br \/>\nExplicarea Sfintei Liturghii, Constantin Costea,<br \/>\nPandemii \u00een spa\u021biul rom\u00e2nesc (I). File de istorie sunt<br \/>\nevocate de Marius-Adrian Nicoar\u0103, Ich hatt\u02bc einen<br \/>\nKamaraden, iar Georgeta Tudor scrie reportajul, Pelerin<br \/>\n\u00een \u021bara ta. Critica literar\u0103 este f\u0103cut\u0103 de Vasilica<br \/>\nGrigora\u0219 (Tudor Cicu, Enigmatica Ema \u0219i Girel Barbu,<br \/>\nV\u00e2nz\u0103torul de lumin\u0103), Dumitru Scoro\u0219anu (Teodor<br \/>\nOctavian Gheorghiu, Buz\u0103u. Monografie urbanistic\u0103),<br \/>\nElena Stroe Otav\u0103 (Mariana Vicky V\u00e2rtosu, Dansul<br \/>\npinguinului). \u00cent\u00e2lnim poezie de Tudor Arghezi, P.<br \/>\nDimitrie, C.D. Zeletin, Ion Haine\u0219, Victoria Milescu,<br \/>\nTudor Cicu, Aida Drug\u0103u, Veroni Mih\u0103il\u0103, Elena<br \/>\nVoiculescu, Corneliu Vasile A. Mirea, proz\u0103 de<br \/>\nGeorgeta Tudor, Gheorghe Postelnicu (fragmente din<br \/>\nnoua carte, T\u00e2n\u0103rul Voiculescu \u00eentre medicin\u0103 \u0219i<br \/>\nliteratur\u0103) \u0219i pamfletul Baroane de Tudor Arghezi.<\/p>\n<p><strong>L e v i a t h a n<\/strong>, Anul III, nr. 2 (7), aprilie-iunie,<br \/>\n2020. Remarc\u0103m editorialul Leviathan, Cultur\u0103 \u00een<br \/>\nvremea pandemiei, studiul realizat de Costin Tuchil\u0103 \u0219i<br \/>\nPu\u0219a Roth, Sheridan, de un sfert de mileniu<br \/>\ncontemporan, eseurile; Seraiul imperial \u00een memoriile<br \/>\ndoamnei Leyl\u00e2 S\u00e2z \u2013 compozitoare \u0219i scriitoare<br \/>\nturcoaic\u0103 de Urfet \u0218achir, Adev\u0103rata realitate de Ani<br \/>\nBradea, \u00centre admira\u021bie \u0219i decep\u021bie de Milena<br \/>\nMunteanu, aforismele lui George Corbu, interviurile:<br \/>\nPu\u0219a Roth \u2013 Adina Romanescu, Aurelian Popa Stavri \u2013<br \/>\nacad. Sabina Ispas, Victoria Milescu \u2013 Rodica<br \/>\nL\u0103z\u0103rescu, jurnalele de c\u0103l\u0103torie scrise de Br\u00e2ndu\u0219a<br \/>\nMassion, Florentin Smarandache \u0219i Daniela \u0218ontic\u0103,<br \/>\ncritica literar\u0103 f\u0103cut\u0103 de Valeria Manta T\u0103icu\u021bu (Teo<br \/>\nCabel, Fluture \u00een pustiu), Daniel Onaca (Lumini\u021bza C,<br \/>\nTigirlas, Avec Lucian Blaga), Laura Sitaru (John<br \/>\nMason, Trei ani \u00een Turcia), Camelia Manuela Sava<br \/>\n(Nicolai T\u0103icu\u021bu, 70. O biodiversitate \u00een gri), L\u00f6rinczi<br \/>\nFrancisc-Mihai (Nicolae Suciu, Fascinantul corn de<br \/>\nv\u00e2n\u0103toare), Veronica Pavel Lerner (\u0218erban Foar\u021b\u0103,<br \/>\nTudor Banu\u0219, Abecedaur), poezia semnat\u0103 de Gherasim<br \/>\nLuca (prezentare \u0219i traducere de Paula Romanescu),<br \/>\nChristopher (Kit) Kelen, Martin Langford, Jane Kent,<br \/>\nJudith Beverdige, David Musgrave \u0219i Michele Amas<br \/>\n(traduceri de Daniel Ioni\u021b\u0103), Daniel Ioni\u021b\u0103 (cu versiune<br \/>\n\u00een limba englez\u0103 de autor), Alexandru Macedonski,<br \/>\nVerner von Heidenstam (traducere de Aurel Covaci),<br \/>\nLuis de G\u00f3ngora y Argote (traducere de \u0218tefan Aug.<br \/>\nDoina\u0219), Charles Baudelaire (traducere de Alexandru<br \/>\nPhilippide), Lucian Blaga (traducere \u00een limba arab\u0103 de<br \/>\nGeorge Grigore), Rudy Roth \u0219i Gina Zaharia (traduceri<br \/>\n\u00een limba german\u0103 de Cornelia Bartels), Victoria Milescu<br \/>\n(traducere \u00een limba albanez\u0103 de Baki Ymeri), Sonia<br \/>\nElvireanu (versiune \u00een limba francez\u0103 de autoare),<br \/>\nCristina \u0218tefan, Rudy Roth, Teo Cabel, Mihai<br \/>\nMerticaru, Petre Ioan Cre\u021bu, Pa\u0219cu Balaci, \u0218tefan<br \/>\nScripcariu, Lidia Batali, proz\u0103, de Louis-Philippe<br \/>\nH\u00e9bert (traducere de Christian T\u0103ma\u0219), Leti\u021bia<br \/>\nVladislav, Ion Laz\u0103r da Coza, Cornelia Bartels, Gina<br \/>\nZaharia, Radu Com\u0219a, Claudiu Neac\u0219u, Liliana Toma,<br \/>\nTudor Cicu, Florentina Loredana Dalian, Lic\u0103 Barbu,<br \/>\nCarmen Vin\u021ban \u0219i teatru, de Daniel Onaca.<\/p>\n<p><strong>L i t e r a d u r a<\/strong>, Anul V, nr. 16, iunie, 2020,<br \/>\nBuz\u0103u. Eseurile sunt realizate de Teo Cabel, Cu masc\u0103<br \/>\nf\u0103r\u0103 masc\u0103 (editorial), Aurel Anghel, Criteriile<br \/>\napartenen\u021bei unui text la literatur\u0103 (despre Gheorghe<br \/>\nIova), Sorin C\u0103lin, Pe cuv\u00e2nt de animal, Florentin<br \/>\nPopescu este prezent cu evocarea Oameni \u0219i locuri din<br \/>\nBuz\u0103ul de alt\u0103dat\u0103 (XII), critica literar\u0103 este f\u0103cut\u0103 de<br \/>\nTudor Cicu (Varujan Vosganian, Cartea poemelor mele<br \/>\nnescrise, Ion Laz\u0103r da Coza, La Ghizunie, Gheorghe<br \/>\nAndrei Neagu, Tab\u0103ra damna\u021bilor, Mariana Cabel,<br \/>\nDincolo de neguri), Manuela Camelia Sava (Nina<br \/>\nBeldie, Caligrafii stelare), \u0218erban Codrin (Lucian<br \/>\nM\u0103n\u0103ilescu, Ferestre literare, Emil Niculescu,<br \/>\nConfinium), Daniel Luca (Simona Trifu, Aten\u021bie! Nu<br \/>\nc\u0103lca\u021bi pe flori). Poezia este semnat\u0103 de Lucian<br \/>\nM\u0103n\u0103ilescu, Amparo Serrano de Haro (prezentare \u0219i<br \/>\ntraducere de Elisabeta Bo\u021ban), Dan Gabriel On\u021belu\u0219,<br \/>\nLiviu M\u0103\u021b\u0103oanu, Cornelius Dr\u0103gan, Alexandra Panc,<br \/>\nMihaela Farca\u0219, Dumitru B\u0103lu\u021b\u0103, Alexandru Cazacu,<br \/>\nLiliana Popa, Tudor Cicu, Gelu Ungureanu, Adrian<br \/>\nBotez, traduceri de Mihai Marian: Robert Max<br \/>\nSteenkist, Miroslav Holub, William Carlos Williams,<br \/>\nHeather Christle, Matthew Sweeney, iar proza, de Leon-<br \/>\nIosif Grapini, Florentina Loredana Dalian. O pagin\u0103 este<br \/>\nrezervat\u0103 picturilor Mihaelei Roxana Boboc. Sunt<br \/>\nconsemnate evenimentele: Festivalul Zile \u0219i Seri de<br \/>\nLiteratur\u0103 \u201e\u0218tefan Augustin Doina\u0219\u201d (SAD), Arad,<br \/>\nProiectul Scriitori de azi \u2013 lansarea volumelor de poezie<br \/>\n70 \u2013 o biodiversitate \u00een gri de Nicolai T\u0103icu\u021bu \u0219i<br \/>\nCaligrafii stelare de Nina Beldie, lansare de carte:<br \/>\nParalele de Sorin C\u0103lin \u0219i Noise Poetry 29 ianuarie<br \/>\n(invita\u021bi: Claudiu Komartin \u0219i Sorin Despot).<\/p>\n<p><strong>L i t e r a 1 3<\/strong>, Anul VI, nr. 23, trim. III 2020,<br \/>\nSili\u0219tea-Br\u0103ila. Eseurile \u0219i comentariile sunt realizate de<br \/>\nSilviu Radu, Cred c\u0103 a venit vremea&#8230; c\u0103r\u021bilor pe fa\u021b\u0103,<br \/>\nGabriela Popa, Virusul care ne ajut\u0103 s\u0103 fim pro\u0219ti,<br \/>\nConstantin Av\u0103danei, Ion Creang\u0103 \u2013 fascina\u021bia<br \/>\ncopil\u0103riei noastre, Jenic\u0103 Chiriac, O carte mic\u0103 despre<br \/>\nun om mare, Cristian Morozan, Am \u00eenv\u0103\u021bat online \u0219i la<br \/>\n\u0218coala Popular\u0103 de Arte \u201eVespasian Lungu\u201d, George<br \/>\nApostoiu, Angela Martin despre metafora orbirii \u00een<br \/>\nromanele lui Augustin Buzura, Virgil Andronescu, Actul<br \/>\nartistic nu moare, nici m\u0103car nu se pred\u0103! Critic\u0103<br \/>\nliterar\u0103 fac: Lucia P\u0103tra\u0219cu (Vasile Mandric, Simfonia<br \/>\nalbastr\u0103\/ Symphonie bleue), Dumitru Anghel (Florin<br \/>\nBurtan, R\u0103ni c\u0103l\u0103toare), Mihai Vintil\u0103 (Tudor C\u0103t\u0103lin<br \/>\nZarojanu, Mass Media Insider). Poezia este semnat\u0103 de<br \/>\nCiprian Vestemean, Alexandru Hanganu, proza, de<br \/>\nMircea C\u0103rbunaru, Tudor Cicu, Valeriu Ion G\u0103giulescu<br \/>\n\u0219i teatrul, de Lucian Badea. Ariciul literar \u00een\u021beap\u0103 pe<br \/>\nRadu F. Gur\u0103u (Fluturii n-ajung p\u00e2n\u0103 la stele) \u0219i pe&#8230;<br \/>\nMircea C\u0103rt\u0103rescu (?!), care traduce Suflare \u00een v\u00e2nt de<br \/>\nBob Dylan; aici sunt redate fa\u021b\u0103 \u00een fa\u021b\u0103 versiunea lui<br \/>\nMircea C\u0103rt\u0103rescu (Suflare \u00een v\u00e2nt) \u0219i versiunea lui<br \/>\nAdrian P\u0103unescu (Suflare de v\u00e2nt).<\/p>\n<p><strong>L i t e r e<\/strong>, Anul XXI, nr. 6 (243), iunie 2020,<br \/>\nT\u00e2rgovi\u0219te. Remarc\u0103m eseurile, studiile \u0219i comentariile<br \/>\nrealizate de Barbu Cioculescu, Mea culpa, Mihai<br \/>\nCimpoi, Titu Maiorescu \u00een postumitate, Alex.<br \/>\n\u0218tef\u0103nescu, \u00centoarcerea \u021b\u0103ranului de Adrian P\u0103unescu,<br \/>\nMarian Popa, Europenizarea Europei: un proces<br \/>\nindefinit de pervertire vitalizant\u0103 (3), Mircea Horia<br \/>\nSimionescu, M\u0103n\u0103stirea Dealu, Marin Iancu, Starea de<br \/>\ngra\u021bie a eseului (III), Mircea Colo\u0219enco, Petre \u021au\u021bea,<br \/>\nfilosof \u0219i literator (I), Mihai Stan, Eminescu, India \u0219i<br \/>\nBibliotheca, Florentin Popescu, Antologiile, ca repere<br \/>\nistorico-literare (VI), Nicolae Georgescu, Mihai \u0219i<br \/>\nVeronica. Infernuri paralele, Magda Ursache, politic\u0103 \u0219i<br \/>\npolitic\u0103, Titi Damian, Damian St\u0103noiu &#8211; \u201eParada<br \/>\nnorocului\u201d(II), Simona Cioculescu, 2012, Anca Preda,<br \/>\nProza Gabrielei Adame\u0219teanu, Alexandru Bulandra, Pe<br \/>\nurmele autorului. M\u0103rturisirile unui detectiv literar,<br \/>\nLina Codreanu, Victor Teleuc\u0103, poet al esen\u021belor (1),<br \/>\nTheodor Codreanu, Literatura ca transfigurare, critica<br \/>\nliterar\u0103 scris\u0103 de Horia G\u00e2rbea (Constan\u021ba Popescu,<br \/>\nFericirea dintre gene), Constantin Eretescu (Iordan<br \/>\nDatcu, M-au onorat cu epistolele lor), M\u0103d\u0103lina<br \/>\nSimionescu-Cojocaru (Mircea Horia Simionescu,<br \/>\nT\u00e2rgovi\u0219te, scurt excurs sentimental), Margareta<br \/>\nCristea-Binea\u021b\u0103 (Dan G\u00e2ju, Femeia ca obiect de studiu),<br \/>\nAna Dobre (Maria Sturdza Clopotaru, Diana \u00een<br \/>\nanotimpul mir\u0103rii), Alice-Cristina Toma (Iuliana Alexa,<br \/>\nPoemele Baronului Beau \u0219i alte foitaje), Nicolae Dina<br \/>\n(Stan V. Cristea, Literatur\u0103 de ieri, literatur\u0103 de azi),<br \/>\nVasile Bardan (Mihai Istudor, Dansul ninsorilor).<br \/>\nPoezia este semnat\u0103 de Mihai Eminescu, Paula<br \/>\nRomanescu, Nicolae Costenco (prezentat de Iulian<br \/>\nFilip), Corin Bianu, Grigore Grigore, Savian Mur,<br \/>\nMihaela Aionesei, George D. Pite\u0219, iar proza, de<br \/>\nCarmen Georgeta Popescu, Ion M\u0103rculescu, Aurelian<br \/>\nSilvestru, Toma George Veseliu, Iulian Moreanu, Ioan<br \/>\nVi\u0219an.<\/p>\n<p><strong>P l u m b<\/strong>, Anul XVI nr. 159, iunie 2020, Bac\u0103u.<br \/>\nRemarc\u0103m comentariile \u0219i eseurile realizate de Ioan<br \/>\nVulcan-Agniteanul, Eminescu, Livia Ciuperc\u0103, Omagiu<br \/>\nlui Marin Preda \u2013 la patru decenii de t\u0103cere, Nicolae<br \/>\nScurtu, Un profil al poetei Agatha Grigorescu-Bacovia,<br \/>\nEmilia Grigora\u0219, Perenitatea unui motiv literar:<br \/>\ncobor\u00e2rea \u00een infern, Romulus-Dan Busnea, Sta\u021biunea<br \/>\nSl\u0103nic Moldova, o destina\u021bie demn\u0103 de Cartea<br \/>\nRecordurilor, Dumitru Br\u0103neanu, De la un g\u00e2nd la altul<br \/>\n\u2013 De la Covid 19 la globalizare, Theodor-George<br \/>\nCalcan, Revenire spectaculoas\u0103 \u2013 Revista F\u00e2nt\u00e2na<br \/>\nBlanduziei, Grigore Codrescu, Confesiunile lui George<br \/>\nEnescu, Adrian Popovici, \u201eOstrovul Invierii\u201d \u00een<br \/>\nviziunea Aurei Christi, Cristina \u0218tefan, Mihai Semenov<br \/>\n\u0219i revista Convorbiri didactice, Lucia Oraru-Nenati,<br \/>\nExist\u00e2nd prin muzic\u0103 \u0219i poezie, Constantin Vorniceasa,<br \/>\nVrabia m\u0103lai viseaz\u0103, Ozana Kalmuski Zarea, Premiul<br \/>\nDorel Baicu. Critic\u0103 literar\u0103 scriu: Mioara Bahna (Ion<br \/>\nUleanu, \u201eCafe-i-ada\u201d pentru \u201eO mie \u0219i una de&#8230;<br \/>\nCe\u0219ti\u201d), Daniel Marian (Any Dr\u0103goianu, Setea<br \/>\n\u00eenving\u0103torilor), Constantin Dram (Vasile Lu\u021bai,<br \/>\nPovestiri din Gr\u0103dina Soarelui), Ioan \u021aicalo (Antonie<br \/>\nPl\u0103m\u0103deal\u0103, Trei ceasuri \u00een iad), Florentin Popescu<br \/>\n(Mariana-Velisar Codrescu, Matei al inocen\u021bei \u0219i al<br \/>\nmir\u0103rilor), Ionel Necula (Toma Vasile), Daniel Luca<br \/>\n(Teo Cabel, Fluture \u00een pustiu), Lucian Strochi (Dan<br \/>\nGabriel Arv\u0103tescu, Confesiunile unui scaun), Cristina<br \/>\n\u0218tefan (Dan Iacob, Ramura de liliac), Ic\u0103 S\u0103li\u0219teanu<br \/>\n(Tudor Amza, C\u00e2mpia \u00ee\u0219i revendic\u0103 altarul), Lucian<br \/>\nGruia (Dumitru T\u00e2lvescu, Cornucopia). Poezie<br \/>\nsemneaz\u0103: Tincu\u021ba Horonceanu Bernevic, Mircea<br \/>\nBostan, Ciprian Vestemean, George Nica, Valentina<br \/>\nBecart, Petru\u0219 Andrei, Romic\u0103 C. Ghica, Adriana<br \/>\nWeimer, Dorina Stoica, iar proz\u0103: Firi\u021b\u0103 Carp, Eugen<br \/>\nVerman, Gheorghe Ungureanu \u0219i Dan Arv\u0103tescu.<\/p>\n<p><strong>Pro Saeculum<\/strong>, Anul XIX, nr. 3-4 (143-144), 1<br \/>\naprilie \u2013 30 iunie 2020, Foc\u0219ani. Remarc\u0103m eseurile \u0219i<br \/>\ncomentariile realizate Rodica L\u0103z\u0103rescu, Ca o sticl\u0103 \u00een<br \/>\nocean&#8230; (editorial), Magda Ursache, La \u201evreme de<br \/>\n\u00eencercare&#8221;, Ioan Scurtu, Trianon 100 \u2013 Minorit\u0103\u021bile<br \/>\nna\u021bionale \u0219i unirea Transilvaniei cu Rom\u00e2nia, Ioan<br \/>\nDumitru Denciu, Recurs (hidronimic) vr\u00e2ncean, Andrei<br \/>\nMoldovan, Poe\u021bii \u0219i romanele lor, Ioana-Ruxandra<br \/>\nFruntelat\u0103, Mit, basm, poveste \u00een trei abord\u0103ri<br \/>\ncontemporane, Maria Ni\u021bu, Sta\u021bi \u00een cas\u0103! Pentru<br \/>\ns\u0103n\u0103tatea dumneavoastr\u0103, evita\u021bi s\u0103 umbla\u021bi vandra!<br \/>\nIonel Necula, Cioran \u2013 trepte ale alunec\u0103rii \u00een neant,<br \/>\nPetre Isachi, Dostoievski \u0219i drumul spre centru. Partea a<br \/>\nVI-a, Nicolae Constantinescu, Repere ialomi\u021bene Virgil<br \/>\nDiaconu, Conceptul de oper\u0103 biblic\u0103 literar\u0103, \u00een<br \/>\nviziunea lui Northrop Frye, Ion Andrei\u021b\u0103, Despre Nobel,<br \/>\nnumai de bine&#8230;, interviurile: Virgil Ra\u021biu \u2013 Niculae<br \/>\nGheran, Sabina Marcu \u2013 George B\u0103l\u0103i\u021b\u0103 (III), Cornel<br \/>\nGalben \u2013 Constantin C\u0103lin, Ilie Rad \u2013 Tudor Vlad,<br \/>\ncritica literar\u0103 f\u0103cut\u0103 de Maria Ni\u021bu (Passionaria<br \/>\nStoicescu, Plusfiin\u021ba), Ionel Necula (Lina Codreanu,<br \/>\nCostache Ol\u0103reanu. Arhitecturi ludice) Ana Dobre<br \/>\n(Ioan Adam, Duiliu Zamfirescu, fa\u021ba din umbr\u0103,<br \/>\nGeorgeta Adam, Sintagme la zi. Jurnal indirect, Ovidiu<br \/>\nPecican \u0219i \u0218tefan \u0218uteu, \u0218tiutul \u0219i ne\u0219tiutul: un dialog),<br \/>\nValentin Popa (Viviana Ioan, Darxnation: fascina\u021bia<br \/>\n\u00eentunericului), Iordan Datcu (Andrei Moldovan,<br \/>\n\u201eBulevardul\u201d Niculae Gheran), Diana Dobri\u021ba B\u00eelea<br \/>\n(Adrian Nicola, H\u0103ituiala, Angi Melania Cristea, 777 de<br \/>\namintiri, Gheorghe Dobre, \u0218i au tr\u0103it mul\u021bi ani, ferici\u021bi).<br \/>\nLa anivers\u0103rile Dumitru Radu Popescu \u2013 85, scriu:<br \/>\nConstantin Cuble\u0219an, D.R. Popescu \u2013 un dramaturg<br \/>\nuitat? Cornel Ungureanu, D.R. Popescu, dincolo de<br \/>\nGalaxia Grama, Theodor Codreanu, O nou\u0103 exegez\u0103<br \/>\ndespre Dumitru Radu Popescu, la cea a lui Constantin<br \/>\nC\u0103lin \u2013 80, Constantin Trandafir, un literator moralist,<br \/>\nConstantin Coroiu, R\u0103zboiul \u00eentre ur\u0103 \u0219i mil\u0103. Lecturi<br \/>\nparticulare dup\u0103 o sut\u0103 de ani; Mircea Popa, Scriitorul<br \/>\nHans Bergel la 95 de ani; Radu Ulmeanu, Gheorghe<br \/>\nPitu\u021b, amintiri \u0219i \u00eenv\u0103\u021b\u0103minte (remember).<\/p>\n<p><strong>Revista Nou\u0103<\/strong>, seria a patra, anul XVII, nr. 1 \u0219i<br \/>\n2 (112 \u0219i 113), 2020, C\u00e2mpina. Eseurile sunt realizate<br \/>\nde Firi\u021b\u0103 Carp, Un devotament aparte \u0219i Antidot<br \/>\n\u00eempotriva masc\u0103rii, Livia Ciuperc\u0103, Geneza unui<br \/>\npatronim, Constantin Dobrescu, Conferin\u021ba lui<br \/>\nConstantin Vi\u0219oianu despre Mirabeau \u0219i Violetta C.<br \/>\nPopescu-Cote\u0219ti, o artist\u0103 pe nedrept uitat\u0103, George<br \/>\nLiviu Teleoac\u0103, Revela\u021biile exploziei informa\u021bionale.<br \/>\nOriginea actual\u0103 a etnonimelor Valah \u0219i Rom\u00e2n,<br \/>\nAdriana Ungureanu, O statuie spiritual\u0103 pentru Bogdan<br \/>\nPetriceicu Hasdeu, ca p\u0103rinte al transdisciplinarit\u0103\u021bii \u00een<br \/>\nRom\u00e2nia, Cornel Cuble\u0219an, Fragment de scrisoare<br \/>\ndeschis\u0103, Marian Nencescu, Suflet rom\u00e2nesc la<br \/>\nConstantin R\u0103dulescu-Motru \u0219i Neagoe Basarab,<br \/>\nPaideie vs, literatur\u0103, Codru\u021b Constantinescu, Pandemia<br \/>\na dublat vacan\u021ba mare, Daniel Alin Ciupal\u0103, Lucrare<br \/>\ngrea! O poveste deocheat\u0103 de pe Calea Doftanei,<br \/>\nMarian Dul\u0103, Moartea vine \u0219i din cer! Serghie Bucur,<br \/>\nReveriile Nadiei Negru \u0219i La pupitrul vie\u021bii, Octav<br \/>\nCalleya. Critic\u0103 literar\u0103 fac: Mioara Bahna (Radu<br \/>\nCiobanu, Casa Ferici\u021bilor \u0219i \u0218tefan Mitroi, Gaura),<br \/>\nPetre R\u0103u (\u0218erban M\u0103rgineanu, \u00cen umbra iubirilor<br \/>\nsecrete), Petronela Apopei (Marius Dumitrescu, Moarte<br \/>\ncu suspendare), Florin Dochia (David Boia, Cu \u00eengerii<br \/>\n\u00een drum \u0219i Liana Dupont, Cuvinte pictate), Ic\u0103<br \/>\nS\u0103li\u0219teanu (\u0218tefan Mitroi, Dulce ca pelinul), Serghie<br \/>\nBucur (Geo Galetaru, Fericirea ca o diminea\u021b\u0103<br \/>\nploioas\u0103). Cronica de film este scris\u0103 de Raluca Faraon<br \/>\n(Samuraiul, 1967), Pianul (1993) \u0219i Children of a<br \/>\nLesser God (1986)). Poezia semnat\u0103 de Ioan Romeo<br \/>\nRo\u0219iianu, Vasile Dan Marchi\u0219, Grigore Grigore, iar<br \/>\nproza, de Angela Burtea, Iulian Moreanu, Ion Toma<br \/>\nIonescu.<\/p>\n<p><strong>S c r i p t o r<\/strong>, Anul VI, nr.7-8 (67-68), iulieaugust<br \/>\n2020, Ia\u0219i. Poezia este semnat\u0103 de Gabriel Chifu<br \/>\n(cu poem desenat de Drago\u0219 P\u0103tra\u0219cu), Dumitru<br \/>\nChioaru, Marian Dr\u0103ghici, Ion Mure\u0219an, Dan Stanca,<br \/>\nJordi Doce (prezentare \u0219i traduceri de Melania Stancu),<br \/>\nNicole Gdalia (traduceri de M\u0103d\u0103lina Ghiu \u0219i Bogdan<br \/>\nGhiu), Romulus Moldovan \u0219i proza, de Cristina<br \/>\nChiprian, George David, Iris A, Knieling, Dorin<br \/>\nMurariu, Gheorghe Schwartz, Remarc\u0103m eseurile \u0219i<br \/>\ncomentariile realizate de \u0218tefan Afloroaie, Libertatea<br \/>\ninepuizabil\u0103 \u00een fa\u021ba interpret\u0103rii, Simona Modreanu,<br \/>\nTraducere \u0219i mediere cultural\u0103 (II), Codrin-Liviu<br \/>\nCu\u021bitaru, D\u02bcale scriitorilor, \u0218tefan Hostiuc,<br \/>\nMoldovenismul, o doctrin\u0103 politic\u0103, Radu Ciobotea,<br \/>\nCioran: bolile respira\u021biei literare, Emina C\u0103p\u0103ln\u0103\u0219an,<br \/>\nBazat \u2013 un participiu cu sens adjectivizat, Laura-<br \/>\nCarmen Cu\u021bitaru, Pirah\u00e3 (II), Ioan Scurtu, Dumitru<br \/>\nAlma\u0219 \u2013 omul \u0219i opera, Eugen Uricaru, Sighetu<br \/>\nMarma\u021biei, Vasile Iancu, Chi\u0219in\u0103u. Evoc\u0103ri interbelice,<br \/>\nMircea Radu Iacoban, Covid contra Carte, Liviu Ioan<br \/>\nStoiciu, Din anul Revolu\u021biei. De uz strict personal<br \/>\n(XXX), Theodor Codreanu, Dumitru Radu Popescu-85,<br \/>\nAnamorfoza Leului albastru, Constantin Cuble\u0219an, Un<br \/>\ndramaturg uitat (D.R. Popescu-85), Grigore Ilisei,<br \/>\nPovestea povesta\u0219ului de poveste al filmului rom\u00e2nesc.<br \/>\nLa Chestionar scriptorian formulat de Lucian Vasiliu,<br \/>\nr\u0103spunde Iustin Moraru, iar dialogurile sunt: Nicolae<br \/>\nBusuioc \u2013 Doru Sc\u0103rl\u0103tescu, Iulian Talianu \u2013 \u0218tefan<br \/>\nMitroi. Scriu critic\u0103 literar\u0103: Mihai Cimpoi (Titu<br \/>\nMaiorescu, Epoca Eminescu), Elvira Sorohan (Drago\u0219<br \/>\nCojocaru, Lornionul galactic), Diana Bobic\u0103 (Adrian G.<br \/>\nRomila, Efectul \u00eendelungat al pasiunilor de tinere\u021be),<br \/>\nIoan R\u0103ducea (Unsprezece tineri poe\u021bi din Chi\u0219in\u0103u),<br \/>\nFr\u0103gu\u021ba Zaharia (Take Ionescu, Amintiri), Ioan Holban<br \/>\n(Theodor-George Calcan, Amneziile doamnei Voltaire),<br \/>\nVictor Tei\u0219anu (Monica Pillat, Croitorul de c\u0103r\u021bi),<br \/>\nDiana Vrabie (Nicolae Sp\u0103taru, Omul izgonit de<br \/>\nceasuri), Stelian \u021aurlea (Bogdan Hrib, Rezilien\u021b\u0103).<\/p>\n<p><strong>Sintagme literare<\/strong>, nr. 3 (44), iunie 2020,<br \/>\nDude\u0219tii Noi. Sunt prezen\u021bi la poesis: Adriana Weimer,<br \/>\nAna Ardeleanu, Camelia Radulian, Carmen-Maria<br \/>\nMecu, Cristian Ovidiu Dinic\u0103, Daniela Slapciu, Daniel<br \/>\nMarian, Dorina M\u0103g\u0103rin (\u0219i proz\u0103), Dumitru M\u0103lin,<br \/>\nGabriela Alexandru, Gina Zaharia, Ioana Burghel, Irina<br \/>\nAlexandrescu (\u0219i teatru), Irina Lucia Mihalca, Lavinia-<br \/>\nElena Niculicea, Magdalena Lazanu, Maria Jurj,<br \/>\nMariana Grigore, Nicolae Nistor, Nicolae Silade,<br \/>\nNicolae V\u0103l\u0103reanu S\u00e2rbu, Octavian Mihalcea, Raul<br \/>\nConstantinescu, Ruben Bucoiu, Savu Popa (\u0219i proz\u0103),<br \/>\nSimion Bogd\u0103nescu, Soril Miavoe, Sorin Nicolae<br \/>\nD\u0103n\u0103nae, Valentin Tufan, Veronica Baciu, la proz\u0103:<br \/>\nAdriana Popa, Constantin Geant\u0103, Cristian Mladin, la<br \/>\natelier critic: Adrian Dinu Rachieru (Ileana Roman,<br \/>\n\u201ezei\u021ba cu c\u00e2ini\u201d, Angela Nache Mamier (Gheorghi\u021ba-<br \/>\nDaniela Slapciu, Mademoiselle D.), Camelia Ardelean<br \/>\n(Dora Pascu, A cincea sta\u021bie), Constantin Stancu<br \/>\n(Dumitru Hurub\u0103, Infidelia), Cristian Gabriel Moraru<br \/>\n(Nicolae V\u0103l\u0103reanu S\u00e2rbu, Femeia de ploaie), Cristian-<br \/>\nPaul Mozoru (\u00censemn\u0103ri despre poezia lui Costel<br \/>\nSimedrea), Daniel Luca (Daniela Faur, Infidela, Ioan<br \/>\nRomeo Ro\u0219iianu, Scrisori c\u0103tre Izoleta, Katherine D.<br \/>\nMag, \u00cen nudul min\u021bii tale, Loreta Toader, Defini\u021bie \u00een<br \/>\nalbastru, Mihai Ursulescu, Culoarul de\u0219ert\u0103ciunilor),<br \/>\nDaniel Marian (Any Dr\u0103goianu, Setea \u00eenving\u0103torilor),<br \/>\nDaniel Mari\u0219 (Florin Dochia, Nop\u021bi cu Innana Lee,<br \/>\nAdrian Fr\u0103\u021bil\u0103, Balade, Violeta Savu, Franjuri), Lucian<br \/>\nGruia (Camelia Radulian, Zbur\u00e2nd\/ Duke fluturar),<br \/>\nOctavian Mihalcea (Dan Elias, Republica viselor),<br \/>\nPetru\u0219 Andrei (Ellise Soltan, Libertatea l\u0103custei din<br \/>\npaharul cu ap\u0103), Scriu eseuri: Gabriela Verban, Ioan<br \/>\nKaleve \u0219i Ioan R\u00eemboi, Victor Marola \u00een dialog cu<br \/>\nCostina Sava. La meridiane lirice \u00eel g\u0103sim pe Agron<br \/>\nTufa (prezentare \u0219i traducere de Oana Glasu), iar La<br \/>\ncur\u021bile dorului, Ion C\u0103liman.<\/p>\n<p><strong>S U D<\/strong>, Anul XXIV, nr. 5-6 (230-231), mai-iunie<br \/>\n2020, Bolintin Vale, Eseurile \u0219i comentariile sunt<br \/>\nrealizate de Florin Colona\u0219, 75MP. Nava amiral a<br \/>\navangardei rom\u00e2ne\u0219ti \u0219i Paris-Bucure\u0219ti. Bilan\u021b muzeal<br \/>\npozitiv la final de an 2019 (III), Florentin Popescu,<br \/>\nScriitori \u00een viziuni grafice (X), Alexandru Cazacu,<br \/>\nOdiseea interioar\u0103, Gabriel Dragnea, Ion Dr\u0103g\u0103noiu<br \/>\nsau poezia ca reconstituire, Nicolae Dan Fruntelat\u0103,<br \/>\nInvazia l\u0103custelor \u0219i Z\u0103pezile de alt\u0103dat\u0103 \u00eentr-un ora\u0219<br \/>\nde gr\u0103niceri, Ioana-Ruxandra Fruntelat\u0103, Puterea<br \/>\nC\u0103lu\u0219ului, Niculae Stoica, Marginalii&#8230;, Constantin<br \/>\nMiu, Elemente de basm \u00een \u201eLuceaf\u0103rul\u201d, Geanina<br \/>\nMehedin\u021bu, Tudor Mu\u0219atescu (1903-1970) \u2013<br \/>\ncontinuator al comediei caragialiene de moravuri,<br \/>\nVasile Grigorescu, Eliade \u0219i \u201eDuduca Rica\u201d, Victor<br \/>\nAtanasiu, Dimitrie Bolintineanu: \u201egeniul necomparabil<br \/>\nal Rom\u00e2niei\u201d, Romani\u021ba-Maria \u0218ten\u021bel, Moda \u00een<br \/>\nscrierile literare numite Utopii, Alexandra Firi\u021b\u0103, Jurnal<br \/>\nCovid-19. Zona ro\u0219ie, \u0218tefan Crudu, Mersul t\u00e2rgului,<br \/>\ninterviu: Redac\u021bia Sud \u2013 Victor Pencu, file de<br \/>\nmonografie: Lumini\u021ba Cornea, O via\u021b\u0103 sub sabie (IV),<br \/>\nevoc\u0103ri; Neagu Udroiu, \u201eUniversit\u0103\u021bile mele (IV)\u201d.<br \/>\nAnotimpul \u201eVulcan\u201d \u0219i Lumini\u021ba Cornea, O c\u0103l\u0103torie<br \/>\nde alt\u0103dat\u0103, Giurgiu, v\u0103zut de Romulus Cioflec la<br \/>\n\u00eenceputul de secol XX. Critica literar\u0103 este f\u0103cut\u0103 de Ion<br \/>\nAndrei\u021b\u0103 (Romani\u021ba-Maria \u0218ten\u021bel, Hora Domni\u021belor,<br \/>\nMarinela Preoteasa, Cultur\u0103 cu b\u0103utur\u0103, Elena Mitru,<br \/>\nCatacomba Bucure\u0219tiului, Maria Sturdza Clopotaru,<br \/>\nNectarul Florii de Aur), Titus V\u00eejeu (Eugeniu Bucheru,<br \/>\nIstorii nescrise, infamii neprescrise, Viorel Domenico,<br \/>\nGeneralul Cinema), Florentin Popescu (Gheorghe Filip,<br \/>\nCercul de frig), Gabriel Dragnea (Geo C\u0103lug\u0103ru, Cartea<br \/>\nvie\u021bii mele), \u0218erban Codrin (Ion Filipoiu, Prin\u021bul, Emil<br \/>\nNiculescu, Confinium). Poezia este semnat\u0103 de Magda<br \/>\nIsanos, Gabriel Burlacu, Vasilica Grigora\u0219, Ioan<br \/>\nMarinescu, Mihaela M\u00eer\u0219olea, Nicolae V\u0103l\u0103reanu S\u00e2rbu,<br \/>\nAlexandra Firi\u021b\u0103.<\/p>\n<p><strong>1 3 P l u s<\/strong>, anul XXIII, nr. 196\/ 2020, Bac\u0103u.<br \/>\nComentariile \u0219i eseurile sunt realizate de Petre Isachi,<br \/>\nCanibalismul scriitorului sau paradoxul identit\u0103\u021bii \u00een<br \/>\nalteritate, Nihilismul lui Eugen Ionescu \u2013 r\u0103u necesar \u0219i<br \/>\nposibil remediu \u0219i Conversa\u021bii \u00een oglind\u0103 cu Mircea<br \/>\nEliade \u2013 roman polifonic pe care urmeaz\u0103 s\u0103-l scrie<br \/>\ncititorul, Ion Dinvale, A treia cale &#8211; \u0218tefan Lupa\u0219cu,<br \/>\nHegel, Nietzsche -, Sorina-Roxana Costandache, La<br \/>\naniversar\u0103: Ioan D\u0103nil\u0103 \u2013 Pentru urm\u0103toarele<br \/>\ngenera\u021bii, Mihai Botez, \u201eR\u0103ul alb\u201d- o superliterar\u0103<br \/>\nparabol\u0103 a orbirii, Conu Teofil Avram fa\u021b\u0103 cu<br \/>\nreac\u021biunea post-decembrist\u0103 (reflec\u021bii \u00een marginea unui<br \/>\nmanuscris de Viorel Savin) Cornelia Ichim-Pompiliu, In<br \/>\nmemoriam; Paul Goma \u2013 Soldatul nim\u0103nui, Adrian<br \/>\nLungu, Incursiune cultural\u0103 la V\u0103ratec (III). Critica<br \/>\nliterar\u0103 este f\u0103cut\u0103 de Corneliu Vasile (Gina Zaharia,<br \/>\nMaci de toamn\u0103, Gabriel Dragnea, Altharul lui Cronos),<br \/>\nOttilia Ardeleanu (Maria Dobrescu, G\u00e2nduri \u00een cu\u0219c\u0103),<br \/>\nPetre Isachi (Mihaela Roxana Boboc, Poemele Ioanei,<br \/>\nCel mai frumos c\u00e2ntec vine pe furi\u0219, \u0218evalet cu epilog,<br \/>\nStanomir Petrovici, Oglinda spart\u0103), Camelia Ardelean<br \/>\n(Marcela Constantinescu, Via\u021ba merge mai departe),<br \/>\nValeriu R\u00e2peanu (Llelu Nicolae V\u0103l\u0103reanu S\u00e2rbu, Abur<br \/>\nde vis), Adrian Boamb\u0103 (John Grisham, Firma). Poezia<br \/>\neste semnat\u0103 de Mihaela Roxana Boboc (prozo-poeme),<br \/>\nMihai St\u00eencaru, Ottilia Ardeleanu, Ion Dinvale, Andreia<br \/>\nP\u0103limariu, Alexandru Jurcan, Nicolae V\u0103l\u0103reanu S\u00e2rbu,<br \/>\nDan Movileanu, Alex Oko, Emil Butnaru, \u0218tefan<br \/>\nDincescu, iar proza, de Mirela B\u0103lan, Constantin Isache<br \/>\n\u0219i Ion Fercu.<\/p>\n<p><strong>U r m u z<\/strong>, seria a doua, anul VII, nr.1-2 \u0219i 3-4\/<br \/>\n2020, C\u00e2mpina. Remarc\u0103m: poezia semnat\u0103 de \u0218erban<br \/>\nFoar\u021b\u0103, Deborah Paredez \u0219i Eillen Myles, Angela<br \/>\nDimcheva, Ren\u00e9 Char, Jessica Q, Stark, Michel Deguy,<br \/>\nArundhathi Subramanian, Dimana Ivanov\u00e1 (t\u0103lm\u0103ciri de<br \/>\nFlorin Dochia), Oxana Gherman, Mihaela Oancea,<br \/>\nEmilia Amariei, Carmen Secere, Andreea Miu, Ana<br \/>\nMih\u0103ilescu, Costin Giban, Ioana Bojic\u0103, Lucia Corina<br \/>\nP\u0103s\u0103rar, Valeriu Valegvi, Miroslav Sosoi \u0219i Martina<br \/>\nStrakov\u00e1 (traducere de Mircea Dan Du\u021b\u0103), Tare\u051b Samin<br \/>\n\u0219i Danijela Traikovi\u0107 (traduceri de Nicoleta Cr\u0103ete),<br \/>\nNadejda Radeva \u0219i Valentin Leahu (traduceri \u00een lb.<br \/>\nenglez\u0103 de Nicoleta Cr\u0103ete), Diana Trandafir, Maria<br \/>\nCalleya, Grigore Grigore, Dan Dr\u0103goi, Dumitru Ichim,<br \/>\nConstan\u021ba Ab\u0103la\u0219ei-Donos\u0103, Mihaela Gudan\u0103, proza, de<br \/>\nSilvia Marinache, interviul Liliana Popa \u2013 Matei<br \/>\nVi\u0219niec, eseuri realizate de Eillen Myles, George Banu,<br \/>\nNicolas Domenach \u0219i Arundhathi Subramanian<br \/>\n(t\u0103lm\u0103ciri de Florin Dochia), comentariul lui Florin<br \/>\nDochia, Gregor Samsa: convergen\u021be intertextuale,<br \/>\ncritica literar\u0103 f\u0103cut\u0103 de Mioara Bahna (Florina Isache,<br \/>\nPloi \u00een oglinzi \u0219i Valentin Irimia, Dimine\u021bi clandestine),<br \/>\nAngela Nache Mamier (Ion Toma Ionescu, Al cincilea<br \/>\nanotimp), Serghie Bucur (Dumitru Augustin Doman,<br \/>\nSpuma zilelor \u0219i nop\u021bilor de lectur\u0103 \u0219i Nicolae Radu<br \/>\nFrunte\u0219, Prescuria), Cristina Berinde (Marius<br \/>\nDumitrescu, Moarte cu suspendare), Ic\u0103 S\u0103li\u0219teanu<br \/>\n(Emilian Marcu, T\u0103r\u00e2mul inocen\u021bilor), Valentina Becart<br \/>\n(Georgeta Musc\u0103-Oan\u0103, Culorile tr\u0103irii), Diana Dobri\u021ba<br \/>\nB\u00eelea (Mihai Merticaru, Vis \u0219i abis), Petronela Apopei<br \/>\n(Ion Toma Ionescu, Copacul cu icoan\u0103), Octavian<br \/>\nMihalcea (Daniela Toma, Splendida rochie neagr\u0103 a<br \/>\numbrei mele), Raluca Faraon (Costel Stancu, Ho\u021bul de<br \/>\nferestre), cronica muzical\u0103 a lui Serghie Bucur,<br \/>\nCarmina burana, cronicile la filmele Am\u00e9lie, L\u00e9on \u0219i In<br \/>\nthe Mood for Love, de Raluca Faraon \u0219i cronica plastic\u0103,<br \/>\nde Serghie Bucur, Acuarelele Mir-Co \u0219i Dan Dr\u0103gu\u0219,<br \/>\nFilip K\u00f6ll\u00f6.<\/p>\n<p><strong>U. Z. P.<\/strong>, nr. 17\/ 2020. UZPR \u0219i deschiderea<br \/>\nc\u0103tre timpul breslei este editorialul semnat de Roxana<br \/>\nIstudor. Pulsul organiza\u021biei este consemnat de<br \/>\nGheorghe B\u0103l\u021b\u0103tescu, Dezbateri la Bac\u0103u: \u201eProblemele<br \/>\nactuale \u0219i de perspectiv\u0103 ale presei din Rom\u00e2nia \u0219i din<br \/>\nlume\u201d, Adrian Suciu, Despre rela\u021bia presei cu propria<br \/>\ncon\u0219tiin\u021b\u0103, la Cluj, Maria Stanciu, Tradi\u021bie, distinc\u021bii \u0219i<br \/>\nproiecte la Gala\u021bi, Lucian \u0218erban, Ziari\u0219tii ar\u0103deni din<br \/>\nUZPR \u0219i-au ales conducerea, Marius Ilincaru, Apel la<br \/>\nunitatea tuturor jurnali\u0219tilor la Boto\u0219ani, Florin<br \/>\nMihalca, Unitate, conlucrare \u0219i profesionalism la<br \/>\nFiliala Bihor, Ileana Gafton Drago\u0219, Filiala Bra\u0219ov, \u00een<br \/>\nevolu\u021bie apreciat\u0103, Ioan Damaschin, Dialogul util \u00eentre<br \/>\nconducerea UZPR \u0219i jurnali\u0219tii const\u0103n\u021beni, Rodica<br \/>\nP\u0103v\u0103lan, S\u0103rb\u0103toare la filiala \u201eTudor Arghezi\u201d<br \/>\nCraiova, Emil Talianu, \u00cent\u0103rire a Filialei Sud \u201eDan<br \/>\nMucenic\u201d, Daniela G\u00eefu, Credin\u021b\u0103 \u0219i loialitate la Ia\u0219i,<br \/>\nCamelia Tocaci, Jurnali\u0219tii maramure\u0219eni fa\u021b\u0103 \u00een fa\u021b\u0103<br \/>\ncu conducerea UZPR, Roxana Topal\u0103, Despre<br \/>\nEminescu, \u201eOmul deplin al culturii rom\u00e2ne\u201d, la UZPR<br \/>\nRe\u0219i\u021ba, Gabriella Costescu, \u00cent\u00e2lnirea conducerii UZPR<br \/>\ncu Filiala Mure\u0219-Harghita, Ioan Ani\u021ba\u0219, UZPR are o<br \/>\nfilial\u0103 redutabil\u0103 la Satu Mare, Valentin Mic, UZPR a<br \/>\npus bazele unei filiale la Panciova, Serbia. Despre<br \/>\nSeratele \u201eEminescu, jurnalistul\u201d scriu Clementina<br \/>\nTimu\u0219, O tradi\u021bie care continu\u0103 \u00een for\u021b\u0103 \u0219i Tan\u021ba<br \/>\nT\u0103n\u0103sescu, Rigoare \u0219i sensibilitate \u2013 pledoarie pentru<br \/>\npresa militar\u0103. La diverse remarc\u0103m articolele scrise de<br \/>\nTan\u021ba T\u0103n\u0103sescu, Un bal str\u0103lucitor, ce va r\u0103m\u00e2ne \u00een<br \/>\nmemoria noastr\u0103, Roxana Istudor, Bani publici pentru<br \/>\npresa privat\u0103, Corina Popescu, Gazet\u0103ria \u0219i gloria<br \/>\npolitic\u0103, Eliade B\u0103lan, Presa de&#8230; canapea, Ioan<br \/>\nDamaschin, Dic\u021bionarul Limbii Rom\u00e2ne \u2013 un prieten<br \/>\napropiat jurnali\u0219tilor, Marian Nencescu, De ce nu avem<br \/>\nPR-i\u0219ti credibili, Firi\u021b\u0103 Carp, Un oaspete perpetuu, Ioan<br \/>\nVasiu, NICOLAE T\u00eercop \u2013 interviu cu un reper al presei<br \/>\nhunedorene, Ghi\u021b\u0103 Nazare, \u0218coala g\u0103l\u0103\u021bean\u0103 \u2013 30 de<br \/>\nani de profesionalism, Carol Roman, Entuziasm \u0219i<br \/>\nfoame, la Festival (fragment din cartea Debut \u00een cea\u021b\u0103),<br \/>\nRomulus-Dan Busnea, 111 ani de la na\u0219terea lui<br \/>\nMarius Mircu.<\/p>\n<p><strong>Vatra veche<\/strong>, serie veche nou\u0103, anul XII, nr. 7<br \/>\n(139), iulie 2020, T\u00e2rgu Mure\u0219. Remarc\u0103m eseurile \u0219i<br \/>\ncomentariile realizate de Nicolae B\u0103ciu\u021b, \u201eNobel contra<br \/>\nNobel\u201d \u0219i Muntele Athos din Muntele Athos (V), Ioan<br \/>\nAurel Pop, Un cuv\u00e2nt despre Ion Vlad \u0219i Transilvania,<br \/>\nStarea noastr\u0103 de veghe (XXXVIII), Darie Ducan, N.<br \/>\nSteinhardt, prezen\u021ba \u0219i persisten\u021ba lui printre noi, Silvia<br \/>\nUrdea, N. Steinhardt \u2013 caracter \u0219i c\u0103rturar de excep\u021bie,<br \/>\nIoan Romeo Ro\u0219iianu, Despre SUFLET (II), Emilia<br \/>\nLuchian, Nichita St\u0103nescu \u0219i eternul feminin (III),<br \/>\nVeronica Pavel Lerner, Cine mai are azi r\u0103bdare s\u0103<br \/>\nciteasc\u0103 despre&#8230; r\u0103bdare?, Gheorghe Sar\u0103u,<br \/>\nCoresponden\u021ba lui Dimitrie Stelaru (XXVIII), Dumitru<br \/>\nHurub\u0103, Mai altfel, despre Veronica Micle (XIII) \u0219i S\u0103<br \/>\nne mai (re)amintim de Liviu Rebreanu (III), Dorin<br \/>\nN\u0103dr\u0103u, Un volum profund memorialistic de Norman<br \/>\nManea), Galina Martea, Nicolae M\u0103tca\u0219 &#8211; 80,<br \/>\ninterviurile: Nicolae B\u0103ciu\u021b \u2013 Petru Botezatu, Nicolae<br \/>\nB\u0103ciu\u021b \u2013 Ioan Baba (II), Ional Silvian Bucurescu \u2013<br \/>\nMihail Diaconescu (VII), Veronica Balaj \u2013 Grigore<br \/>\nVieru, critica literar\u0103 scris\u0103 de Cristina Sava (Darie<br \/>\nDucan, Arta imunitar\u0103), Livia Fumurescu (Mircea<br \/>\nVaida-Voevod, Praful de pe tob\u0103), A.I. Brumaru (Ion<br \/>\nMari\u0219, Vesperare, Marin Slujeru, Cum trecem cumin\u021bi,<br \/>\nDrago\u0219 Danci, Amintiri din realitate), Nicolae B\u0103ciu\u021b<br \/>\n(Liliana Sp\u0103taru, &#8230; m-ascund \u00een vechi cuvinte&#8230;), Radu<br \/>\nIgna (Constantin Stancu, Migran\u021bi f\u0103r\u0103 bagaje), Radu<br \/>\n\u0218erban (Mihai Posada, Japonia. Note de c\u0103l\u0103torie),<br \/>\nMonica Grosu (Nicolae Suciu, Poezia lui Lucian<br \/>\nBlaga), Mircea Daro\u0219i (Dora Alina Romanescu, Demon<br \/>\n\u0219i \u00eenger), poezie de Alexandru Macedonski, Andrei<br \/>\nCiurunga, Cora Botezatu, Bianca Marcovici, Constantin<br \/>\nStancu, Nicolae B\u0103ciu\u021b, R\u0103zvan Ducan, Dumitru M\u0103lin,<br \/>\nAdrian Munteanu, Adriana Weimer, Valeria Bil\u021b,<br \/>\nNicolae M\u0103tca\u0219, Constantin Bacalba\u0219a, Vasile Larco.<\/p>\n<p><strong>V i t r a l i u<\/strong>, anul XXVIII, nr. 52, iunie 2020,<br \/>\nBac\u0103u. Dup\u0103 editorialul redac\u021biei, Vitraliu \u2013 un nou<br \/>\n\u00eenceput, se succed o serie de eseuri \u0219i comentarii<br \/>\nrealizate de Alin Popa, Trianon 100 \u2013 Ghid despre cum<br \/>\ns\u0103 ratezi o aniversare atunci c\u00e2nd al\u021bii comemoreaz\u0103<br \/>\nodat\u0103 cu tine. Cazul rom\u00e2no-maghiar, C.D. Zeletin \u2013 O<br \/>\nvia\u021b\u0103 de medic tr\u0103it\u0103 cu tenta\u021bia purific\u0103rii prin Cuv\u00e2nt,<br \/>\nO carte eveniment: Constantin C\u0103lin \u2013\u201eCentenarul.<br \/>\nLecturi particulare\u201d, A. Popa, Simpozionul Na\u021bional de<br \/>\nEstetic\u0103, edi\u021bia nr, XXIV, 16-18 0ctombrie 2019, Alin<br \/>\nP., Prima aniversare a Zilei Dramaturgiei Rom\u00e2ne\u0219ti<br \/>\nomagiat\u0103 la Centrul de Cultur\u0103 \u201eGeorge Apostu\u201d<br \/>\nBac\u0103u \u2013 13 noiembrie 2019, Alin Sebastian Popa, Mici<br \/>\ng\u00e2nduri despre Marea Unire, Ion Fercu, In memoriam<br \/>\nAlexandru Boboc, O superb\u0103 poveste de dragoste: Via\u021b\u0103<br \/>\n&amp; Filosofie, acad. Alexandru Boboc, Conceptul de timp<br \/>\n\u0219i Timpul muzical (I), Dinu Grigorescu, Despre<br \/>\nrepatriere \u0219i patriotism, Nicoleta Popa Blanariu,<br \/>\nAmerica de-Acas\u0103, Maia Ign\u0103tescu, Suntem at\u00e2t c\u00e2t<br \/>\nd\u0103ruim \u0219i Master Class de Pian, Daniel \u0218tefan<br \/>\nPocovnicu, Orizontul Eminescu al culturii rom\u00e2ne \u0219i<br \/>\nLirismul r\u0103zvr\u0103tit al numelui, Constantin C\u0103lin, Despre<br \/>\nr\u0103bdare, Varujan Vosganian, \u201eDespre uitare,<br \/>\nr\u0103zbunare, iertare\u201d, Dan Petru\u0219c\u0103, Pornind de la o not\u0103<br \/>\nde subsol, Ionel Savitescu, Europa \u00eentre 1914-1949 \u0219i<br \/>\nNicolae al II-lea \u0219i Revolu\u021bia rus\u0103. Poezia este semnat\u0103<br \/>\nde Maria Pal \u0219i Doru Faur, iar teatrul, de Mircea M.<br \/>\nIonescu. Ilustrarea acestui num\u0103r este f\u0103cut\u0103 cu lucr\u0103ri<br \/>\nde Nicolae Fleissig.<\/p>\n<p><strong>Cititorul de reviste<\/strong><\/p>\n<p>Apare sub egida Asocia\u0163iei Culturale \u201eValman\u201d, cu sprijinul Centrului Cultural \u201eFlorica Cristoforeanu\u201d \u015fi al Prim\u0103riei R\u00e2mnicu S\u0103rat<\/p>\n<p><em>Redactor-\u015fef:<\/em><br \/>\n<strong>VALERIA MANTA T\u0102ICU\u0162U<\/strong><\/p>\n<p><em>Colectivul redac\u021bional:<\/em><br \/>\n<strong>CAMELIA MANUELA SAVA<\/strong><br \/>\n<strong>NICOLAI T\u0102ICU\u0162U<\/strong><br \/>\n<strong>PETRACHE PLOPEANU<br \/>\nSTAN BREBENEL<\/strong><\/p>\n<p><em>Secretar de redac\u0163ie:<\/em><br \/>\n<strong>SILVIA IOANA SOFINETI<\/strong><\/p>\n<p><em>e-mail<\/em>: <strong>valeriamantataicutu@gmail.com<\/strong><br \/>\nTipar executat de <strong>EDITGRAPH Buz\u0103u<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>REVISTE LITERARE A c o l a d a, anul XIV, nr. 5 \u0219i 6 (150 \u0219i 151), mai \u0219i<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10386"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10386"}],"version-history":[{"count":4,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10386\/revisions"}],"predecessor-version":[{"id":10400,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/10386\/revisions\/10400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}